The Best Songs from Movies

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Copyright: ℗ 2025 Warner Music Group - X5 Music Group

Annotazione modificata l'ultima volta il 2026-05-07 02:37 UTC.

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1Dance the Night
tecnico di registrazione aggiunto:
Alex Venguer
programmazione:
Brandon Bost e Picard Brothers
assistente tecnico:
Jake Ferguson
tecnico:
Brandon Bost e Cameron Gower‐Poole (voce principale)
produttore:
Cameron Gower‐Poole (voce principale), Picard Brothers, Mark Ronson (British DJ and producer) e Andrew Wyatt (US musician, singer/songwriter, and producer)
assistente tecnico di missaggio:
Bryce Bordone
tecnico di missaggio:
Serban Ghenea
basso e sintetizzatore :
Andrew Wyatt (US musician, singer/songwriter, and producer)
chitarra e piano Rhodes :
Mark Ronson (British DJ and producer)
tastiera [keyboards] :
Picard Brothers
viola :
Danielle Farina (violist), Will Frampton (violinist), Robert Meyer (violist), Torron Pfeffer, Michael Roth (violinist) e Alexis Sykes
violino :
Peter Bahng, Tallie Brunfelt, Julia Choi (violinist), Kristi Helberg (violinist), Ann Kim (violin), Jennifer Kim, Angela Lee (cellist), Jeongmin Lee, Lisa Kim (violinist), Matt Lehmann, Joanna Maurer (violinist), Annaliesa Place, Sein Ryu (violinist), Jeremia Velazquez, Henry Wang (violinist) e Jungsun Yoo
violoncello :
Susannah Chapman (cellist), Clarice Jensen (cellist), Sarah Kwon, Joel Noyes, Alan Stepansky (cellist) e Caitlin Sullivan (American cellist)
voce di accompagnamento:
Caroline Ailin
voce principale:
Dua Lipa
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 2023) e Warner Bros. Entertainment, Inc. (fka Warner Brothers Pictures, Inc.) (nel 2023)
parte di:
BILLIONS CLUB e Billboard Year-End Hot 100 singles of 2024 (numero: 100)
registrazione di:
Dance the Night
autore:
Caroline Ailin, Dua Lipa, Mark Ronson (British DJ and producer) e Andrew Wyatt (US musician, singer/songwriter, and producer)
editore:
Andrew Wyatt Blakemore (BMI-affiliated), Songs of Zelig (BMI-affiliated), Sony/ATV Songs LLC, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Polygram Int. Publishing, Inc. (existed only since ca. 1998) e Warner–Barham Music LLC
parte di:
Grammy Award: Best Song Written for Visual Media nominees (numero: 2024) e Grammy Award: Song of the Year nominees (numero: 2024)
Dua Lipa2.652:57
2See You Again
produttore:
Andrew Cedar, Frank E (Justin Franks) e Charlie Puth
assistente tecnico di missaggio:
Chris Galland e Ike Schultz
tecnico di missaggio:
Manny Marroquin
direttore d'orchestra:
Brian Tyler (American score composer) (archi)
arrangiatore archi :
Brian Tyler (American score composer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 2015) e Universal Studios (plain “Universal” globe logo, currently underlined by “A Comcast Company”) (nel 2015)
mixata presso:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 2015 (numero: 3), Grammy Award: Best Pop Duo/Group Performance nominees (numero: 2016), Billboard Decade End Chart: Streaming Songs (2010s) (numero: 40), Billboard Year-End Hot 100 singles of 2016 (numero: 99) e BILLIONS CLUB
registrazione di:
See You Again
autore:
Cameron Thomaz (US rapper), Andrew Cedar, Charles Puth e Justin Franks (Justin Franks)
editore:
Andrew Cedar Publishing, Artist 101 Publishing Group, Artist Publishing Group, Artist Publishing Group West, BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation), BMG Platinum Songs, Canadiana Music, Charlie Puth Music Publishing, J Franks Publishing, Kobalt Music (publisher), New World Music (new age music), Universal Pictures, Universal Pictures Music, UPG Music Publishing, Warner Music Group (holding company – file NO releases), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019), WC Music Corp. e Wiz Khalifa Publishing
Wiz Khalifa Feat. Charlie Puth4.13:50
3Iris
assistente tecnico:
Greg Burns (engineer) (incarico: second engineer) e Rafa Sardina (incarico: second engineer)
tecnico:
Allen Sides
produttore:
Rob Cavallo e Goo Goo Dolls
tecnico di missaggio:
Jack Joseph‐Puig
basso :
Robby Takac
batteria e percussione :
Mike Malinin
chitarra :
John Rzeznik
mandolino :
Tim Pierce (US session guitarist)
pianoforte :
Jamie Muhoberac
voce:
John Rzeznik
arrangiatore archi [string] :
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
video musicali:
Iris di Goo Goo Dolls
registrazione di:
Iris
paroliere e compositore:
John Rzeznik
editore:
EMI Virgin Songs, Inc. e Scrap Metal Music
The Goo Goo Dolls4.14:50
4Heathens
programmazione e produttore:
Mike Elizondo e Tyler Joseph
tecnico e tecnico di missaggio:
Adam Hawkins (US mix engineer)
batteria e percussione :
Josh Dun
chitarra basso , pianoforte e sintetizzatore :
Tyler Joseph
voce:
Tyler Joseph
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 2016) e Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.) (nel 2016)
registrata presso:
Can Am in Tarzana, Los Angeles, California, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 2016 (numero: 21), Grammy Award: Best Rock Performance nominees (numero: 2017), Billboard Year-End Hot 100 singles of 2017 (numero: 58) e BILLIONS CLUB
registrazione di:
Heathens
paroliere e compositore:
Tyler Joseph
editore:
Fueled by Ramen, Stryker Joseph Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
twenty one pilots4.23:16
5Lose My Mind
tecnico di registrazione:
Joe Henderson (engineer)
programmazione:
Karl Berkon (UK EDM producer) e Tom Norris (American engineer and multi-instrumentalist)
tecnico:
Edgard Herrera, Dylan Neustadter e Patrizio "Teezio" Pigliapoco (incarico: vocal)
co-produttore:
Tom Norris (American engineer and multi-instrumentalist)
produttore:
Louis Bell (American producer, engineer, and songwriter) (incarico: vocal), Grant (fka Grant Bowtie), Ryan Tedder (American singer, songwriter, and producer) e Hans Zimmer (German score composer)
assistente tecnico di missaggio:
Victor Verpillat
tecnico di missaggio:
Tom Norris (American engineer and multi-instrumentalist)
voce:
Doja Cat e Don Toliver
diritti fonografici (℗) detenuti da:
Apple Video Programming LLC (nel 2025), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 2025) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 2025)
video musicali:
Lose My Mind di Don Toliver feat. Doja Cat
registrazione di:
Lose My Mind
autore:
Amala Ratna Zandile Dlamini, Caleb Zackery “Don” Toliver, Grant Joseph Boutin (fka Grant Bowtie), Ryan Benjamin Tedder (American singer, songwriter, and producer) e Hans Zimmer (German score composer)
Don Toliver Feat. Doja Cat3:29
6This Is Me
tecnico:
Derik Lee (engineer)
produttore:
Adam Gubman (US songwriter, arranger & composer) e Greg Wells
voce:
Keala Settle
arrangiatore:
Rob Mathes
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 2017) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2017)
registrazione di:
This Is Me
autore:
Benj Pasek e Justin Paul
parte di:
The 90th Academy Award for Best Original Song (numero: 2)
parte di:
The Greatest Showman (2017 musical film)
Keala Settle & The Greatest Showman Ensemble2.53:55
7Wind Beneath My Wings
produttore:
Arif Mardin
voce principale:
Bette Midler
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 1) e Alan Cross: Hurricane Songs (numero: 10)
registrazione cover di:
Wind Beneath My Wings
autore:
Larry Henley (singer songwriter) e Jeff Silbar
editore:
Silbar’Songs e Warner Chappell Music Ltd. (no slash; used 1988–1996)
B. Midler54:54
8Glory of Love
tecnico e tecnico di missaggio:
Terry Christian (US recording and mixing engineer) e John Guess
produttore:
Michael Omartian
voce di accompagnamento ospite:
Kenny Cetera
voce principale:
Peter Cetera
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1986) e Warner Music International (trademark of Warner Music International the company) (nel 1986)
registrata presso e mixata presso:
Lion Share Studios in Los Angeles, California, Stati Uniti
registrazione di:
Glory of Love
autore:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) e Diane Nini
editore:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30), Air Bear Music (nel 1986), Fall Line Orange Music (nel 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (nel 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
parte di:
The 59th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1986 nominee)
Peter Cetera4.24:18
9B-A-B-Y
registrazione di:
B-A-B-Y (nel 1966)
autore:
Isaac Hayes e David Porter (US soul musician, producer & songwriter)
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Warner/Chappell North America
Carla Thomas4.252:53
10Could It Be I'm Falling in Love
tecnico di registrazione:
Joe Tarsia (engineer)
produttore:
Thom Bell (keyboards, songwriter, producer)
basso :
Ron Baker (record producer, bassist, arranger and songwriter) (nel 1973)
batteria :
Earl Young (nel 1973)
percussione [vibraphone, marimba] :
Vince Montana (nel 1973)
pianoforte :
Thom Bell (keyboards, songwriter, producer) (nel 1973)
voce di accompagnamento:
Yvette Benson (nel 1973), Carla Benton (nel 1973) e Barbara Ingram (nel 1973)
voce di baritono:
Henry Fambrough (A member of the R&B quintet The Spinners) (nel 1973)
voce di basso:
Pervis Jackson (The bass singer for The Spinners) (nel 1973)
voce di tenore:
Billy Henderson (founding member of The Spinners) (nel 1973), Bobbie Smith (US R&B lead singer for The Spinners) (nel 1973) e Philippé Wynne (A lead vocalist of The Spinners) (nel 1973)
direttore d'orchestra:
Thom Bell (keyboards, songwriter, producer) (nel 1973)
remixer:
Joe Tarsia (engineer)
arrangiatore:
Thom Bell (keyboards, songwriter, producer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1973)
mixata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 221)
registrazione di:
Could It Be I’m Falling in Love (nel 1973)
autore:
Melvin Steals e Mervin Steals
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners4.54:10
11Baby, I Love You
assistente tecnico:
Bruce Gold (Engineer)
tecnico:
Larry Levine e Boris Menart
produttore:
Phil Spector
registrazione cover di:
Baby, I Love You
autore:
Jeff Barry, Ellie Greenwich e Phil Spector
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company e Universal–Songs of PolyGram International, Inc.
Ramones43:45
12Simply Irresistible
tecnico:
Tim Kramer (engineer)
produttore:
Robert Palmer (English singer‐songwriter)
tecnico di missaggio:
Eric "E.T." Thorngren
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1988)
registrazione di:
Simply Irresistible
paroliere e compositore:
Robert Palmer (English singer‐songwriter)
editore:
Heavy Nova Music
Robert Palmer3.64:14
13(Sittin' on) The Dock of the Bay
produttore:
Jerry Bruckheimer, Steve Cropper e Don Simpson (American film producer, screenwriter, and actor)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (dal 1967-11-22 al 1967-12-07)
chitarra :
Steve Cropper (dal 1967-11-22 al 1967-12-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-11-22 al 1967-12-07)
tastiera :
Isaac Hayes (dal 1967-11-22 al 1967-12-07) e Booker T. Jones (dal 1967-11-22 al 1967-12-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-11-22 al 1967-12-07)
fischio:
Otis Redding (dal 1967-11-22 al 1967-12-07)
voce:
Otis Redding (dal 1967-11-22 al 1967-12-07)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 44) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 45)
registrazione di:
(Sittin’ on) the Dock of the Bay (dal 1967-11-22 al 1967-12-07)
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
registrazione di:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
compositore:
Steve Cropper e Otis Redding
arrangiatore:
Oliver Lake
arrangiamento di:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:44
14Beyond the Sea
produttore:
Ahmet Ertegun (US songwriter/producer), Nesuhi Ertegun e Jerry Wexler
voce:
Bobby Darin (il 1958-08-24)
direttore d'orchestra:
Richard Wess (il 1958-08-24)
arrangiatore:
Richard Wess
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 397)
registrazione cover di:
Beyond the Sea (il 1958-08-24)
paroliere:
Jack Lawrence (US songwriter)
compositore:
Charles Trenet
editore:
Bro ’n Sis Music, Éditions Raoul Breton, Music 1 Ltd., Range Road Music Inc., Warner/Chappell Music International, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
versione tradotta di:
La Mer
Bobby Darin52:52
15Crazy for You
produttore:
Jellybean (US producer John Benitez)
tecnico di missaggio:
Michael Hutchinson (engineer) e Shep Pettibone
voce principale:
Madonna (“Queen of Pop”)
arrangiatore:
Rob Mounsey
è stato produttore per:
Jellybean Productions, Inc.
mixata presso:
Right Track Studios in Manhattan, New York, New York, Stati Uniti
remix di:
Crazy for You (soundtrack version) di Madonna (“Queen of Pop”)
registrazione di:
Crazy for You (Vision Quest)
paroliere:
John Bettis
compositore:
Jon Lind
editore:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Warner Olive Music LLC, Warner-Tamerlane Pub. Corp. (publisher; do NOT use as release label), Warner–Barham Music LLC, WB Music Corp. (1929–2019), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Madonna3.23:44
16Golden Brown
co-produttore:
Steve Churchyard
produttore:
Steve Churchyard e The Stranglers
tecnico di missaggio:
Tony Visconti
esecutore:
The Stranglers
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981)
registrazione di:
Golden Brown
autore:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. e Plumbshaft-Ltd.
The Stranglers4.453:27
17You're the Inspiration
tecnico e tecnico di missaggio:
Humberto Gatica
produttore:
David Foster (Canadian music producer, arranger and composer)
assistente tecnico di missaggio:
Larry Fergusson
arrangiatore strumenti:
Jeremy Lubbock
arrangiatore:
Peter Cetera e David Foster (Canadian music producer, arranger and composer)
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1984, nel 2010) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (nel 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California, Stati Uniti (nel 1984) e The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (nel 1984)
mixata presso:
Lion Share Recording Studios in Los Angeles, California, Stati Uniti
registrazione di:
You’re the Inspiration (nel 1984)
autore:
Peter Cetera (nel 1984) e David Foster (Canadian music producer, arranger and composer) (nel 1984)
editore:
BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (nel 1984) e Foster Frees Music Inc. (nel 1984)
Chicago53:49
18December, 1963 (Oh What a Night!)
registrazione di:
December, 1963 (Oh, What a Night)
paroliere:
Bob Gaudio e Judy Parker
compositore:
Bob Gaudio
editore:
EMI Songs, EMI Songs Australia, Jobete Music Co., Inc. e Seasons Music Co.
Frankie Valli & The Four Seasons3:21
19The Rubberband Man
The Spinners3:33
20Never Ending Story
produttore:
Giorgio Moroder
voce:
Beth Anderson (US pop vocalist) e Limahl
voce di accompagnamento:
Beth Andersen (US pop vocalist)
voce principale:
Limahl
esecutore:
Limahl
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) e Neue Constantin Film Productions GmbH
parte di:
Cachitos Nochevieja 2022 (numero: 51)
registrazione di:
Never Ending Story (theme from the 1984 film “The NeverEnding Story”)
paroliere:
Keith Forsey (drummer, producer and songwriter)
compositore:
Giorgio Moroder
editore:
Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Limahl3.353:30
21Juke Box Hero
assistente tecnico:
Edwin Hobgood (engineer) e Michael Sauvage
tecnico:
Tony Platt (UK engineer and producer), Brad Samuelsohn e Dave Wittman
produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Robert John “Mutt” Lange (Robert John Lange)
batteria :
Dennis Elliott
chitarra basso :
Rick Wills
chitarra elettrica [lead guitar] e tastiera :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
sintetizzatore :
Thomas Dolby e Larry Fast (American synthesizer player and composer)
voce di accompagnamento:
Dennis Elliott, Mick Jones (Foreigner/Spooky Tooth, worked in France), Robert John “Mutt” Lange (Robert John Lange), Ian Lloyd (of Stories), Mark Rivera e Rick Wills
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1981, nel 2002) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
registrazione di:
Juke Box Hero
autore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Somerset Songs Publishing Inc., フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
Foreigner3.64:20
22Hooked on a Feeling
produttore:
Bengt Palmers
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1973), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) (nel 1973) e EMI Records Group (nel 1973)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 284)
registrazione di:
Hooked on a Feeling
paroliere e compositore:
Mark James (Francis Zambon, composer of “Suspicious Minds”)
Blue Swede4.052:53
23La Bamba
produttore:
Mitchell Froom
esecutore:
Los Lobos (Chicano rock band)
arrangiatore:
Ritchie Valens
diritti fonografici (℗) detenuti da:
FFRR Records Ltd. (company name, NOT a label!) (nel 1987) e Slash Records (company, do not use as release label!) (nel 1987)
registrazione cover di:
La bamba (additional lyrics by Ritchie Valens)
paroliere e compositore:
[traditional] (special purpose artist)
paroliere aggiunto:
Ritchie Valens
arrangiatore:
Ritchie Valens
editore:
Carlin Music Corporation, EMI Longitude Music e M.P.A. (M.P.A.)
versione di:
La bamba
Los Lobos4.152:54
24Working My Way Back to You
registrazione cover di:
Working My Way Back to You
autore:
Sandy Linzer e Denny Randell
editore:
Ardmore and Beechwood Ltd., EMI Music Publishing (do not use as a release label!), Saturday Music, Inc. e Seasons 4 Music
The Spinners54:03
25The House That Jack Built
tecnico di registrazione:
Tom Dowd (il 1968-04-17)
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1968-04-17)
chitarra :
Tommy Cogbill (il 1968-04-17)
chitarra basso :
Jerry Jemmott (il 1968-04-17)
organo :
Spooner Oldham (il 1968-04-17)
pianoforte e voce principale:
Aretha Franklin (il 1968-04-17)
voce di accompagnamento:
The Sweet Inspirations (il 1968-04-17)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti
registrazione cover di:
The House That Jack Built (il 1968-04-17)
autore:
Bob Lance e Fran Robins
editore:
Cotillion e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Aretha Franklin52:20
26Ironic
tecnico di registrazione:
Glen Ballard e Ted Blaisdell
produttore:
Glen Ballard
tecnico di missaggio:
Chris Fogel (engineer)
basso :
Lance Morrison
batteria e percussione :
Rob Ladd
chitarra :
Glen Ballard e Basil Fung
organo :
Michael Thompson (American arranger, keyboardist, trombonist, accordionist and drummer)
voce:
Alanis Morissette
video musicali:
Ironic di Alanis Morissette
registrazione di:
Ironic
paroliere:
Alanis Morissette
compositore:
Glen Ballard e Alanis Morissette
editore:
Aerostation Corporation, Arlovol Music e Vanhurst Place Music
parte di:
Jagged Little Pill (the musical)
Alanis Morissette43:50
27Stand by Me
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1960, nel 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1961, nel 1986), Progressive Music Publishing Company Inc. (nel 1981) e Trio Music Co., Inc. (nel 1981)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131) e BILLIONS CLUB
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.653:00
28Psycho Killer
tecnico:
Ed Stasium (US record producer & audio engineer)
tecnico aggiunto:
Matt Cohen (US producer and engineer)
produttore:
Tony Bongiovi, Lance Quinn e Talking Heads
produttore esecutivo:
Karen Ahmed e Robin Hurley
batteria :
Chris Frantz (dal 1976 al 1977)
chitarra :
David Byrne (Talking Heads) (dal 1976 al 1977) e Jerry Harrison (Talking Heads & producer) (dal 1976 al 1977)
chitarra basso :
Tina Weymouth (dal 1976 al 1977)
chitarra e tastiera e tastiera :
Jerry Harrison (Talking Heads & producer) (dal 1976 al 1977)
voce:
Jerry Harrison (Talking Heads & producer) (dal 1976 al 1977)
voce principale:
David Byrne (Talking Heads) (dal 1976 al 1977)
diritti fonografici (℗) detenuti da:
Sire Records Inc. (nel 1977)
registrata presso:
Sundragon Studios in Flatiron District, New York, New York, Stati Uniti (dal 1976 al 1977)
mixata presso:
Mediasound Studios in New York, New York, Stati Uniti (nel 2005)
campionamenti da:
Lexicon Valley #190, "Beyond the Five Ws" di John McWhorter
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 108)
registrazione di:
Psycho Killer (dal 1976 al 1977)
paroliere:
David Byrne (Talking Heads), Chris Frantz e Tina Weymouth
autore:
David Byrne (Talking Heads), Christopher Frantz e Martina Weymouth
compositore:
David Byrne (Talking Heads)
editore:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Talking Heads3.854:21
29Right Back Where We Started From
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975, nel 1994)
registrazione di:
Right Back Where We Started From (nel 1975)
autore:
J. Vincent Edwards e Pierre Tubbs
editore:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, Hebbes Music Group Pty. Ltd., Penshurst Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. e Sony/ATV Songs LLC
Maxine Nightingale4.153:12
30Hungry Like the Wolf
tecnico e produttore:
Colin Thurston
diritti fonografici (℗) detenuti da:
Tritec Music Ltd. (publisher and copyrights holder) (dal 1982 a oggi) e Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 2009)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 3) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 196)
registrazione di:
Hungry Like the Wolf
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
EMI Songs, EMI Songs Australia Pty. Ltd. e Tritec Music Ltd. (publisher and copyrights holder)
adattamenti:
Hungry Like a Pig
Duran Duran4.153:41
31A Horse With No Name
tecnico:
Robin Black (engineer) e Ken Scott (UK record producer & engineer)
produttore:
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) e Ian Samwell
produttore aggiunto:
America (US folk/soft rock band) e Jeff Dexter
tecnico di missaggio:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
batteria :
Kim Haworth (nel 1971)
chitarra a 12 corde :
Gerry Beckley (nel 1971)
chitarra acustica e voce principale:
Dewey Bunnell (nel 1971)
chitarra basso :
Dan Peek (nel 1971)
percussione :
Ray Cooper (percussionist) (nel 1971)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1971, nel 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (nel 1972) e Rhino Entertainment Company (not for release label use!) (nel 2011)
registrata presso:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1971)
registrazione di:
A Horse With No Name (nel 1971)
paroliere e compositore:
Dewey Bunnell
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music Ltd. (no slash; used 1988–1996) e WB Music Corp. (1929–2019)
America4.254:12
32Smile
registrazione di:
Smile (song version w/ lyrics)
paroliere:
Geoffrey Parsons (lyricist) e John Turner (lyricist)
compositore:
Charlie Chaplin (filmmaker)
editore:
Bourne France Éditions Musicale, Bourne Music Ltd., Bourne, Inc. e Bourne Co. (not for release label use, this is a music publisher) (nel 1954)
sub-editore:
Editions Vedette Sprl e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Smile (Modern Times; original instrumental version)
parte di:
Chaplin
Jimmy Durante2:58
33Hot Blooded
registrazione di:
Hot Blooded
autore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Foreigner4:29
34Nothing's Gonna Stop Us Now
esecutore:
Starship (continuation of Jefferson Starship) (nel 1987)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1985, nel 1987), BMG Entertainment (nel 1987) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1987)
registrazione di:
Nothing’s Gonna Stop Us Now (nel 1987)
autore:
Albert Hammond e Diane Warren (US songwriter)
arrangiatore:
Narada Michael Walden
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) e Windswept Pacific Music Ltd. (publishing company)
parte di:
The 60th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1987 nominee)
registrazione cover di:
Nothing’s Gonna Stop Us Now
autore:
Albert Hammond e Diane Warren (US songwriter)
arrangiatore:
Narada Michael Walden
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) e Windswept Pacific Music Ltd. (publishing company)
parte di:
The 60th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1987 nominee)
Starship3.754:30
35People Are Strange
registrazione di:
People Are Strange
autore:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek e Jim Morrison (lead vocalist of the Doors)
editore:
Doors Music Company, Nipper Music e Rondor Music (London) Ltd.
The Doors2:10
36Edge of Seventeen
tecnico:
Shelly Yakus
produttore:
Jimmy Iovine
batteria :
Russ Kunkel (session drummer)
chitarra :
Waddy Wachtel
chitarra basso [bass] :
Bob Glaub
organo :
Benmont Tench
percussione :
Bobbye Hall
pianoforte :
Roy Bittan
voce principale:
Stevie Nicks
diritti fonografici (℗) detenuti da:
Modern Records, Inc. (nel 1981) e Rhino Entertainment Company (not for release label use!) (nel 2016)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 217)
registrazione di:
Edge of Seventeen
paroliere e compositore:
Stevie Nicks
dedicata a:
John Lennon (The Beatles)
Stevie Nicks4.055:29
37Sh-Boom
registrata a:
New York, New York, Stati Uniti (il 1954-03-15)
produttore:
Ahmet Ertegun (US songwriter/producer) e Jerry Wexler
sassofono tenore :
Sam Taylor (US jazz/blues saxophonist 1916-1990) (il 1954-03-15)
voce:
The Chords (50s US doo-wop group "Sh-Boom") (il 1954-03-15)
arrangiatore:
Howard Biggs
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 215)
registrazione di:
Sh‐Boom (il 1954-03-15)
autore:
William Edwards (The Chords), Carl Feaster, Claude Feaster, James Keyes e Floyd McRae
eseguita per la prima volta da:
The Chords (50s US doo-wop group "Sh-Boom")
The Chords32:27
38It's Been So Long
The Living Tombstone2:54
39There You'll Be
tecnico di registrazione:
Bassy Bob Brockmann (engineer, producer, remixer)
assistente tecnico:
Jamie Duncan
produttore:
Byron Gallimore e Trevor Horn
tecnico di missaggio:
Steve MacMillan e Mike Shipley (audio engineer, mixer, producer)
basso :
Tony Shanahan
chitarra :
Tim Pierce (US session guitarist) e Ira Siegel
membranofono :
Rich Pagano
voce:
Faith Hill (country pop singer)
direttore d'orchestra:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
arrangiatore:
James S. Levine (film and television composer) e Fiachra Trench
orchestratore:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
registrazione di:
There You’ll Be
paroliere e compositore:
Diane Warren (US songwriter)
editore:
Realsongs e Touchstone Pictures Music and Songs Inc.
parte di:
The 74th Academy Award for Best Original Song (numero: 2)
Faith Hill43:41
40Californication
registrazione di:
Californication
autore:
Flea (US bassist), John Frusciante, Anthony Kiedis e Chad Smith (drummer from Red Hot Chili Peppers)
editore:
Moebetoblame Music
Red Hot Chili Peppers5:30