Smooth Classics: Barock Romance

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Schwanensee / Swan Lake, Ballett / Ballet: 1. Szene
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Schwanensee / Swan Lake, Ballett / Ballet: 1. Szene
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Пётр Ильич Чайковский3:11
2Schwanensee / Swan Lake, Ballett / Ballet: Valse / Waltz
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Schwanensee / Swan Lake, Ballett / Ballet: Valse / Waltz
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Пётр Ильич Чайковский1:35
3Schwanensee / Swan Lake, Ballett / Ballet: Pas d'Action
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Schwanensee / Swan Lake, Ballett / Ballet: Pas d'Action
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Пётр Ильич Чайковский7:56
4Dornröschen / The Sleeping Beauty, Ballett-Suite: Introduction, Die Fliederfee / The Lilac Fairy
Orchester:
New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia) und New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings)
conductor:
Alfred Scholz und Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Sleeping Beauty Suite, op. 66a: I. Introduction. La Fée des Lilas
Komponist(in):
Pyotr Ilyich Tchaikovsky (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66a (Suite)
Пётр Ильич Чайковский3:33
5Dornröschen / The Sleeping Beauty, Ballett-Suite: Pas d'Action
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Orquesta Sinfónica Clásica de Baviera (an Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) und Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren und Peter Wohlert (conductor, Alfred Scholz related)
recording of:
The Sleeping Beauty Suite, op. 66a: II. Adagio. Pas d'action
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66a (Suite)
Пётр Ильич Чайковский5:24
6Dornröschen / The Sleeping Beauty, Ballett-Suite: Panorama
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) und Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren und Peter Wohlert (conductor, Alfred Scholz related)
recording of:
The Sleeping Beauty Suite, op. 66a: III. Pas de caractère
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66a (Suite)
teilweise recording of:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66a (Suite)
Пётр Ильич Чайковский2:35
7Der Nussknacker / The Nutcracker, Ballett / Ballet: 3. Tanz der Zuckerfee / Dance of the Sugar-Plum Fairy
Orchester:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) und Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Revision von:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
Пётр Ильич Чайковский2:06
8Der Nussknacker / The Nutcracker, Ballett / Ballet: 5. Arabischer Tanz
Orchester:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) und Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский3:37
9Der Nussknacker / The Nutcracker, Ballett / Ballet: 6. Chinesischer Tanz / Chinese Dance
Orchester:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) und Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский1:20
10Der Nussknacker / The Nutcracker, Ballett / Ballet: 7. Tanz der Rohrflöten / Dance of the Reeds
Orchester:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) und Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Revision von:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
Пётр Ильич Чайковский2:36
11Der Nussknacker / The Nutcracker, Ballett / Ballet: 8. Blumenwalzer / Flower Waltz
Orchester:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), Hamburger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) und Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Pietro di la Corona (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a
Revision von:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
Пётр Ильич Чайковский7:04
12Carmen-Suite No. 1: Séguidilla
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Alfred Scholz
recording of:
Carmen Suite no. 1 : IV. Séguedille. Allegretto (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville »)
Komponist(in):
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
basiert auf:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
Teil von:
Carmen Suite no. 1
Georges Bizet1:50
13Carmen-Suite No. 2: Habanera
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Alfred Scholz
recording of:
Carmen Suite no. 2: II. Habanera
Komponist(in):
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
basiert auf:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
Teil von:
Carmen Suite no. 2
Georges Bizet2:07
14Carmen-Suite No. 2: Danse Bohème
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Alfred Scholz
recording of:
Carmen Suite no. 2: VI. Danse bohème
Komponist(in):
Georges Bizet (French composer)
basiert auf:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen)
Teil von:
Carmen Suite no. 2
Georges Bizet4:29
15L'Arlésienne-Suite No. 2: Menuetto
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Alfred Scholz
recording of:
L’Arlésienne Suite no. 2: III. Menuet (for orchestra)
Komponist(in):
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
Teil von:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet3:56
16Ungarische Tänze / Hungarian Dances: No. 13, D-Dur / in D, Andantino grazioso
Orchester:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990), Festivalový orchestr Praha (Prager Festivalorchester), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre Symphonique de Dresde (Dresden Philharmonic Orchestra) und Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Julian Armstrong (conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Edvard Kronau (an Alfred Scholz pseudonym), Alfred Scholz und Pavel Urbanek (an Alfred Scholz pseudonym)
recording of:
21 Hungarian Dances for Orchestra, WoO 1: No. 13 in D major (Andantino grazioso) (catch-all for unknown and one-off orchestrations)
Komponist(in):
Johannes Brahms (German composer) (in 1879)
Orchestrierung von:
Hungarian Dances for piano, 4 hands, WoO 1, Book 3, No. 13 in D major: Andantino grazioso – Vivace
Teil von:
21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 3, no. 13 in D major: Andantino grazioso - Vivace (orchestrated by Parlow)
Orchestrator(in):
Albert Parlow
Komponist(in):
Johannes Brahms (German composer)
Orchestrierung von:
Hungarian Dances for piano, 4 hands, WoO 1, Book 3, No. 13 in D major: Andantino grazioso – Vivace
Teil von:
Hungarian Dances for orchestra (Parlow orchestration)
Johannes Brahms1:30
17Ungarische Tänze / Hungarian Dances: No. 15, B-Dur / in B flat, Allegro grazioso
Orchester:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990), Festivalový orchestr Praha (Prager Festivalorchester), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre Symphonique de Dresde (Dresden Philharmonic Orchestra) und Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Julian Armstrong (conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Edvard Kronau (an Alfred Scholz pseudonym), Alfred Scholz und Pavel Urbanek (an Alfred Scholz pseudonym)
recording of:
21 Hungarian Dances for Orchestra, WoO 1: No. 15 in B-flat major (Allegretto grazioso) (catch-all for unknown and one-off orchestrations)
Komponist(in):
Johannes Brahms (German composer) (in 1879)
Orchestrierung von:
Hungarian Dances for piano, 4 hands, WoO 1, Book 3, No. 15 in B-flat major: Allegretto grazioso
Teil von:
21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 3, no. 15 in B-flat major: Allegretto grazioso (Parlow orchestration)
Orchestrator(in):
Albert Parlow
Komponist(in):
Johannes Brahms (German composer)
Orchestrierung von:
Hungarian Dances for piano, 4 hands, WoO 1, Book 3, No. 15 in B-flat major: Allegretto grazioso
Teil von:
Hungarian Dances for orchestra (Parlow orchestration)
Johannes Brahms2:13
18Ungarische Tänze / Hungarian Dances: No. 17, fis-moll / in F sharp minor, Andantino
Orchester:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990), Festivalový orchestr Praha (Prager Festivalorchester), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (Alfred Scholz pseudonym), Orchestre Symphonique de Dresde (Dresden Philharmonic Orchestra) und Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Julian Armstrong (conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Edvard Kronau (an Alfred Scholz pseudonym), Alfred Scholz und Pavel Urbanek (an Alfred Scholz pseudonym)
recording of:
21 Hungarian Dances for Orchestra, WoO 1: No. 17 in F-sharp minor (Andantino) (catch-all for unknown and one-off orchestrations)
Komponist(in):
Johannes Brahms (German composer) (in 1879)
Orchestrierung von:
Hungarian Dances for piano, 4 hands, WoO 1, Book 4, No. 17 in F-sharp minor: Andantino – Vivace
Teil von:
21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 4, no. 17 in F-sharp minor: Andantino - Vivace (orchestrated by Dvořák)
Orchestrator(in):
Antonín Dvořák (composer) (von 1880-10 bis 1880-11)
Komponist(in):
Johannes Brahms (German composer)
Orchestrierung von:
Hungarian Dances for piano, 4 hands, WoO 1, Book 4, No. 17 in F-sharp minor: Andantino – Vivace
Teil von:
Hungarian Dances for orchestra (orchestrated by Dvořák)
Johannes Brahms3:09

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Veröffentlichung

Teil von:Smooth Classics (Reihenfolge: 13)