Complete Sextet Studio Sessions

~ Release by Ben Webster & Harry “Sweets” Edison (see all versions of this release, 1 available)

Annotation

This is a 'Twofer' + additional tracks. Contains tracks from the following albums: Sweets (Clef MGC717) CD-1 tracks 1-9; Some Of My Favorites (RCA LPM1449) CD-1 tracks 10-13; Gee, Baby Ain't I Good To You (Verve MGV8211) CD-2 tracks 1-8; and Songs For Hip Lovers (Verve MGV2069) CD-2 tracks 9-14.

Annotation last modified on 2018-10-06 02:12 UTC.

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1Blues for the Blues
recorded in:
Los Angeles, California, United States (from 1957-03-05 until 1957-03-30)
bass:
Ray Brown (jazz bassist) (from 1957-03-05 until 1957-03-30)
drums (drum set):
Alvin Stoller (from 1957-03-05 until 1957-03-30)
guitar:
Barney Kessel (from 1957-03-05 until 1957-03-30)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1957-03-05 until 1957-03-30)
tenor saxophone:
Ben Webster (from 1957-03-05 until 1957-03-30)
trumpet:
Harry Edison (from 1957-03-05 until 1957-03-30)
4:49
2Blues for Piney Brown
recorded in:
Los Angeles, California, United States (from 1957-03-05 until 1957-03-30)
bass:
Ray Brown (jazz bassist) (from 1957-03-05 until 1957-03-30)
drums (drum set):
Alvin Stoller (from 1957-03-05 until 1957-03-30)
guitar:
Barney Kessel (from 1957-03-05 until 1957-03-30)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1957-03-05 until 1957-03-30)
tenor saxophone:
Ben Webster (from 1957-03-05 until 1957-03-30)
trumpet:
Harry Edison (from 1957-03-05 until 1957-03-30)
7:38
3Moonlight in Vermont
recorded in:
Los Angeles, California, United States (from 1957-03-05 until 1957-03-30)
bass:
Ray Brown (jazz bassist) (from 1957-03-05 until 1957-03-30)
drums (drum set):
Alvin Stoller (from 1957-03-05 until 1957-03-30)
guitar:
Barney Kessel (from 1957-03-05 until 1957-03-30)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1957-03-05 until 1957-03-30)
tenor saxophone:
Ben Webster (from 1957-03-05 until 1957-03-30)
trumpet:
Harry Edison (from 1957-03-05 until 1957-03-30)
instrumental recording of:
Moonlight in Vermont (in 1957-03)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
Moonlight in Vermont (in 1957-03)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:57
4Taste on the Place
recorded in:
Los Angeles, California, United States (from 1957-03-05 until 1957-03-30)
bass:
Ray Brown (jazz bassist) (from 1957-03-05 until 1957-03-30)
drums (drum set):
Alvin Stoller (from 1957-03-05 until 1957-03-30)
guitar:
Barney Kessel (from 1957-03-05 until 1957-03-30)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1957-03-05 until 1957-03-30)
tenor saxophone:
Ben Webster (from 1957-03-05 until 1957-03-30)
trumpet:
Harry Edison (from 1957-03-05 until 1957-03-30)
7:02
5Gee, Baby Ain’t I Good to You
recorded in:
Los Angeles, California, United States (from 1957-03-05 until 1957-03-30)
bass:
Ray Brown (jazz bassist) (from 1957-03-05 until 1957-03-30)
drums (drum set):
Alvin Stoller (from 1957-03-05 until 1957-03-30)
guitar:
Barney Kessel (from 1957-03-05 until 1957-03-30)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1957-03-05 until 1957-03-30)
tenor saxophone:
Ben Webster (from 1957-03-05 until 1957-03-30)
trumpet:
Harry Edison (from 1957-03-05 until 1957-03-30)
instrumental recording of:
Gee, Baby Ain’t I Good to You (in 1957-03)
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, volume I)
3:32
6Blues for Bill Basie
recorded in:
Los Angeles, California, United States (from 1957-03-05 until 1957-03-30)
bass:
Ray Brown (jazz bassist) (from 1957-03-05 until 1957-03-30)
drums (drum set):
Alvin Stoller (from 1957-03-05 until 1957-03-30)
guitar:
Barney Kessel (from 1957-03-05 until 1957-03-30)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1957-03-05 until 1957-03-30)
tenor saxophone:
Ben Webster (from 1957-03-05 until 1957-03-30)
trumpet:
Harry Edison (from 1957-03-05 until 1957-03-30)
9:31
7You’re Getting to Be a Habit With Me
recorded in:
Los Angeles, California, United States (from 1957-03-05 until 1957-03-30)
bass:
Ray Brown (jazz bassist) (from 1957-03-05 until 1957-03-30)
drums (drum set):
Alvin Stoller (from 1957-03-05 until 1957-03-30)
guitar:
Barney Kessel (from 1957-03-05 until 1957-03-30)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1957-03-05 until 1957-03-30)
tenor saxophone:
Ben Webster (from 1957-03-05 until 1957-03-30)
trumpet:
Harry Edison (from 1957-03-05 until 1957-03-30)
instrumental recording of:
You’re Getting to Be a Habit With Me (in 1957-03)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
6:51
8Blues for the Blues (Alt take)
5:53
9Alone Together
instrumental recording of:
Alone Together
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:07
10Willow, Weep for Me
instrumental recording of:
Willow Weep for Me
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
3:38
11Bidin’ My Time
instrumental recording of:
Bidin’ My Time (from Girl Crazy) (in 1957)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
New World Music Co. (in 1930)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
3:27
12Makin’ Whoopee
instrumental recording of:
Makin’ Whoopee! (in 1957)
lyricist:
Gus Kahn
composer:
Walter Donaldson
translator:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
3:26
13Moon Song
instrumental recording of:
Moon Song (in 1957)
lyricist:
Sam Coslow (in 1932)
composer:
Arthur Johnston (American composer and songwriter) (in 1932)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
2:33
14Louise
instrumental recording of:
Louise (from "Innocents of Paris") (in 1957)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Richard A. Whiting (composer)
3:23