Take On Me: 80s: The Collection

~ Release by Various Artists (see all versions of this release, 3 available)

Annotation

Countries excluded (Apple Music + Deezer + Spotify)

(As of 2020-08-02).

  • Northern America: 🇺🇸 United States (us)
Annotation last modified on 2023-03-12 14:29 UTC.

Tracklist

1Digital Media
#TitleArtistRatingLength
1Take On Me
bass programming:
Magne Furuholmen
producer:
Alan Tarney
mixer:
a‐ha (Norwegian synth‐pop band) and John Ratcliff
drum machine and guitar:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
keyboard:
Magne Furuholmen
background vocals:
Magne Furuholmen and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
lead vocals:
Morten Harket
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
music videos:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) by a‐ha (Norwegian synth‐pop band) and Take On Me (official music video, 1985 Steve Barron version) by a‐ha (Norwegian synth‐pop band)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 26), The Downloader’s Music Source Book (number: 284) and BILLIONS CLUB
recording of:
Take On Me
writer:
Magne Furuholmen, Morten Harket and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. and EMI Music Publishing (do not use as a release label!)
version of:
Miss Eerie
a‐ha4.253:45
2Blue Monday ’88
producer:
Quincy Jones and New Order (UK synth pop band)
remixer:
John Potoker (producer/engineer aka Tokes)
recording of:
Blue Monday
writer:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) and Zomba Music Publishing Ltd.
New Order44:05
3Somewhere in My Heart
producer:
Michael Jonzun
recording of:
Somewhere in My Heart
lyricist and composer:
Roddy Frame
publisher:
Complete Music Ltd.
Aztec Camera3.654:00
4Ain’t Nobody
additional synthesizer:
James Newton Howard (American score composer)
alto saxophone:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
bass:
Bobby Watson (bassist)
drums (drum set):
John “JR” Robinson (session drummer)
flute:
Gary Herbig, Ernie Watts (jazz and blues saxophonist) and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
guitar:
Tony Maiden
keyboard:
Kevin Murphy (American keyboardist, Rufus & The American Breed) and David “Hawk” Wolinski
percussion:
Paulinho da Costa (Brazilian percussionist)
tenor saxophone:
Gary Herbig and Ernie Watts (jazz and blues saxophonist)
trumpet:
Jerry Hey
vocals:
Chaka Khan and Tony Maiden
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 88) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 403)
recording of:
Ain’t Nobody
lyricist and composer:
David Wolinski
publisher:
Overdue Music
Chaka Khan3.74:41
5Candy Girl
co-producer:
Arthur Baker (American record producer and DJ) and Michael Jonzun
percussion:
Bashiri Johnson
phonographic copyright (℗) by:
London Records Ltd. (not release label) (in 1983), Streetwise Records (company credits for Streetwise ('80s US R&B/disco); do NOT use as release label) (in 1983) and Warlock Records (in 2003)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 77) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 350)
recording of:
Candy Girl
composer:
Michael Jonzun and Maurice Starr
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs Australia Pty. Ltd. and Universal‐MCA Music Publishing (US)
New Edition43:57
6Love WarsWomack & Womack5:59
7International Rescue
engineer:
Richard Manwaring (Producer)
recording of:
International Rescue
writer:
Joanne Dunne, Margaret Dunne (Fuzzbox), Tina O'Neill and Liam Sternberg
Fuzzbox3:29
8Mirror MirrorDollar3:31
9What’s the Colour of Money
phonographic copyright (℗) by:
WEA Records Ltd. (holding company based in the UK) (in 1986)
recording of:
What's the Colour of Money?
writer:
Mark Rogers (Hollywood Beyond) and Jamie B. Rose
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Hollywood Beyond43:28
10Out of the Blue
recording engineer:
Bernard Bullock, Phil Castellano (brother of John, uncle of Richie) and Don Feinberg
programming:
Debbie Gibson
assistant engineer:
Bill Esses
producer:
Debbie Gibson and Fred Zarr
assistant mixer:
Jim Goatley
mixer:
Phil Castellano (brother of John, uncle of Richie) and Fred Zarr
acoustic guitar:
Ira Siegel
additional guitar:
Fred Zarr
electric guitar:
Tommy Williams (former Debbie Gibson musical director)
keyboard and synthesizer and background vocals and lead vocals:
Debbie Gibson
percussion:
Bashiri Johnson
background vocals:
La‐Rita Gaskin, Carrie Johnson and Libby Johnson
arranger:
Debbie Gibson and Fred Zarr
recorded at:
Z Studio in Brooklyn, New York, New York, United States
mixed at:
Sorcerer Sound in New York, New York, United States
recording of:
Out of the Blue
lyricist and composer:
Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music), Creative Bloc Music Ltd. (from 1987 to ????) and Deborah Ann’s Music (from 1987 to ????)
Debbie Gibson53:53
11Special Brew
producer:
Roger Lomas
phonographic copyright (℗) by:
Magnet Records Ltd.
recording of:
Special Brew
lyricist and composer:
Louis Cook, Douglas Trendle, David Farren, Paul Hyman, Chris Kane (saxophone player), Andrew Marson, Alan Sayag, Martin Stewart (member of Bad Manners, The Selecter) and Brian Tuitt
publisher:
Magnet Music Ltd. (publisher)
Bad Manners53:36
12(Something Inside) So Strong
recording of:
(Something Inside) So Strong
lyricist and composer:
Labi Siffre
publisher:
Empire Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/Empire Music Ltd. and Xavier Music Ltd.
Labi Siffre5:37
13I Want to Know What Love Is (1999 remaster)
additional engineer:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla and Howie Lindeman
assistant engineer:
Bobby Cohen (engineer), Tim Crich and Scott “Abada” Mabuchi
engineer:
Frank Filipetti
producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Alex Sadkin
additional keyboard:
Tom Bailey (Thompson Twins)
bass guitar:
Rick Wills
drums (drum set):
Dennis Elliott
electric guitar:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
additional vocals:
Jennifer Holliday
background vocals:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) and Rick Wills
choir vocals:
The New Jersey Mass Choir
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) and Rhino Entertainment Company (not for release label use!) (in 2009)
additionally recorded at:
Right Track Recording in Manhattan, New York, New York, United States
recorded at:
The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Right Track Recording in Manhattan, New York, New York, United States
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 205) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 476)
recording of:
I Want to Know What Love Is
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Foreigner3.955:05
14Owner of a Lonely Heart
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Chris Squire (Yes bassist) (in 1983)
drums (drum set):
Alan White (Yes drummer) (in 1983)
guitar:
Trevor Rabin (South African musician and score composer) (in 1983)
keyboard:
Tony Kaye (in 1983)
lead vocals:
Jon Anderson (Yes/Jon & Vangelis) (in 1983)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1983, in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 2003)
recorded at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom (in 1983)
recording of:
Owner of a Lonely Heart (in 1983)
writer:
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) and Chris Squire (Yes bassist)
publisher:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Yes3.94:24
15Gimme All Your Lovin’
engineer:
Terry Manning (US recording engineer)
producer:
Bill Ham (manager of ZZ Top)
drums (drum set) and percussion:
Frank Beard (ZZ Top drummer)
electric bass guitar:
Dusty Hill
electric guitar and lead vocals:
Billy Gibbons
vocals:
Dusty Hill
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 1984)
recorded at:
Ardent Studios in Memphis, Tennessee, United States
recording of:
Gimme All Your Lovin’
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
publisher:
BMG Rights Management Scandinavia AB (not for release label use! use it’s imprint “BMG (2008–present)”), Hamstein Music Company (publisher), Music of Stage Three and Songs of Mosaic
ZZ Top4.054:01
16Money’s Too Tight (to Mention) (2008 remaster)
assistant engineer:
Chris Dickie
engineer and mixer:
Femi Jiya
producer:
Stewart Levine (record producer and saxophonist)
bass:
Tony Bowers (in 1985)
drums (drum set) and percussion:
Chris Joyce (drummer for Simply Red) (in 1985)
guitar:
Sylvan (in 1985)
keyboard and background vocals:
Fritz McIntyre (in 1985)
trumpet:
Tim Kellett (in 1985)
lead vocals:
Mick Hucknall (lead singer of Simply Red) (in 1985)
performer:
Simply Red (English soul and pop band) (in 1985)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (in 1985) and Soundpush Studio in Blaricum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1985)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (in 1985)
later releases:
Money’s Too Tight (to Mention) by Simply Red (English soul and pop band)
part of:
Q50 – December 2005 (number: 29)
cover recording of:
Money’s Too Tight (to Mention) (in 1985)
writer:
Billy Valentine (US soul funk singer), John Valentine (Valentine Brothers) and Carolyn Wiggins
publisher:
Songs for Today Ltd
Simply Red4.54:13
17La bamba
producer:
Mitchell Froom
performer:
Los Lobos (Chicano rock band)
arranger:
Ritchie Valens
phonographic copyright (℗) by:
FFRR Records Ltd. (company name, NOT a label!) (in 1987) and Slash Records (company, do not use as release label!) (in 1987)
cover recording of:
La bamba (additional lyrics by Ritchie Valens)
additional lyricist:
Ritchie Valens
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music and M.P.A. (M.P.A.)
version of:
La bamba
Los Lobos4.152:54
18Twist in My Sobriety
phonographic copyright (℗) by:
Warner Music International (trademark of Warner Music International the company) and WEA Records Ltd. (holding company based in the UK) (in 1988)
recording of:
Twist in My Sobriety (in 1988)
lyricist and composer:
Tanita Tikaram
publisher:
Brogue Music, Warner Basart (publisher) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tanita Tikaram4.454:51
19You Might Need Somebody
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
bass:
Abraham Laboriel
drums (drum set):
Jeff Porcaro
guitar:
Steve Lukather (guitarist, vocalist, composer, producer and arranger) and Dean Parks (American session guitarist)
horn:
Chuck Findley (trumpet, trombone, horn player), Gary Herbig, Jim Horn (saxophonist, hornist, flutist and oboist), Bill Reichenbach, Jr. (jazz trombonist) and Larry Williams (trumpet, flugelhorn, French horn)
keyboard:
Leon Pendarvis
percussion:
Lenny Castro
background vocals:
Marti McCall (session vocalist), Petsye Powell, Alphanette Silas and Phyllis St. James
horn arranger:
Bill Reichenbach, Jr. (jazz trombonist)
strings arranger:
Nick de Caro
cover recording of:
You Might Need Somebody
composer:
Nan O’Byrne (American songwriter and composer) and Tom Snow (US keyboardist/songwriter)
Randy Crawford44:18
20Don’t Blame It on That Girl
recording of:
Don't Blame It on That Girl
writer:
Mark Fisher (UK keyboardist, songwriter and producer) and Mark Reilly (guitarist, vocalist, producer, songwriter)
publisher:
Fishy Songs Limited and Smooth Dog Music Ltd.
sub-publisher:
Universal MCA Music Publishing (France)
Matt Bianco43:48
21I Keep Forgettin’ (Every Time You’re Near)
producer:
Ted Templeman and Lenny Waronker
bass guitar:
Louis Johnson (bass, member of Brothers Johnson)
clavinet:
Greg Phillinganes
drums (drum set):
Jeff Porcaro
guitar:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Rhodes piano, synthesizer and lead vocals:
Michael McDonald (R&B & soul singer)
background vocals:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982), Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1982) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
recording of:
I Keep Forgettin’ (Every Time You’re Near)
writer:
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford and Mike Stoller
publisher:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) and Yellow Dog Music Inc
version of:
I Keep Forgettin’
Michael McDonald43:42
22Each Time You Break My Heart
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1986)
recording of:
Each Time You Break My Heart
writer:
Stephen Bray and Madonna Louise Veronica Ciccone (“Queen of Pop”)
publisher:
Warner Bros. (holding: file NO releases)
Nick Kamen3.54:34
23Some Candy Talking
assistant engineer:
Alan Moulder (producer and engineer)
engineer:
Flood (British producer Mark Ellis) and John Loder (sound engineer and producer)
producer:
The Jesus and Mary Chain
bass:
Douglas Hart (musician & video director)
drums (drum set):
Bobby Gillespie
guitar:
Jim Reid (Jesus and Mary Chain) and William Reid (guitarist, The Jesus and Mary Chain)
vocals:
Jim Reid (Jesus and Mary Chain) and William Reid (guitarist, The Jesus and Mary Chain)
phonographic copyright (℗) by:
WEA Records Ltd (Hong Kong holding company from 1978 to 1990), Warner Music UK Ltd. (not for release label use!) (in 1986) and WEA Records Ltd. (holding company based in the UK) (in 1986)
recorded at:
Southern Studios in Wood Green, Haringey, London (Greater London), England, United Kingdom
recording of:
Some Candy Talking
writer:
Jim Reid (Jesus and Mary Chain) and William Reid (guitarist, The Jesus and Mary Chain)
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
The Jesus and Mary Chain53:18
24Life in a Northern Town
additional producer:
David Gilmour (Pink Floyd)
producer:
David Gilmour (Pink Floyd), Nick Laird-Clowes and George Nicholson (engineer, producer)
part of:
TV Cream: Real 100 Best Singles Ever (number: 54)
recording of:
Life in a Northern Town
writer:
Gilbert Gabriel and Nick Laird-Clowes
dedicated to:
Nick Drake (English singer‐songwriter)
The Dream Academy4.34:17
25I Can’t Wait
producer:
John Smith (Nu Shooz) and Rick Waritz (producer)
phonographic copyright (℗) by:
Injection (Netherlands) (in 1986)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 60)
recording of:
I Can’t Wait
lyricist and composer:
John Smith (Nu Shooz)
publisher:
Poolside Music
Nu Shooz43:39
26Everybody SalsaModern Romance3:22
27Devotion (extended version)Ten City6:52
28Love Will Tear Us Apart
producer:
Joy Division and Martin Hannett
bass:
Peter Hook
drums (drum set):
Stephen Morris (New Order)
guitar:
Bernard Albrecht
vocals:
Bernard Albrecht and Ian Curtis
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1988)
recorded at:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 1989 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (number: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (number: 5), Q50 – December 2005 (number: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 14), NME: Greatest “Indie” Anthems Ever: 2007 (number: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 41) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 179)
recording of:
Love Will Tear Us Apart
lyricist:
Ian Curtis
composer:
Ian Curtis, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Fractured Music (publisher) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division4.53:27
29Seven Seas
assistant engineer:
Jean-Yves Pouilloux
engineer:
Henri Loustau (French sound engineer, sometimes misspelled Lousteau or Lonstan) and Gil Norton (British record producer)
mixer:
Echo & the Bunnymen and Gil Norton (British record producer)
recording of:
Seven Seas
writer:
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson and Will Sergeant
Echo & the Bunnymen43:19
30Drive
recording engineer:
Nigel Green (engineer)
producer:
The Cars and Robert John “Mutt” Lange (Robert John Lange)
mixer:
Mike Shipley (audio engineer, mixer, producer)
bass:
Benjamin Orr (co-lead singer for The Cars)
drums (drum set):
David Robinson (US rock drummer)
guitar:
Elliot Easton and Ric Ocasek
keyboard:
Greg Hawkes
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr (co-lead singer for The Cars)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
music videos:
Drive by The Cars
recording of:
Drive
publisher:
Ric Ocasek
lyricist and composer:
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) and Warner/Chappell Music Ltd. (1996–2019)
The Cars43:54
31Don’t Get Me Wrong (2007 remaster)
engineer:
Bruce Lampcov
producer:
Bob Clearmountain and Jimmy Iovine
mixer:
Bob Clearmountain
bass:
Chucho Merchán
drums (drum set) and percussion:
Steve Jordan (US drummer/multi-instrumentalist, composer & producer)
guitar:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) and Robbie McIntosh (English guitarist for The Pretenders)
piano and synthesizer:
Wix (UK / Paul Wickens)
vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
phonographic copyright (℗) by:
WEA Records Ltd. (holding company based in the UK) and Warner Music UK Ltd. (not for release label use!) (in 2007)
recording of:
Don’t Get Me Wrong
lyricist and composer:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
Clive Banks Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Hynde House of Hits Music
Pretenders4.23:48
32Jump to the BeatStacy Lattisaw5:17
33Always
engineer:
Rory Young
producer:
David Lewis (member of Atlantic Starr) and Wayne Lewis (member of Atlantic Starr)
conductor:
Gene Page (conductor, composer, arranger and record producer)
arranger:
Gene Page (conductor, composer, arranger and record producer)
recording of:
Always
writer:
David Lewis (member of Atlantic Starr), Jonathan Lewis (Member of Atlantic Starr) and Wayne Lewis (member of Atlantic Starr)
Atlantic Starr4:48
34Black Velvet
producer:
David Tyson (Canadian producer/songwriter)
mixer:
Kevin Doyle (award-winning sound engineer, producer)
lead vocals:
Alannah Myles
phonographic copyright (℗) by:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 2) (number: 6)
recording of:
Black Velvet
writer:
David Tyson (Canadian producer/songwriter) and Christopher Ward (Canadian songwriter & veejay)
publisher:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin’, Kobalt Music Publishing Ltd. (UK), Ole Media Management LP and Zomba Music Publishing Ltd.
Alannah Myles4.54:47
35Ride Like the Wind
assistant engineer:
Stuart Gitlin
engineer and mixer:
Chet Himes
producer:
Michael Omartian
acoustic guitar, electric guitar, solo guitar and lead vocals:
Christopher Cross (US singer‐songwriter)
bass guitar:
Andy Salmon
drums (drum set):
Tommy Taylor (US drummer)
electric piano and piano:
Michael Omartian
percussion:
Lenny Castro
synthesizer:
Rob Meurer
background vocals:
Christopher Cross (US singer‐songwriter) and Michael McDonald (R&B & soul singer)
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 1979) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
produced for:
Free Flow Productions
recorded at:
Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Ride Like the Wind
lyricist and composer:
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher) and Universal Music–MGB Songs
sub-publisher:
Shinko Music Entertainment Co., Ltd. and Universal Music Publishing, Synch Division
Christopher Cross4.24:36
36I Feel for You
bass, drum machine and guitar:
Reggie Griffin (in 1984)
chromatic harmonica:
Stevie Wonder (in 1984)
drums (drum set):
Steve Ferrone (in 1984)
keyboard and synthesizer:
Robbie Buchanan (Canadian producer) (in 1984), David Frank (American keyboardist, producer, writer; The System) (in 1984), Reggie Griffin (in 1984) and Philippe Saisse (in 1984)
background vocals and lead vocals:
Chaka Khan (in 1984)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1984)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 395)
cover recording of:
I Feel for You (in 1984)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Chaka Khan3.755:43
37Gloria
recording engineer:
Jürgen Koppers (engineer, producer) (from 1981 until 1982) and John Kovarek (from 1981 until 1982)
producer:
Greg Mathieson and Jack White (German producer Horst Nußbaum)
mixer:
Jürgen Koppers (engineer, producer)
lead vocals:
Laura Branigan (from 1981 until 1982)
arranger:
Greg Mathieson
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
recorded at:
Rusk Sound Studios in Hollywood, Los Angeles, California, United States (from 1981 until 1982)
music videos:
Gloria (music video) by Laura Branigan
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 448)
recording of:
Gloria (English version) (from 1981 until 1982)
lyricist and composer:
Giancarlo Bigazzi, Umberto Tozzi and Trevor Veitch
publisher:
Ed. Melodi s.r.l. Casa Editrice, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), S.I.A.E. Direzione Generale, Songs of Universal, Inc. (BMI) and Sugar Song Publications, Inc.
translated version of:
Gloria (original Italian version)
Laura Branigan54:55
38Glory of Love
engineer and mixer:
Terry Christian (US recording and mixing engineer) and John Guess
producer:
Michael Omartian
guest background vocals:
Kenny Cetera
lead vocals:
Peter Cetera
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986) and Warner Music International (trademark of Warner Music International the company) (in 1986)
recorded at and mixed at:
Lion Share Studios in Los Angeles, California, United States
recording of:
Glory of Love
writer:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) and Diane Nini
publisher:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
The 59th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1986 nominee)
Peter Cetera4.24:18
39Feel So RealSteve Arrington5:06
40Twist and Shout
David Lindley2:46
41Chain Reaction
assistant engineer:
Scott Glasel and John Haig (engineer)
engineer:
Jack Joseph‐Puig, Karl Richardson and Brian Tench
producer:
Albhy Galuten, Barry Gibb and Karl Richardson
mixer:
Jack Joseph‐Puig
phonographic copyright (℗) by:
Barry Gibb (in 1985), Maurice Gibb (in 1985) and Robin Gibb (in 1985)
recorded at:
Middle Ear Studio in Miami Beach, Florida, United States
recording of:
Chain Reaction
composer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music Publishing Ltd. and Gibb Brothers Music
Diana Ross4.253:51
42Orinoco Flow
engineer:
Ross Cullum and Nicky Ryan
co-producer:
Ross Cullum and Enya (Irish singer-songwriter)
producer:
Nicky Ryan
mixer:
Jimbo Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
instruments and vocals:
Enya (Irish singer-songwriter)
arranger:
Enya (Irish singer-songwriter) and Nicky Ryan
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (from 1988 to present) and WEA Records Ltd. (holding company based in the UK) (in 1988)
recorded at:
Orinoco Studios in Southwark, London (Greater London), England, United Kingdom
mixed at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom
music videos:
Orinoco Flow by Enya (Irish singer-songwriter)
recording of:
Orinoco Flow
lyricist:
Roma Ryan
composer:
Enya (Irish singer-songwriter)
publisher:
Aigle Music, EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
Enya4.34:25
43It Started With a Kiss (2011 remaster)
producer:
Mickie Most (English record producer)
lead vocals:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) (in 1982)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982) and Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2011)
music videos:
It Started With a Kiss by Hot Chocolate (70s and 80s British soul band)
recording of:
It Started With a Kiss (in 1982)
lyricist and composer:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
publisher:
BMG Music Publishing Ltd., Chocolate Music, RAK Publishing Ltd. and Universal Music Publishing MGB Australia
Hot Chocolate34:03
44Never Ending Story
producer:
Giorgio Moroder
background vocals:
Beth Andersen (US pop vocalist)
lead vocals:
Limahl
vocals:
Beth Anderson (US pop vocalist) and Limahl
performer:
Limahl
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) and Neue Constantin Film Productions GmbH
part of:
Cachitos Nochevieja 2022 (number: 51)
recording of:
Never Ending Story (theme from the 1984 film “The NeverEnding Story”)
lyricist:
Keith Forsey (drummer, producer and songwriter)
composer:
Giorgio Moroder
publisher:
Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Limahl3.353:30
45West End Girls (2001 remaster)
engineer:
David Jacob
producer:
Stephen Hague
additional vocals:
Helena Springs
background vocals, lead vocals and spoken vocals:
Neil Tennant
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985, in 1991)
music videos:
West End Girls by Pet Shop Boys
recording of:
West End Girls (in 1985)
writer:
Chris Lowe (1/2 of Pet Shop Boys) and Neil Tennant
publisher:
10 Music Ltd., Edition Meridian, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), Cage Music Ltd. (from 1984 to present) and CBS, Inc. (US broadcasting company; file no releases here!) (from 1984 to present)
Pet Shop Boys3.84:05
46Kiss
recording engineer:
Coke Johnson, David Leonard (US producer and engineer), Peggy McCreary, Susan Rogers (US sound engineer), David Tickle and David Z. (producer/engineer David Rivkin)
producer:
Prince (“The Artist Formerly Known as…”) and The Revolution (founded by Prince)
acoustic guitar, drum machine [Linn 9000], drum machine [Linn LM-1] and synthesizer [Yamaha DX7]:
David Z. (producer/engineer David Rivkin)
electric guitar and lead vocals:
Prince (“The Artist Formerly Known as…”)
background vocals:
Bruce DeShazer, Prince (“The Artist Formerly Known as…”) and Marr Starr
arranger:
David Z. (producer/engineer David Rivkin)
recorded at:
Paisley Park Studios in Chanhassen, Minnesota, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 85) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 461)
recording of:
Kiss (from 1985-04-27 until 1986-02-10)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Prince2.93:46
47Nothing’s Gonna Stop Us Now
performer:
Starship (continuation of Jefferson Starship) (in 1987)
phonographic copyright (℗) by:
BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987)
recording of:
Nothing’s Gonna Stop Us Now (in 1987)
writer:
Albert Hammond and Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) and Windswept Pacific Music Ltd. (publishing company)
part of:
The 60th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1987 nominee)
cover recording of:
Nothing’s Gonna Stop Us Now
writer:
Albert Hammond and Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) and Windswept Pacific Music Ltd. (publishing company)
part of:
The 60th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1987 nominee)
Starship3.754:30
48What’s Love Got to Do With It
engineer and mixer:
John Hudson (producer, recording and mixing engineer)
producer:
Terry Britten
drums (drum set):
Graham Jarvis (UK session drummer)
guitar:
Terry Britten
keyboard:
Nick Glennie‐Smith and Billy Livsey
percussion:
Simon Morton
background vocals:
Terry Britten and Tessa Niles
lead vocals:
Tina Turner
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1984, in 1997) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recorded at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 134), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 160) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 309)
recording of:
What’s Love Got to Do With It
writer:
Graham Lyle and Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
recording of:
What’s Love Got to Do With It (Kygo version)
writer:
Terry Britten, Kyrre Gørvell-Dahll (Norwegian DJ & producer Kyrre Gørvell‐Dahll a.k.a. ※) and Graham Lyle
publisher:
Kobalt Music (publisher) (from 2020 to present) and WC Music Corp. (from 2020 to present)
is based on:
What’s Love Got to Do With It
Tina Turner4.153:47

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:Rhino UK (company credits only; do NOT use as release label) (in 2019)
stream for free:https://open.spotify.com/album/7EBPKKbGnGXUZ4tG6MeJkh [info]
https://www.deezer.com/album/108946152 [info]
streaming page:https://music.apple.com/gb/album/1477085603 [info]