Smooth Classics: Barock Romance

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1Schwanensee / Swan Lake, Ballett / Ballet: 1. Szene
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
direttore d'orchestra:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
registrazione di:
Schwanensee / Swan Lake, Ballett / Ballet: 1. Szene
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
Пётр Ильич Чайковский3:11
2Schwanensee / Swan Lake, Ballett / Ballet: Valse / Waltz
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
direttore d'orchestra:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
registrazione di:
Schwanensee / Swan Lake, Ballett / Ballet: Valse / Waltz
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
Пётр Ильич Чайковский1:35
3Schwanensee / Swan Lake, Ballett / Ballet: Pas d'Action
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
direttore d'orchestra:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
registrazione di:
Schwanensee / Swan Lake, Ballett / Ballet: Pas d'Action
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
Пётр Ильич Чайковский7:56
4Dornröschen / The Sleeping Beauty, Ballett-Suite: Introduction, Die Fliederfee / The Lilac Fairy
orchestra:
New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia) e New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings)
direttore d'orchestra:
Alfred Scholz e Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
registrazione di:
The Sleeping Beauty Suite, op. 66a: I. Introduction. La Fée des Lilas
compositore:
Pyotr Ilyich Tchaikovsky (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Sleeping Beauty, op. 66a (Suite)
Пётр Ильич Чайковский3:33
5Dornröschen / The Sleeping Beauty, Ballett-Suite: Pas d'Action
orchestra:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Orquesta Sinfónica Clásica de Baviera (an Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) e Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
direttore d'orchestra:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren e Peter Wohlert (conductor, Alfred Scholz related)
registrazione di:
The Sleeping Beauty Suite, op. 66a: II. Adagio. Pas d'action
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Sleeping Beauty, op. 66a (Suite)
Пётр Ильич Чайковский5:24
6Dornröschen / The Sleeping Beauty, Ballett-Suite: Panorama
orchestra:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) e Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
direttore d'orchestra:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren e Peter Wohlert (conductor, Alfred Scholz related)
registrazione di:
The Sleeping Beauty Suite, op. 66a: III. Pas de caractère
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Sleeping Beauty, op. 66a (Suite)
registrazione di:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Sleeping Beauty, op. 66a (Suite)
registrazione parziale di:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Sleeping Beauty, op. 66a (Suite)
Пётр Ильич Чайковский2:35
7Der Nussknacker / The Nutcracker, Ballett / Ballet: 3. Tanz der Zuckerfee / Dance of the Sugar-Plum Fairy
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) e Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
direttore d'orchestra:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Takao Matsumo (conductor, an Alfred Scholz pseudonym)
registrazione di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revisione di:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
Пётр Ильич Чайковский2:06
8Der Nussknacker / The Nutcracker, Ballett / Ballet: 5. Arabischer Tanz
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) e Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
direttore d'orchestra:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Takao Matsumo (conductor, an Alfred Scholz pseudonym)
registrazione di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский3:37
9Der Nussknacker / The Nutcracker, Ballett / Ballet: 6. Chinesischer Tanz / Chinese Dance
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) e Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
direttore d'orchestra:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Takao Matsumo (conductor, an Alfred Scholz pseudonym)
registrazione di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский1:20
10Der Nussknacker / The Nutcracker, Ballett / Ballet: 7. Tanz der Rohrflöten / Dance of the Reeds
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) e Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
direttore d'orchestra:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Takao Matsumo (conductor, an Alfred Scholz pseudonym)
registrazione di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revisione di:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
Пётр Ильич Чайковский2:36
11Der Nussknacker / The Nutcracker, Ballett / Ballet: 8. Blumenwalzer / Flower Waltz
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), Hamburger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) e Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
direttore d'orchestra:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Pietro di la Corona (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Takao Matsumo (conductor, an Alfred Scholz pseudonym)
registrazione di:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Nutcracker (suite from the ballet), op. 71a
revisione di:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
Пётр Ильич Чайковский7:04
12Carmen-Suite No. 1: Séguidilla
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
direttore d'orchestra:
Alfred Scholz
registrazione di:
Carmen Suite no. 1 : IV. Séguedille. Allegretto (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville »)
compositore:
Georges Bizet (French composer)
arrangiatore:
Ernest Guiraud (French composer)
si basa su:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
parte di:
Carmen Suite no. 1
Georges Bizet1:50
13Carmen-Suite No. 2: Habanera
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
direttore d'orchestra:
Alfred Scholz
registrazione di:
Carmen Suite no. 2: II. Habanera
compositore:
Georges Bizet (French composer)
arrangiatore:
Ernest Guiraud (French composer)
si basa su:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
parte di:
Carmen Suite no. 2
Georges Bizet2:07
14Carmen-Suite No. 2: Danse Bohème
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
direttore d'orchestra:
Alfred Scholz
registrazione di:
Carmen Suite no. 2: VI. Danse bohème
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen)
parte di:
Carmen Suite no. 2
Georges Bizet4:29
15L'Arlésienne-Suite No. 2: Menuetto
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
direttore d'orchestra:
Alfred Scholz
registrazione di:
L’Arlésienne Suite no. 2: III. Menuet (for orchestra)
compositore:
Georges Bizet (French composer) (nel 1872)
arrangiatore:
Ernest Guiraud (French composer)
parte di:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet3:56
16Ungarische Tänze / Hungarian Dances: No. 13, D-Dur / in D, Andantino grazioso
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990), Festivalový orchestr Praha (Prague Festival Orchestra), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre Symphonique de Dresde (Dresden Philharmonic Orchestra) e Philharmonia Slavonica (Alfred Scholz pseudonym)
direttore d'orchestra:
Julian Armstrong (conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Edvard Kronau (an Alfred Scholz pseudonym), Alfred Scholz e Pavel Urbanek (an Alfred Scholz pseudonym)
registrazione di:
21 Hungarian Dances for Orchestra, WoO 1: No. 13 in D major (Andantino grazioso) (catch-all for unknown and one-off orchestrations)
compositore:
Johannes Brahms (German composer) (nel 1879)
orchestrazione di:
Hungarian Dances for piano, 4 hands, WoO 1, Book 3, No. 13 in D major: Andantino grazioso – Vivace
parte di:
21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations)
registrazione di:
Hungarian Dances for orchestra, WoO 1, Book 3, no. 13 in D major: Andantino grazioso - Vivace (orchestrated by Parlow)
orchestratore:
Albert Parlow
compositore:
Johannes Brahms (German composer)
orchestrazione di:
Hungarian Dances for piano, 4 hands, WoO 1, Book 3, No. 13 in D major: Andantino grazioso – Vivace
parte di:
Hungarian Dances for orchestra (Parlow orchestration)
Johannes Brahms1:30
17Ungarische Tänze / Hungarian Dances: No. 15, B-Dur / in B flat, Allegro grazioso
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990), Festivalový orchestr Praha (Prague Festival Orchestra), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre Symphonique de Dresde (Dresden Philharmonic Orchestra) e Philharmonia Slavonica (Alfred Scholz pseudonym)
direttore d'orchestra:
Julian Armstrong (conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Edvard Kronau (an Alfred Scholz pseudonym), Alfred Scholz e Pavel Urbanek (an Alfred Scholz pseudonym)
registrazione di:
21 Hungarian Dances for Orchestra, WoO 1: No. 15 in B-flat major (Allegretto grazioso) (catch-all for unknown and one-off orchestrations)
compositore:
Johannes Brahms (German composer) (nel 1879)
orchestrazione di:
Hungarian Dances for piano, 4 hands, WoO 1, Book 3, No. 15 in B-flat major: Allegretto grazioso
parte di:
21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations)
registrazione di:
Hungarian Dances for orchestra, WoO 1, Book 3, no. 15 in B-flat major: Allegretto grazioso (Parlow orchestration)
orchestratore:
Albert Parlow
compositore:
Johannes Brahms (German composer)
orchestrazione di:
Hungarian Dances for piano, 4 hands, WoO 1, Book 3, No. 15 in B-flat major: Allegretto grazioso
parte di:
Hungarian Dances for orchestra (Parlow orchestration)
Johannes Brahms2:13
18Ungarische Tänze / Hungarian Dances: No. 17, fis-moll / in F sharp minor, Andantino
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990), Festivalový orchestr Praha (Prague Festival Orchestra), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (Alfred Scholz pseudonym), Orchestre Symphonique de Dresde (Dresden Philharmonic Orchestra) e Philharmonia Slavonica (Alfred Scholz pseudonym)
direttore d'orchestra:
Julian Armstrong (conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Edvard Kronau (an Alfred Scholz pseudonym), Alfred Scholz e Pavel Urbanek (an Alfred Scholz pseudonym)
registrazione di:
21 Hungarian Dances for Orchestra, WoO 1: No. 17 in F-sharp minor (Andantino) (catch-all for unknown and one-off orchestrations)
compositore:
Johannes Brahms (German composer) (nel 1879)
orchestrazione di:
Hungarian Dances for piano, 4 hands, WoO 1, Book 4, No. 17 in F-sharp minor: Andantino – Vivace
parte di:
21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations)
registrazione di:
Hungarian Dances for orchestra, WoO 1, Book 4, no. 17 in F-sharp minor: Andantino - Vivace (orchestrated by Dvořák)
orchestratore:
Antonín Dvořák (composer) (dal 1880-10 al 1880-11)
compositore:
Johannes Brahms (German composer)
orchestrazione di:
Hungarian Dances for piano, 4 hands, WoO 1, Book 4, No. 17 in F-sharp minor: Andantino – Vivace
parte di:
Hungarian Dances for orchestra (orchestrated by Dvořák)
Johannes Brahms3:09

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parte di:Smooth Classics (ordine: 13)