The Best Songs from Movies

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Copyright: ℗ 2025 Warner Music Group - X5 Music Group

Annotation last modified on 2026-05-07 02:37 UTC.

Tracklist

1Digital Media
#TitleArtistRatingLength
1Dance the Night
additional recording engineer:
Alex Venguer
programming:
Brandon Bost and Picard Brothers
assistant engineer:
Jake Ferguson
engineer:
Brandon Bost and Cameron Gower‐Poole (lead vocals)
producer:
Cameron Gower‐Poole (lead vocals), Picard Brothers, Mark Ronson (British DJ and producer) and Andrew Wyatt (US musician, singer/songwriter, and producer)
assistant mixer:
Bryce Bordone
mixer:
Serban Ghenea
bass and synthesizer:
Andrew Wyatt (US musician, singer/songwriter, and producer)
cello:
Susannah Chapman (cellist), Clarice Jensen (cellist), Sarah Kwon, Joel Noyes, Alan Stepansky (cellist) and Caitlin Sullivan (American cellist)
guitar and Rhodes piano:
Mark Ronson (British DJ and producer)
keyboard [keyboards]:
Picard Brothers
viola:
Danielle Farina (violist), Will Frampton (violinist), Robert Meyer (violist), Torron Pfeffer, Michael Roth (violinist) and Alexis Sykes
violin:
Peter Bahng, Tallie Brunfelt, Julia Choi (violinist), Kristi Helberg (violinist), Ann Kim (violin), Jennifer Kim, Angela Lee (cellist), Jeongmin Lee, Lisa Kim (violinist), Matt Lehmann, Joanna Maurer (violinist), Annaliesa Place, Sein Ryu (violinist), Jeremia Velazquez, Henry Wang (violinist) and Jungsun Yoo
background vocals:
Caroline Ailin
lead vocals:
Dua Lipa
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2023) and Warner Bros. Entertainment, Inc. (fka Warner Brothers Pictures, Inc.) (in 2023)
part of:
BILLIONS CLUB and Billboard Year-End Hot 100 singles of 2024 (number: 100)
recording of:
Dance the Night
writer:
Caroline Ailin, Dua Lipa, Mark Ronson (British DJ and producer) and Andrew Wyatt (US musician, singer/songwriter, and producer)
publisher:
Andrew Wyatt Blakemore (BMI-affiliated), Songs of Zelig (BMI-affiliated), Sony/ATV Songs LLC, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Polygram Int. Publishing, Inc. (existed only since ca. 1998) and Warner–Barham Music LLC
part of:
Grammy Award: Best Song Written for Visual Media nominees (number: 2024) and Grammy Award: Song of the Year nominees (number: 2024)
Dua Lipa2.652:57
2See You Again
producer:
Andrew Cedar, Frank E (Justin Franks) and Charlie Puth
assistant mixer:
Chris Galland and Ike Schultz
mixer:
Manny Marroquin
conductor:
Brian Tyler (American score composer) (strings)
strings arranger:
Brian Tyler (American score composer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2015) and Universal Studios (plain “Universal” globe logo, currently underlined by “A Comcast Company”) (in 2015)
mixed at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
part of:
Billboard Year-End Hot 100 singles of 2015 (number: 3), Grammy Award: Best Pop Duo/Group Performance nominees (number: 2016), Billboard Decade End Chart: Streaming Songs (2010s) (number: 40), Billboard Year-End Hot 100 singles of 2016 (number: 99) and BILLIONS CLUB
recording of:
See You Again
writer:
Cameron Thomaz (US rapper), Andrew Cedar, Charles Puth and Justin Franks (Justin Franks)
publisher:
Andrew Cedar Publishing, Artist 101 Publishing Group, Artist Publishing Group, Artist Publishing Group West, BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation), BMG Platinum Songs, Canadiana Music, Charlie Puth Music Publishing, J Franks Publishing, Kobalt Music (publisher), New World Music (new age music), Universal Pictures, Universal Pictures Music, UPG Music Publishing, Warner Music Group (holding company – file NO releases), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019), WC Music Corp. and Wiz Khalifa Publishing
Wiz Khalifa Feat. Charlie Puth4.13:50
3Iris
assistant engineer:
Greg Burns (engineer) (task: second engineer) and Rafa Sardina (task: second engineer)
engineer:
Allen Sides
producer:
Rob Cavallo and Goo Goo Dolls
mixer:
Jack Joseph‐Puig
bass:
Robby Takac
drums (drum set) and percussion:
Mike Malinin
guitar:
John Rzeznik
mandolin:
Tim Pierce (US session guitarist)
piano:
Jamie Muhoberac
vocals:
John Rzeznik
strings [string] arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
music videos:
Iris by Goo Goo Dolls
recording of:
Iris
lyricist and composer:
John Rzeznik
publisher:
EMI Virgin Songs, Inc. and Scrap Metal Music
The Goo Goo Dolls4.14:50
4Heathens
programming and producer:
Mike Elizondo and Tyler Joseph
engineer and mixer:
Adam Hawkins (US mix engineer)
bass guitar, piano and synthesizer:
Tyler Joseph
drums (drum set) and percussion:
Josh Dun
vocals:
Tyler Joseph
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2016) and Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.) (in 2016)
recorded at:
Can Am in Tarzana, Los Angeles, California, United States
part of:
Billboard Year-End Hot 100 singles of 2016 (number: 21), Grammy Award: Best Rock Performance nominees (number: 2017), Billboard Year-End Hot 100 singles of 2017 (number: 58) and BILLIONS CLUB
recording of:
Heathens
lyricist and composer:
Tyler Joseph
publisher:
Fueled by Ramen, Stryker Joseph Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
twenty one pilots4.23:16
5Lose My Mind
recording engineer:
Joe Henderson (engineer)
programming:
Karl Berkon (UK EDM producer) and Tom Norris (American engineer and multi-instrumentalist)
engineer:
Edgard Herrera, Dylan Neustadter and Patrizio "Teezio" Pigliapoco (task: vocal)
co-producer:
Tom Norris (American engineer and multi-instrumentalist)
producer:
Louis Bell (American producer, engineer, and songwriter) (task: vocal), Grant (fka Grant Bowtie), Ryan Tedder (American singer, songwriter, and producer) and Hans Zimmer (German score composer)
assistant mixer:
Victor Verpillat
mixer:
Tom Norris (American engineer and multi-instrumentalist)
vocals:
Doja Cat and Don Toliver
phonographic copyright (℗) by:
Apple Video Programming LLC (in 2025), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2025) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2025)
music videos:
Lose My Mind by Don Toliver feat. Doja Cat
recording of:
Lose My Mind
writer:
Amala Ratna Zandile Dlamini, Caleb Zackery “Don” Toliver, Grant Joseph Boutin (fka Grant Bowtie), Ryan Benjamin Tedder (American singer, songwriter, and producer) and Hans Zimmer (German score composer)
Don Toliver Feat. Doja Cat3:29
6This Is Me
engineer:
Derik Lee (engineer)
producer:
Adam Gubman (US songwriter, arranger & composer) and Greg Wells
vocals:
Keala Settle
arranger:
Rob Mathes
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2017) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2017)
recording of:
This Is Me
writer:
Benj Pasek and Justin Paul
part of:
The 90th Academy Award for Best Original Song (number: 2)
part of:
The Greatest Showman (2017 musical film)
Keala Settle & The Greatest Showman Ensemble2.53:55
7Wind Beneath My Wings
producer:
Arif Mardin
lead vocals:
Bette Midler
part of:
The Co-Op: Top 10 British Funeral Songs (number: 1) and Alan Cross: Hurricane Songs (number: 10)
cover recording of:
Wind Beneath My Wings
writer:
Larry Henley (singer songwriter) and Jeff Silbar
publisher:
Silbar’Songs and Warner Chappell Music Ltd. (no slash; used 1988–1996)
B. Midler54:54
8Glory of Love
engineer and mixer:
Terry Christian (US recording and mixing engineer) and John Guess
producer:
Michael Omartian
guest background vocals:
Kenny Cetera
lead vocals:
Peter Cetera
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986) and Warner Music International (trademark of Warner Music International the company) (in 1986)
recorded at and mixed at:
Lion Share Studios in Los Angeles, California, United States
recording of:
Glory of Love
writer:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) and Diane Nini
publisher:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
The 59th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1986 nominee)
Peter Cetera4.24:18
9B-A-B-Y
recording of:
B-A-B-Y (in 1966)
writer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Warner/Chappell North America
Carla Thomas4.252:53
10Could It Be I'm Falling in Love
recording engineer:
Joe Tarsia (engineer)
producer:
Thom Bell (keyboards, songwriter, producer)
bass:
Ron Baker (record producer, bassist, arranger and songwriter) (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (keyboards, songwriter, producer) (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (A member of the R&B quintet The Spinners) (in 1973)
bass vocals:
Pervis Jackson (The bass singer for The Spinners) (in 1973)
tenor vocals:
Billy Henderson (founding member of The Spinners) (in 1973), Bobbie Smith (US R&B lead singer for The Spinners) (in 1973) and Philippé Wynne (A lead vocalist of The Spinners) (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 221)
recording of:
Could It Be I’m Falling in Love (in 1973)
writer:
Melvin Steals and Mervin Steals
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners4.54:10
11Baby, I Love You
assistant engineer:
Bruce Gold (Engineer)
engineer:
Larry Levine and Boris Menart
producer:
Phil Spector
cover recording of:
Baby, I Love You
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company and Universal–Songs of PolyGram International, Inc.
Ramones43:45
12Simply Irresistible
engineer:
Tim Kramer (engineer)
producer:
Robert Palmer (English singer‐songwriter)
mixer:
Eric "E.T." Thorngren
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Simply Irresistible
lyricist and composer:
Robert Palmer (English singer‐songwriter)
publisher:
Heavy Nova Music
Robert Palmer3.64:14
13(Sittin' on) The Dock of the Bay
producer:
Jerry Bruckheimer, Steve Cropper and Don Simpson (American film producer, screenwriter, and actor)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-11-22 until 1967-12-07)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (from 1967-11-22 until 1967-12-07)
guitar:
Steve Cropper (from 1967-11-22 until 1967-12-07)
keyboard:
Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-11-22 until 1967-12-07)
vocals:
Otis Redding (from 1967-11-22 until 1967-12-07)
whistling:
Otis Redding (from 1967-11-22 until 1967-12-07)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 45)
recording of:
(Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
writer:
Steve Cropper and Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
recording of:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
composer:
Steve Cropper and Otis Redding
arranger:
Oliver Lake
arrangement of:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:44
14Beyond the Sea
producer:
Ahmet Ertegun (US songwriter/producer), Nesuhi Ertegun and Jerry Wexler
vocals:
Bobby Darin (on 1958-08-24)
conductor:
Richard Wess (on 1958-08-24)
arranger:
Richard Wess
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 397)
cover recording of:
Beyond the Sea (on 1958-08-24)
lyricist:
Jack Lawrence (US songwriter)
composer:
Charles Trenet
publisher:
Bro ’n Sis Music, Éditions Raoul Breton, Music 1 Ltd., Range Road Music Inc., Warner/Chappell Music International, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
translated version of:
La Mer
Bobby Darin52:52
15Crazy for You
producer:
Jellybean (US producer John Benitez)
mixer:
Michael Hutchinson (engineer) and Shep Pettibone
lead vocals:
Madonna (“Queen of Pop”)
arranger:
Rob Mounsey
produced for:
Jellybean Productions, Inc.
mixed at:
Right Track Studios in Manhattan, New York, New York, United States
remix of:
Crazy for You (soundtrack version) by Madonna (“Queen of Pop”)
recording of:
Crazy for You (Vision Quest)
lyricist:
John Bettis
composer:
Jon Lind
publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Warner Olive Music LLC, Warner-Tamerlane Pub. Corp. (publisher; do NOT use as release label), Warner–Barham Music LLC, WB Music Corp. (1929–2019), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Madonna3.23:44
16Golden Brown
co-producer:
Steve Churchyard
producer:
Steve Churchyard and The Stranglers
mixer:
Tony Visconti
performer:
The Stranglers
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
writer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. and Plumbshaft-Ltd.
The Stranglers4.453:27
17You're the Inspiration
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
instruments arranger:
Jeremy Lubbock
arranger:
Peter Cetera and David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California, United States (in 1984) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California, United States
recording of:
You’re the Inspiration (in 1984)
writer:
Peter Cetera (in 1984) and David Foster (Canadian music producer, arranger and composer) (in 1984)
publisher:
BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (in 1984) and Foster Frees Music Inc. (in 1984)
Chicago53:49
18December, 1963 (Oh What a Night!)Frankie Valli & The Four Seasons3:21
19The Rubberband Man
The Spinners3:33
20Never Ending Story
producer:
Giorgio Moroder
background vocals:
Beth Andersen (US pop vocalist)
lead vocals:
Limahl
vocals:
Beth Anderson (US pop vocalist) and Limahl
performer:
Limahl
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) and Neue Constantin Film Productions GmbH
part of:
Cachitos Nochevieja 2022 (number: 51)
recording of:
Never Ending Story (theme from the 1984 film “The NeverEnding Story”)
lyricist:
Keith Forsey (drummer, producer and songwriter)
composer:
Giorgio Moroder
publisher:
Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Limahl3.353:30
21Juke Box Hero
assistant engineer:
Edwin Hobgood (engineer) and Michael Sauvage
engineer:
Tony Platt (UK engineer and producer), Brad Samuelsohn and Dave Wittman
producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Robert John “Mutt” Lange (Robert John Lange)
bass guitar:
Rick Wills
drums (drum set):
Dennis Elliott
electric guitar [lead guitar] and keyboard:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
synthesizer:
Thomas Dolby and Larry Fast (American synthesizer player and composer)
background vocals:
Dennis Elliott, Mick Jones (Foreigner/Spooky Tooth, worked in France), Robert John “Mutt” Lange (Robert John Lange), Ian Lloyd (of Stories), Mark Rivera and Rick Wills
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981, in 2002) and Rhino Entertainment Company (not for release label use!) (in 2009)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
recording of:
Juke Box Hero
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Foreigner3.64:20
22Hooked on a Feeling
producer:
Bengt Palmers
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) (in 1973) and EMI Records Group (in 1973)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 284)
recording of:
Hooked on a Feeling
lyricist and composer:
Mark James (Francis Zambon, composer of “Suspicious Minds”)
Blue Swede4.052:53
23La Bamba
producer:
Mitchell Froom
performer:
Los Lobos (Chicano rock band)
arranger:
Ritchie Valens
phonographic copyright (℗) by:
FFRR Records Ltd. (company name, NOT a label!) (in 1987) and Slash Records (company, do not use as release label!) (in 1987)
cover recording of:
La bamba (additional lyrics by Ritchie Valens)
additional lyricist:
Ritchie Valens
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music and M.P.A. (M.P.A.)
version of:
La bamba
Los Lobos4.152:54
24Working My Way Back to YouThe Spinners54:03
25The House That Jack Built
recording engineer:
Tom Dowd (on 1968-04-17)
producer:
Jerry Wexler
bass guitar:
Jerry Jemmott (on 1968-04-17)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-17)
guitar:
Tommy Cogbill (on 1968-04-17)
organ:
Spooner Oldham (on 1968-04-17)
piano and lead vocals:
Aretha Franklin (on 1968-04-17)
background vocals:
The Sweet Inspirations (on 1968-04-17)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
cover recording of:
The House That Jack Built (on 1968-04-17)
writer:
Bob Lance and Fran Robins
publisher:
Cotillion and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Aretha Franklin52:20
26Ironic
recording engineer:
Glen Ballard and Ted Blaisdell
producer:
Glen Ballard
mixer:
Chris Fogel (engineer)
bass:
Lance Morrison
drums (drum set) and percussion:
Rob Ladd
guitar:
Glen Ballard and Basil Fung
organ:
Michael Thompson (American arranger, keyboardist, trombonist, accordionist and drummer)
vocals:
Alanis Morissette
music videos:
Ironic by Alanis Morissette
recording of:
Ironic
lyricist:
Alanis Morissette
composer:
Glen Ballard and Alanis Morissette
publisher:
Aerostation Corporation, Arlovol Music and Vanhurst Place Music
part of:
Jagged Little Pill (the musical)
Alanis Morissette43:50
27Stand by Me
recorded in:
New York, New York, United States (on 1960-10-27)
producer:
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) and Trio Music Co., Inc. (in 1981)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
recording of:
Stand by Me (on 1960-10-27)
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.653:00
28Psycho Killer
additional engineer:
Matt Cohen (US producer and engineer)
engineer:
Ed Stasium (US record producer & audio engineer)
executive producer:
Karen Ahmed and Robin Hurley
producer:
Tony Bongiovi, Lance Quinn and Talking Heads
bass guitar:
Tina Weymouth (from 1976 until 1977)
drums (drum set):
Chris Frantz (from 1976 until 1977)
guitar:
David Byrne (Talking Heads) (from 1976 until 1977) and Jerry Harrison (Talking Heads & producer) (from 1976 until 1977)
guitar and keyboard and keyboard:
Jerry Harrison (Talking Heads & producer) (from 1976 until 1977)
lead vocals:
David Byrne (Talking Heads) (from 1976 until 1977)
vocals:
Jerry Harrison (Talking Heads & producer) (from 1976 until 1977)
phonographic copyright (℗) by:
Sire Records Inc. (in 1977)
recorded at:
Sundragon Studios in Flatiron District, New York, New York, United States (from 1976 until 1977)
mixed at:
Mediasound Studios in New York, New York, United States (in 2005)
samples from:
Lexicon Valley #190, "Beyond the Five Ws" by John McWhorter
part of:
Indie 88: Top 500 Indie Rock Songs (number: 108)
recording of:
Psycho Killer (from 1976 until 1977)
lyricist:
David Byrne (Talking Heads), Chris Frantz and Tina Weymouth
writer:
David Byrne (Talking Heads), Christopher Frantz and Martina Weymouth
composer:
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Talking Heads3.854:21
29Right Back Where We Started From
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1994)
recording of:
Right Back Where We Started From (in 1975)
writer:
J. Vincent Edwards and Pierre Tubbs
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, Hebbes Music Group Pty. Ltd., Penshurst Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. and Sony/ATV Songs LLC
Maxine Nightingale4.153:12
30Hungry Like the Wolf
engineer and producer:
Colin Thurston
phonographic copyright (℗) by:
Tritec Music Ltd. (publisher and copyrights holder) (from 1982 to present) and Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2009)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 3) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 196)
recording of:
Hungry Like the Wolf
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd. and Tritec Music Ltd. (publisher and copyrights holder)
adaptations:
Hungry Like a Pig
Duran Duran4.153:41
31A Horse With No Name
engineer:
Robin Black (engineer) and Ken Scott (UK record producer & engineer)
additional producer:
America (US folk/soft rock band) and Jeff Dexter
producer:
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) and Ian Samwell
mixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
12 string guitar:
Gerry Beckley (in 1971)
acoustic guitar and lead vocals:
Dewey Bunnell (in 1971)
bass guitar:
Dan Peek (in 1971)
drums (drum set):
Kim Haworth (in 1971)
percussion:
Ray Cooper (percussionist) (in 1971)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971, in 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2011)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971)
recording of:
A Horse With No Name (in 1971)
lyricist and composer:
Dewey Bunnell
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
America4.254:12
32Smile
recording of:
Smile (song version w/ lyrics)
lyricist:
Geoffrey Parsons (lyricist) and John Turner (lyricist)
composer:
Charlie Chaplin (filmmaker)
publisher:
Bourne France Éditions Musicale, Bourne Music Ltd., Bourne, Inc. and Bourne Co. (not for release label use, this is a music publisher) (in 1954)
sub-publisher:
Editions Vedette Sprl and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Smile (Modern Times; original instrumental version)
part of:
Chaplin
Jimmy Durante2:58
33Hot Blooded
recording of:
Hot Blooded
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Foreigner4:29
34Nothing's Gonna Stop Us Now
performer:
Starship (continuation of Jefferson Starship) (in 1987)
phonographic copyright (℗) by:
BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987)
recording of:
Nothing’s Gonna Stop Us Now (in 1987)
writer:
Albert Hammond and Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) and Windswept Pacific Music Ltd. (publishing company)
part of:
The 60th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1987 nominee)
cover recording of:
Nothing’s Gonna Stop Us Now
writer:
Albert Hammond and Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) and Windswept Pacific Music Ltd. (publishing company)
part of:
The 60th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1987 nominee)
Starship3.754:30
35People Are Strange
recording of:
People Are Strange
writer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music and Rondor Music (London) Ltd.
The Doors2:10
36Edge of Seventeen
engineer:
Shelly Yakus
producer:
Jimmy Iovine
bass guitar [bass]:
Bob Glaub
drums (drum set):
Russ Kunkel (session drummer)
guitar:
Waddy Wachtel
organ:
Benmont Tench
percussion:
Bobbye Hall
piano:
Roy Bittan
lead vocals:
Stevie Nicks
phonographic copyright (℗) by:
Modern Records, Inc. (in 1981) and Rhino Entertainment Company (not for release label use!) (in 2016)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 217)
recording of:
Edge of Seventeen
lyricist and composer:
Stevie Nicks
dedicated to:
John Lennon (The Beatles)
Stevie Nicks4.055:29
37Sh-Boom
recorded in:
New York, New York, United States (on 1954-03-15)
producer:
Ahmet Ertegun (US songwriter/producer) and Jerry Wexler
tenor saxophone:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (on 1954-03-15)
vocals:
The Chords (50s US doo-wop group "Sh-Boom") (on 1954-03-15)
arranger:
Howard Biggs
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 215)
recording of:
Sh‐Boom (on 1954-03-15)
writer:
William Edwards (The Chords), Carl Feaster, Claude Feaster, James Keyes and Floyd McRae
premiered by:
The Chords (50s US doo-wop group "Sh-Boom")
The Chords32:27
38It's Been So Long
The Living Tombstone2:54
39There You'll Be
recording engineer:
Bassy Bob Brockmann (engineer, producer, remixer)
assistant engineer:
Jamie Duncan
producer:
Byron Gallimore and Trevor Horn
mixer:
Steve MacMillan and Mike Shipley (audio engineer, mixer, producer)
bass:
Tony Shanahan
guitar:
Tim Pierce (US session guitarist) and Ira Siegel
membranophone:
Rich Pagano
vocals:
Faith Hill (country pop singer)
conductor:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
arranger:
James S. Levine (film and television composer) and Fiachra Trench
orchestrator:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
recording of:
There You’ll Be
lyricist and composer:
Diane Warren (US songwriter)
publisher:
Realsongs and Touchstone Pictures Music and Songs Inc.
part of:
The 74th Academy Award for Best Original Song (number: 2)
Faith Hill43:41
40Californication
recording of:
Californication
writer:
Flea (US bassist), John Frusciante, Anthony Kiedis and Chad Smith (drummer from Red Hot Chili Peppers)
publisher:
Moebetoblame Music
Red Hot Chili Peppers5:30