Coyote Ugly: Soundtrack by Jorge

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 10 disponibili)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Can't Fight the Moonlight
supporto a vario titolo:
Sara Lind (incarico: technical assistant) e Robert Orton (incarico: technical assistant)
tecnico e tecnico di missaggio:
Steve MacMillan
tecnico aggiunto:
Austin Deptula, Greg Hunt (Texas based engineer), Gary Leach e Tim Weidner (engineer)
produttore:
Trevor Horn
basso :
Lee Sklar (bassist, session musician) e Jamie Muhoberac
batteria [drums] :
Curt Bisquera e John Robinson (session drummer)
chitarra :
Tim Pierce (US session guitarist)
pianoforte :
Alan Pasqua
tastiera [keyboards] :
Jamie Muhoberac
voce di accompagnamento:
Sue Ann Carwell e Niki Harris (US singer and dancer)
orchestratore:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
diritti fonografici (℗) detenuti da:
Curb Records, Inc. (holding company - do not use as release label) (nel 2000) e Curb Records, Inc. (holding company - do not use as release label) (nel 2020)
registrata presso:
Royal Tone Studios in North Hollywood, Los Angeles, California, Stati Uniti e Sarm West Coast in Los Angeles, California, Stati Uniti
video musicali:
Can't Fight the Moonlight (longer version) di LeAnn Rimes (US country & pop singer)
parte di:
Billboard Year-End Hot 100 singles of 2002 (numero: 56)
registrazione di:
Can’t Fight the Moonlight
paroliere e compositore:
Diane Warren (US songwriter)
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), Realsongs e Universal/MCA Music Ltd. (not for release label use!)
LeAnn Rimes2.853:35
2Please Remember
supporto a vario titolo:
Sara Lind (incarico: technical assistant) e Robert Orton (incarico: technical assistant)
tecnico e tecnico di missaggio:
Steve MacMillan
tecnico aggiunto:
Austin Deptula, Greg Hunt (Texas based engineer), Gary Leach e Tim Weidner (engineer)
produttore:
Trevor Horn
basso :
Lee Sklar (bassist, session musician) e Jamie Muhoberac
batteria [drums] :
Curt Bisquera e John Robinson (session drummer)
chitarra :
Tim Pierce (US session guitarist)
pianoforte :
Alan Pasqua
tastiera [keyboards] :
Jamie Muhoberac
voce di accompagnamento:
Sue Ann Carwell e Niki Harris (US singer and dancer)
orchestratore:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
diritti fonografici (℗) detenuti da:
Curb Records, Inc. (holding company - do not use as release label) (nel 2000)
registrata presso:
Royal Tone Studios in North Hollywood, Los Angeles, California, Stati Uniti e Sarm West Coast in Los Angeles, California, Stati Uniti
registrazione di:
Please Remember
paroliere e compositore:
Diane Warren (US songwriter)
editore:
Realsongs
LeAnn Rimes24:32
3The Right Kind of Wrong
supporto a vario titolo:
Sara Lind (incarico: technical assistant) e Robert Orton (incarico: technical assistant)
tecnico e tecnico di missaggio:
Steve MacMillan
tecnico aggiunto:
Austin Deptula, Greg Hunt (Texas based engineer), Gary Leach e Tim Weidner (engineer)
produttore:
Trevor Horn
basso :
Lee Sklar (bassist, session musician) e Jamie Muhoberac
batteria [drums] :
Curt Bisquera e John Robinson (session drummer)
chitarra :
Tim Pierce (US session guitarist)
pianoforte :
Alan Pasqua
tastiera [keyboards] :
Jamie Muhoberac
voce di accompagnamento:
Sue Ann Carwell e Niki Harris (US singer and dancer)
orchestratore:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
diritti fonografici (℗) detenuti da:
Curb Records, Inc. (holding company - do not use as release label) (nel 2000)
registrata presso:
Royal Tone Studios in North Hollywood, Los Angeles, California, Stati Uniti e Sarm West Coast in Los Angeles, California, Stati Uniti
registrazione di:
The Right Kind of Wrong
paroliere e compositore:
Diane Warren (US songwriter)
editore:
Realsongs
LeAnn Rimes43:46
4But I Do Love You
supporto a vario titolo:
Sara Lind (incarico: technical assistant) e Robert Orton (incarico: technical assistant)
tecnico e tecnico di missaggio:
Steve MacMillan
tecnico aggiunto:
Austin Deptula, Greg Hunt (Texas based engineer), Gary Leach e Tim Weidner (engineer)
produttore:
Trevor Horn
basso :
Lee Sklar (bassist, session musician) e Jamie Muhoberac
batteria [drums] :
Curt Bisquera e John Robinson (session drummer)
chitarra :
Tim Pierce (US session guitarist)
pianoforte :
Alan Pasqua
tastiera [keyboards] :
Jamie Muhoberac
voce di accompagnamento:
Sue Ann Carwell e Niki Harris (US singer and dancer)
orchestratore:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
diritti fonografici (℗) detenuti da:
Curb Records, Inc. (holding company - do not use as release label) (nel 2000)
registrata presso:
Royal Tone Studios in North Hollywood, Los Angeles, California, Stati Uniti e Sarm West Coast in Los Angeles, California, Stati Uniti
registrazione di:
But I Do Love You
paroliere e compositore:
Diane Warren (US songwriter)
editore:
Realsongs
LeAnn Rimes23:18
5All She Wants to Do Is Dance
programmazione:
Steve Porcaro
tecnico e tecnico di missaggio:
Niko Bolas e Greg Ladanyi
produttore:
Don Henley, Danny Kortchmar (Danny Kootch) e Greg Ladanyi
batteria [drums] e voce di accompagnamento [harmony vocal] e voce principale:
Don Henley
chitarra :
Danny Kortchmar (Danny Kootch)
sintetizzatore :
David Paich
voce di accompagnamento [harmony vocals]:
Martha Davis (of The Motels) e Patty Smyth
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1985)
registrazione di:
All She Wants to Do Is Dance
paroliere e compositore:
Danny Kortchmar (Danny Kootch)
editore:
WB Music Corp. (1929–2019)
Don Henley24:27
6Unbelievable
produttore e tecnico di missaggio:
Ralph Jezzard
basso elettrico :
Zac Foley (nel 1990)
batteria :
Mark Decloedt (nel 1990)
campionatore [samples] :
Derry Brownson (nel 1990)
chitarra , chitarra elettrica e tastiera :
Ian Dench (nel 1990)
voce:
DJ Milf (Electronic dance music producer of the 2000s and 2010s) (nel 1990)
voce di accompagnamento:
Claudia Fontaine (vocals, background vocals) (nel 1990)
voce principale:
James Atkin (nel 1990)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1990)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 421)
registrazione di:
Unbelievable (nel 1990)
autore:
James Atkin, Derry Brownson, Mark Decloedt, Ian Dench e Zac Foley
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tusk, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Canada Ltd.
EMF3.653:29
7The Power
produttore:
Snap (Eurodance)
tecnico di missaggio:
Snap! (Eurodance)
diritti fonografici (℗) detenuti da:
BMG Ariola (company mostly named as distributor in Europe) (nel 1990)
registrazione di:
The Power
autore:
Benito Benites, Antoinette Colandero e John Garrett III
editore:
Hanseatic Musikverlag GmbH (1964–2001), House of Fun Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Snap!43:39
8Need You Tonight
assistente tecnico:
Paula Jones (Australian audio engineer, producer)
tecnico:
David Nicholas (Australian recording engineer and producer)
produttore:
Chris Thomas (UK record producer / remixer)
tecnico di missaggio:
Bob Clearmountain e Chris Thomas (UK record producer / remixer)
diritti fonografici (℗) detenuti da:
INXS (label and copyrights holder for INXS) (nel 1987, nel 1997), PolyGram International Music B.V. (not for release label use!) (nel 1987) e Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (nel 1999)
mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
video musicali:
Need You Tonight (music video) di INXS
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 59), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 16) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 114)
registrazione di:
Need You Tonight
paroliere e compositore:
Andrew Farriss (in band INXS) e Michael Hutchence
editore:
Muziekuitgeverij Artemis B. V., Tol Muziek, WB Music Corp. (1929–2019), XL Publishing Pty. Ltd., 101 Muziek (publisher) (nel 1987) e Chardonnay Investments Ltd. (nel 1987)
INXS4.153:08
9The Devil Went Down to Georgia
assistente tecnico di registrazione:
Steve Goostree (audio engineer, producer, mixer/ AV production)
tecnico di registrazione, tecnico e tecnico di missaggio:
Paul Grupp
produttore:
John Boylan
assistente tecnico di missaggio:
Dave Rideau (engineer) e Erik Zobler
batteria :
Fred Edwards (drummer and songwriter) e Jim Marshall (photographer)
chitarra e voce di accompagnamento:
Tom Crain
chitarra basso :
Charlie Hayward (Member of The Charlie Daniels Band)
tastiera [keyboards] :
Joel "Taz" DiGregorio
violino folk e voce principale:
Charlie Daniels
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1979), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1979) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1979)
è stato produttore per:
Sir Charles Productions
registrata presso:
Woodland Studios in Nashville, Tennessee, Stati Uniti
video musicali:
The Devil Went Down to Georgia di The Charlie Daniels Band
registrazione di:
The Devil Went Down to Georgia
autore:
Charlie Daniels, Joel "Taz" DiGregorio, Fred Edwards (drummer and songwriter), Charlie Hayward (Member of The Charlie Daniels Band), John Crain e James W. Marshall
editore:
Songs of Universal, Inc. (BMI) e Hat Band Music (nel 1979)
The Charlie Daniels Band4.73:35
10Boom Boom Boom
produttore:
Mike Curb e Michael Lloyd (US guitarist/singer producer)
diritti fonografici (℗) detenuti da:
Curb Records, Inc. (holding company - do not use as release label) (nel 2000)
registrazione di:
Boom Boom Boom
paroliere e compositore:
Chris Pelcer, Robert Vega (Capricorn records executive) e Ray Vega (US jazz trumpeter)
editore:
Casa Vega Music, Million Suns Music, Voilá Music Inc. e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Rare Blend3:18
11Didn't We Love
produttore:
Don Cook (US country producer/songwriter) e Chris Waters (Country music singer and songwriter)
diritti fonografici (℗) detenuti da:
Curb Records, Inc. (holding company - do not use as release label) (nel 2000)
registrazione di:
Didn’t We Love
paroliere e compositore:
Tommy Lee James (Country music songwriter), Jennifer Kimball (songwriter) e Tamara Walker
editore:
EMI Blackwood Music Inc., Garden Angel Music, Mike Curb Music, Music Of C and P, Still Working for the Man Music, Inc. e Still Working Music Group
Tamara Walker3:21
12We Can Get There
produttore:
Mike Curb, Brad Gilderman e Harvey Mason, Jr. (hip hop/R&B producer, part of Underdogs)
remixer:
Chris Cox (American EDM producer, remixer and DJ) e Barry Harris (of Thunderpuss; Canadian producer, DJ, remixer, singer and songwriter)
diritti fonografici (℗) detenuti da:
Curb Records, Inc. (holding company - do not use as release label) (nel 1999)
registrata presso e mixata presso:
Interhit Studios in Los Angeles, California, Stati Uniti
registrazione di:
We Can Get There
paroliere e compositore:
Deborah Allen (country music singer-songwriter) e Mike Curb
editore:
Mike Curb Music e Posey Publishing
Mary Griffin3:58
13Pour Some Sugar
tecnico:
Nigel Green (engineer)
produttore:
Robert John “Mutt” Lange (Robert John Lange)
basso elettrico :
Rick Savage
batteria :
Rick Allen (UK drummer for Def Leppard)
chitarra :
Steve Clark (Def Leppard guitarist) e Phil Collen (of Def Leppard)
voce principale:
Joe Elliot
esecutore:
Def Leppard
diritti fonografici (℗) detenuti da:
Bludgeon Riffola Ltd. (nel 2004)
registrazione di:
Pour Some Sugar on Me
autore:
Steve Clark (Def Leppard guitarist), Phil Collen (of Def Leppard), Joe Elliott (lead singer of Def Leppard), Robert John “Mutt” Lange (Robert John Lange) e Rick Savage
editore:
Bludgeon Riffola Ltd., BMG Rights Management UK (Primary Wave), Kobalt Music Publishing Ltd. (UK), Out of Pocket Publishing Co., Out-of-Pocket Productions Ltd., Primary Wave Elliott, Primary Wave Music Publishing, Primary Wave Savage, Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Why Bother Ltd., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) e Zomba Music Publishing Ltd.
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック (Fujipacific Music, Inc.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Def Leppard3.64:53
14One Way or Another
assistente tecnico:
Grey Russell e Peter Coleman (British engineer & producer)
tecnico:
Peter Coleman (British engineer & producer)
assistente produttore:
Peter Coleman (British engineer & producer)
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (dal 1978-06 al 1978-07)
chitarra :
Frank Infante (dal 1978-06 al 1978-07) e Chris Stein (dal 1978-06 al 1978-07)
chitarra basso :
Nigel Harrison (dal 1978-06 al 1978-07)
tastiera :
Jimmy Destri (dal 1978-06 al 1978-07)
voce principale:
Deborah Harry (dal 1978-06 al 1978-07)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978, nel 2001), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1978, nel 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1978), Chrysalis Records, Inc. (not for release label use!) (nel 1978, nel 2001), Capitol Records (imprint of Capitol Records, Inc.) (nel 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1978-06 al 1978-07)
mixata presso:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Stati Uniti
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 298)
registrazione di:
One Way or Another (dal 1978-06 al 1978-07)
autore:
Nigel Harrison e Deborah Harry
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. e Rare Blue Music Inc (nel 1978)
Blondie4.153:36
15Rebel Yell
tecnico:
Michael Frondelli
produttore:
Keith Forsey (drummer, producer and songwriter)
tecnico di missaggio:
Dave Wittman
basso, chitarra e tastiera :
Steve Stevens (US guitarist and songwriter) (nel 1983)
batteria :
Thommy Price (nel 1983)
chitarra basso :
Steve Webster (Canadian bassist, producer, composer, arranger & orchestrator) (nel 1983)
tastiera :
Judi Dozier (nel 1983)
voce principale:
Billy Idol (English rock singer‐songwriter) (nel 1983)
arrangiatore:
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1983), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1983), Chrysalis Records, Inc. (not for release label use!) (nel 1983, nel 1999) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1986)
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti (nel 1983)
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
video musicali:
Rebel Yell di Billy Idol (English rock singer‐songwriter)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 79)
registrazione di:
Rebel Yell (nel 1983)
paroliere e compositore:
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
editore:
BMG Monarch, Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. (1929–2019) e WC Music Corp.
Billy Idol4.54:48
16Can't Fight the Moonlight (dance remix)
produttore:
Trevor Horn
produttore aggiunto:
Almighty Associates
remixer:
Almighty Associates
remix di:
Can’t Fight the Moonlight di LeAnn Rimes (US country & pop singer)
registrazione di:
Can’t Fight the Moonlight
paroliere e compositore:
Diane Warren (US songwriter)
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), Realsongs e Universal/MCA Music Ltd. (not for release label use!)
LeAnn Rimes3:59
17Rock This Town
produttore:
Dave Edmunds
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1981)
registrazione di:
Rock This Town
paroliere e compositore:
Brian Setzer
editore:
EMI Music Publishing (do not use as a release label!), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Windswept Pacific Music Ltd. (publishing company)
Stray Cats3:26
18Keep Your Hands to Yourself
tecnico e produttore:
Jeff Glixman
batteria :
Mauro Magellan
chitarra :
Dan Baird (US singer/songwriter/guitarist, Georgia Satellites founder) e Rick Richards (US rock/metal guitarist)
chitarra basso :
Rick Price (Georgia Satellites)
voce principale:
Dan Baird (US singer/songwriter/guitarist, Georgia Satellites founder)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1986)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 46)
registrazione di:
Keep Your Hands to Yourself
paroliere e compositore:
Dan Baird (US singer/songwriter/guitarist, Georgia Satellites founder)
editore:
Eleksylum Music Inc., No Surrender Music e Warner–Tamerlane Pub. Corp. (publisher; do NOT use as release label)
The Georgia Satellites4.43:27