The Complete Elvis Presley Masters

~ Veröffentlichung von Elvis Presley (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD: 1954–1956
Nr.TitelBewertungLänge
1Harbor Lights
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1954-07-05)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-05) und Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1954-07-05)
cover recording of:
Harbour Lights (am 1954-07-05)
Texter:
Jimmy Kennedy (Irish songwriter)
Komponist(in):
Hugh Williams (aka Hugh Williams)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Peter Maurice Music Co. Ltd.
2:35
2I Love You Because
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1954-07-05)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-05)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-05) und Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
vocals:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954, in 1956, in 1957)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1954-07-05)
cover recording of:
I Love You Because (am 1954-07-05)
Texter und Komponist(in):
Leon Payne (Country/Rockabilly artist)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) und Acuff-Rose Publications, Inc. (BMI) (am 1949-10-12)
32:39
3That’s All Right
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Akustikgitarre:
Elvis Presley (“The King of Rock and Roll”)
Bass und Kontrabass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1954-07-05)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-05)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-05) und Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
vocals:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1954-07-05)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 41) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 112)
cover recording of:
That’s All Right (am 1954-07-05)
Texter und Komponist(in):
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music und Unichappell Music, Inc.
2.91:58
4Blue Moon of Kentucky
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1954-07-05, am 1954-07-07)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-05, am 1954-07-07)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05, am 1954-07-07)
vocals:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05, am 1954-07-07)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1954-07-05, am 1954-07-07)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 49)
cover recording of:
Blue Moon of Kentucky (am 1954-07-05)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”) (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
cover recording of:
Blue Moon of Kentucky (am 1954-07-07)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”) (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
2.652:02
5Blue Moon
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1954-08-19)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-08-19) und Elvis Presley (“The King of Rock and Roll”) (am 1954-08-19)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1954-08-19)
cover recording of:
Blue Moon (am 1954-08-19)
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
3.652:41
6Tomorrow Night
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1954)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (in 1954) und Elvis Presley (“The King of Rock and Roll”) (in 1954)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (in 1954)
cover recording of:
Tomorrow Night (in 1954)
Verfasser(in):
Sam Coslow und Wilhelm Grosz (aka Hugh Williams)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Wilhelm Grosz Music Co
2:58
7I’ll Never Let You Go
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1954)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (in 1954) und Elvis Presley (“The King of Rock and Roll”) (in 1954)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (in 1954)
cover recording of:
I’ll Never Let You Go Little Darlin’ (in 1954)
Texter und Komponist(in):
Jimmy Wakely (Country and western singer and songwriter)
publisher:
Gordon Music Company, Inc., Marlen Music Co., Sunshine Music (Tomandl & Janisch OG (Vienna)) und Sunshine Music Co., Inc. (am 1941-11-17)
2:24
8I Don’t Care If the Sun Don’t Shine
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1954)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (in 1954) und Elvis Presley (“The King of Rock and Roll”) (in 1954)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (in 1954)
cover recording of:
I Don’t Care If the Sun Don’t Shine (in 1954)
Texter und Komponist(in):
Mack David (American lyricist and songwriter)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
2:30
9Just Because
cover recording of:
Just Because (am 1954-09-12)
Texter:
Bob Shelton (1930s-'40s vocalist, guitarist and mandolinist) und Joe Shelton (1930s-'40s vocalist, guitarist and mandolinist)
Komponist(in):
Leon Chappelear und Sid Robin (US lyricist & composer)
publisher:
Leeds Music Corp., MCA Music Inc. (US-based music publishers), Southern Music Publishing Company Limited, Universal‐MCA Music Publishing (US) und State Street Music Publ. Co. Inc. (am 1936-03-19)
12:32
10Good Rockin’ Tonight
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1954, von 1954-09-12 bis 1954-09-16)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1954-09-12 bis 1954-09-16)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (in 1954) und Elvis Presley (“The King of Rock and Roll”) (in 1954, von 1954-09-12 bis 1954-09-16)
vocals:
Elvis Presley (“The King of Rock and Roll”) (von 1954-09-12 bis 1954-09-16)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954) und BMG Entertainment (in 1955)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (in 1954, von 1954-09-12 bis 1954-09-16)
cover recording of:
Good Rockin’ Tonight (am 1954-09-10)
Texter und Komponist(in):
Roy Brown (blues musician) (in 1947-07)
publisher:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. und Wixen Music UK Ltd.
52:14
11Milkcow Blues Boogie
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1954-11 bis 1954-12)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1954-11 bis 1954-12) und Elvis Presley (“The King of Rock and Roll”) (von 1954-11 bis 1954-12)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (von 1954-11 bis 1954-12)
cover recording of:
Milk Cow Blues (Kokomo Arnold's version) (von 1954-11 bis 1954-12)
Texter und arranger:
Kokomo Arnold
Komponist(in):
[traditional] (special purpose artist) und Kokomo Arnold
publisher:
MCA Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), State Street Music Publ. Co. Inc., Universal (plain logo “Universal” used by Universal Music and Universal Pictures) und Universal Music Corp. (USA, affiliated with ASCAP)
Version von:
Milk Cow Blues
2:38
12You’re a Heartbreaker
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1954-11 bis 1954-12)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1954-11 bis 1954-12) und Elvis Presley (“The King of Rock and Roll”) (von 1954-11 bis 1954-12)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (von 1954-11 bis 1954-12)
recording of:
You’re a Heartbreaker (von 1954-11 bis 1954-12)
Verfasser(in):
Jack Sallee (Charles Alvin Sallee, writer of Elvis’ “You’re a Heartbreaker”)
2:12
13I’m Left, You’re Right, She’s Gone (slow version)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1955-02 bis 1955-03)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1955-02 bis 1955-03) und Elvis Presley (“The King of Rock and Roll”) (von 1955-02 bis 1955-03)
cover recording of:
I’m Left, You’re Right, She’s Gone (von 1955-02 bis 1955-03)
Verfasser(in):
Stan Kesler (US session musician, composer and producer) und Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
publisher:
Hi Lo Music Inc. (BMI-affiliated)
2:40
14Baby Let’s Play House
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1955-01-30 bis 1955-02-04)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1955-01-30 bis 1955-02-04)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (von 1955-01-30 bis 1955-02-04)
vocals:
Elvis Presley (“The King of Rock and Roll”) (von 1955-01-30 bis 1955-02-04)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1953, in 1955)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (von 1955-01-30 bis 1955-02-04)
cover recording of:
Baby Let’s Play House (von 1955-01-30 bis 1955-02-04)
Texter und Komponist(in):
Arthur Gunter
publisher:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. und LPGV Music (BMI)
recording of:
Baby Let’s Play House
Texter und Komponist(in):
Arthur Gunter
publisher:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. und LPGV Music (BMI)
3.852:18
15I’m Left, You’re Right, She’s Gone
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1955-02 bis 1955-03)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1955-02 bis 1955-03) und Elvis Presley (“The King of Rock and Roll”) (von 1955-02 bis 1955-03)
Schlagzeug:
Jimmie Lott (von 1955-02 bis 1955-03)
cover recording of:
I’m Left, You’re Right, She’s Gone (von 1955-02 bis 1955-03)
Verfasser(in):
Stan Kesler (US session musician, composer and producer) und Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
publisher:
Hi Lo Music Inc. (BMI-affiliated)
2:36
16I Forgot to Remember to Forget
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1955-07)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (in 1955-07) und Elvis Presley (“The King of Rock and Roll”) (in 1955-07)
Schlagzeug:
Johnny Bernero (in 1955-07)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (in 1955-07)
cover recording of:
I Forgot to Remember to Forget (am 1955-07-11)
Verfasser(in):
Charlie Feathers und Stan Kesler (US session musician, composer and producer)
publisher:
Carlin Music Corporation und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
4.82:28
17Mystery Train
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1955-07)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (in 1955-07) und Elvis Presley (“The King of Rock and Roll”) (in 1955-07)
Schlagzeug:
Johnny Bernero (in 1955-07)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1955-07-11)
cover recording of:
Mystery Train (am 1955-07-11)
Verfasser(in):
Junior Parker und Sam Phillips (founder of Sun Records)
publisher:
Carlin Music Corporation, Hi Lo Music, Mijac Music, MJ Publishing Trust, Sony/ATV Songs LLC, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Hilo Music Inc. (in 1953)
2:24
18Trying to Get to You
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1955-07-21)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1955-07-21) und Elvis Presley (“The King of Rock and Roll”) (am 1955-07-21)
Schlagzeug:
Johnny Bernero (am 1955-07-21)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1955-07-21)
cover recording of:
Trying to Get to You (am 1955-07-21)
Verfasser(in):
Rose Marie McCoy und Charles Singleton (composer/lyricist)
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific und You Look Good Music Publishing
2:31
19When It Rains, It Really Pours
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1955-11)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (in 1955-11) und Elvis Presley (“The King of Rock and Roll”) (in 1955-11)
Schlagzeug:
Johnny Bernero (in 1955-11)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (in 1955-11)
cover recording of:
When It Rains It Pours (von 1955-08 bis 1955-10)
Texter und Komponist(in):
Billy “The Kid” Emerson (rock ’n’ roll on Sun, Vee‐Jay & Chess Records)
publisher:
Hi Lo Music Inc. (BMI-affiliated) und Riverline Music
12:01
20I Got a Woman
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1956-01-10 bis 1956-01-11)
Gitarre:
Chet Atkins (von 1956-01-10 bis 1956-01-11), Scotty Moore (American guitarist and recording engineer) (von 1956-01-10 bis 1956-01-11) und Elvis Presley (“The King of Rock and Roll”) (von 1956-01-10 bis 1956-01-11)
Klavier:
Floyd Cramer (von 1956-01-10 bis 1956-01-11)
Schlagzeug:
D.J. Fontana (von 1956-01-10 bis 1956-01-11)
vocals:
Brock Speer (von 1956-01-10 bis 1956-01-11), Ben Speer (von 1956-01-10 bis 1956-01-11) und Gordon Stoker (US pianist, tenor vocalist and music publisher) (von 1956-01-10 bis 1956-01-11)
cover recording of:
I Got a Woman (von 1956-01-10 bis 1956-01-11)
Verfasser(in):
Ray Charles (soul musician, singer and songwriter) und Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:23
21Heartbreak Hotel
Techniker(in):
Bob Ferris (engineer)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-10)
Gitarre:
Chet Atkins (am 1956-01-10), Scotty Moore (American guitarist and recording engineer) (am 1956-01-10) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10)
Klavier:
Floyd Cramer (am 1956-01-10)
Schlagzeug:
D.J. Fontana (am 1956-01-10)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10)
vocals:
Elvis Presley (“The King of Rock and Roll”), Ben Speer (am 1956-01-10), Lena Brock "Mom" Speer (am 1956-01-10) und Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1956-01-10)
Herausgeber:
Sony/ATV Songs LLC
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1956-01-10)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 45) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 347)
recording of:
Heartbreak Hotel (am 1956-01-10)
Verfasser(in):
Mae Boren Axton, Tommy Durden und Elvis Presley (“The King of Rock and Roll”)
publisher:
Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited (PRS for Music-affiliated), Sony/ATV Songs LLC, Sony/ATV Tree Publishing und Unichappell Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
3.652:08
22Money Honey
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1956-01-10 bis 1956-01-11)
Gitarre:
Chet Atkins (von 1956-01-10 bis 1956-01-11), Scotty Moore (American guitarist and recording engineer) (von 1956-01-10 bis 1956-01-11) und Elvis Presley (“The King of Rock and Roll”) (von 1956-01-10 bis 1956-01-11)
Klavier:
Floyd Cramer (von 1956-01-10 bis 1956-01-11)
Schlagzeug:
D.J. Fontana (von 1956-01-10 bis 1956-01-11)
vocals:
Brock Speer (von 1956-01-10 bis 1956-01-11), Ben Speer (von 1956-01-10 bis 1956-01-11) und Gordon Stoker (US pianist, tenor vocalist and music publisher) (von 1956-01-10 bis 1956-01-11)
cover recording of:
Money Honey (von 1956-01-10 bis 1956-01-11)
Texter und Komponist(in):
Jesse Stone
publisher:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) und ZFC Music
2:34
23I’m Counting on You
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1956-01-10 bis 1956-01-11)
Gitarre:
Chet Atkins (von 1956-01-10 bis 1956-01-11), Scotty Moore (American guitarist and recording engineer) (von 1956-01-10 bis 1956-01-11) und Elvis Presley (“The King of Rock and Roll”) (von 1956-01-10 bis 1956-01-11)
Klavier:
Floyd Cramer (von 1956-01-10 bis 1956-01-11)
Schlagzeug:
D.J. Fontana (von 1956-01-10 bis 1956-01-11)
vocals:
Brock Speer (von 1956-01-10 bis 1956-01-11), Ben Speer (von 1956-01-10 bis 1956-01-11) und Gordon Stoker (US pianist, tenor vocalist and music publisher) (von 1956-01-10 bis 1956-01-11)
recording of:
I’m Counting on You (von 1956-01-10 bis 1956-01-11)
Texter und Komponist(in):
Don Robertson (“Happy Whistler” songwriter)
publisher:
Carlin Music Corporation, Don Robertson Music Corp. und Ross Jungnickel, Inc.
2:24
24I Was the One
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1956-01-10 bis 1956-01-11)
Gitarre:
Chet Atkins (von 1956-01-10 bis 1956-01-11), Scotty Moore (American guitarist and recording engineer) (von 1956-01-10 bis 1956-01-11) und Elvis Presley (“The King of Rock and Roll”) (von 1956-01-10 bis 1956-01-11)
Klavier:
Floyd Cramer (von 1956-01-10 bis 1956-01-11)
Schlagzeug:
D.J. Fontana (von 1956-01-10 bis 1956-01-11)
vocals:
Brock Speer (von 1956-01-10 bis 1956-01-11), Ben Speer (von 1956-01-10 bis 1956-01-11) und Gordon Stoker (US pianist, tenor vocalist and music publisher) (von 1956-01-10 bis 1956-01-11)
recording of:
I Was the One (von 1956-01-10 bis 1956-01-11)
Verfasser(in):
Hal Blair, Claude Demetrius, Bill Peppers und Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Anne-Rachel Music, Carlin Music Corporation, Chappell & Co., Inc. (USA), MCA Music Ltd. und Rachel’s Own Music
2:33
2▶CD: 1956
3▶CD: 1957
4▶CD: 1957–1958
5▶CD: 1960
6▶CD: 1960–1961
7▶CD: 1961
8▶CD: 1961–1962
9▶CD: 1962–1963
10▶CD: 1963–1964
11▶CD: 1964–1965
12▶CD: 1965–1966
13▶CD: 1966
14▶CD: 1966–1967
15▶CD: 1967–1968
16▶CD: 1968
17▶CD: 1969
18▶CD: 1969
19▶CD: 1970
20▶CD: 1970
21▶CD: 1970–1971
22▶CD: 1971–1972
23▶CD: 1972
24▶CD: 1973
25▶CD: 1973
26▶CD: 1973–1975
27▶CD: 1975–1977
28▶CD: Outtakes and Alternates I
29▶CD: Outtakes and Alternates II
30▶CD: Outtakes and Alternates III

Nennungen

Veröffentlichung

gedruckt in:Vereinigte Staaten
Fotografie:Keith Alverson
Patrick Anderson (photographer)
Steve Barile
Bob Klein (photographer)
Dan Mandell
Bud Glass
Pål Granlund
Sherif Hanna
Russ Howe (photographer)
Pictorial Press (photo library)
Sean Shaver
Todd Slaughter
Soren Szameitat
Billy Strange
Joseph A. Tunzi
Alfred Wertheimer
liner notes:Ernst Mikael Jorgensen
Peter Guralnick
Produzent(in):Ernst Mikael Jorgensen
Assistent mastering:Maria Triana
mastering:Vic Anesini
zusätzlich mastering:Lene Reidel
design:Chika Azuma
Klaus Kempenaars
urheberrechtlich geschützt (©) von:Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2009, in 2010)
mastered at:Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Discogs:https://www.discogs.com/release/8618929 [Info]
ASIN:US: B004WP4ZQO [Info]
andere Datenbanken:https://rateyourmusic.com/release/comp/elvis-presley/the-complete-elvis-presley-masters.p/ [Info]
https://www.musik-sammler.de/media/889172/ [Info]
Allmusic:https://www.allmusic.com/album/release/mr0003115317 [Info]