Complete Decca Recordings

~ Release by Beverly Kenney (see all versions of this release, 1 available)

Tracklist

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1▼CD: Decca Recordings / Sings for Playboys / …born to Be Blue…
#TitleRatingLength
1Your Love Is My Love
recorded in:
New York, New York, United States (on 1958-02-19)
vocals:
Beverly Kenney (on 1958-02-19)
orchestra:
Ralph Burns and His Orchestra (on 1958-02-19)
recording of:
Your Love Is My Love (on 1958-02-19)
writer:
Norman Mapp
3:08
2The Magic Touch
recorded in:
New York, New York, United States (on 1958-02-19)
vocals:
Beverly Kenney (on 1958-02-19)
orchestra:
Ralph Burns and His Orchestra (on 1958-02-19)
recording of:
The Magic Touch (on 1958-02-19)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
2:26
3It’s Magic
recorded in:
New York, New York, United States (on 1957-12-02)
bass:
Joe Benjamin (US jazz bassist) (on 1957-12-02)
celesta and piano:
Ellis Larkins (on 1957-12-02)
vocals:
Beverly Kenney (on 1957-12-02)
cover recording of:
It’s Magic (on 1957-12-02)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 21st Academy Award for Best Original Song (number: 2)
part of:
Romance on the High Seas
2:29
4A-You’re Adorable (The Alphabet Song)
recorded in:
New York, New York, United States (on 1957-12-02)
bass:
Joe Benjamin (US jazz bassist) (on 1957-12-02)
celesta and piano:
Ellis Larkins (on 1957-12-02)
vocals:
Beverly Kenney (on 1957-12-02)
cover recording of:
‘A’ – You’re Adorable (on 1957-12-02)
lyricist:
Buddy Kaye (in 1948) and Fred Wise (in 1948)
composer:
Sidney Lippman (American songwriter) (in 1948)
publisher:
Aria Music Co. and Sony/ATV Tunes (SOCAN)
2:32
5Time Was / It’s So Peaceful
recorded in:
New York, New York, United States (on 1957-12-02)
bass:
Joe Benjamin (US jazz bassist) (on 1957-12-02)
celesta and piano:
Ellis Larkins (on 1957-12-02)
vocals:
Beverly Kenney (on 1957-12-02)
medley including a cover recording of:
It’s So Peaceful in the Country (on 1957-12-02)
lyricist and composer:
Alec Wilder (American composer)
medley including a cover recording of:
Time Was (on 1957-12-02)
lyricist:
Gabriel Luna de la Fuente
composer:
Miguel Prado
translator:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
publisher:
Peer International (BMI)
3:08
6A Summer Romance
recorded in:
New York, New York, United States (on 1957-12-02)
bass:
Joe Benjamin (US jazz bassist) (on 1957-12-02)
celesta and piano:
Ellis Larkins (on 1957-12-02)
vocals:
Beverly Kenney (on 1957-12-02)
recording of:
A Summer Romance (on 1957-12-02)
writer:
Lester Judson and Raymond Taylor (member of the Deuces of Rhythm)
3:08
7Try a Little Tenderness
recorded in:
New York, New York, United States (on 1957-12-02)
bass:
Joe Benjamin (US jazz bassist) (on 1957-12-02)
celesta and piano:
Ellis Larkins (on 1957-12-02)
vocals:
Beverly Kenney (on 1957-12-02)
cover recording of:
Try a Little Tenderness (on 1957-12-02)
lyricist:
James Campbell (British songwriter and music publisher) and Reginald Connelly
composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell and Campbell Connelly & Co. Ltd. (on 1932-11-04)
3:14
8What Is There to Say
recorded in:
New York, New York, United States (on 1957-12-02)
bass:
Joe Benjamin (US jazz bassist) (on 1957-12-02)
celesta and piano:
Ellis Larkins (on 1957-12-02)
vocals:
Beverly Kenney (on 1957-12-02)
cover recording of:
What Is There to Say? (on 1957-12-02)
lyricist:
Yip Harburg
composer:
Vernon Duke
publisher:
BMG Songs, Next Decade Entertainment and T.B. Harms Co.
3:56
9A Lover Like You
recorded in:
New York, New York, United States (on 1957-12-02)
bass:
Joe Benjamin (US jazz bassist) (on 1957-12-02)
celesta and piano:
Ellis Larkins (on 1957-12-02)
vocals:
Beverly Kenney (on 1957-12-02)
recording of:
A Lover Like You (on 1957-12-02)
writer:
Otis G. Clements and Lester Judson
3:29
10It’s a Most Unusual Day
recorded in:
New York, New York, United States (on 1957-12-02)
bass:
Joe Benjamin (US jazz bassist) (on 1957-12-02)
celesta and piano:
Ellis Larkins (on 1957-12-02)
vocals:
Beverly Kenney (on 1957-12-02)
recording of:
It’s a Most Unusual Day
lyricist:
Harold Adamson
composer:
Jimmy McHugh (songwriter)
medley of:
En högst förunderlig dag
1:49
11You’re My Boy
recorded in:
New York, New York, United States (on 1957-12-02)
bass:
Joe Benjamin (US jazz bassist) (on 1957-12-02)
celesta and piano:
Ellis Larkins (on 1957-12-02)
vocals:
Beverly Kenney (on 1957-12-02)
cover recording of:
You’re My Boy (on 1957-12-02)
lyricist:
Sammy Cahn
composer:
Jule Styne
3:00
12What’s It Like in Paris
recorded in:
New York, New York, United States (on 1957-12-02)
bass:
Joe Benjamin (US jazz bassist) (on 1957-12-02)
celesta and piano:
Ellis Larkins (on 1957-12-02)
vocals:
Beverly Kenney (on 1957-12-02)
recording of:
What’s It Like in Paris (on 1957-12-02)
writer:
Otis G. Clements and Lester Judson
3:20
13Sing a Rainbow
recorded in:
New York, New York, United States (on 1957-12-02)
bass:
Joe Benjamin (US jazz bassist) (on 1957-12-02)
celesta and piano:
Ellis Larkins (on 1957-12-02)
vocals:
Beverly Kenney (on 1957-12-02)
cover recording of:
Sing a Rainbow (on 1957-12-02)
lyricist and composer:
Arthur Hamilton
publisher:
Mark VII Ltd., Warner Chappell, Warner Chappell North America and Warner/Chappell Music Australia Pty. Ltd.
3:04
14Brooklyn Love Song
recorded in:
New York, New York, United States (on 1957-12-02)
bass:
Joe Benjamin (US jazz bassist) (on 1957-12-02)
celesta and piano:
Ellis Larkins (on 1957-12-02)
vocals:
Beverly Kenney (on 1957-12-02)
recording of:
My Brooklyn Love Song (on 1957-12-02)
writer:
Ramey Idriss and George Tibbles
2:59
15Do It Again
bass:
Joe Benjamin (US jazz bassist)
celesta and piano:
Ellis Larkins
vocals:
Beverly Kenney
recording of:
Do It Again
lyricist:
Buddy DeSylva
composer:
George Gershwin (composer)
publisher:
Harms, Inc. (in 1922)
2:37
16A Woman’s Intuition
bass:
Joe Benjamin (US jazz bassist)
celesta and piano:
Ellis Larkins
vocals:
Beverly Kenney
recording of:
A Woman’s Intuition
lyricist:
Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
3:33
17Life Can Be Beautiful
bass:
Joe Benjamin (US jazz bassist)
celesta and piano:
Ellis Larkins
vocals:
Beverly Kenney
recording of:
Life Can Be Beautiful
writer:
Harold Adamson and Jimmy McHugh (songwriter)
2:59
18Mama, Do I Gotta?
bass:
Joe Benjamin (US jazz bassist)
celesta and piano:
Ellis Larkins
vocals:
Beverly Kenney
recording of:
Mama, Do I Gotta?
writer:
Manny Kurtz and Vic Mizzy (US television & movie composer)
2:06
19Again
recorded in:
New York, New York, United States (on 1958-10-09)
celesta and piano:
Ellis Larkins (on 1958-10-09)
vocals:
Beverly Kenney (on 1958-10-09)
orchestra:
Hal Mooney & His Orchestra
conductor:
Hal Mooney (on 1958-10-09)
cover recording of:
Again (on 1958-10-09)
lyricist:
Dorcas Cochran
composer:
Lionel Newman
2:19
20Isn’t It a Pity
recorded in:
New York, New York, United States (on 1958-10-09)
celesta and piano:
Ellis Larkins (on 1958-10-09)
vocals:
Beverly Kenney (on 1958-10-09)
orchestra:
Hal Mooney & His Orchestra
conductor:
Hal Mooney (on 1958-10-09)
cover recording of:
Isn’t It a Pity? (on 1958-10-09)
lyricist:
Ira Gershwin (in 1933)
composer:
George Gershwin (composer) (in 1933)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1932) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Pardon My English
2:35
21Where Can I Go Without You
recorded in:
New York, New York, United States (on 1958-10-09)
celesta and piano:
Ellis Larkins (on 1958-10-09)
vocals:
Beverly Kenney (on 1958-10-09)
orchestra:
Hal Mooney & His Orchestra
conductor:
Hal Mooney (on 1958-10-09)
cover recording of:
Where Can I Go Without You? (on 1958-10-09)
writer:
Peggy Lee (jazz vocalist) and Victor Young (American composer, arranger, violinist & conductor)
publisher:
Denslow Music, Inc. and EMI Waterford Music
2:28
22Beyond the Next Hill
recorded in:
New York, New York, United States (on 1958-10-09)
celesta and piano:
Ellis Larkins (on 1958-10-09)
vocals:
Beverly Kenney (on 1958-10-09)
orchestra:
Hal Mooney & His Orchestra
conductor:
Hal Mooney (on 1958-10-09)
recording of:
Beyond the Next Hill (on 1958-10-09)
writer:
Bob Haymes and Bobby Worth (American songwriter)
2:55
23You Couldn’t Be Cuter
recorded in:
New York, New York, United States (on 1958-10-14)
celesta and piano:
Ellis Larkins (on 1958-10-14)
vocals:
Beverly Kenney (on 1958-10-14)
orchestra:
Charlie Albertine Orchestra (on 1958-10-14)
conductor:
Charles Albertine (on 1958-10-14)
cover recording of:
You Couldn't Be Cuter (on 1958-10-14)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1938)
composer:
Jerome Kern (in 1938)
2:24
24Born to Be Blue
recorded in:
New York, New York, United States (on 1958-10-14)
celesta and piano:
Ellis Larkins (on 1958-10-14)
vocals:
Beverly Kenney (on 1958-10-14)
orchestra:
Charlie Albertine Orchestra (on 1958-10-14)
conductor:
Charles Albertine (on 1958-10-14)
cover recording of:
Born to Be Blue (on 1958-10-14)
writer:
Mel Tormé (“The Velvet Fog”) and Robert Wells (songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and PW 3 ASCAP Songs
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)) (ended), Universal Music Publishing France (not for release label use!) and ロックンロール ミュージック (Rock ’n’ Roll Music)
3:34
25I Walk a Little Faster
recorded in:
New York, New York, United States (on 1958-10-14)
celesta and piano:
Ellis Larkins (on 1958-10-14)
vocals:
Beverly Kenney (on 1958-10-14)
orchestra:
Charlie Albertine Orchestra (on 1958-10-14)
conductor:
Charles Albertine (on 1958-10-14)
cover recording of:
I Walk a Little Faster (on 1958-10-14)
writer:
Cy Coleman and Carolyn Leigh
publisher:
Big Deal Notes (ASCAP), Carwin Music, Inc., Notable Music Co., Inc., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
2:53
26It’s a Blue World
recorded in:
New York, New York, United States (on 1958-10-14)
celesta and piano:
Ellis Larkins (on 1958-10-14)
vocals:
Beverly Kenney (on 1958-10-14)
orchestra:
Charlie Albertine Orchestra (on 1958-10-14)
conductor:
Charles Albertine (on 1958-10-14)
cover recording of:
It’s a Blue World (on 1958-10-14)
writer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
part of:
The 13th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1940 nominee)
2:22
27Somewhere Along the Way
recorded in:
New York, New York, United States (on 1958-10-14)
celesta and piano:
Ellis Larkins (on 1958-10-14)
vocals:
Beverly Kenney (on 1958-10-14)
orchestra:
Charlie Albertine Orchestra (on 1958-10-14)
conductor:
Charles Albertine (on 1958-10-14)
cover recording of:
Somewhere Along the Way (on 1958-10-14)
lyricist:
Sammy Gallop
composer:
Kurt Adams
publisher:
United Music Corp.
3:06
2▼CD: …born to Be Blue… / Like Yesterday / The Sesac Sessions / Playboy’s Penthouse TV Show
#TitleRatingLength
1For All We Know
recorded in:
New York, New York, United States (on 1958-10-22)
celesta and piano:
Ellis Larkins (on 1958-10-22)
trumpet:
Charlie Shavers (on 1958-10-22)
vocals:
Beverly Kenney (on 1958-10-22)
orchestra:
Hal Mooney & His Orchestra (on 1958-10-22)
conductor:
Hal Mooney (on 1958-10-22)
cover recording of:
For All We Know (1934 song) (on 1958-10-22)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1934)
composer:
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (Carlin) (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
3:12
2It Only Happens When I Dance With You
recorded in:
New York, New York, United States (on 1958-10-22)
celesta and piano:
Ellis Larkins (on 1958-10-22)
trumpet:
Charlie Shavers (on 1958-10-22)
vocals:
Beverly Kenney (on 1958-10-22)
orchestra:
Hal Mooney & His Orchestra (on 1958-10-22)
conductor:
Hal Mooney (on 1958-10-22)
cover recording of:
It Only Happens When I Dance With You (on 1958-10-22)
lyricist and composer:
Irving Berlin (in 1947)
part of:
Easter Parade (full musical)
2:45
3Vanity
recorded in:
New York, New York, United States (on 1958-10-22)
celesta and piano:
Ellis Larkins (on 1958-10-22)
trumpet:
Charlie Shavers (on 1958-10-22)
vocals:
Beverly Kenney (on 1958-10-22)
orchestra:
Hal Mooney & His Orchestra (on 1958-10-22)
conductor:
Hal Mooney (on 1958-10-22)
cover recording of:
Vanity (on 1958-10-22)
lyricist:
Bernard Bierman and Jack Manus (lyricist)
composer:
Guy Wood
3:01
4Go Away, My Love!
recorded in:
New York, New York, United States (on 1958-10-22)
celesta and piano:
Ellis Larkins (on 1958-10-22)
vocals:
Beverly Kenney (on 1958-10-22)
orchestra:
Hal Mooney & His Orchestra (on 1958-10-22)
conductor:
Hal Mooney (on 1958-10-22)
recording of:
Go Away, My Love (on 1958-10-22)
writer:
Ray Evans (American songwriter) and Jay Livingston
2:35
5Undecided
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
Undecided (in 1959-07)
lyricist:
Sid Robin (US lyricist & composer) (in 1938)
composer:
Charlie Shavers (in 1938)
2:14
6A Sunday Kind of Love
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
A Sunday Kind of Love (in 1959-07)
writer:
Barbara Belle, Anita Leonard (US pianist, composer and lyricist), Louis Prima and Stan Rhodes
publisher:
Leeds Music Inc.
2:34
7Somebody Else Is Taking My Place
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
Somebody Else Is Taking My Place (in 1959-07)
writer:
Bob Ellsworth, Richard Howard (US songwriter) and Russ Morgan (Big Band orchestra leader)
2:04
8I Had the Craziest Dream
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
I Had the Craziest Dream (in 1959-07)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Springtime in the Rockies (1942)
2:24
9What a Difference a Day Made
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
What a Diff’rence a Day Made (in 1959-07)
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
2:20
10Happiness Is a Thing Called Joe
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
Happiness Is a Thing Called Joe (in 1959-07)
lyricist:
Yip Harburg (in 1940)
composer:
Harold Arlen (in 1940)
part of:
The 16th Academy Award for Best Original Song (number: 2)
2:22
11Tampico
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
Tampico (in 1959-07)
writer:
Allan Roberts (songwriter) and Doris Fisher
2:03
12Sentimental Journey
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
Sentimental Journey (in 1959-07)
lyricist:
Bud Green (in 1944)
composer:
Les Brown (American big band & jazz musician) (in 1944) and Ben Homer (in 1944)
publisher:
Chappell/Morris Ltd., Holliday Publishing, Morley Music Co. Inc. and Morley Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
2:09
13Any Old Time
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
Any Old Time (Jazz Song - "any old time you want me...") (in 1959-07)
composer:
Artie Shaw
publisher:
Lincoln Music Corp
1:37
14And the Angels Sing
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
And the Angels Sing (in 1959-07)
lyricist:
Johnny Mercer
composer:
Ziggy Elman
publisher:
Francis, Day & Hunter Ltd. and WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
1:46
15More Than You Know
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
More Than You Know (in 1959-07)
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., Intersong Music, LSQ Music Co., Miller Music Corp., The Songwriters Guild, WB Music Corp. (1929–2019) (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Great Day!
part of:
Hit the Deck (1955 movie)
2:40
16The Dipsy Doodle
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
Dipsy Doodle (in 1959-07)
lyricist and composer:
Larry Clinton (in 1937)
1:48
17Lonely and Blue
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (reeds) (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (saxophonist, flutist and clarinetist) (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (jazz pianist) (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (US boogie woogie trombonist & bandleader) (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:39
18Yours Sincerely
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (reeds) (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (saxophonist, flutist and clarinetist) (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (jazz pianist) (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (US boogie woogie trombonist & bandleader) (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:38
19Long, Lean and Lanky
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (reeds) (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (saxophonist, flutist and clarinetist) (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (jazz pianist) (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (US boogie woogie trombonist & bandleader) (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:57
20Too Bad
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (reeds) (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (saxophonist, flutist and clarinetist) (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (jazz pianist) (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (US boogie woogie trombonist & bandleader) (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:48
21Too Late To Be Sorry
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (reeds) (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (saxophonist, flutist and clarinetist) (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (jazz pianist) (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (US boogie woogie trombonist & bandleader) (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:05
22It’s a Mean Old World
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (reeds) (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (saxophonist, flutist and clarinetist) (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (jazz pianist) (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (US boogie woogie trombonist & bandleader) (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:13
23Tall, Dark and Handsome
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (reeds) (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (saxophonist, flutist and clarinetist) (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (jazz pianist) (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (US boogie woogie trombonist & bandleader) (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:17
24Let’s Try Again
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (reeds) (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (saxophonist, flutist and clarinetist) (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (jazz pianist) (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (US boogie woogie trombonist & bandleader) (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:01
25The Stars, the Night, the Moon
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (reeds) (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (saxophonist, flutist and clarinetist) (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (jazz pianist) (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (US boogie woogie trombonist & bandleader) (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:34
26That Pyramid Jazz
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (reeds) (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (saxophonist, flutist and clarinetist) (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (jazz pianist) (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (US boogie woogie trombonist & bandleader) (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:18
27I Hate Rock and Roll
vocals:
Beverly Kenney (on 1958-05-18)
orchestra:
Skitch Henderson & His Orchestra (on 1958-05-18)
conductor:
Skitch Henderson (on 1958-05-18)
1:54
28What Is There to Say
cover recording of:
What Is There to Say?
lyricist:
Yip Harburg
composer:
Vernon Duke
publisher:
BMG Songs, Next Decade Entertainment and T.B. Harms Co.
2:46
29[Interview]
0:41
30Everything Happens to Me
2:36
31[Interview continues]
1:06
32Mountain Greenery
1:59
33Makin’ Whoopee
1:59
34In the Wee Small Hours of the Morning
2:03