Coyote Ugly: Soundtrack by Jorge

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 10 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Can't Fight the Moonlight
sonstige Unterstützung:
Sara Lind (Aufgabe: technical assistant) und Robert Orton (Aufgabe: technical assistant)
Techniker(in) und Mix:
Steve MacMillan
zusätzliche(r) Techniker(in):
Austin Deptula, Greg Hunt (Texas based engineer), Gary Leach und Tim Weidner (engineer)
Produzent(in):
Trevor Horn
Bass:
Lee Sklar (bassist, session musician) und Jamie Muhoberac
Gitarre:
Tim Pierce (US session guitarist)
Keyboard [keyboards]:
Jamie Muhoberac
Klavier:
Alan Pasqua
Schlagzeug [drums]:
Curt Bisquera und John Robinson (session drummer)
Hintergrundgesang:
Sue Ann Carwell und Niki Harris (US singer and dancer)
Orchestrator(in):
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
phonographisches Urheberrecht (℗) von:
Curb Records, Inc. (holding company - do not use as release label) (in 2000) und Curb Records, Inc. (holding company - do not use as release label) (in 2020)
aufgenommen bei:
Royal Tone Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Sarm West Coast in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Can't Fight the Moonlight (longer version) von LeAnn Rimes (US country & pop singer)
Teil von:
Billboard Year-End Hot 100 singles of 2002 (Nummer: 56)
recording of:
Can’t Fight the Moonlight
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), Realsongs und Universal/MCA Music Ltd. (not for release label use!)
LeAnn Rimes2.853:35
2Please Remember
sonstige Unterstützung:
Sara Lind (Aufgabe: technical assistant) und Robert Orton (Aufgabe: technical assistant)
Techniker(in) und Mix:
Steve MacMillan
zusätzliche(r) Techniker(in):
Austin Deptula, Greg Hunt (Texas based engineer), Gary Leach und Tim Weidner (engineer)
Produzent(in):
Trevor Horn
Bass:
Lee Sklar (bassist, session musician) und Jamie Muhoberac
Gitarre:
Tim Pierce (US session guitarist)
Keyboard [keyboards]:
Jamie Muhoberac
Klavier:
Alan Pasqua
Schlagzeug [drums]:
Curt Bisquera und John Robinson (session drummer)
Hintergrundgesang:
Sue Ann Carwell und Niki Harris (US singer and dancer)
Orchestrator(in):
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
phonographisches Urheberrecht (℗) von:
Curb Records, Inc. (holding company - do not use as release label) (in 2000)
aufgenommen bei:
Royal Tone Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Sarm West Coast in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Please Remember
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
Realsongs
LeAnn Rimes24:32
3The Right Kind of Wrong
sonstige Unterstützung:
Sara Lind (Aufgabe: technical assistant) und Robert Orton (Aufgabe: technical assistant)
Techniker(in) und Mix:
Steve MacMillan
zusätzliche(r) Techniker(in):
Austin Deptula, Greg Hunt (Texas based engineer), Gary Leach und Tim Weidner (engineer)
Produzent(in):
Trevor Horn
Bass:
Lee Sklar (bassist, session musician) und Jamie Muhoberac
Gitarre:
Tim Pierce (US session guitarist)
Keyboard [keyboards]:
Jamie Muhoberac
Klavier:
Alan Pasqua
Schlagzeug [drums]:
Curt Bisquera und John Robinson (session drummer)
Hintergrundgesang:
Sue Ann Carwell und Niki Harris (US singer and dancer)
Orchestrator(in):
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
phonographisches Urheberrecht (℗) von:
Curb Records, Inc. (holding company - do not use as release label) (in 2000)
aufgenommen bei:
Royal Tone Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Sarm West Coast in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Right Kind of Wrong
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
Realsongs
LeAnn Rimes43:46
4But I Do Love You
sonstige Unterstützung:
Sara Lind (Aufgabe: technical assistant) und Robert Orton (Aufgabe: technical assistant)
Techniker(in) und Mix:
Steve MacMillan
zusätzliche(r) Techniker(in):
Austin Deptula, Greg Hunt (Texas based engineer), Gary Leach und Tim Weidner (engineer)
Produzent(in):
Trevor Horn
Bass:
Lee Sklar (bassist, session musician) und Jamie Muhoberac
Gitarre:
Tim Pierce (US session guitarist)
Keyboard [keyboards]:
Jamie Muhoberac
Klavier:
Alan Pasqua
Schlagzeug [drums]:
Curt Bisquera und John Robinson (session drummer)
Hintergrundgesang:
Sue Ann Carwell und Niki Harris (US singer and dancer)
Orchestrator(in):
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
phonographisches Urheberrecht (℗) von:
Curb Records, Inc. (holding company - do not use as release label) (in 2000)
aufgenommen bei:
Royal Tone Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Sarm West Coast in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
But I Do Love You
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
Realsongs
LeAnn Rimes23:18
5All She Wants to Do Is Dance
Programmierung:
Steve Porcaro
Techniker(in) und Mix:
Niko Bolas und Greg Ladanyi
Produzent(in):
Don Henley, Danny Kortchmar (Danny Kootch) und Greg Ladanyi
Gitarre:
Danny Kortchmar (Danny Kootch)
Schlagzeug [drums] und Hintergrundgesang [harmony vocal] und Sologesang:
Don Henley
Synthesizer:
David Paich
Hintergrundgesang [harmony vocals]:
Martha Davis (of The Motels) und Patty Smyth
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1985)
recording of:
All She Wants to Do Is Dance
Texter und Komponist(in):
Danny Kortchmar (Danny Kootch)
publisher:
WB Music Corp. (1929–2019)
Don Henley24:27
6Unbelievable
Produzent(in) und Mix:
Ralph Jezzard
E-Bass:
Zac Foley (in 1990)
E-Gitarre, Gitarre und Keyboard:
Ian Dench (in 1990)
Sampler [samples]:
Derry Brownson (in 1990)
Schlagzeug:
Mark Decloedt (in 1990)
Hintergrundgesang:
Claudia Fontaine (vocals, background vocals) (in 1990)
Sologesang:
James Atkin (in 1990)
vocals:
DJ Milf (Electronic dance music producer of the 2000s and 2010s) (in 1990)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 421)
recording of:
Unbelievable (in 1990)
Verfasser(in):
James Atkin, Derry Brownson, Mark Decloedt, Ian Dench und Zac Foley
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tusk, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Music Canada Ltd.
EMF3.653:29
7The Power
Produzent(in):
Snap (Eurodance)
Mix:
Snap! (Eurodance)
phonographisches Urheberrecht (℗) von:
BMG Ariola (company mostly named as distributor in Europe) (in 1990)
recording of:
The Power
Verfasser(in):
Benito Benites, Antoinette Colandero und John Garrett III
publisher:
Hanseatic Musikverlag GmbH (1964–2001), House of Fun Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Snap!43:39
8Need You Tonight
assistierende(r) Techniker(in):
Paula Jones (Australian audio engineer, producer)
Techniker(in):
David Nicholas (Australian recording engineer and producer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Mix:
Bob Clearmountain und Chris Thomas (UK record producer / remixer)
phonographisches Urheberrecht (℗) von:
INXS (label and copyrights holder for INXS) (in 1987, in 1997), PolyGram International Music B.V. (not for release label use!) (in 1987) und Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1999)
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Need You Tonight (music video) von INXS
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 59), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 16) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 114)
recording of:
Need You Tonight
Texter und Komponist(in):
Andrew Farriss (in band INXS) und Michael Hutchence
publisher:
Muziekuitgeverij Artemis B. V., Tol Muziek, WB Music Corp. (1929–2019), XL Publishing Pty. Ltd., 101 Muziek (publisher) (in 1987) und Chardonnay Investments Ltd. (in 1987)
INXS4.153:08
9The Devil Went Down to Georgia
Assistent recording engineer:
Steve Goostree (audio engineer, producer, mixer/ AV production)
recording engineer, Techniker(in) und Mix:
Paul Grupp
Produzent(in):
John Boylan
assistierende(r) Mix:
Dave Rideau (engineer) und Erik Zobler
Bassgitarre:
Charlie Hayward (Member of The Charlie Daniels Band)
Fiddle und Sologesang:
Charlie Daniels
Gitarre und Hintergrundgesang:
Tom Crain
Keyboard [keyboards]:
Joel "Taz" DiGregorio
Schlagzeug:
Fred Edwards (drummer and songwriter) und Jim Marshall (photographer)
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1979), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1979) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
produced for:
Sir Charles Productions
aufgenommen bei:
Woodland Studios in Nashville, Tennessee, Vereinigte Staaten
Musikvideos:
The Devil Went Down to Georgia von The Charlie Daniels Band
recording of:
The Devil Went Down to Georgia
Verfasser(in):
Charlie Daniels, Joel "Taz" DiGregorio, Fred Edwards (drummer and songwriter), Charlie Hayward (Member of The Charlie Daniels Band), John Crain und James W. Marshall
publisher:
Songs of Universal, Inc. (BMI) und Hat Band Music (in 1979)
The Charlie Daniels Band4.73:35
10Boom Boom Boom
Produzent(in):
Mike Curb und Michael Lloyd (US guitarist/singer producer)
phonographisches Urheberrecht (℗) von:
Curb Records, Inc. (holding company - do not use as release label) (in 2000)
recording of:
Boom Boom Boom
Texter und Komponist(in):
Chris Pelcer, Robert Vega (Capricorn records executive) und Ray Vega (US jazz trumpeter)
publisher:
Casa Vega Music, Million Suns Music, Voilá Music Inc. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Rare Blend3:18
11Didn't We Love
Produzent(in):
Don Cook (US country producer/songwriter) und Chris Waters (Country music singer and songwriter)
phonographisches Urheberrecht (℗) von:
Curb Records, Inc. (holding company - do not use as release label) (in 2000)
recording of:
Didn’t We Love
Texter und Komponist(in):
Tommy Lee James (Country music songwriter), Jennifer Kimball (songwriter) und Tamara Walker
publisher:
EMI Blackwood Music Inc., Garden Angel Music, Mike Curb Music, Music Of C and P, Still Working for the Man Music, Inc. und Still Working Music Group
Tamara Walker3:21
12We Can Get There
Produzent(in):
Mike Curb, Brad Gilderman und Harvey Mason, Jr. (hip hop/R&B producer, part of Underdogs)
remixer:
Chris Cox (American EDM producer, remixer and DJ) und Barry Harris (of Thunderpuss; Canadian producer, DJ, remixer, singer and songwriter)
phonographisches Urheberrecht (℗) von:
Curb Records, Inc. (holding company - do not use as release label) (in 1999)
aufgenommen bei und mixed at:
Interhit Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
We Can Get There
Texter und Komponist(in):
Deborah Allen (country music singer-songwriter) und Mike Curb
publisher:
Mike Curb Music und Posey Publishing
Mary Griffin3:58
13Pour Some Sugar
Techniker(in):
Nigel Green (engineer)
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
E-Bass:
Rick Savage
Gitarre:
Steve Clark (Def Leppard guitarist) und Phil Collen (of Def Leppard)
Schlagzeug:
Rick Allen (UK drummer for Def Leppard)
Sologesang:
Joe Elliot
Interpret(in):
Def Leppard
phonographisches Urheberrecht (℗) von:
Bludgeon Riffola Ltd. (in 2004)
recording of:
Pour Some Sugar on Me
Verfasser(in):
Steve Clark (Def Leppard guitarist), Phil Collen (of Def Leppard), Joe Elliott (lead singer of Def Leppard), Robert John “Mutt” Lange (Robert John Lange) und Rick Savage
publisher:
Bludgeon Riffola Ltd., BMG Rights Management UK (Primary Wave), Kobalt Music Publishing Ltd. (UK), Out of Pocket Publishing Co., Out-of-Pocket Productions Ltd., Primary Wave Elliott, Primary Wave Music Publishing, Primary Wave Savage, Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Why Bother Ltd., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) und Zomba Music Publishing Ltd.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック (Fujipacific Music, Inc.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Def Leppard3.64:53
14One Way or Another
assistierende(r) Techniker(in):
Grey Russell und Peter Coleman (British engineer & producer)
Techniker(in):
Peter Coleman (British engineer & producer)
assistierende(r) Produzent(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1978-06 bis 1978-07)
Gitarre:
Frank Infante (von 1978-06 bis 1978-07) und Chris Stein (von 1978-06 bis 1978-07)
Keyboard:
Jimmy Destri (von 1978-06 bis 1978-07)
Schlagzeug:
Clem Burke (von 1978-06 bis 1978-07)
Sologesang:
Deborah Harry (von 1978-06 bis 1978-07)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1978-06 bis 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 298)
recording of:
One Way or Another (von 1978-06 bis 1978-07)
Verfasser(in):
Nigel Harrison und Deborah Harry
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. und Rare Blue Music Inc (in 1978)
Blondie4.153:36
15Rebel Yell
Techniker(in):
Michael Frondelli
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Mix:
Dave Wittman
Bass, Gitarre und Keyboard:
Steve Stevens (US guitarist and songwriter) (in 1983)
Bassgitarre:
Steve Webster (Canadian bassist, producer, composer, arranger & orchestrator) (in 1983)
Keyboard:
Judi Dozier (in 1983)
Schlagzeug:
Thommy Price (in 1983)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1983)
arranger:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1983), Chrysalis Records, Inc. (not for release label use!) (in 1983, in 1999) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1986)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (in 1983)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Rebel Yell von Billy Idol (English rock singer‐songwriter)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 79)
recording of:
Rebel Yell (in 1983)
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
publisher:
BMG Monarch, Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. (1929–2019) und WC Music Corp.
Billy Idol4.54:48
16Can't Fight the Moonlight (dance remix)
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Almighty Associates
remixer:
Almighty Associates
Remix von:
Can’t Fight the Moonlight von LeAnn Rimes (US country & pop singer)
recording of:
Can’t Fight the Moonlight
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), Realsongs und Universal/MCA Music Ltd. (not for release label use!)
LeAnn Rimes3:59
17Rock This Town
Produzent(in):
Dave Edmunds
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1981)
recording of:
Rock This Town
Texter und Komponist(in):
Brian Setzer
publisher:
EMI Music Publishing (do not use as a release label!), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Windswept Pacific Music Ltd. (publishing company)
Stray Cats3:26
18Keep Your Hands to Yourself
Techniker(in) und Produzent(in):
Jeff Glixman
Bassgitarre:
Rick Price (Georgia Satellites)
Gitarre:
Dan Baird (US singer/songwriter/guitarist, Georgia Satellites founder) und Rick Richards (US rock/metal guitarist)
Schlagzeug:
Mauro Magellan
Sologesang:
Dan Baird (US singer/songwriter/guitarist, Georgia Satellites founder)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) und Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1986)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 46)
recording of:
Keep Your Hands to Yourself
Texter und Komponist(in):
Dan Baird (US singer/songwriter/guitarist, Georgia Satellites founder)
publisher:
Eleksylum Music Inc., No Surrender Music und Warner–Tamerlane Pub. Corp. (publisher; do NOT use as release label)
The Georgia Satellites4.43:27