The Singer, the Song

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Rolling in the Deep
recording engineer:
Mark Rankin (engineer)
engineer:
Mark “Top” Rankin (engineer)
producer:
Paul Epworth
assistant mixer:
Dan Perry (British mix/recording engineer)
mixer:
Tom Elmhirst (mixing engineer)
acoustic guitar, bass, electric guitar and percussion and background vocals:
Paul Epworth
drums (drum set):
Leo Taylor (UK drummer, producer, and DJ, active since 2000s)
piano:
Neil Cowley
tenor saxophone:
Ray Carless
trumpet:
Noel Langley
lead vocals:
Adele Laurie Blue Adkins (UK soul/jazz singer)
phonographic copyright (℗) by:
XL Recordings Ltd. (not for release label use! use its imprint XL Recordings instead) (in 2011)
recorded at:
Eastcote Studios in London (Greater London), England, United Kingdom
music videos:
Rolling in the Deep by Adele (UK soul/jazz singer)
part of:
Billboard Year-End Hot 100 singles of 2011 (number: 1), Rolling Stone: The 100 Best Songs of the 2010s (number: 3), Billboard Decade End Chart: Adult Contemporary Songs (2010s) (number: 11), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 30), Billboard: Greatest of All Time Hot 100 Songs (number: 39), Billboard Year-End Hot 100 singles of 2012 (number: 71), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 82), Pitchfork: The 200 Best Songs of the 2010s (number: 171) and BILLIONS CLUB
recording of:
Rolling in the Deep
writer:
Adele Adkins (UK soul/jazz singer) and Paul Epworth
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Nebo Ridge Publishing, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal–Songs of PolyGram International, Inc.
Adele4.43:48
2She Said
engineer:
Mark “Top” Rankin (engineer)
additional producer:
Eric Appapoulay
producer:
Ben Drew (UK rapper Ben Drew) and David McEwan
mixer:
Eric Appapoulay, Ben Drew (UK rapper Ben Drew) and David McEwan
alto saxophone and baritone saxophone:
Jason Yarde (piano, saxophone)
bass guitar and background vocals:
Eric Appapoulay
cello:
Ian Burdge (cellist)
drums (drum set):
Richard Cassell
flugelhorn and trumpet:
David Priseman
guitar:
Tom Wright-Goss
tenor saxophone:
Zem Audu (Nigerian saxophonist and keyboardist)
trombone:
Harry Brown (U.K. trombonist)
trumpet:
Mark Crown (trumpeter)
viola:
Sonia Slany (violinist) and Bruce White (violist)
violin:
Louisa Fuller (violinist), Sally Herbert (violinist, composer, and conductor), Everton Newson and Warren Zielinski (violinist)
alto saxophone, baritone saxophone, flugelhorn, tenor saxophone, trombone and trumpet arranger:
Jason Yarde (piano, saxophone)
recording of:
She Said
writer:
Ben Drew (UK rapper Ben Drew)
Plan B3.53:28
3Son of a Preacher Man
engineer:
Ed Kollis
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass guitar:
Tommy Cogbill (in 1968-09)
drums (drum set):
Gene Chrisman (in 1968-09)
electric piano and organ:
Bobby Emmons (in 1968-09)
guitar and sitar:
Reggie Young (guitarist and songwriter) (in 1968-09)
background vocals:
The Sweet Inspirations (in 1968-09)
vocals:
Dusty Springfield (in 1968-09)
conductor:
Gene Orloff (in 1968-09)
brass and strings arranger:
Arif Mardin
brass arranger:
Tom Dowd
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1968)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 168) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 240)
recording of:
Son of a Preacher Man (in 1968-09)
writer:
John Hurley and Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
Dusty Springfield4.452:26
4Empire State of Mind, Pt. 2: Broken Down
phonographic copyright (℗) by:
RCA/Jive Label Group (holding company, not a release label) (in 2009)
recording of:
Empire State of Mind, Part II: Broken Down
writer:
Alexander Shuckburgh (Alexander Shuckburgh; songwriter, musician and producer), Angela Hunte (American-Trinidadian singer-songwriter and producer), Bert Keyes (piano, soul/funk producer/writer), Alicia Keys, Sylvia Robinson, Janette Sewell and Shawn Carter (US rapper)
is based on:
Empire State of Mind
Alicia Keys3.73:36
5I Don’t Want to Talk About It
producer:
Tom Dowd
cover recording of:
I Don’t Want to Talk About It
lyricist and composer:
Danny Whitten
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Crazy Horse Music and Rondor Music
Rod Stewart4.54:49
6Last Request
additional programming:
Matt Benbrook
additional engineer:
Richard Wilkinson (production music)
assistant engineer:
Darren Simpson (engineer)
engineer:
Mark Phythian
producer:
Matt Benbrook (strings) and Ken Nelson (UK record producer)
mixer:
Tom Elmhirst (mixing engineer)
acoustic guitar and background vocals:
Donny Little (guitar player)
bass guitar:
Mike Hunter (UK producer & engineer)
drums (drum set), keyboard and percussion:
Jim Duguid
guitar:
Eddie Harrison, Donny Little (guitar player) and Ken Nelson (UK record producer)
strings:
Matt Benbrook
lead vocals:
Paolo Nutini
recording of:
Last Request
writer:
Matt Benbrook, Jim Duguid and Paolo Nutini
Paolo Nutini3.353:36
750 Ways to Leave Your Lover
recording of:
50 Ways to Leave Your Lover
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), DeShufflin Limited (in 1975) and Paul Simon Music (in 1975)
Paul Simon3:15
8I’m Yours
assistant recording engineer:
Iain Hill (UK engineer)
recording engineer:
Dyre Gormsen
producer:
Martin Terefe
mixer:
Tony Maserati (engineer / mixer)
bass:
Martin Terefe
drums (drum set):
Kristoffer Sonne
guitar:
Jason Mraz
keyboard:
Nikolaj Torp Larsen
background vocals:
Toca Rivera
vocals:
Jason Mraz
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2008) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2008)
recorded at:
Kensaltown Recording Studios in London (Greater London), England, United Kingdom
mixed at:
Canaan Road Studios in New York, New York, United States
part of:
Billboard Year-End Hot 100 singles of 2009 (number: 7), Billboard Year-End Hot 100 singles of 2008 (number: 27) and BILLIONS CLUB
recording of:
I’m Yours
lyricist and composer:
Jason Mraz
publisher:
Goo Eyed Music
Jason Mraz3.454:02
9Constant Craving
producer:
k.d. lang, Ben Mink and Greg Penny
accordion and piano:
Teddy Borowiecki
drums (drum set):
Randall Stoll (drummer)
electric bass guitar:
David Piltch
guitar family and violin:
Ben Mink
percussion:
Graham Boyle (drummer)
vibraphone:
Gary Burton (jazz vibraphonist and composer)
additional vocals:
Sue Leonard
vocals:
k.d. lang
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992) and Warner Music H.K. Ltd. (in 1997)
recorded at:
Vancouver Studios in Vancouver, British Columbia, Canada
mixed at:
Saylor Recording in Hollywood, Los Angeles, California, United States
music videos:
Constant Craving (music video) by k.d. lang
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 14)
recording of:
Constant Craving
lyricist and composer:
k.d. lang and Ben Mink
publisher:
Bumstead Publishing and Zavion Music
k.d. lang3.84:36
10Cornflake Girl
recording of:
Cornflake Girl
lyricist and composer:
Tori Amos
publisher:
Sword and Stone
Tori Amos6:32
11Crazy Love
executive producer:
Lewis Merenstein
producer:
Van Morrison
mixer:
Elliot Scheiner (in 1969-12)
background vocals:
Judy Clay (American soul and gospel singer) (in 1969), Emily Houston (in 1969) and Jackie Verdell (in 1969)
lead vocals:
Van Morrison (in 1969)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1970)
produced for:
Inherit Productions
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (in 1969)
mixed at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, United States (in 1969-12)
recording of:
Crazy Love (in 1969)
lyricist and composer:
Van Morrison
publisher:
Caledonia Soul Music (, in 1970), Van-Jan Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America and WB Music Corp. (1929–2019) (in 1970)
Van Morrison3.72:36
12(Something Inside) So Strong
recording of:
(Something Inside) So Strong
lyricist and composer:
Labi Siffre
publisher:
Empire Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/Empire Music Ltd. and Xavier Music Ltd.
Labi Siffre5:37
13Patience of Angels
Eddi Reader4:01
14I’d Rather Be With You
recording of:
I’d Rather Be With You
lyricist and composer:
Joshua Radin
Joshua Radin2:43
15Bad Day
recording engineer:
David Boucher and Jeff Dawson
programming:
Jeff Dawson
producer:
Jeff Dawson and Mitchell Froom
mixer:
David Boucher
additional keyboard [keyboards]:
Mitchell Froom
bass:
Davey Faragher and Darren Parris
drums (drum set) [drums]:
Matt Chamberlain (American drummer), Brendan Ostrander and Pete Thomas (drummer)
guitar [guitars]:
Jeff Dawson and Val McCallum (guitarist & singer-songwriter)
keyboard [keyboards]:
Daniel Powter (Canadian singer-songwriter and pianist)
vocals:
Daniel Powter (Canadian singer-songwriter and pianist)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2005) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
recorded at:
Area A. in Los Angeles, California, United States and Mushroom Studios in Vancouver, British Columbia, Canada
mixed at:
Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California, United States
recording of:
Bad Day
lyricist and composer:
Daniel Powter (Canadian singer-songwriter and pianist)
publisher:
Song 6 Music
Daniel Powter3.13:56
16I Don’t Know Why
Shawn Colvin4:36
17Sail Away
additional programming:
Marius de Vries and Steve Sidelnyk
producer:
Clune, David Gray (British singer/songwriter) and Iestyn Polson
bass, drums (drum set) and keyboard:
Clune
guitar, keyboard and piano:
David Gray (British singer/songwriter)
vocals:
Clune and David Gray (British singer/songwriter)
recording of:
Sail Away
lyricist and composer:
David Gray (British singer/songwriter)
publisher:
Chrysalis
David Gray45:16
18The Blower’s DaughterDamien Rice4.64:47
19Slow
producer:
Steve Brown (engineer/music producer)
assistant mixer:
Dan Parry (British mix/recording engineer)
mixer:
Tom Elmhirst (mixing engineer)
vocals:
Rumer
mixed at:
Metropolis (London) in London (Greater London), England, United Kingdom
music videos:
Slow by Rumer
recording of:
Slow
lyricist and composer:
Sarah Joyce
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Rumer3.653:37
20Grenade
engineer:
Ari Levine
producer:
The Smeezingtons
assistant mixer:
Erik Madrid (engineer) and Christian Plata
mixer:
Manny Marroquin
instruments:
Brody Brown, Ari Levine and Bruno Mars (US singer)
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2010) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2010)
mixed at:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
engineered at:
Levcon Studios in Hollywood, Los Angeles, California, United States
music videos:
Grenade by Bruno Mars (US singer)
part of:
Billboard Year-End Hot 100 singles of 2011 (number: 6)
recording of:
Grenade
writer:
Brody Brown, Claude Kelly, Philip Lawrence (urban songwriter/producer, of The Smeezingtons), Ari Levine, Bruno Mars (US singer) and Andrew Wyatt (US musician, singer/songwriter, and producer)
publisher:
Art for Art's Sake Music, Bughouse, Concord Road (BMI), Downtown DMP Songs, Late 80’s Music, Mars Force Music, Roc Nation Music, Studio Beast Music (publishing company linked to Claude Kelly), Toy Plane Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Westside Independent Music Publishing
Bruno Mars3.853:42
21What’s Going On
producer:
Marvin Gaye
mixer:
Lawrence Miles (on 1971-05-06)
instruments:
Detroit Symphony Orchestra (on 1971-05-06) and The Funk Brothers (on 1971-05-06)
percussion [box drum], piano and lead vocals:
Marvin Gaye (on 1971-05-06)
background vocals:
Lem Barney (on 1971-05-06), Mel Farr (on 1971-05-06) and Marvin Gaye (on 1971-05-06)
conductor:
David Van dePitte (on 1971-05-06)
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1971)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (on 1971-05-06)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 4), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 102) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
What’s Going On (on 1971-05-06)
lyricist and composer:
Renaldo Benson, Al Cleveland (songwriter 1930-1996) and Marvin Gaye
publisher:
EMI Songs Australia, FCG Music, Jobete Music Co., Inc., MG III Music, NMG Music, Sony/ATV Music Publishing Ltd. and Stone Agate Music Corp.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Marvin Gaye4.23:51
22I Need a Dollar
phonographic copyright (℗) by:
Stones Throw Records (in 2010)
music videos:
I Need a Dollar (second version) by Aloe Blacc
recording of:
I Need a Dollar
writer:
Egbert Nathaniel Dawkins, Leon Michels, Nick Movshon and Jeff Silverman (songwriter/producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Aloe Blacc3.84:06
23Bright Lights Big City
recording of:
Bright Lights Bigger City
writer:
Ben H. Allen, Tony Reyes (songwriter/producer/multi‐instrumentalist) and Thomas DeCarlo Callaway
publisher:
BMG Blue, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), God Given Music (BMI) and Hit Face Music
CeeLo Green33:38
24I Say a Little Prayer
recording engineer:
Tom Dowd (on 1968-04-17)
producer:
Jerry Wexler
bass:
Jerry Jemmott (on 1968-04-17)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-17)
guitar:
Tommy Cogbill (on 1968-04-17)
piano and lead vocals:
Aretha Franklin (on 1968-04-17)
background vocals:
The Sweet Inspirations (on 1968-04-17)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 117)
cover recording of:
I Say a Little Prayer (on 1968-04-17)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) and Windswept Pacific Music Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.33:33
25By Your Side
recording engineer:
Mike Pela
programming:
Andrew Hale (keyboardist/composer) and Stuart Matthewman
assistant engineer:
Andy Davies (aka. Nipper, UK music production)
co-producer:
Mike Pela
producer:
Sade (Group w/ singer of same performance name)
bass guitar:
Paul S. Denman
guitar and woodwind:
Stuart Matthewman
keyboard:
Andrew Hale (keyboardist/composer)
percussion:
Karl van den Bossche
background vocals:
Leroy Osbourne (vocalist guitarist, songwriter.)
lead vocals:
Sade Adu
arranger:
Sade (Group w/ singer of same performance name)
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2000)
recording of:
By Your Side
lyricist:
Sade Adu
composer:
Sade Adu, Andrew Paul Hale (keyboardist/composer), Paul Spencer Denman and Stuart Colin Matthewman
Sade44:34
26Sweet Love
engineer:
Barney Perkins
executive producer:
Anita Baker
producer:
Michael J. Powell
bass guitar:
Freddie Washington (US session bassist)
guitar:
Greg Moore (US guitarist & songwriter)
keyboard:
Dean Gant
membranophone:
Ricky Lawson
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
Jim Gilstrap, Bunny Hull and Darryl Phinnessee
background vocals and lead vocals:
Anita Baker
music videos:
Sweet Love by Anita Baker
recording of:
Sweet Love
composer:
Anita Baker, Gary Bias (jazz saxophonist) and Louis A. Johnson
publisher:
EMI Music (do not use as release label! this is a music publisher) and Jobete Music (appears also as: Jobete Msc.)
Anita Baker3.554:27
27Ordinary People
producer:
John Legend
piano:
John Legend
vocals:
John Legend
recording of:
Ordinary People
writer:
John Roger Stephens and William James Adams, Jr. (American rapper and producer)
John Legend3.354:41
28Ain’t Go No I Got Life
recording engineer:
Ray Hall (engineer) (on 1968-06-24)
drums (drum set) and timpani:
Bernard “Pretty” Purdie
electric bass guitar:
Jerry Jemmott (on 1968-06-24)
guitar:
Eric Gale (on 1968-06-24), Carl Lynch (on 1968-06-24) and Henry Young (Chinese-Ukrainian guitarist from Vancouver, B.C.; toured with Nina Simone) (on 1968-06-24)
organ:
Ernest Hayes (American pianist, organist and arranger) (on 1968-06-24)
percussion, tambourine and vibraphone:
Specs Powell (on 1968-06-24)
piano:
Paul Griffin (American pianist, session musician) (on 1968-06-24) and Nina Simone (on 1968-06-24)
trombone:
Garnett Brown (on 1968-06-24)
trumpet:
Wilbur "Dud" Bascomb (Sr., jazz trumpeter) (on 1968-06-24), Harold Johnson (US jazz trumpeter aka "Money") (on 1968-06-24) and Joe Shepley (on 1968-06-24)
lead vocals:
Nina Simone (on 1968-06-24)
vocals:
Nina Simone
conductor:
Horace Ott (on 1968-06-24)
arranger:
Horace Ott
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1968-06-24)
cover recording of:
Ain’t Got No, I Got Life (on 1968-06-24)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI U Catalog (publisher; do NOT use as release label) and EMI United Partnership Ltd.
medley of:
I Got Life (from “Hair”)
medley of:
Ain’t Got No (from “Hair”)
Nina Simone12:54
29Clean Up Woman
engineer:
Willie Clarke
producer:
Willie Clarke and Clarence Reid
horn arranger and strings arranger:
Mike Lewis (US composer, arranger and producer)
instruments arranger:
Little Beaver
recording of:
Clean Up Woman
writer:
Willie Clarke and Clarence Reid
publisher:
EMI Longitude Music
Betty Wright52:50
30People Get Ready
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 24), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 28) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 122)
recording of:
People Get Ready
lyricist and composer:
Curtis Mayfield
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Impressions42:37
31Ain’t No Sunshine
recording engineer:
Bill Halverson (in 1971) and Bill Lazarus (in 1971)
producer:
Booker T. Jones
mixer:
John Golden (mastering engineer)
acoustic guitar:
Stephen Stills (in 1971)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1971)
electric bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1971)
lead vocals:
Bill Withers (in 1971)
strings arranger:
Booker T. Jones
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1971) and Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
part of:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 280) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 309)
recording of:
Ain’t No Sunshine (in 1971)
lyricist and composer:
Bill Withers
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
Bill Withers4.552:04
32At Last
producer:
Leonard Chess, Phil Chess and Leonard and Phil Chess (legendary US production duo)
lead vocals:
Etta James
orchestra:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
phonographic copyright (℗) by:
Windswept Pacific Music Ltd.
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 115) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 356)
cover recording of:
At Last (in 1960-10)
writer:
Mack Gordon and Harry Warren (US composer and lyricist)
publisher:
Twentieth Century Fox Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Etta James4.53:00
33I Wish I Knew (How It Would Feel to Be Free)
recorded in:
Memphis, Tennessee, United States (on 1968-03-15)
engineer and producer:
Tom Dowd
vocals:
Solomon Burke (on 1968-03-15)
conductor:
Arif Mardin (on 1968-03-15)
arranger:
Arif Mardin
cover recording of:
I Wish I Knew How It Would Feel to Be Free (on 1968-03-15)
writer:
Billy Taylor (jazz/bop pianist) and Richard Lamb
publisher:
Duane Music Inc. and Westminster Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
Solomon Burke2:50
34This Woman’s Work
recording of:
This Woman’s Work
lyricist and composer:
Kate Bush
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Music Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Maxwell54:00
35One Day I’ll Fly Away
assistant engineer:
Hill Swimmer
engineer:
Jeremy Smith (producer/engineer)
bass:
Wilton Felder and Abraham Laboriel
drums (drum set):
Mike Baird (drummer) and Stix Hooper
guitar:
Roland Bautista, Tim May (session/jazz guitarist), Dean Parks (American session guitarist) and David T. Walker
keyboard:
Joe Sample
percussion:
Eddie “Bongo” Brown and Paulinho da Costa (Brazilian percussionist)
trumpet:
Oscar Brashear
background vocals:
Melvin Franklin, Julia Tillman, Gwen Owens (R&B singer Gwendolyn Louise Owens) and Maxine Waters
vocals:
Randy Crawford (US jazz/R&B singer Veronica Crawford)
recording of:
One Day I’ll Fly Away
lyricist:
Will Jennings
composer:
Joe Sample
publisher:
Four Knights Music Co., Irving Music, Inc. and Leeds Music Ltd.
Randy Crawford35:03
36My Funny Valentine
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-30)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-08-30) and Edgar Lustgarten (on 1956-08-30)
cor anglais [English horn] and oboe:
Bob Cooper (US jazz saxophonist) (on 1956-08-30)
drums (drum set):
Alvin Stoller (on 1956-08-30)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-30)
French horn:
Vince DeRosa (on 1956-08-30)
guitar:
Barney Kessel (on 1956-08-30)
harp:
Corky Hale (on 1956-08-30)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-30)
viola and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-08-30)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-30)
conductor:
Buddy Bregman (on 1956-08-30)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-30)
cover recording of:
My Funny Valentine (from “Babes in Arms”) (on 1956-08-30)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
Ella Fitzgerald43:53
37That Ole Devil Called Love
vocals:
Alison Moyet
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1985)
music videos:
That Ole Devil Called Love by Alison Moyet
cover recording of:
That Ole Devil Called Love
lyricist:
Doris Fisher (in 1944)
composer:
Allan Roberts (songwriter) (in 1944)
publisher:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) and Universal/MCA Music Ltd. (not for release label use!)
Alison Moyet33:04
38A Song for You
cover recording of:
A Song for You
lyricist and composer:
Leon Russell
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music, Skyhill Pub. Co., Inc. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Donny Hathaway45:28
39Try a Little Tenderness
cover recording of:
Try a Little Tenderness
lyricist:
James Campbell (British songwriter and music publisher) and Reginald Connelly
composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell and Campbell Connelly & Co. Ltd. (on 1932-11-04)
Otis Redding3:50
40Me and Mr. Jones
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
vocals:
Billy Paul (American soul singer) (in 1972)
performer:
MFSB (Mother Father Sister Brother) (in 1972)
brass [horns] arranger and strings arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1972)
recording of:
Me and Mrs. Jones (in 1972)
writer:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Yamaha Music Entertainment (Japanese label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billy Paul4.54:45
41She’s Always a Woman
engineer:
Jim Boyer (producer/engineer) and Phil Ramone
producer:
Phil Ramone
acoustic guitar:
Steve Burgh (in 1977) and Hugh McCracken (in 1977)
electric bass guitar:
Doug Stegmeyer (bass player, aka Slug Douglas) (in 1977)
flute:
Richie Cannata (in 1977)
piano and lead vocals:
Billy Joel (American singer‐songwriter and pianist) (in 1977)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1977), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (in 1977)
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States
music videos:
She’s Always a Woman by Billy Joel (American singer‐songwriter and pianist)
recording of:
She’s Always a Woman (in 1977)
lyricist and composer:
Billy Joel (American singer‐songwriter and pianist)
publisher:
April Music Inc., EMI Songs Australia Pty. Ltd., Joelsongs (from 1977 to present), CBS Songs Ltd. (in 1977) and Impulsive Music (in 1977)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Billy Joel43:19
42Daniel
engineer:
Ken Scott (UK record producer & engineer)
producer:
Gus Dudgeon
acoustic guitar:
Davey Johnstone
bass guitar:
Dee Murray
drums (drum set) and maracas:
Nigel Olsson
electric piano and mellotron and lead vocals:
Elton John (English singer, songwriter, pianist, and composer)
synthesizer:
Ken Scott (UK record producer & engineer)
phonographic copyright (℗) by:
This Record Co. Ltd. (copyright holder) (in 1973)
recorded at:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, France
recording of:
Daniel
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Songs of PolyGram International, Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal–Songs of PolyGram International, Inc.
Elton John3.53:50
43Your Song
recording engineer and mixer:
Matt Lawrence
producer:
Ben Lovett (member of Mumford & Sons)
acoustic guitar:
Ellie Goulding
bass drum [kick drum] and piano:
Ben Lovett (member of Mumford & Sons)
cello:
Ruth de Turberville
timpani:
Matt Wiggins (engineer, producer)
background vocals:
Ben Lovett (member of Mumford & Sons) and Ruth de Turberville
vocals:
Ellie Goulding
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2010)
recorded at:
The Pool in Southwark, London (Greater London), England, United Kingdom and The Square (London)
cover recording of:
Your Song
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) (ended), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Ellie Goulding3.353:10
44You Give Me Something
producer:
Eg White
mixer:
Michael H. Brauer (engineer)
acoustic guitar:
James Morrison (UK singer)
cello:
Paul Brantley
instruments:
Eg White
saxophone:
Phil Todd (UK flautist/saxophonist)
trumpet:
Guy Barker
viola:
Kristin Wilkinson (Nashville songwriter and viola player)
violin:
David Angell (American violinist) and David Davidson (violinist)
vocals:
James Morrison (UK singer)
strings arranger:
David Davidson (violinist) and Martin Terefe
mixed at:
Quad Studio NYC in New York, New York, United States
recording of:
You Give Me Something
writer:
James Morrison (UK singer) and Eg White
publisher:
Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing (UK) Ltd., ソニー・ミュージックパブリッシング (Sony Music Publishing (Japan) Inc., song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
James Morrison3.53:36
45Everybody’s Talkin’
phonographic copyright (℗) by:
BMG Music (in 1967)
earliest release:
Everybody’s Talkin’ by Nilsson (US singer-songwriter)
part of:
New York Post: 100 Greatest Covers (2007) (number: 51)
cover recording of:
Everybody’s Talkin’
lyricist and composer:
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music and Third Story Music, Inc.
Harry Nilsson3.92:32
46Waiting On the World to Change
bass guitar:
Pino Palladino
brass:
Roy Hargrove
drums (drum set) and percussion:
Steve Jordan (US drummer/multi-instrumentalist, composer & producer)
keyboard:
Ricky Peterson (American keyboardist)
background vocals:
Scotty Crowe, Ricky Cytonbaum, Steve Jordan (US drummer/multi-instrumentalist, composer & producer), Jeannie Martinez, Kristen Moss, Lee Padgett, Pino Palladino, Harley Pasternak, Maggie Slavonic and Sandy Vongdasy
background vocals and lead vocals:
John Mayer (US singer‐songwriter)
phonographic copyright (℗) by:
Aware Records LLC (in 2006)
recording of:
Waiting on the World to Change
lyricist and composer:
John Mayer (US singer‐songwriter)
publisher:
Milky Boy Music and Reach Music Publishing, Inc.
John Mayer3.83:20
47Father and Son
producer:
Paul Samwell-Smith
bass guitar:
John Ryan (producer a/k/a “The Chicago Kid”) (in 1970-07)
drums (drum set):
Harvey Burns (in 1970-07)
guitar and keyboard:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
guitar [2nd]:
Alun Davies (in 1970-07)
solo violin:
John Rostein (in 1970-07)
vocals:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
strings arranger:
Del Newman (British conductor, orchestrator, arranger)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970) and Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 1970)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
instrumental version of:
Father and Son by Giacomo Bucci
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 408)
recording of:
Father and Son (Cat Stevens) (in 1970-07)
lyricist and composer:
Cat Stevens (now known as Yusuf Islam)
publisher:
Cat Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Freshwater Music Ltd. (from 1970 to present) and Irving Music, Inc. (from 1970 to present)
Cat Stevens4.253:37
48You’ve Got a Friend
engineer:
Hank Cicalo
producer:
Lou Adler
acoustic guitar:
James Taylor (singer-songwriter and guitarist) (in 1971)
cello:
Terry King (cellist) (in 1971)
congas:
Danny Kortchmar (Danny Kootch) (in 1971)
double bass:
Charles Larkey (in 1971)
piano:
Carole King (in 1971)
viola:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger) (in 1971)
violin:
Barry Socher (American violinist, composer) (in 1971)
vocals:
Carole King (in 1971)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States (in 1971)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 60)
recording of:
You’ve Got a Friend (in 1971)
lyricist and composer:
Carole King
publisher:
Colgems-EMI Music Inc. and Screen Gems–EMI Music Ltd.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Carole King4.55:09
49New York
drum machine programming:
Pete Davis (UK engineer, programmer, keyboards)
keyboard programming:
George Noriega (American songwriter and record producer) and Rob Wells (Canadian musician, pianist, songwriter and record producer)
producer:
Jodi Marr (American songwriter and record producer), George Noriega (American songwriter and record producer) and Rob Wells (Canadian musician, pianist, songwriter and record producer)
assistant mixer:
Darren Heelis (music engineer, producer, programming, additional production)
mixer:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
bass guitar:
Pete Davis (UK engineer, programmer, keyboards)
keyboard:
George Noriega (American songwriter and record producer) and Rob Wells (Canadian musician, pianist, songwriter and record producer)
piano:
Rob Wells (Canadian musician, pianist, songwriter and record producer)
strings:
London Studio Orchestra
background vocals:
Robin Bailey-Reid (tenor vocals), Paloma Faith, Pearle Jarrett, Bryon Jones (background vocals), Joy Malcolm, Jodi Marr (American songwriter and record producer), Subrina McCalla, Ian Pitter, Carol Riley, Patricia Scott, Dee Dee Wilde and Vanessa Yeboah
lead vocals:
Paloma Faith
conductor:
Simon Hale (strings)
brass arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger), Jodi Marr (American songwriter and record producer), George Noriega (American songwriter and record producer) and Rob Wells (Canadian musician, pianist, songwriter and record producer)
strings arranger:
Simon Hale
mixed at:
The Pierce Rooms in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
New York
writer:
Paloma Faith and Jodi Marr (American songwriter and record producer)
Paloma Faith23:38
50Coming Around Again
assistant engineer:
Noah Baron, Bill Miranda (engineer) and Scott Mabuchi
engineer:
George Massenburg and Frank Filipetti (in 1987)
associate producer:
Frank Filipetti and Carly Simon
producer:
Russ Kunkel (session drummer), George Massenburg, Bill Payne and Paul Samwell-Smith
mixer:
Frank Filipetti
drums (drum set) [drums]:
Russ Kunkel (session drummer)
keyboard [keyboards]:
Scott Martin (backing vocals, keyboards, and synthesizers), Bill Payne and Carly Simon
background vocals:
Terry Homberg, Scott Martin (backing vocals, keyboards, and synthesizers), Paul Samwell-Smith and Carly Simon
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1986)
recorded at:
Power Station in New York, New York, United States and Right Track Recording in Manhattan, New York, New York, United States
mixed at:
Right Track Recording in Manhattan, New York, New York, United States
recording of:
Coming Around Again (Carly Simon)
lyricist and composer:
Carly Simon
publisher:
BMG Music Publishing Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Universal Music Corporation (USA, affiliated with ASCAP), C’est Music (in 1986) and Famous Music Publishing (in 1986)
Carly Simon3.353:38
51Hands
producer:
Patrick Leonard (producer, songwriter and pianist)
acoustic guitar:
Jude Cole
bass guitar:
Paul Bushnell (session bassist, producer and music director)
drums (drum set):
Brian MacLeod (American drummer)
electric guitar:
James Harrah (guitarist, songwriter, session musician)
keyboard and piano:
Patrick Leonard (producer, songwriter and pianist)
percussion:
Luis Conte (percussionist)
background vocals:
Jewel (singer-songwriter Jewel Kilcher) and Nedra Carroll
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1998) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
music videos:
Hands (music video) by Jewel (singer-songwriter Jewel Kilcher)
recording of:
Hands
writer:
Jewel Kilcher (singer-songwriter Jewel Kilcher) and Patrick Leonard (producer, songwriter and pianist)
publisher:
No Tomato Music, WB Music Corp. (1929–2019) and Wiggly Tooth Music
Jewel43:54
52True Colors
engineer and mixer:
Bryan McGee (sound engineer)
lead vocals:
Cyndi Lauper
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1986) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
recording of:
True Colors
writer:
Billy Steinberg and Tom Kelly (songwriter)
publisher:
Sony Tunes, Inc. (ended), Brain Drain Music (work publisher), Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) and Tennman Tunes
Cyndi Lauper4.63:47
53When I’m Alone
recording engineer:
Brad Bivens and Jacquire King
additional producer:
Julian Emery (British musician, producer and songwriter)
producer:
Jacquire King
mixer:
Mark “Spike” Stent (producer, engineer)
recorded at:
Chickering Lane Studio in Nashville, Tennessee, United States
mixed at:
The Mix Suite LA in Los Angeles, California, United States
recording of:
When I'm Alone
writer:
Elisabeth Maurus, Julian Emery (British musician, producer and songwriter) and Jim Irvin
Lissie3:41
54Chuck E’s in Love
additional engineer:
Tom Knox and Roger Nichols (US mastering, recording engineer and producer)
engineer:
Loyd Clifft and Lee Herschberg
producer:
Russ Titelman and Lenny Waronker
mixer:
Lee Herschberg
vocals:
Rickie Lee Jones
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1979)
recorded at:
The Burbank Studios in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Chuck E.’s in Love
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Rondor Music (Australia) Pty Ltd, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Rickie Lee Jones4.253:28
55Love and Affection
engineer and producer:
Glyn Johns
12 string guitar:
Jerry Donahue
acoustic guitar and lead vocals:
Joan Armatrading
bass guitar:
Dave Markee
drums (drum set):
Dave Mattacks
saxophone:
Jimmy Jewell
background vocals:
Joan Armatrading, Leroy Champaign and Pete Clarke (US actor/singer)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1976)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Love and Affection
lyricist and composer:
Joan Armatrading
publisher:
Irving Music (BMI)
Joan Armatrading44:28
56Walking In Memphis
recording engineer, engineer and mixer:
Ben Wisch
producer:
Marc Cohn and Ben Wisch
bass and organ:
John Leventhal
drums (drum set):
Dennis McDermott
guitar:
Marc Cohn and John Leventhal
Hammond organ:
Chris Palmaro
keyboard:
Eric Rehl
background vocals:
Vivian Cherry, Dennis Collins (backing vocalist), Ada Dyer (American soul singer) and Darryl Tookes
guest background vocals:
James Taylor (singer-songwriter and guitarist)
vocals:
Marc Cohn
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1991), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1991) and Warner Music H.K. Ltd. (in 1997)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 415)
recording of:
Walking in Memphis
lyricist and composer:
Marc Cohn
publisher:
BMG Music and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Marc Cohn3.94:19
57From a DistanceNanci Griffith44:11
58One of Us
recording of:
One of Us
lyricist and composer:
Eric Bazilian
Joan Osborne44:16
59Hallelujah
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1994, in 2008) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1994)
cover recording of:
Hallelujah
lyricist and composer:
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Bad Monk Publishing, Leonard Cohen Stranger Music Inc., SM Publishing Argentina S.R.L., Sony/ATV Music LLC, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs (SOCAN), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
sub-publisher:
Sony/ATV Music Publishing (Hong Kong)
Jeff Buckley54:15
60Make You Feel My Love
assistant engineer:
Chris Carrol
engineer:
Mark Howard (producer/recording engineer, New Orleans/Los Angeles based)
producer:
Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1997)
recorded at:
Criteria Studios in Miami, Florida, United States
mixed at:
El Teatro Studio in Oxnard, California, United States
recording of:
Make You Feel My Love
lyricist and composer:
Bob Dylan (in 1997-01)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Special Rider Music (from 1997 to present)
Bob Dylan3.653:31