Take On Me: 80s: The Collection

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

Annotazione

Countries excluded (Apple Music + Deezer + Spotify)

(As of 2020-08-02).

  • Northern America: 🇺🇸 United States (us)
Annotazione modificata l'ultima volta il 2023-03-12 14:29 UTC.

Elenco tracce

1▼Supporto digitale
#TitoloArtistaValutazioneDurata
1Take On Me
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1985) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985, nel 2004)
video musicali:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) di a‐ha (Norwegian synth‐pop band) e Take On Me (official music video, 1985 Steve Barron version) di a‐ha (Norwegian synth‐pop band)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 26), The Downloader’s Music Source Book (numero: 284) e BILLIONS CLUB
registrazione di:
Take On Me
autore:
Magne Furuholmen, Morten Harket e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. e EMI Music Publishing (do not use as a release label!)
versione di:
Miss Eerie
a‐ha4.253:45
2Blue Monday ’88
produttore:
Quincy Jones e New Order (UK synth pop band)
remixer:
John Potoker (producer/engineer aka Tokes)
registrazione di:
Blue Monday
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) e Zomba Music Publishing Ltd.
New Order44:05
3Somewhere in My Heart
produttore:
Michael Jonzun
registrazione di:
Somewhere in My Heart
paroliere e compositore:
Roddy Frame
editore:
Complete Music Ltd.
Aztec Camera3.654:00
4Ain’t Nobody
basso :
Bobby Watson (bassist)
batteria :
John “JR” Robinson (session drummer)
chitarra :
Tony Maiden
flauto :
Gary Herbig, Ernie Watts (jazz and blues saxophonist) e Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
percussione :
Paulinho da Costa (Brazilian percussionist)
sassofono contralto :
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
sassofono tenore :
Gary Herbig e Ernie Watts (jazz and blues saxophonist)
sintetizzatore aggiunto:
James Newton Howard (American score composer)
tastiera :
Kevin Murphy (American keyboardist, Rufus & The American Breed) e David “Hawk” Wolinski
tromba :
Jerry Hey
voce:
Chaka Khan e Tony Maiden
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 88) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 403)
registrazione di:
Ain’t Nobody
paroliere e compositore:
David Wolinski
editore:
Overdue Music
Chaka Khan3.74:41
5Candy Girl
co-produttore:
Arthur Baker (American record producer and DJ) e Michael Jonzun
percussione :
Bashiri Johnson
diritti fonografici (℗) detenuti da:
London Records Ltd. (not release label) (nel 1983), Streetwise Records (company credits for Streetwise ('80s US R&B/disco); do NOT use as release label) (nel 1983) e Warlock Records (nel 2003)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 77) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 350)
registrazione di:
Candy Girl
compositore:
Michael Jonzun e Maurice Starr
editore:
EMI Music Publishing (do not use as a release label!), EMI Songs Australia Pty. Ltd. e Universal‐MCA Music Publishing (US)
New Edition43:57
6Love Wars
registrazione di:
Love Wars
autore:
Cecil Womack e Linda Womack
compositore:
Zekuumba Zekkariyas e Zeniya Zekkariyas
editore:
Next Flight Music
Womack & Womack5:59
7International Rescue
tecnico:
Richard Manwaring (Producer)
registrazione di:
International Rescue
autore:
Joanne Dunne, Margaret Dunne (Fuzzbox), Tina O'Neill e Liam Sternberg
Fuzzbox3:29
8Mirror Mirror
registrazione di:
Mirror Mirror (Mon amour)
autore:
Trevor Horn e Bruce Woolley
Dollar3:31
9What’s the Colour of Money
diritti fonografici (℗) detenuti da:
WEA Records Ltd. (holding company based in the UK) (nel 1986)
registrazione di:
What's the Colour of Money?
autore:
Mark Rogers (Hollywood Beyond) e Jamie B. Rose
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Hollywood Beyond43:28
10Out of the Blue
tecnico di registrazione:
Bernard Bullock, Phil Castellano (brother of John, uncle of Richie) e Don Feinberg
programmazione:
Debbie Gibson
assistente tecnico:
Bill Esses
produttore:
Debbie Gibson e Fred Zarr
assistente tecnico di missaggio:
Jim Goatley
tecnico di missaggio:
Phil Castellano (brother of John, uncle of Richie) e Fred Zarr
chitarra acustica :
Ira Siegel
chitarra aggiunto:
Fred Zarr
chitarra elettrica :
Tommy Williams (former Debbie Gibson musical director)
percussione :
Bashiri Johnson
tastiera e sintetizzatore e voce di accompagnamento e voce principale:
Debbie Gibson
voce di accompagnamento:
La‐Rita Gaskin, Carrie Johnson e Libby Johnson
arrangiatore:
Debbie Gibson e Fred Zarr
registrata presso:
Z Studio in Brooklyn, New York, New York, Stati Uniti
mixata presso:
Sorcerer Sound in New York, New York, Stati Uniti
registrazione di:
Out of the Blue
paroliere e compositore:
Debbie Gibson
editore:
Music Sales Corporation (American copyright holder in both popular and classical music), Creative Bloc Music Ltd. (dal 1987 al ????) e Deborah Ann’s Music (dal 1987 al ????)
Debbie Gibson53:53
11Special Brew
produttore:
Roger Lomas
diritti fonografici (℗) detenuti da:
Magnet Records Ltd.
registrazione di:
Special Brew
paroliere e compositore:
Louis Cook, Douglas Trendle, David Farren, Paul Hyman, Chris Kane (saxophone player), Andrew Marson, Alan Sayag, Martin Stewart (member of Bad Manners, The Selecter) e Brian Tuitt
editore:
Magnet Music Ltd. (publisher)
Bad Manners53:36
12(Something Inside) So Strong
registrazione di:
(Something Inside) So Strong
paroliere e compositore:
Labi Siffre
editore:
Empire Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/Empire Music Ltd. e Xavier Music Ltd.
Labi Siffre5:37
13I Want to Know What Love Is (1999 remaster)
assistente tecnico:
Bobby Cohen (engineer), Tim Crich e Scott “Abada” Mabuchi
tecnico:
Frank Filipetti
tecnico aggiunto:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla e Howie Lindeman
produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Alex Sadkin
batteria :
Dennis Elliott
chitarra basso :
Rick Wills
chitarra elettrica :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
tastiera aggiunto:
Tom Bailey (Thompson Twins)
cori:
The New Jersey Mass Choir
voce aggiuntiva:
Jennifer Holliday
voce di accompagnamento:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) e Rick Wills
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1984), Warner Music International (trademark of Warner Music International the company) (nel 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984, nel 2018) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrata in aggiunta presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
mixata presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 205) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 476)
registrazione di:
I Want to Know What Love Is
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Fujipacific Music inc. (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Foreigner3.955:05
14Owner of a Lonely Heart
tecnico:
Gary Langan
produttore:
Trevor Horn
batteria :
Alan White (Yes drummer) (nel 1983)
chitarra :
Trevor Rabin (South African musician and score composer) (nel 1983)
chitarra basso :
Chris Squire (Yes bassist) (nel 1983)
tastiera :
Tony Kaye (nel 1983)
voce principale:
Jon Anderson (Yes/Jon & Vangelis) (nel 1983)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1983, nel 2003) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1983, nel 2003)
registrata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1983)
registrazione di:
Owner of a Lonely Heart (nel 1983)
autore:
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) e Chris Squire (Yes bassist)
editore:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Yes3.94:24
15Gimme All Your Lovin’
tecnico:
Terry Manning (US recording engineer)
produttore:
Bill Ham (manager of ZZ Top)
basso elettrico :
Dusty Hill
batteria e percussione :
Frank Beard (ZZ Top drummer)
chitarra elettrica e voce principale:
Billy Gibbons
voce:
Dusty Hill
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1983) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1983, nel 1984)
registrata presso:
Ardent Studios in Memphis, Tennessee, Stati Uniti
registrazione di:
Gimme All Your Lovin’
autore:
Frank Beard (ZZ Top drummer), Billy Gibbons e Dusty Hill
editore:
BMG Rights Management Scandinavia AB (not for release label use! use it’s imprint “BMG (2008–present)”), Hamstein Music Company (publisher), Music of Stage Three e Songs of Mosaic
ZZ Top4.054:01
16Money’s Too Tight (to Mention) (2008 remaster)
assistente tecnico:
Chris Dickie
tecnico e tecnico di missaggio:
Femi Jiya
produttore:
Stewart Levine (record producer and saxophonist)
basso :
Tony Bowers (nel 1985)
batteria e percussione :
Chris Joyce (drummer for Simply Red) (nel 1985)
chitarra :
Sylvan (nel 1985)
tastiera e voce di accompagnamento:
Fritz McIntyre (nel 1985)
tromba :
Tim Kellett (nel 1985)
voce principale:
Mick Hucknall (lead singer of Simply Red) (nel 1985)
esecutore:
Simply Red (English soul and pop band) (nel 1985)
registrata presso:
RAK Studios in London (Greater London), England, Regno Unito (nel 1985) e Soundpush Studio in Blaricum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands (nel 1985)
mixata presso:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Regno Unito (nel 1985)
pubblicazioni successive:
Money’s Too Tight (to Mention) di Simply Red (English soul and pop band)
parte di:
Q50 – December 2005 (numero: 29)
registrazione cover di:
Money’s Too Tight (to Mention) (nel 1985)
autore:
Billy Valentine (US soul funk singer), John Valentine (Valentine Brothers) e Carolyn Wiggins
editore:
Songs for Today Ltd
Simply Red4.54:13
17La bamba
produttore:
Mitchell Froom
esecutore:
Los Lobos (Chicano rock band)
arrangiatore:
Ritchie Valens
diritti fonografici (℗) detenuti da:
FFRR Records Ltd. (company name, NOT a label!) (nel 1987) e Slash Records (company, do not use as release label!) (nel 1987)
registrazione cover di:
La bamba (additional lyrics by Ritchie Valens)
paroliere e compositore:
[traditional] (special purpose artist)
paroliere aggiunto:
Ritchie Valens
arrangiatore:
Ritchie Valens
editore:
Carlin Music Corporation, EMI Longitude Music e M.P.A. (M.P.A.)
versione di:
La bamba
Los Lobos4.152:54
18Twist in My Sobriety
diritti fonografici (℗) detenuti da:
Warner Music International (trademark of Warner Music International the company) e WEA Records Ltd. (holding company based in the UK) (nel 1988)
registrazione di:
Twist in My Sobriety (nel 1988)
paroliere e compositore:
Tanita Tikaram
editore:
Brogue Music, Warner Basart (publisher) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tanita Tikaram4.454:51
19You Might Need Somebody
tecnico di registrazione e tecnico di missaggio:
Al Schmitt
produttore:
Tommy LiPuma
basso :
Abraham Laboriel
batteria :
Jeff Porcaro
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger) e Dean Parks (American session guitarist)
corno :
Chuck Findley (trumpet, trombone, horn player), Gary Herbig, Jim Horn (saxophonist, hornist, flutist and oboist), Bill Reichenbach, Jr. (jazz trombonist) e Larry Williams (trumpet, flugelhorn, French horn)
percussione :
Lenny Castro
tastiera :
Leon Pendarvis
voce di accompagnamento:
Marti McCall (session vocalist), Petsye Powell, Alphanette Silas e Phyllis St. James
arrangiatore archi :
Nick de Caro
arrangiatore corno :
Bill Reichenbach, Jr. (jazz trombonist)
registrazione cover di:
You Might Need Somebody
compositore:
Nan O’Byrne (American songwriter and composer) e Tom Snow (US keyboardist/songwriter)
Randy Crawford44:18
20Don’t Blame It on That Girl
registrazione di:
Don't Blame It on That Girl
autore:
Mark Fisher (UK keyboardist, songwriter and producer) e Mark Reilly (guitarist, vocalist, producer, songwriter)
editore:
Fishy Songs Limited e Smooth Dog Music Ltd.
sub-editore:
Universal MCA Music Publishing (France)
Matt Bianco43:48
21I Keep Forgettin’ (Every Time You’re Near)
produttore:
Ted Templeman e Lenny Waronker
batteria :
Jeff Porcaro
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
chitarra basso :
Louis Johnson (bass, member of Brothers Johnson)
clavinet :
Greg Phillinganes
piano Rhodes , sintetizzatore e voce principale:
Michael McDonald (R&B & soul singer)
voce di accompagnamento:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (nel 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1982), Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (nel 1982) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1982)
registrazione di:
I Keep Forgettin’ (Every Time You’re Near)
autore:
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford e Mike Stoller
editore:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) e Yellow Dog Music Inc
versione di:
I Keep Forgettin’
Michael McDonald43:42
22Each Time You Break My Heart
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1986)
registrazione di:
Each Time You Break My Heart
autore:
Stephen Bray e Madonna Louise Veronica Ciccone (“Queen of Pop”)
editore:
Warner Bros. (holding: file NO releases)
Nick Kamen3.54:34
23Some Candy Talking
assistente tecnico:
Alan Moulder (producer and engineer)
tecnico:
Flood (British producer Mark Ellis) e John Loder (sound engineer and producer)
produttore:
The Jesus and Mary Chain
basso :
Douglas Hart (musician & video director)
batteria :
Bobby Gillespie
chitarra :
Jim Reid (Jesus and Mary Chain) e William Reid (guitarist, The Jesus and Mary Chain)
voce:
Jim Reid (Jesus and Mary Chain) e William Reid (guitarist, The Jesus and Mary Chain)
diritti fonografici (℗) detenuti da:
WEA Records Ltd (Hong Kong holding company from 1978 to 1990), Warner Music UK Ltd. (not for release label use!) (nel 1986) e WEA Records Ltd. (holding company based in the UK) (nel 1986)
registrata presso:
Southern Studios in Wood Green, Haringey, London (Greater London), England, Regno Unito
registrazione di:
Some Candy Talking
autore:
Jim Reid (Jesus and Mary Chain) e William Reid (guitarist, The Jesus and Mary Chain)
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
The Jesus and Mary Chain53:18
24Life in a Northern Town
produttore:
David Gilmour (Pink Floyd), Nick Laird-Clowes e George Nicholson (engineer, producer)
produttore aggiunto:
David Gilmour (Pink Floyd)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 54)
registrazione di:
Life in a Northern Town
autore:
Gilbert Gabriel e Nick Laird-Clowes
dedicata a:
Nick Drake (English singer‐songwriter)
The Dream Academy4.34:17
25I Can’t Wait
produttore:
John Smith (Nu Shooz) e Rick Waritz (producer)
diritti fonografici (℗) detenuti da:
Injection (Netherlands) (nel 1986)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 60)
registrazione di:
I Can’t Wait
paroliere e compositore:
John Smith (Nu Shooz)
editore:
Poolside Music
Nu Shooz43:39
26Everybody Salsa
registrazione di:
Everybody Salsa
autore:
Geoffrey Deane e David Jaymes
Modern Romance3:22
27Devotion (extended version)
programmazione degli strumenti:
Byron Burke
produttore:
Marshall Jefferson e Byron Stingily
tecnico di missaggio:
Marshall Jefferson
basso, pianoforte e sintetizzatore :
Byron Burke
bonghi, congas e percussione :
David Josias
famiglia delle chitarre :
Herb Lawson
sassofono :
Hank Ford, Daniel J. Hesler e Darrell F. Pleasant
tromba :
Orbert Davis, Joseph Gross, Glenn Morimoto e David Spencer (US trumpeter)
trombone :
Mark Ingram, Keith Jackson (trombonist) e Dave Stahlberg
violino :
Jennifer Juel, Jason Smith (US violinist) e Ingrid Teclaw
voce di accompagnamento:
Byron Burke e Herb Lawson
voce di accompagnamento e voce principale:
Byron Stingily
esecutore:
Gino Lawson
arrangiatore archi :
Byron Stingily
arrangiatore corno :
Byron Burke
arrangiatore corno e archi :
Marshall Jefferson
Ten City6:52
28Love Will Tear Us Apart
produttore:
Joy Division e Martin Hannett
basso :
Peter Hook
batteria :
Stephen Morris (New Order)
chitarra :
Bernard Albrecht
voce:
Bernard Albrecht e Ian Curtis
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1988)
registrata presso:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Regno Unito
parte di:
triple j’s Hottest 100 (Australian annual music listener poll) (numero: 1989 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (numero: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (numero: 5), Q50 – December 2005 (numero: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 14), NME: Greatest “Indie” Anthems Ever: 2007 (numero: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 41) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 179)
registrazione di:
Love Will Tear Us Apart
paroliere:
Ian Curtis
compositore:
Ian Curtis, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Fractured Music (publisher) e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division4.53:27
29Seven Seas
assistente tecnico:
Jean-Yves Pouilloux
tecnico:
Henri Loustau (French sound engineer, sometimes misspelled Lousteau or Lonstan) e Gil Norton (British record producer)
tecnico di missaggio:
Echo & the Bunnymen e Gil Norton (British record producer)
registrazione di:
Seven Seas
autore:
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson e Will Sergeant
Echo & the Bunnymen43:19
30Drive
tecnico di registrazione:
Nigel Green (engineer)
produttore:
The Cars e Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Mike Shipley (audio engineer, mixer, producer)
basso :
Benjamin Orr (co-lead singer for The Cars)
batteria :
David Robinson (US rock drummer)
chitarra :
Elliot Easton e Ric Ocasek
tastiera :
Greg Hawkes
voce:
Elliot Easton, Greg Hawkes, Ric Ocasek e Benjamin Orr (co-lead singer for The Cars)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1984) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
video musicali:
Drive di The Cars
registrazione di:
Drive
editore:
Ric Ocasek
paroliere e compositore:
Ric Ocasek
editore:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) e Warner/Chappell Music Ltd. (1996–2019)
The Cars43:54
31Don’t Get Me Wrong (2007 remaster)
tecnico:
Bruce Lampcov
produttore:
Bob Clearmountain e Jimmy Iovine
tecnico di missaggio:
Bob Clearmountain
basso :
Chucho Merchán
batteria e percussione :
Steve Jordan (US drummer/multi-instrumentalist, composer & producer)
chitarra :
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) e Robbie McIntosh (English guitarist for The Pretenders)
pianoforte e sintetizzatore :
Wix (UK / Paul Wickens)
voce:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
diritti fonografici (℗) detenuti da:
WEA Records Ltd. (holding company based in the UK) e Warner Music UK Ltd. (not for release label use!) (nel 2007)
registrazione di:
Don’t Get Me Wrong
paroliere e compositore:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
editore:
Clive Banks Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Hynde House of Hits Music
Pretenders4.23:48
32Jump to the Beat
registrazione di:
Jump to the Beat
autore:
Anukampa Lisa Walden e Narada Michael Walden
editore:
Walden Music, Inc.
Stacy Lattisaw5:17
33Always
tecnico:
Rory Young
produttore:
David Lewis (member of Atlantic Starr) e Wayne Lewis (member of Atlantic Starr)
direttore d'orchestra:
Gene Page (conductor, composer, arranger and record producer)
arrangiatore:
Gene Page (conductor, composer, arranger and record producer)
registrazione di:
Always
autore:
David Lewis (member of Atlantic Starr), Jonathan Lewis (Member of Atlantic Starr) e Wayne Lewis (member of Atlantic Starr)
Atlantic Starr4:48
34Black Velvet
produttore:
David Tyson (Canadian producer/songwriter)
tecnico di missaggio:
Kevin Doyle (award-winning sound engineer, producer)
voce principale:
Alannah Myles
diritti fonografici (℗) detenuti da:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (nel 1989) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1989)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 2) (numero: 6)
registrazione di:
Black Velvet
autore:
David Tyson (Canadian producer/songwriter) e Christopher Ward (Canadian songwriter & veejay)
editore:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin’, Kobalt Music Publishing Ltd. (UK), Ole Media Management LP e Zomba Music Publishing Ltd.
Alannah Myles4.54:47
35Ride Like the Wind
assistente tecnico:
Stuart Gitlin
tecnico e tecnico di missaggio:
Chet Himes
produttore:
Michael Omartian
batteria :
Tommy Taylor (US drummer)
chitarra acustica , chitarra elettrica , chitarra solista e voce principale:
Christopher Cross (US singer‐songwriter)
chitarra basso :
Andy Salmon
percussione :
Lenny Castro
pianoforte e pianoforte elettrico :
Michael Omartian
sintetizzatore :
Rob Meurer
voce di accompagnamento:
Christopher Cross (US singer‐songwriter) e Michael McDonald (R&B & soul singer)
arrangiatore:
Christopher Cross (US singer‐songwriter), Rob Meurer e Michael Omartian
diritti fonografici (℗) detenuti da:
Warner Bros. (holding: file NO releases) (nel 1979) e Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1979)
è stato produttore per:
Free Flow Productions
registrata presso:
Pecan Street Studios in Austin, Texas, Stati Uniti e Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Ride Like the Wind
paroliere e compositore:
Christopher Cross (US singer‐songwriter)
editore:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher) e Universal Music–MGB Songs
sub-editore:
Shinko Music Entertainment Co., Ltd. e Universal Music Publishing, Synch Division
Christopher Cross4.24:36
36I Feel for You
armonica cromatica :
Stevie Wonder (nel 1984)
basso , chitarra e drum machine :
Reggie Griffin (nel 1984)
batteria :
Steve Ferrone (nel 1984)
sintetizzatore e tastiera :
Robbie Buchanan (Canadian producer) (nel 1984), David Frank (American keyboardist, producer, writer; The System) (nel 1984), Reggie Griffin (nel 1984) e Philippe Saisse (nel 1984)
voce di accompagnamento e voce principale:
Chaka Khan (nel 1984)
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (nel 1984)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 395)
registrazione cover di:
I Feel for You (nel 1984)
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Controversy Music
Chaka Khan3.755:43
37Gloria
tecnico di registrazione:
Jürgen Koppers (engineer, producer) (dal 1981 al 1982) e John Kovarek (dal 1981 al 1982)
produttore:
Greg Mathieson e Jack White (German producer Horst Nußbaum)
tecnico di missaggio:
Jürgen Koppers (engineer, producer)
voce principale:
Laura Branigan (dal 1981 al 1982)
arrangiatore:
Greg Mathieson
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1982)
registrata presso:
Rusk Sound Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1981 al 1982)
video musicali:
Gloria (music video) di Laura Branigan
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 448)
registrazione di:
Gloria (English version) (dal 1981 al 1982)
paroliere e compositore:
Giancarlo Bigazzi, Umberto Tozzi e Trevor Veitch
editore:
Ed. Melodi s.r.l. Casa Editrice, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), S.I.A.E. Direzione Generale, Songs of Universal, Inc. (BMI) e Sugar Song Publications, Inc.
versione tradotta di:
Gloria (original Italian version)
Laura Branigan54:55
38Glory of Love
tecnico e tecnico di missaggio:
Terry Christian (US recording and mixing engineer) e John Guess
produttore:
Michael Omartian
voce di accompagnamento ospite:
Kenny Cetera
voce principale:
Peter Cetera
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1986) e Warner Music International (trademark of Warner Music International the company) (nel 1986)
registrata presso e mixata presso:
Lion Share Studios in Los Angeles, California, Stati Uniti
registrazione di:
Glory of Love
autore:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) e Diane Nini
editore:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30), Air Bear Music (nel 1986), Fall Line Orange Music (nel 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (nel 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
parte di:
The 59th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1986 nominee)
Peter Cetera4.24:18
39Feel So Real
registrazione di:
Feel So Real
autore:
India Arrington e Steve Arrington
Steve Arrington5:06
40Twist and Shout
David Lindley2:46
41Chain Reaction
assistente tecnico:
Scott Glasel e John Haig (engineer)
tecnico:
Jack Joseph‐Puig, Karl Richardson e Brian Tench
produttore:
Albhy Galuten, Barry Gibb e Karl Richardson
tecnico di missaggio:
Jack Joseph‐Puig
diritti fonografici (℗) detenuti da:
Barry Gibb (nel 1985), Maurice Gibb (nel 1985) e Robin Gibb (nel 1985)
registrata presso:
Middle Ear Studio in Miami Beach, Florida, Stati Uniti
registrazione di:
Chain Reaction
compositore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music Publishing Ltd. e Gibb Brothers Music
Diana Ross4.253:51
42Orinoco Flow
tecnico:
Ross Cullum e Nicky Ryan
co-produttore:
Ross Cullum e Enya (Irish singer-songwriter)
produttore:
Nicky Ryan
tecnico di missaggio:
Jimbo Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
strumenti e voce:
Enya (Irish singer-songwriter)
arrangiatore:
Enya (Irish singer-songwriter) e Nicky Ryan
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (dal 1988 a oggi) e WEA Records Ltd. (holding company based in the UK) (nel 1988)
registrata presso:
Orinoco Studios in Southwark, London (Greater London), England, Regno Unito
mixata presso:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Regno Unito
video musicali:
Orinoco Flow di Enya (Irish singer-songwriter)
registrazione di:
Orinoco Flow
paroliere:
Roma Ryan
compositore:
Enya (Irish singer-songwriter)
editore:
Aigle Music, EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) e EMI Songs Ltd.
Enya4.34:25
43It Started With a Kiss (2011 remaster)
produttore:
Mickie Most (English record producer)
voce principale:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) (nel 1982)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1982) e Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 2011)
video musicali:
It Started With a Kiss di Hot Chocolate (70s and 80s British soul band)
registrazione di:
It Started With a Kiss (nel 1982)
paroliere e compositore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
editore:
BMG Music Publishing Ltd., Chocolate Music, RAK Publishing Ltd. e Universal Music Publishing MGB Australia
Hot Chocolate34:03
44Never Ending Story
produttore:
Giorgio Moroder
voce:
Beth Anderson (US pop vocalist) e Limahl
voce di accompagnamento:
Beth Andersen (US pop vocalist)
voce principale:
Limahl
esecutore:
Limahl
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) e Neue Constantin Film Productions GmbH
parte di:
Cachitos Nochevieja 2022 (numero: 51)
registrazione di:
Never Ending Story (theme from the 1984 film “The NeverEnding Story”)
paroliere:
Keith Forsey (drummer, producer and songwriter)
compositore:
Giorgio Moroder
editore:
Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Limahl3.353:30
45West End Girls (2001 remaster)
tecnico:
David Jacob
produttore:
Stephen Hague
voce aggiuntiva:
Helena Springs
voce di accompagnamento, voce parlata e voce principale:
Neil Tennant
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1985, nel 1991)
video musicali:
West End Girls di Pet Shop Boys
registrazione di:
West End Girls (nel 1985)
autore:
Chris Lowe (1/2 of Pet Shop Boys) e Neil Tennant
editore:
10 Music Ltd., Edition Meridian, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), Cage Music Ltd. (dal 1984 a oggi) e CBS, Inc. (US broadcasting company; file no releases here!) (dal 1984 a oggi)
Pet Shop Boys3.84:05
46Kiss
tecnico di registrazione:
Coke Johnson, David Leonard (US producer and engineer), Peggy McCreary, Susan Rogers (US sound engineer), David Tickle e David Z. (producer/engineer David Rivkin)
produttore:
Prince (“The Artist Formerly Known as…”) e The Revolution (founded by Prince)
chitarra acustica , drum machine [Linn 9000] , drum machine [Linn LM-1] e sintetizzatore [Yamaha DX7] :
David Z. (producer/engineer David Rivkin)
chitarra elettrica e voce principale:
Prince (“The Artist Formerly Known as…”)
voce di accompagnamento:
Bruce DeShazer, Prince (“The Artist Formerly Known as…”) e Marr Starr
arrangiatore:
David Z. (producer/engineer David Rivkin)
registrata presso:
Paisley Park Studios in Chanhassen, Minnesota, Stati Uniti e Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 85) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 461)
registrazione di:
Kiss (dal 1985-04-27 al 1986-02-10)
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Controversy Music
Prince2.93:46
47Nothing’s Gonna Stop Us Now
esecutore:
Starship (continuation of Jefferson Starship) (nel 1987)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1985, nel 1987), BMG Entertainment (nel 1987) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1987)
registrazione di:
Nothing’s Gonna Stop Us Now (nel 1987)
autore:
Albert Hammond e Diane Warren (US songwriter)
arrangiatore:
Narada Michael Walden
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) e Windswept Pacific Music Ltd. (publishing company)
parte di:
The 60th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1987 nominee)
registrazione cover di:
Nothing’s Gonna Stop Us Now
autore:
Albert Hammond e Diane Warren (US songwriter)
arrangiatore:
Narada Michael Walden
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) e Windswept Pacific Music Ltd. (publishing company)
parte di:
The 60th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1987 nominee)
Starship3.754:30
48What’s Love Got to Do With It
tecnico e tecnico di missaggio:
John Hudson (producer, recording and mixing engineer)
produttore:
Terry Britten
batteria :
Graham Jarvis (UK session drummer)
chitarra :
Terry Britten
percussione :
Simon Morton
tastiera :
Nick Glennie‐Smith e Billy Livsey
voce di accompagnamento:
Terry Britten e Tessa Niles
voce principale:
Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1984), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1984, nel 1997) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2004)
registrata presso:
Mayfair Studios (England) in London (Greater London), England, Regno Unito
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 134), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 160) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 309)
registrazione di:
What’s Love Got to Do With It
autore:
Graham Lyle e Terence Ernest Britten
editore:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (nel 1984), Irving Music, Inc. (nel 1984), Rondor Music (London) Ltd. (nel 1984), WB Music Corp. (1929–2019) (dal 1984 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
registrazione di:
What’s Love Got to Do With It (Kygo version)
autore:
Terry Britten, Kyrre Gørvell-Dahll (Norwegian DJ & producer Kyrre Gørvell‐Dahll a.k.a. ※) e Graham Lyle
editore:
Kobalt Music (publisher) (dal 2020 a oggi) e WC Music Corp. (dal 2020 a oggi)
si basa su:
What’s Love Got to Do With It
Tina Turner4.153:47

Accreditamenti

Pubblicazione

copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Rhino UK (company credits only; do NOT use as release label) (nel 2019)
streaming gratuito:https://open.spotify.com/album/7EBPKKbGnGXUZ4tG6MeJkh [info]
https://www.deezer.com/album/108946152 [info]
pagina di streaming:https://music.apple.com/gb/album/1477085603 [info]