Complete Decca Recordings

~ Release by Beverly Kenney (see all versions of this release, 1 available)

Tracklist

1▶CD: Decca Recordings / Sings for Playboys / …born to Be Blue…
2▼CD: …born to Be Blue… / Like Yesterday / The Sesac Sessions / Playboy’s Penthouse TV Show
#TitleRatingLength
1For All We Know
recorded in:
New York, New York, United States (on 1958-10-22)
celesta and piano:
Ellis Larkins (on 1958-10-22)
trumpet:
Charlie Shavers (on 1958-10-22)
vocals:
Beverly Kenney (on 1958-10-22)
orchestra:
Hal Mooney & His Orchestra (on 1958-10-22)
conductor:
Hal Mooney (on 1958-10-22)
cover recording of:
For All We Know (1934 song) (on 1958-10-22)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1934)
composer:
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (Carlin) (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
3:12
2It Only Happens When I Dance With You
recorded in:
New York, New York, United States (on 1958-10-22)
celesta and piano:
Ellis Larkins (on 1958-10-22)
trumpet:
Charlie Shavers (on 1958-10-22)
vocals:
Beverly Kenney (on 1958-10-22)
orchestra:
Hal Mooney & His Orchestra (on 1958-10-22)
conductor:
Hal Mooney (on 1958-10-22)
cover recording of:
It Only Happens When I Dance With You (on 1958-10-22)
lyricist and composer:
Irving Berlin (in 1947)
part of:
Easter Parade (full musical)
2:45
3Vanity
recorded in:
New York, New York, United States (on 1958-10-22)
celesta and piano:
Ellis Larkins (on 1958-10-22)
trumpet:
Charlie Shavers (on 1958-10-22)
vocals:
Beverly Kenney (on 1958-10-22)
orchestra:
Hal Mooney & His Orchestra (on 1958-10-22)
conductor:
Hal Mooney (on 1958-10-22)
cover recording of:
Vanity (on 1958-10-22)
lyricist:
Bernard Bierman and Jack Manus (lyricist)
composer:
Guy Wood
3:01
4Go Away, My Love!
recorded in:
New York, New York, United States (on 1958-10-22)
celesta and piano:
Ellis Larkins (on 1958-10-22)
vocals:
Beverly Kenney (on 1958-10-22)
orchestra:
Hal Mooney & His Orchestra (on 1958-10-22)
conductor:
Hal Mooney (on 1958-10-22)
recording of:
Go Away, My Love (on 1958-10-22)
writer:
Ray Evans (American songwriter) and Jay Livingston
2:35
5Undecided
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
Undecided (in 1959-07)
lyricist:
Sid Robin (US lyricist & composer) (in 1938)
composer:
Charlie Shavers (in 1938)
2:14
6A Sunday Kind of Love
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
A Sunday Kind of Love (in 1959-07)
writer:
Barbara Belle, Anita Leonard (US pianist, composer and lyricist), Louis Prima and Stan Rhodes
publisher:
Leeds Music Inc.
2:34
7Somebody Else Is Taking My Place
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
Somebody Else Is Taking My Place (in 1959-07)
writer:
Bob Ellsworth, Richard Howard (US songwriter) and Russ Morgan (Big Band orchestra leader)
2:04
8I Had the Craziest Dream
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
I Had the Craziest Dream (in 1959-07)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Springtime in the Rockies (1942)
2:24
9What a Difference a Day Made
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
What a Diff’rence a Day Made (in 1959-07)
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
2:20
10Happiness Is a Thing Called Joe
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
Happiness Is a Thing Called Joe (in 1959-07)
lyricist:
Yip Harburg (in 1940)
composer:
Harold Arlen (in 1940)
part of:
The 16th Academy Award for Best Original Song (number: 2)
2:22
11Tampico
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
Tampico (in 1959-07)
writer:
Allan Roberts (songwriter) and Doris Fisher
2:03
12Sentimental Journey
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
Sentimental Journey (in 1959-07)
lyricist:
Bud Green (in 1944)
composer:
Les Brown (American big band & jazz musician) (in 1944) and Ben Homer (in 1944)
publisher:
Chappell/Morris Ltd., Holliday Publishing, Morley Music Co. Inc. and Morley Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
2:09
13Any Old Time
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
Any Old Time (Jazz Song - "any old time you want me...") (in 1959-07)
composer:
Artie Shaw
publisher:
Lincoln Music Corp
1:37
14And the Angels Sing
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
And the Angels Sing (in 1959-07)
lyricist:
Johnny Mercer
composer:
Ziggy Elman
publisher:
Francis, Day & Hunter Ltd. and WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
1:46
15More Than You Know
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
More Than You Know (in 1959-07)
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., Intersong Music, LSQ Music Co., Miller Music Corp., The Songwriters Guild, WB Music Corp. (1929–2019) (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Great Day!
part of:
Hit the Deck (1955 movie)
2:40
16The Dipsy Doodle
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
Dipsy Doodle (in 1959-07)
lyricist and composer:
Larry Clinton (in 1937)
1:48
17Lonely and Blue
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (reeds) (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (saxophonist, flutist and clarinetist) (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (jazz pianist) (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (US boogie woogie trombonist & bandleader) (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:39
18Yours Sincerely
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (reeds) (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (saxophonist, flutist and clarinetist) (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (jazz pianist) (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (US boogie woogie trombonist & bandleader) (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:38
19Long, Lean and Lanky
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (reeds) (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (saxophonist, flutist and clarinetist) (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (jazz pianist) (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (US boogie woogie trombonist & bandleader) (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:57
20Too Bad
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (reeds) (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (saxophonist, flutist and clarinetist) (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (jazz pianist) (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (US boogie woogie trombonist & bandleader) (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:48
21Too Late To Be Sorry
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (reeds) (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (saxophonist, flutist and clarinetist) (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (jazz pianist) (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (US boogie woogie trombonist & bandleader) (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:05
22It’s a Mean Old World
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (reeds) (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (saxophonist, flutist and clarinetist) (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (jazz pianist) (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (US boogie woogie trombonist & bandleader) (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:13
23Tall, Dark and Handsome
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (reeds) (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (saxophonist, flutist and clarinetist) (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (jazz pianist) (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (US boogie woogie trombonist & bandleader) (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:17
24Let’s Try Again
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (reeds) (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (saxophonist, flutist and clarinetist) (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (jazz pianist) (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (US boogie woogie trombonist & bandleader) (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:01
25The Stars, the Night, the Moon
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (reeds) (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (saxophonist, flutist and clarinetist) (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (jazz pianist) (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (US boogie woogie trombonist & bandleader) (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:34
26That Pyramid Jazz
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (reeds) (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (saxophonist, flutist and clarinetist) (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (jazz pianist) (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (US boogie woogie trombonist & bandleader) (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:18
27I Hate Rock and Roll
vocals:
Beverly Kenney (on 1958-05-18)
orchestra:
Skitch Henderson & His Orchestra (on 1958-05-18)
conductor:
Skitch Henderson (on 1958-05-18)
1:54
28What Is There to Say
cover recording of:
What Is There to Say?
lyricist:
Yip Harburg
composer:
Vernon Duke
publisher:
BMG Songs, Next Decade Entertainment and T.B. Harms Co.
2:46
29[Interview]
0:41
30Everything Happens to Me
2:36
31[Interview continues]
1:06
32Mountain Greenery
1:59
33Makin’ Whoopee
1:59
34In the Wee Small Hours of the Morning
2:03