The Complete Elvis Presley Masters

~ Release by Elvis Presley (see all versions of this release, 1 available)

Tracklist

1▼CD: 1954–1956
#TitleRatingLength
1Harbor Lights
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1954-07-05)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1954-07-05) and Elvis Presley (“The King of Rock and Roll”) (on 1954-07-05)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1954-07-05)
cover recording of:
Harbour Lights (on 1954-07-05)
lyricist:
Jimmy Kennedy (Irish songwriter)
composer:
Hugh Williams (aka Hugh Williams)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Peter Maurice Music Co. Ltd.
2:35
2I Love You Because
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1954-07-05)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (on 1954-07-05)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1954-07-05) and Elvis Presley (“The King of Rock and Roll”) (on 1954-07-05)
vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1954-07-05)
phonographic copyright (℗) by:
BMG Music (in 1954, in 1956, in 1957)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1954-07-05)
cover recording of:
I Love You Because (on 1954-07-05)
lyricist and composer:
Leon Payne (Country/Rockabilly artist)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) and Acuff-Rose Publications, Inc. (BMI) (on 1949-10-12)
32:39
3That’s All Right
engineer and producer:
Sam Phillips (founder of Sun Records)
acoustic guitar:
Elvis Presley (“The King of Rock and Roll”)
bass and double bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1954-07-05)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (on 1954-07-05)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1954-07-05) and Elvis Presley (“The King of Rock and Roll”) (on 1954-07-05)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1954-07-05)
vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1954-07-05)
phonographic copyright (℗) by:
BMG Music (in 1954) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1954-07-05)
part of:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 41) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 112)
cover recording of:
That’s All Right (on 1954-07-05)
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music and Unichappell Music, Inc.
2.91:58
4Blue Moon of Kentucky
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1954-07-05, on 1954-07-07)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (on 1954-07-05, on 1954-07-07)
guitar:
Elvis Presley (“The King of Rock and Roll”) (on 1954-07-05, on 1954-07-07)
vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1954-07-05, on 1954-07-07)
phonographic copyright (℗) by:
BMG Music (in 1954)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1954-07-05, on 1954-07-07)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 49)
cover recording of:
Blue Moon of Kentucky (on 1954-07-05)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”) (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
cover recording of:
Blue Moon of Kentucky (on 1954-07-07)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”) (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
2.652:02
5Blue Moon
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1954-08-19)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1954-08-19) and Elvis Presley (“The King of Rock and Roll”) (on 1954-08-19)
phonographic copyright (℗) by:
BMG Music (in 1954)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1954-08-19)
cover recording of:
Blue Moon (on 1954-08-19)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
3.652:41
6Tomorrow Night
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1954)
guitar:
Scotty Moore (American guitarist and recording engineer) (in 1954) and Elvis Presley (“The King of Rock and Roll”) (in 1954)
recorded at:
Sun Studio in Memphis, Tennessee, United States (in 1954)
cover recording of:
Tomorrow Night (in 1954)
writer:
Sam Coslow and Wilhelm Grosz (aka Hugh Williams)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Wilhelm Grosz Music Co
2:58
7I’ll Never Let You Go
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1954)
guitar:
Scotty Moore (American guitarist and recording engineer) (in 1954) and Elvis Presley (“The King of Rock and Roll”) (in 1954)
recorded at:
Sun Studio in Memphis, Tennessee, United States (in 1954)
cover recording of:
I’ll Never Let You Go Little Darlin’ (in 1954)
lyricist and composer:
Jimmy Wakely (Country and western singer and songwriter)
publisher:
Gordon Music Company, Inc., Marlen Music Co., Sunshine Music (Tomandl & Janisch OG (Vienna)) and Sunshine Music Co., Inc. (on 1941-11-17)
2:24
8I Don’t Care If the Sun Don’t Shine
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1954)
guitar:
Scotty Moore (American guitarist and recording engineer) (in 1954) and Elvis Presley (“The King of Rock and Roll”) (in 1954)
recorded at:
Sun Studio in Memphis, Tennessee, United States (in 1954)
cover recording of:
I Don’t Care If the Sun Don’t Shine (in 1954)
lyricist and composer:
Mack David (American lyricist and songwriter)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
2:30
9Just Because
cover recording of:
Just Because (on 1954-09-12)
lyricist:
Bob Shelton (1930s-'40s vocalist, guitarist and mandolinist) and Joe Shelton (1930s-'40s vocalist, guitarist and mandolinist)
composer:
Leon Chappelear and Sid Robin (US lyricist & composer)
publisher:
Leeds Music Corp., MCA Music Inc. (US-based music publishers), Southern Music Publishing Company Limited, Universal‐MCA Music Publishing (US) and State Street Music Publ. Co. Inc. (on 1936-03-19)
12:32
10Good Rockin’ Tonight
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1954, from 1954-09-12 until 1954-09-16)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (from 1954-09-12 until 1954-09-16)
guitar:
Scotty Moore (American guitarist and recording engineer) (in 1954) and Elvis Presley (“The King of Rock and Roll”) (in 1954, from 1954-09-12 until 1954-09-16)
vocals:
Elvis Presley (“The King of Rock and Roll”) (from 1954-09-12 until 1954-09-16)
phonographic copyright (℗) by:
BMG Music (in 1954) and BMG Entertainment (in 1955)
recorded at:
Sun Studio in Memphis, Tennessee, United States (in 1954, from 1954-09-12 until 1954-09-16)
cover recording of:
Good Rockin’ Tonight (on 1954-09-10)
lyricist and composer:
Roy Brown (blues musician) (in 1947-07)
publisher:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. and Wixen Music UK Ltd.
52:14
11Milkcow Blues Boogie
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1954-11 until 1954-12)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1954-11 until 1954-12) and Elvis Presley (“The King of Rock and Roll”) (from 1954-11 until 1954-12)
recorded at:
Sun Studio in Memphis, Tennessee, United States (from 1954-11 until 1954-12)
cover recording of:
Milk Cow Blues (Kokomo Arnold's version) (from 1954-11 until 1954-12)
lyricist and arranger:
Kokomo Arnold
composer:
[traditional] (special purpose artist) and Kokomo Arnold
publisher:
MCA Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), State Street Music Publ. Co. Inc., Universal (plain logo “Universal” used by Universal Music and Universal Pictures) and Universal Music Corp. (USA, affiliated with ASCAP)
version of:
Milk Cow Blues
2:38
12You’re a Heartbreaker
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1954-11 until 1954-12)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1954-11 until 1954-12) and Elvis Presley (“The King of Rock and Roll”) (from 1954-11 until 1954-12)
recorded at:
Sun Studio in Memphis, Tennessee, United States (from 1954-11 until 1954-12)
recording of:
You’re a Heartbreaker (from 1954-11 until 1954-12)
writer:
Jack Sallee (Charles Alvin Sallee, writer of Elvis’ “You’re a Heartbreaker”)
2:12
13I’m Left, You’re Right, She’s Gone (slow version)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1955-02 until 1955-03)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1955-02 until 1955-03) and Elvis Presley (“The King of Rock and Roll”) (from 1955-02 until 1955-03)
cover recording of:
I’m Left, You’re Right, She’s Gone (from 1955-02 until 1955-03)
writer:
Stan Kesler (US session musician, composer and producer) and Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
publisher:
Hi Lo Music Inc. (BMI-affiliated)
2:40
14Baby Let’s Play House
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1955-01-30 until 1955-02-04)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (from 1955-01-30 until 1955-02-04)
guitar:
Elvis Presley (“The King of Rock and Roll”) (from 1955-01-30 until 1955-02-04)
vocals:
Elvis Presley (“The King of Rock and Roll”) (from 1955-01-30 until 1955-02-04)
phonographic copyright (℗) by:
BMG Music (in 1953, in 1955)
recorded at:
Sun Studio in Memphis, Tennessee, United States (from 1955-01-30 until 1955-02-04)
cover recording of:
Baby Let’s Play House (from 1955-01-30 until 1955-02-04)
lyricist and composer:
Arthur Gunter
publisher:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. and LPGV Music (BMI)
recording of:
Baby Let’s Play House
lyricist and composer:
Arthur Gunter
publisher:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. and LPGV Music (BMI)
3.852:18
15I’m Left, You’re Right, She’s Gone
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1955-02 until 1955-03)
drums (drum set):
Jimmie Lott (from 1955-02 until 1955-03)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1955-02 until 1955-03) and Elvis Presley (“The King of Rock and Roll”) (from 1955-02 until 1955-03)
cover recording of:
I’m Left, You’re Right, She’s Gone (from 1955-02 until 1955-03)
writer:
Stan Kesler (US session musician, composer and producer) and Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
publisher:
Hi Lo Music Inc. (BMI-affiliated)
2:36
16I Forgot to Remember to Forget
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1955-07)
drums (drum set):
Johnny Bernero (in 1955-07)
guitar:
Scotty Moore (American guitarist and recording engineer) (in 1955-07) and Elvis Presley (“The King of Rock and Roll”) (in 1955-07)
recorded at:
Sun Studio in Memphis, Tennessee, United States (in 1955-07)
cover recording of:
I Forgot to Remember to Forget (on 1955-07-11)
writer:
Charlie Feathers and Stan Kesler (US session musician, composer and producer)
publisher:
Carlin Music Corporation and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
4.82:28
17Mystery Train
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1955-07)
drums (drum set):
Johnny Bernero (in 1955-07)
guitar:
Scotty Moore (American guitarist and recording engineer) (in 1955-07) and Elvis Presley (“The King of Rock and Roll”) (in 1955-07)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1955-07-11)
cover recording of:
Mystery Train (on 1955-07-11)
writer:
Junior Parker and Sam Phillips (founder of Sun Records)
publisher:
Carlin Music Corporation, Hi Lo Music, Mijac Music, MJ Publishing Trust, Sony/ATV Songs LLC, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Hilo Music Inc. (in 1953)
2:24
18Trying to Get to You
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1955-07-21)
drums (drum set):
Johnny Bernero (on 1955-07-21)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1955-07-21) and Elvis Presley (“The King of Rock and Roll”) (on 1955-07-21)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1955-07-21)
cover recording of:
Trying to Get to You (on 1955-07-21)
writer:
Rose Marie McCoy and Charles Singleton (composer/lyricist)
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific and You Look Good Music Publishing
2:31
19When It Rains, It Really Pours
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1955-11)
drums (drum set):
Johnny Bernero (in 1955-11)
guitar:
Scotty Moore (American guitarist and recording engineer) (in 1955-11) and Elvis Presley (“The King of Rock and Roll”) (in 1955-11)
recorded at:
Sun Studio in Memphis, Tennessee, United States (in 1955-11)
cover recording of:
When It Rains It Pours (from 1955-08 until 1955-10)
lyricist and composer:
Billy “The Kid” Emerson (rock ’n’ roll on Sun, Vee‐Jay & Chess Records)
publisher:
Hi Lo Music Inc. (BMI-affiliated) and Riverline Music
12:01
20I Got a Woman
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1956-01-10 until 1956-01-11)
drums (drum set):
D.J. Fontana (from 1956-01-10 until 1956-01-11)
guitar:
Chet Atkins (from 1956-01-10 until 1956-01-11), Scotty Moore (American guitarist and recording engineer) (from 1956-01-10 until 1956-01-11) and Elvis Presley (“The King of Rock and Roll”) (from 1956-01-10 until 1956-01-11)
piano:
Floyd Cramer (from 1956-01-10 until 1956-01-11)
vocals:
Brock Speer (from 1956-01-10 until 1956-01-11), Ben Speer (from 1956-01-10 until 1956-01-11) and Gordon Stoker (US pianist, tenor vocalist and music publisher) (from 1956-01-10 until 1956-01-11)
cover recording of:
I Got a Woman (from 1956-01-10 until 1956-01-11)
writer:
Ray Charles (soul musician, singer and songwriter) and Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:23
21Heartbreak Hotel
engineer:
Bob Ferris (engineer)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-10)
drums (drum set):
D.J. Fontana (on 1956-01-10)
guitar:
Chet Atkins (on 1956-01-10), Scotty Moore (American guitarist and recording engineer) (on 1956-01-10) and Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10)
piano:
Floyd Cramer (on 1956-01-10)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10)
vocals:
Elvis Presley (“The King of Rock and Roll”), Ben Speer (on 1956-01-10), Lena Brock "Mom" Speer (on 1956-01-10) and Gordon Stoker (US pianist, tenor vocalist and music publisher) (on 1956-01-10)
publisher:
Sony/ATV Songs LLC
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studios (Nashville) in Nashville, Tennessee, United States (on 1956-01-10)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 45) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 347)
recording of:
Heartbreak Hotel (on 1956-01-10)
writer:
Mae Boren Axton, Tommy Durden and Elvis Presley (“The King of Rock and Roll”)
publisher:
Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited (PRS for Music-affiliated), Sony/ATV Songs LLC, Sony/ATV Tree Publishing and Unichappell Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3.652:08
22Money Honey
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1956-01-10 until 1956-01-11)
drums (drum set):
D.J. Fontana (from 1956-01-10 until 1956-01-11)
guitar:
Chet Atkins (from 1956-01-10 until 1956-01-11), Scotty Moore (American guitarist and recording engineer) (from 1956-01-10 until 1956-01-11) and Elvis Presley (“The King of Rock and Roll”) (from 1956-01-10 until 1956-01-11)
piano:
Floyd Cramer (from 1956-01-10 until 1956-01-11)
vocals:
Brock Speer (from 1956-01-10 until 1956-01-11), Ben Speer (from 1956-01-10 until 1956-01-11) and Gordon Stoker (US pianist, tenor vocalist and music publisher) (from 1956-01-10 until 1956-01-11)
cover recording of:
Money Honey (from 1956-01-10 until 1956-01-11)
lyricist and composer:
Jesse Stone
publisher:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) and ZFC Music
2:34
23I’m Counting on You
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1956-01-10 until 1956-01-11)
drums (drum set):
D.J. Fontana (from 1956-01-10 until 1956-01-11)
guitar:
Chet Atkins (from 1956-01-10 until 1956-01-11), Scotty Moore (American guitarist and recording engineer) (from 1956-01-10 until 1956-01-11) and Elvis Presley (“The King of Rock and Roll”) (from 1956-01-10 until 1956-01-11)
piano:
Floyd Cramer (from 1956-01-10 until 1956-01-11)
vocals:
Brock Speer (from 1956-01-10 until 1956-01-11), Ben Speer (from 1956-01-10 until 1956-01-11) and Gordon Stoker (US pianist, tenor vocalist and music publisher) (from 1956-01-10 until 1956-01-11)
recording of:
I’m Counting on You (from 1956-01-10 until 1956-01-11)
lyricist and composer:
Don Robertson (“Happy Whistler” songwriter)
publisher:
Carlin Music Corporation, Don Robertson Music Corp. and Ross Jungnickel, Inc.
2:24
24I Was the One
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1956-01-10 until 1956-01-11)
drums (drum set):
D.J. Fontana (from 1956-01-10 until 1956-01-11)
guitar:
Chet Atkins (from 1956-01-10 until 1956-01-11), Scotty Moore (American guitarist and recording engineer) (from 1956-01-10 until 1956-01-11) and Elvis Presley (“The King of Rock and Roll”) (from 1956-01-10 until 1956-01-11)
piano:
Floyd Cramer (from 1956-01-10 until 1956-01-11)
vocals:
Brock Speer (from 1956-01-10 until 1956-01-11), Ben Speer (from 1956-01-10 until 1956-01-11) and Gordon Stoker (US pianist, tenor vocalist and music publisher) (from 1956-01-10 until 1956-01-11)
recording of:
I Was the One (from 1956-01-10 until 1956-01-11)
writer:
Hal Blair, Claude Demetrius, Bill Peppers and Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Anne-Rachel Music, Carlin Music Corporation, Chappell & Co., Inc. (USA), MCA Music Ltd. and Rachel’s Own Music
2:33
2▶CD: 1956
3▶CD: 1957
4▶CD: 1957–1958
5▶CD: 1960
6▶CD: 1960–1961
7▶CD: 1961
8▶CD: 1961–1962
9▶CD: 1962–1963
10▶CD: 1963–1964
11▶CD: 1964–1965
12▶CD: 1965–1966
13▶CD: 1966
14▶CD: 1966–1967
15▶CD: 1967–1968
16▶CD: 1968
17▶CD: 1969
18▶CD: 1969
19▶CD: 1970
20▶CD: 1970
21▶CD: 1970–1971
22▶CD: 1971–1972
23▶CD: 1972
24▶CD: 1973
25▶CD: 1973
26▶CD: 1973–1975
27▶CD: 1975–1977
28▶CD: Outtakes and Alternates I
29▶CD: Outtakes and Alternates II
30▶CD: Outtakes and Alternates III