Complete Decca Recordings

~ Release by Beverly Kenney (see all versions of this release, 1 available)

Tracklist

1▼CD: Decca Recordings / Sings for Playboys / …born to Be Blue…
#TitleRatingLength
1Your Love Is My Love
recorded in:
New York, New York, United States (on 1958-02-19)
vocals:
Beverly Kenney (on 1958-02-19)
orchestra:
Ralph Burns and His Orchestra (on 1958-02-19)
recording of:
Your Love Is My Love (on 1958-02-19)
writer:
Norman Mapp
3:08
2The Magic Touch
recorded in:
New York, New York, United States (on 1958-02-19)
vocals:
Beverly Kenney (on 1958-02-19)
orchestra:
Ralph Burns and His Orchestra (on 1958-02-19)
recording of:
The Magic Touch (on 1958-02-19)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
2:26
3It’s Magic
recorded in:
New York, New York, United States (on 1957-12-02)
bass:
Joe Benjamin (US jazz bassist) (on 1957-12-02)
celesta and piano:
Ellis Larkins (on 1957-12-02)
vocals:
Beverly Kenney (on 1957-12-02)
cover recording of:
It’s Magic (on 1957-12-02)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 21st Academy Award for Best Original Song (number: 2)
part of:
Romance on the High Seas
2:29
4A-You’re Adorable (The Alphabet Song)
recorded in:
New York, New York, United States (on 1957-12-02)
bass:
Joe Benjamin (US jazz bassist) (on 1957-12-02)
celesta and piano:
Ellis Larkins (on 1957-12-02)
vocals:
Beverly Kenney (on 1957-12-02)
cover recording of:
‘A’ – You’re Adorable (on 1957-12-02)
lyricist:
Buddy Kaye (in 1948) and Fred Wise (in 1948)
composer:
Sidney Lippman (American songwriter) (in 1948)
publisher:
Aria Music Co. and Sony/ATV Tunes (SOCAN)
2:32
5Time Was / It’s So Peaceful
recorded in:
New York, New York, United States (on 1957-12-02)
bass:
Joe Benjamin (US jazz bassist) (on 1957-12-02)
celesta and piano:
Ellis Larkins (on 1957-12-02)
vocals:
Beverly Kenney (on 1957-12-02)
medley including a cover recording of:
It’s So Peaceful in the Country (on 1957-12-02)
lyricist and composer:
Alec Wilder (American composer)
medley including a cover recording of:
Time Was (on 1957-12-02)
lyricist:
Gabriel Luna de la Fuente
composer:
Miguel Prado
translator:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
publisher:
Peer International (BMI)
3:08
6A Summer Romance
recorded in:
New York, New York, United States (on 1957-12-02)
bass:
Joe Benjamin (US jazz bassist) (on 1957-12-02)
celesta and piano:
Ellis Larkins (on 1957-12-02)
vocals:
Beverly Kenney (on 1957-12-02)
recording of:
A Summer Romance (on 1957-12-02)
writer:
Lester Judson and Raymond Taylor (member of the Deuces of Rhythm)
3:08
7Try a Little Tenderness
recorded in:
New York, New York, United States (on 1957-12-02)
bass:
Joe Benjamin (US jazz bassist) (on 1957-12-02)
celesta and piano:
Ellis Larkins (on 1957-12-02)
vocals:
Beverly Kenney (on 1957-12-02)
cover recording of:
Try a Little Tenderness (on 1957-12-02)
lyricist:
James Campbell (British songwriter and music publisher) and Reginald Connelly
composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell and Campbell Connelly & Co. Ltd. (on 1932-11-04)
3:14
8What Is There to Say
recorded in:
New York, New York, United States (on 1957-12-02)
bass:
Joe Benjamin (US jazz bassist) (on 1957-12-02)
celesta and piano:
Ellis Larkins (on 1957-12-02)
vocals:
Beverly Kenney (on 1957-12-02)
cover recording of:
What Is There to Say? (on 1957-12-02)
lyricist:
Yip Harburg
composer:
Vernon Duke
publisher:
BMG Songs, Next Decade Entertainment and T.B. Harms Co.
3:56
9A Lover Like You
recorded in:
New York, New York, United States (on 1957-12-02)
bass:
Joe Benjamin (US jazz bassist) (on 1957-12-02)
celesta and piano:
Ellis Larkins (on 1957-12-02)
vocals:
Beverly Kenney (on 1957-12-02)
recording of:
A Lover Like You (on 1957-12-02)
writer:
Otis G. Clements and Lester Judson
3:29
10It’s a Most Unusual Day
recorded in:
New York, New York, United States (on 1957-12-02)
bass:
Joe Benjamin (US jazz bassist) (on 1957-12-02)
celesta and piano:
Ellis Larkins (on 1957-12-02)
vocals:
Beverly Kenney (on 1957-12-02)
recording of:
It’s a Most Unusual Day
lyricist:
Harold Adamson
composer:
Jimmy McHugh (songwriter)
medley of:
En högst förunderlig dag
1:49
11You’re My Boy
recorded in:
New York, New York, United States (on 1957-12-02)
bass:
Joe Benjamin (US jazz bassist) (on 1957-12-02)
celesta and piano:
Ellis Larkins (on 1957-12-02)
vocals:
Beverly Kenney (on 1957-12-02)
cover recording of:
You’re My Boy (on 1957-12-02)
lyricist:
Sammy Cahn
composer:
Jule Styne
3:00
12What’s It Like in Paris
recorded in:
New York, New York, United States (on 1957-12-02)
bass:
Joe Benjamin (US jazz bassist) (on 1957-12-02)
celesta and piano:
Ellis Larkins (on 1957-12-02)
vocals:
Beverly Kenney (on 1957-12-02)
recording of:
What’s It Like in Paris (on 1957-12-02)
writer:
Otis G. Clements and Lester Judson
3:20
13Sing a Rainbow
recorded in:
New York, New York, United States (on 1957-12-02)
bass:
Joe Benjamin (US jazz bassist) (on 1957-12-02)
celesta and piano:
Ellis Larkins (on 1957-12-02)
vocals:
Beverly Kenney (on 1957-12-02)
cover recording of:
Sing a Rainbow (on 1957-12-02)
lyricist and composer:
Arthur Hamilton
publisher:
Mark VII Ltd., Warner Chappell, Warner Chappell North America and Warner/Chappell Music Australia Pty. Ltd.
3:04
14Brooklyn Love Song
recorded in:
New York, New York, United States (on 1957-12-02)
bass:
Joe Benjamin (US jazz bassist) (on 1957-12-02)
celesta and piano:
Ellis Larkins (on 1957-12-02)
vocals:
Beverly Kenney (on 1957-12-02)
recording of:
My Brooklyn Love Song (on 1957-12-02)
writer:
Ramey Idriss and George Tibbles
2:59
15Do It Again
bass:
Joe Benjamin (US jazz bassist)
celesta and piano:
Ellis Larkins
vocals:
Beverly Kenney
recording of:
Do It Again
lyricist:
Buddy DeSylva
composer:
George Gershwin (composer)
publisher:
Harms, Inc. (in 1922)
2:37
16A Woman’s Intuition
bass:
Joe Benjamin (US jazz bassist)
celesta and piano:
Ellis Larkins
vocals:
Beverly Kenney
recording of:
A Woman’s Intuition
lyricist:
Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
3:33
17Life Can Be Beautiful
bass:
Joe Benjamin (US jazz bassist)
celesta and piano:
Ellis Larkins
vocals:
Beverly Kenney
recording of:
Life Can Be Beautiful
writer:
Harold Adamson and Jimmy McHugh (songwriter)
2:59
18Mama, Do I Gotta?
bass:
Joe Benjamin (US jazz bassist)
celesta and piano:
Ellis Larkins
vocals:
Beverly Kenney
recording of:
Mama, Do I Gotta?
writer:
Manny Kurtz and Vic Mizzy (US television & movie composer)
2:06
19Again
recorded in:
New York, New York, United States (on 1958-10-09)
celesta and piano:
Ellis Larkins (on 1958-10-09)
vocals:
Beverly Kenney (on 1958-10-09)
orchestra:
Hal Mooney & His Orchestra
conductor:
Hal Mooney (on 1958-10-09)
cover recording of:
Again (on 1958-10-09)
lyricist:
Dorcas Cochran
composer:
Lionel Newman
2:19
20Isn’t It a Pity
recorded in:
New York, New York, United States (on 1958-10-09)
celesta and piano:
Ellis Larkins (on 1958-10-09)
vocals:
Beverly Kenney (on 1958-10-09)
orchestra:
Hal Mooney & His Orchestra
conductor:
Hal Mooney (on 1958-10-09)
cover recording of:
Isn’t It a Pity? (on 1958-10-09)
lyricist:
Ira Gershwin (in 1933)
composer:
George Gershwin (composer) (in 1933)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1932) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Pardon My English
2:35
21Where Can I Go Without You
recorded in:
New York, New York, United States (on 1958-10-09)
celesta and piano:
Ellis Larkins (on 1958-10-09)
vocals:
Beverly Kenney (on 1958-10-09)
orchestra:
Hal Mooney & His Orchestra
conductor:
Hal Mooney (on 1958-10-09)
cover recording of:
Where Can I Go Without You? (on 1958-10-09)
writer:
Peggy Lee (jazz vocalist) and Victor Young (American composer, arranger, violinist & conductor)
publisher:
Denslow Music, Inc. and EMI Waterford Music
2:28
22Beyond the Next Hill
recorded in:
New York, New York, United States (on 1958-10-09)
celesta and piano:
Ellis Larkins (on 1958-10-09)
vocals:
Beverly Kenney (on 1958-10-09)
orchestra:
Hal Mooney & His Orchestra
conductor:
Hal Mooney (on 1958-10-09)
recording of:
Beyond the Next Hill (on 1958-10-09)
writer:
Bob Haymes and Bobby Worth (American songwriter)
2:55
23You Couldn’t Be Cuter
recorded in:
New York, New York, United States (on 1958-10-14)
celesta and piano:
Ellis Larkins (on 1958-10-14)
vocals:
Beverly Kenney (on 1958-10-14)
orchestra:
Charlie Albertine Orchestra (on 1958-10-14)
conductor:
Charles Albertine (on 1958-10-14)
cover recording of:
You Couldn't Be Cuter (on 1958-10-14)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1938)
composer:
Jerome Kern (in 1938)
2:24
24Born to Be Blue
recorded in:
New York, New York, United States (on 1958-10-14)
celesta and piano:
Ellis Larkins (on 1958-10-14)
vocals:
Beverly Kenney (on 1958-10-14)
orchestra:
Charlie Albertine Orchestra (on 1958-10-14)
conductor:
Charles Albertine (on 1958-10-14)
cover recording of:
Born to Be Blue (on 1958-10-14)
writer:
Mel Tormé (“The Velvet Fog”) and Robert Wells (songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and PW 3 ASCAP Songs
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)) (ended), Universal Music Publishing France (not for release label use!) and ロックンロール ミュージック (Rock ’n’ Roll Music)
3:34
25I Walk a Little Faster
recorded in:
New York, New York, United States (on 1958-10-14)
celesta and piano:
Ellis Larkins (on 1958-10-14)
vocals:
Beverly Kenney (on 1958-10-14)
orchestra:
Charlie Albertine Orchestra (on 1958-10-14)
conductor:
Charles Albertine (on 1958-10-14)
cover recording of:
I Walk a Little Faster (on 1958-10-14)
writer:
Cy Coleman and Carolyn Leigh
publisher:
Big Deal Notes (ASCAP), Carwin Music, Inc., Notable Music Co., Inc., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
2:53
26It’s a Blue World
recorded in:
New York, New York, United States (on 1958-10-14)
celesta and piano:
Ellis Larkins (on 1958-10-14)
vocals:
Beverly Kenney (on 1958-10-14)
orchestra:
Charlie Albertine Orchestra (on 1958-10-14)
conductor:
Charles Albertine (on 1958-10-14)
cover recording of:
It’s a Blue World (on 1958-10-14)
writer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
part of:
The 13th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1940 nominee)
2:22
27Somewhere Along the Way
recorded in:
New York, New York, United States (on 1958-10-14)
celesta and piano:
Ellis Larkins (on 1958-10-14)
vocals:
Beverly Kenney (on 1958-10-14)
orchestra:
Charlie Albertine Orchestra (on 1958-10-14)
conductor:
Charles Albertine (on 1958-10-14)
cover recording of:
Somewhere Along the Way (on 1958-10-14)
lyricist:
Sammy Gallop
composer:
Kurt Adams
publisher:
United Music Corp.
3:06
2▶CD: …born to Be Blue… / Like Yesterday / The Sesac Sessions / Playboy’s Penthouse TV Show