Ne me quitte pas

~ Release by Nina Simone (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleRatingLength
1My Baby Just Cares for Me
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
edit of:
My Baby Just Cares for Me (special extended version) by Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
lyricist and composer:
Walter Donaldson and Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
3.93:39
2My Way
recording engineer:
Ed Begley (sound engineer in RCA Victor) (on 1971-02-12)
producer:
Nat Shapiro and Harold Wheeler
lead vocals:
Nina Simone
vocals:
Nina Simone
conductor:
Harold Wheeler
arranger:
Nina Simone and Harold Wheeler
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1971-02-12)
edit of:
My Way (1971 studio version, full length) by Nina Simone
cover recording of:
My Way (Frank Sinatra song)
lyricist:
Paul Anka (Canadian singer, songwriter and actor)
composer:
Claude François and Jacques Revaux
previously attributed to:
Gilles Thibaut
translator:
Bobby Cruz
publisher:
Babel Music S.A., Chrysalis Standards Inc., Don C. Publications Inc., Eddie Barclay, Jeune Musique Éditions, Shapiro, Bernstein & Co., Inc., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spanka Music, Spanka Music Corp., Thibout Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
translated version of:
Comme d’habitude
35:08
3Save Me
engineer:
Ray Hall (engineer) (on 1969-08-26)
producer:
Andy Stroud (former husband of Nina Simone.)
electric bass guitar:
Jerry Jemmott (on 1969-08-26)
electric guitar:
Eric Gale (on 1969-08-26)
keyboard:
Weldon Irvine (on 1969-08-26) and Richard Tee (on 1969-08-26)
percussion:
Roger “Montego Joe” Sanders (on 1969-08-26)
piano:
Nina Simone (on 1969-08-26)
vocals:
Nina Simone (on 1969-08-26)
conductor:
Weldon Irvine (on 1969-08-26) and Nina Simone (on 1969-08-26)
arranger:
Weldon Irvine and Nina Simone
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1969-08-26)
cover recording of:
Save Me (Aretha Franklin song) (on 1969-08-26)
writer:
Aretha Franklin, Carolyn Franklin and Curtis Ousley
publisher:
Kilynn Music and Pronto Music (publisher)
33:24
4Here Comes the Sun
recording engineer:
Ed Begley (sound engineer in RCA Victor) (on 1971-02-17)
producer:
Nat Shapiro and Harold Wheeler
lead vocals:
Nina Simone
conductor:
Harold Wheeler
arranger:
Nina Simone and Harold Wheeler
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1971-02-17)
edit of:
Here Comes the Sun by Nina Simone
cover recording of:
Here Comes the Sun
lyricist and composer:
George Harrison (The Beatles)
publisher:
Harrisongs Ltd. and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
part of:
Reprise
4.353:37
5I Loves You Porgy
recording engineer:
Ed Begley (sound engineer in RCA Victor) (on 1968-04-07)
producer:
Joe René
drums (drum set):
Buck Clarke (on 1968-04-07)
electric bass guitar:
Gene Taylor (US jazz bassist) (on 1968-04-07)
electric guitar:
Rudy Stevenson (on 1968-04-07)
organ:
Sam Waymon (on 1968-04-07)
piano and lead vocals:
Nina Simone (on 1968-04-07)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
Westbury Music Fair in Westbury, New York, United States (on 1968-04-07)
live cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (on 1968-04-07)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
3:31
6My Sweet Lord
cover recording of:
My Sweet Lord
written in:
Europe (in 1969-12)
lyricist and composer:
George Harrison (The Beatles) (from 1969-12 until 1970)
publisher:
Harrisongs Ltd.
version of:
He’s So Fine
4:31
7I Want a Little Sugar in My Bowl
recording engineer:
Mickey Crofford (on 1967-01-05) and Ray Hall (engineer) (on 1967-01-05)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
performer:
Sam Ellis (House DJ)
phonographic copyright (℗) by:
BMG Music (in 1967)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1967-01-05)
recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version) (on 1967-01-05)
writer:
James “Tim” Brymn, Nina Simone, Dally Small and Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
version of:
Need a Little Sugar in My Bowl (Bessie Smith's version)
4.152:35
8Revolution, Parts 1 & 2
drums (drum set):
Don Alias (in 1969-01) and Bernard “Pretty” Purdie (in 1969-01)
electric bass guitar:
Gene A Perla (in 1969-01)
guitar:
Ernest Calabria (in 1969-01), Eric Gale (in 1969-01), Al Schackman (in 1969-01) and Stuart Scharf (in 1969-01)
percussion:
Don Alias (in 1969-01)
recorded at:
RCA Studio B (New York) in New York, New York, United States (in 1969-01)
compilation of:
Revolution, Part 1 by Nina Simone and Revolution, Part 2 by Nina Simone
recording of:
Revolution (Nina Simone song) (in 1969-01)
writer:
Weldon Irvine and Nina Simone
is based on:
Revolution (Beatles song)
2.54:37
9Ne me quitte pas
double bass:
Gene Taylor (US jazz bassist) (on 1968-06-16)
drums (drum set) [drums]:
Buck Clarke (on 1968-06-16)
guitar:
Henry Young (Chinese-Ukrainian guitarist from Vancouver, B.C.; toured with Nina Simone) (on 1968-06-16)
organ and percussion:
Sam Waymon (on 1968-06-16)
piano:
Nina Simone (on 1968-06-16)
lead vocals:
Nina Simone
vocals:
Nina Simone (on 1968-06-16)
recorded at:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Canton of Vaud), Switzerland (on 1968-06-16)
live cover recording of:
Ne me quitte pas (original French version) (on 1968-06-16)
lyricist and composer:
Jacques Brel
publisher:
Éditions Jacques Brel, Pouchenel Éditions Musicales and Warner Chappell Music France
5:18
10Mr. Bojangles
recording engineer:
Ed Begley (sound engineer in RCA Victor) (on 1971-02-09)
producer:
Nat Shapiro and Harold Wheeler
conductor:
Harold Wheeler
arranger:
Nina Simone and Harold Wheeler
phonographic copyright (℗) by:
BMG Music (in 1971)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1971-02-09)
cover recording of:
Mr. Bojangles
lyricist and composer:
Jerry Jeff Walker
publisher:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell Music Australia Pty. Ltd.
3.355:04
11The Times They Are A-Changin’
recording engineer:
Ray Hall (engineer) and Mike Moran (American engineer, associated with RCA)
bass [Fender bass] and electric bass guitar:
Gene A Perla
drums (drum set) and timpani:
Bernard “Pretty” Purdie
guitar:
Al Schackman
organ:
Weldon J. Irvine, Jr.
percussion:
Charles D. Alias
piano and lead vocals:
Nina Simone
background vocals and background vocals [vocalist]:
Virdia Crawford and Doris Willingham
conductor:
Nina Simone
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1969-01-13)
cover recording of:
The Times They Are A‐Changin’ (on 1969-01-13)
lyricist and composer:
Bob Dylan (in 1963)
publisher:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1963 until 1991) and Special Rider Music (from 1991 to present)
36:06
12I Shall Be Released
recording engineer:
Ray Hall (engineer) and Mike Moran (American engineer, associated with RCA)
bass [Fender bass] and electric bass guitar:
Gene A Perla
drums (drum set):
Don Alias
drums (drum set) [drums]:
Charles D. Alias
guitar:
Al Schackman
organ:
Weldon J. Irvine, Jr.
piano and lead vocals:
Nina Simone
background vocals and background vocals [vocalist]:
Virdia Crawford and Doris Willingham
conductor:
Nina Simone
arranger:
Nina Simone
phonographic copyright (℗) by:
BMG Music (in 1969)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States
edit of:
I Shall Be Released ('To Love Somebody' album version, with Nina Simone talking in the studio at the beginning) by Nina Simone
cover recording of:
I Shall Be Released (original lyrics) (from 1967-01-08 until 1967-01-27)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Dwarf Music (from 1967 to present)
3.253:58
13Ain’t Got No, I Got Life
recording engineer:
Ray Hall (engineer) (on 1968-06-24)
drums (drum set) and timpani:
Bernard “Pretty” Purdie
electric bass guitar:
Jerry Jemmott (on 1968-06-24)
guitar:
Eric Gale (on 1968-06-24), Carl Lynch (on 1968-06-24) and Henry Young (Chinese-Ukrainian guitarist from Vancouver, B.C.; toured with Nina Simone) (on 1968-06-24)
organ:
Ernest Hayes (American pianist, organist and arranger) (on 1968-06-24)
percussion, tambourine and vibraphone:
Specs Powell (on 1968-06-24)
piano:
Paul Griffin (American pianist, session musician) (on 1968-06-24) and Nina Simone (on 1968-06-24)
trombone:
Garnett Brown (on 1968-06-24)
trumpet:
Wilbur "Dud" Bascomb (Sr., jazz trumpeter) (on 1968-06-24), Harold Johnson (US jazz trumpeter aka "Money") (on 1968-06-24) and Joe Shepley (on 1968-06-24)
lead vocals:
Nina Simone (on 1968-06-24)
vocals:
Nina Simone
conductor:
Horace Ott (on 1968-06-24)
arranger:
Horace Ott
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1968-06-24)
cover recording of:
Ain’t Got No, I Got Life (on 1968-06-24)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI U Catalog (publisher; do NOT use as release label) and EMI United Partnership Ltd.
medley of:
I Got Life (from “Hair”)
medley of:
Ain’t Got No (from “Hair”)
12:55
14Just Like a Woman
recording engineer:
Ed Begley (sound engineer in RCA Victor) (on 1971-02-12)
producer:
Nat Shapiro and Harold Wheeler
conductor:
Harold Wheeler
arranger:
Nina Simone and Harold Wheeler
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1971-02-12)
cover recording of:
Just Like a Woman
lyricist and composer:
Bob Dylan (on 1965-11-25)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), M. Witmark & Sons and Dwarf Music (from 1966 to present)
54:54
15The House of the Rising Sun
recording engineer:
Mickey Crofford (on 1967-01-05) and Ray Hall (engineer) (on 1967-01-05)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1967-01-05)
cover recording of:
House of the Rising Sun (on 1967-01-05)
lyricist and composer:
[traditional] (special purpose artist)
publisher:
Beechwood Music Corp., Ole Cantaloupe Music and Sonet Publishing Ltd.
2.53:57
16To Love Somebody
recording engineer:
Ray Hall (engineer) and Mike Moran (American engineer, associated with RCA)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
drums (drum set):
Don Alias (in 1967)
piano and lead vocals:
Nina Simone (in 1967)
conductor:
Jimmy Wisner (pianist, producer and songwriter)
arranger:
Jimmy Wisner (pianist, producer and songwriter)
phonographic copyright (℗) by:
BMG Music (in 1969)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1967-12-20)
cover recording of:
To Love Somebody (on 1967-12-20)
written in:
New York, New York, United States (in 1967)
writer:
Barry Gibb (in 1967) and Robin Gibb (in 1967)
publisher:
Abigail Music, BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) and Universal Music Careers
part of:
50/50
3.852:43
17Angel of the Morning
recording engineer:
Ed Begley (sound engineer in RCA Victor) (on 1971-02-17)
producer:
Nat Shapiro and Harold Wheeler
conductor:
Harold Wheeler
arranger:
Nina Simone and Harold Wheeler
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1971-02-17)
cover recording of:
Angel of the Morning
lyricist and composer:
Chip Taylor (US singer/songwriter)
publisher:
April Music, EMI Blackwood, EMI Songs Ltd. and Unichappell Music
3.353:35
18I Put a Spell on You
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (on 1965-01-15)
vocals:
Nina Simone (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
cover recording of:
I Put a Spell on You (on 1965-01-15)
lyricist and composer:
Screamin’ Jay Hawkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) and EMI United Partnership Ltd. (in 1956)
4.252:37
19Don’t Let Me Be Misunderstood
recorded in:
New York, New York, United States (in 1964-06)
piano:
Nina Simone (in 1964-06)
vocals:
Nina Simone (in 1964-06)
orchestra:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Don’t Let Me Be Misunderstood (in 1964-06)
writer:
Bennie Benjamin, Gloria Caldwell, Sol Marcus and Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) and Unichappell Music, Inc. (in 1981)
4.052:45

Credits

Release

ASIN:FR: B00004UQ7Q [info]