Cosi Fan Tutte / Don Giovanni / The Magic Flute / Le Nozze Di Figaro

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 1 available)

Tracklist

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1Die Zauberflöte, K. 620: Act II. Marsch der Priester
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
spoken vocals [Sarastro]:
Walter Franck (in 1955-06)
spoken vocals [Zweiter Priester]:
Howard Vandenburg (tenor) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
arrangement of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (catch-all for arrangements)
part of:
Die Zauberflöte, K. 620: Akt II
5:15
2Die Zauberflöte, K. 620: Act II. "O Isis und Osiris" (Sarastro, Chor)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
bass vocals [Sarastro]:
Josef Greindl (operatic bass) (in 1955-06)
choir vocals:
Berliner Motettenchor (in 1955-06) and RIAS-Kammerchor (German chamber choir) (in 1955-06)
spoken vocals [Papageno]:
Walter Bluhm (actor and voice actor) (in 1955-06)
spoken vocals [Tamino]:
Sebastian Fischer (actor, voice actor and dubbing speaker) (in 1955-06)
spoken vocals [Zweiter Priester]:
Howard Vandenburg (tenor) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
chorus master:
Günther Arndt (choral conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
5:45
3Die Zauberflöte, K. 620: Act II. "Bewahret euch vor Weibertuecken" (Zwei Priester)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
spoken vocals [Papageno]:
Walter Bluhm (actor and voice actor) (in 1955-06)
spoken vocals [Tamino]:
Sebastian Fischer (actor, voice actor and dubbing speaker) (in 1955-06)
tenor vocals [Erster Priester]:
Wilhelm Borchert (actor and dubbing speaker) (in 1955-06)
tenor vocals [Zweiter Priester]:
Howard Vandenburg (tenor) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 11 Duett „Bewahret euch vor Weibertücken” (zwei Priester) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
1:08
4Die Zauberflöte, K. 620: Act II. "Wie? wie? wie? Ihr an diesem Schreckensort" (Die drei Damen, Papageno, Tamino)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1955-06)
mezzo-soprano vocals [Dritte Dame der Königin]:
Margarete Klose (alto) (in 1955-06)
soprano vocals [Erste Dame der Königin]:
Marianne Schech (soprano) (in 1955-06)
soprano vocals [Zweite Dame der Königin]:
Liselotte Losch (soprano) (in 1955-06)
spoken vocals [Papageno]:
Walter Bluhm (actor and voice actor) (in 1955-06)
spoken vocals [Zweiter Priester]:
Howard Vandenburg (tenor) (in 1955-06)
tenor vocals [Tamino]:
Ernst Haefliger (tenor) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Heil dir, Jüngling! Dein standhaft männliches Betragen” (Sprecher, 2. Priester, Papageno, Tamino) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. No. 12 Quintett „Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Drei Damen, Papageno, Tamino, Priester) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:34
5Die Zauberflöte, K. 620: Act II. "Alles Fuehlt der Liebe Freunden" (Monostatos)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
spoken vocals [Königin der Nacht]:
Rita Streich (soprano) (in 1955-06)
spoken vocals [Monostatos]:
Wolfgang Spier (actor, voice actor, dubbing artist) (in 1955-06)
spoken vocals [Pamina]:
Ruth Hellberg (actress and dubbing speaker) (in 1955-06)
tenor vocals [Monostatos]:
Martin Vantin (tenor) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 13 Arie „Alles fühlt der Liebe Freuden” (Monostatos) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
1:57
6Die Zauberflöte, K. 620: Act II. "Der Hoelle Rache kocht in meinem Herzen" (Königin der Nacht)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
soprano vocals [Königin der Nacht]:
Rita Streich (soprano) (in 1955-06)
spoken vocals [Monostatos]:
Wolfgang Spier (actor, voice actor, dubbing artist) (in 1955-06)
spoken vocals [Pamina]:
Ruth Hellberg (actress and dubbing speaker) (in 1955-06)
spoken vocals [Sarastro]:
Walter Franck (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:03
7Die Zauberflöte, K. 620: Act II. "In diesen heil'gen Hallen" (Sarastro)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
bass vocals [Sarastro]:
Josef Greindl (operatic bass) (in 1955-06)
spoken vocals [Papagena]:
Lisa Otto (German operatic soprano, 1919–2013) (in 1955-06)
spoken vocals [Papageno]:
Walter Bluhm (actor and voice actor) (in 1955-06)
spoken vocals [Tamino]:
Sebastian Fischer (actor, voice actor and dubbing speaker) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil’gen Hallen” (Sarastro) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
6:53
8Die Zauberflöte, K. 620: Act II. "Seid uns zum zweiten Mal willkommen" (Die drei Knaben)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
mezzo-soprano vocals [Dritter Knabe]:
Diana Eustrati (mezzo-soprano) (in 1955-06)
soprano vocals [Erster Knabe]:
Margot Guilleaume (German soprano) (in 1955-06)
soprano vocals [Zweiter Knabe]:
Maria Reith (soprano) (in 1955-06)
spoken vocals [Pamina]:
Ruth Hellberg (actress and dubbing speaker) (in 1955-06)
spoken vocals [Papageno]:
Walter Bluhm (actor and voice actor) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 16 Trio „Seid uns zum zweiten Mal willkommen” (Drei Knaben) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:53
9Die Zauberflöte, K. 620: Act II. "Ach, ich fuehl's, es ist verschwunden" (Pamina)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
choir vocals:
Berliner Motettenchor (in 1955-06) and RIAS Kammerchor (German chamber choir) (in 1955-06)
soprano vocals [Pamina]:
Maria Stader (soprano) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl’s, es ist verschwunden“ (Pamina) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:04
10Die Zauberflöte, K. 620: Act II. "O Isis und Osiris, welche Wonne!" (Chor)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
choir vocals:
Berliner Motettenchor (in 1955-06) and RIAS-Kammerchor (German chamber choir) (in 1955-06)
spoken vocals [Pamina]:
Ruth Hellberg (actress and dubbing speaker) (in 1955-06)
spoken vocals [Sarastro]:
Walter Franck (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
chorus master:
Günther Arndt (choral conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:03
11Die Zauberflöte, K. 620: Act II. "Soll ich dich, Teurer, nicht mehr sehn?" (Pamina, Sarastro, Tamino)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
bass vocals [Sarastro]:
Josef Greindl (operatic bass) (in 1955-06)
soprano vocals [Pamina]:
Maria Stader (soprano) (in 1955-06)
spoken vocals [Papageno]:
Walter Bluhm (actor and voice actor) (in 1955-06)
tenor vocals [Tamino]:
Ernst Haefliger (tenor) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 19 Trio „Soll ich dich, Teurer, nicht mehr sehn?” (Pamina, Sarastro, Tamino) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:37
12Die Zauberflöte, K. 620: Act II. "Ein Maedchen oder Weibchen" (Papageno)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1955-06)
spoken vocals [Papagena]:
Lisa Otto (German operatic soprano, 1919–2013) (in 1955-06)
spoken vocals [Papageno]:
Walter Bluhm (actor and voice actor) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1955)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:52
13Die Zauberflöte, K. 620: Act II. "Bald prangt, den Morgen zu verkuenden" (Die drei Knaben)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
mezzo-soprano vocals [Dritter Knabe]:
Diana Eustrati (mezzo-soprano) (in 1955-06)
soprano vocals [Erster Knabe]:
Margot Guilleaume (German soprano) (in 1955-06)
soprano vocals [Pamina]:
Maria Stader (soprano) (in 1955-06)
soprano vocals [Zweiter Knabe]:
Maria Reith (soprano) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
5:27
14Die Zauberflöte, K. 620: Act II. "Der, welcher wandert diese Straße voll Beschwerden" (Die Geharnischten, Tamino, Pamina)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
bass vocals [Zweiter geharnischter Mann]:
Kim Borg (operatic bass) (in 1955-06)
soprano vocals [Pamina]:
Maria Stader (soprano) (in 1955-06)
tenor vocals [Erster geharnischter Mann]:
Howard Vandenburg (tenor) (in 1955-06)
tenor vocals [Tamino]:
Ernst Haefliger (tenor) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. „Der, welcher wandelt diese Straße voll Beschwerden” (Zwei Geharnischte, Tamino, Pamina) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:41
15Die Zauberflöte, K. 620: Act II. "Tamino mein! O welch ein Glück!" (Pamina, Tamino, Chor)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
choir vocals:
Berliner Motettenchor (in 1955-06) and RIAS-Kammerchor (German chamber choir) (in 1955-06)
soprano vocals [Pamina]:
Maria Stader (soprano) (in 1955-06)
tenor vocals [Tamino]:
Ernst Haefliger (tenor) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
chorus master:
Günther Arndt (choral conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. „Tamino mein! O welch Glück!” (Pamina, Tamino) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
6:41
16Die Zauberflöte, K. 620: Act II. "Papagena! Papagena! Papagena! Weibchen! Täubchen!" (Papageno, Die drei Knaben)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1955-06)
mezzo-soprano vocals [Dritter Knabe] and soprano vocals [Dritter Knabe]:
Diana Eustrati (mezzo-soprano) (in 1955-06)
soprano vocals [Erster Knabe]:
Margot Guilleaume (German soprano) (in 1955-06)
soprano vocals [Papagena]:
Lisa Otto (German operatic soprano, 1919–2013) (in 1955-06)
soprano vocals [Zweiter Knabe]:
Maria Reith (soprano) (in 1955-06)
orchestra:
RIAS-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
7:13
17Die Zauberflöte, K. 620: Act II. "Nur stille, stille, stille, stille!" (Monostatos, Königin der Nacht, die drei Damen)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
mezzo-soprano vocals [Dritte Dame der Königin]:
Margarete Klose (alto) (in 1955-06)
soprano vocals [Erste Dame der Königin]:
Marianne Schech (soprano) (in 1955-06)
soprano vocals [Königin der Nacht]:
Rita Streich (soprano) (in 1955-06)
soprano vocals [Zweite Dame der Königin]:
Liselotte Losch (soprano) (in 1955-06)
tenor vocals [Monostatos]:
Martin Vantin (tenor) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:34
18Die Zauberflöte, K. 620: Act II. "Die Strahlen der Sonne vertreiben die Nacht" (Sarastro, Chor)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
bass vocals [Sarastro]:
Josef Greindl (operatic bass) (in 1955-06)
choir vocals:
Berliner Motettenchor (in 1955-06) and RIAS-Kammerchor (German chamber choir) (in 1955-06)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
chorus master:
Günther Arndt (choral conductor) (in 1955-06)
balance engineer:
Heinrich Keilholz and Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
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