Pop for Tots

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1What Does the Fox Say
Produzent(in):
StarGate (Norwegian production/songwriting team)
Instrumente:
Mikkel Storleer Eriksen und Tor Erik Hermansen
vocals:
Bård Ylvisåker und Vegard Ylvisåker
phonographisches Urheberrecht (℗) von:
45th & 3rd Music LLC (in 2013) und Urheim Records (in 2013)
Teil von:
Billboard Year-End Hot 100 singles of 2013 (Nummer: 73)
recording of:
The Fox (What Does the Fox Say?)
Texter:
C. Løchstøer, Bård Ylvisåker und Vegard Ylvisåker
Komponist(in):
Mikkel Storleer Eriksen, Tor Erik Hermansen, Bård Ylvisåker und Vegard Ylvisåker
Ylvis3.43:32
2Everything Is Awesome
The Cool Kids2:42
3Happy
Assistent recording engineer:
Matthew Desrameaux
recording engineer:
Mike Larson (recording engineer)
Produzent(in):
Pharrell Williams
Mix:
Leslie Brathwaite
Editing:
Andrew Coleman (recording/mix engineer, Neptunes-associated) und Mike Larson (recording engineer)
Hintergrundgesang:
Rhea Dummett, Trevon Henderson, Shamika Hightower, Ashley L. Lee, Jasmine Murray und Terrence Rolle
arranger:
Andrew Coleman (recording/mix engineer, Neptunes-associated) und Mike Larson (recording engineer)
aufgenommen bei:
Circle House Studios in North Miami, Florida, Vereinigte Staaten
mixed at:
Music Box Studios (Atlanta) in Atlanta, Georgia, Vereinigte Staaten
Musikvideos:
Happy von Pharrell Williams und Happy (from Despicable Me 2) (ballroom version) von Pharrell Williams
Teil von:
Billboard Year-End Hot 100 singles of 2014 (Nummer: 1), Billboard Decade End Chart: Streaming Songs (2010s) (Nummer: 20) und Billboard: Greatest of All Time Hot 100 Songs (Nummer: 88)
recording of:
Happy
Texter und Komponist(in):
Pharrell Williams
publisher:
EMI April Music Inc., More Water From Nazareth Publishing, Inc. und Universal Pictures Music
Teil von:
The 86th Academy Award for Best Original Song (Nummer: 2)
Pharrell Williams4.33:53
4Ooh La La
sonstige Unterstützung:
Katie Mitzell (Aufgabe: production coordination) und Irene Richter (Aufgabe: production coordination)
Programmierung:
Ammo (American musician, songwriter and producer Joshua Coleman), Cirkut und Dr. Luke
assistierende(r) Techniker(in):
Ben Rice (American producer), AJ Clark (engineer), Rachael Findlen (engineer) und Ghazi Hourani
Techniker(in):
Clint Gibbs, John Hanes (audio engineer, mixer) (Aufgabe: engineered for mix) und Emily Wright
Produzent(in):
Ammo (American musician, songwriter and producer Joshua Coleman), Cirkut, Dr. Luke und Emily Wright (sonstiger Gesang [vocal])
Mix:
Serban Ghenea
andere Instrumente [all]:
Ammo (American musician, songwriter and producer Joshua Coleman), Cirkut und Dr. Luke
Interpret(in):
Britney Spears
phonographisches Urheberrecht (℗) von:
2013 RCA Records (RCA Records, not for release label use! for the imprint, please use “RCA” instead)
produced for:
Prescription Songs
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
engineered at:
Luke’s in the Boo in Malibu, California (Kalifornien), Vereinigte Staaten und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Ooh La La
Verfasser(in):
Lola Blanc, Łukasz Gottwald, Fransisca Hall, Henry Walter, Joshua Coleman (American musician, songwriter and producer Joshua Coleman), Jacob Kasher (American songwriter, producer) und Bonnie McKee
publisher:
Bonnie McKee Music, Columbia Avenue Music, Inc. (ASCAP), Columbia Boulevard Music, Inc. (BMI), Each Note Counts, EMI April Music Inc., Hipgnosis SFH I Limited, J. Kasher Music, Kasz Money Publishing (ASCAP affiliated), Kevinthecity Publishing, KMR Music Royalties II SCSP, Melonknockers Music (BMI), Oneirology Publishing, Prescription Songs, Songs of Pulse Recording (BMI), Sony/ATV Tunes LLC (ASCAP), Whataboutfran und Where da Kasz At
Britney Spears4:17
5I Like to Move It
recording of:
I Like to Move It
Verfasser(in):
Erick Morillo und Mark Quashie
publisher:
global (imprint of Global Media & Entertainment Group) und Warner/Chappell Music Australia Pty. Ltd.
Reel 2 Real3:43
6Axel F
Crazy Frog2:52
7Ghostbusters
Produzent(in):
Ray Parker Jr.
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1984) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (vom 2016 bis heute)
Teil von:
Billboard Hot 100: 2025-11-15 (Nummer: 22)
recording of:
Ghostbusters
Texter und Komponist(in):
Ray Parker Jr.
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Golden Torch Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), IQ Music Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Golden Torch Music Corp. (in 1984) und Raydiola Music (in 1984)
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
basiert auf:
I Want a New Drug
Ray Parker Jr.3.93:59
8Barbie Girl
Produzent(in) und Mix:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen und Søren Rasted
arranger:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen und Søren Rasted
phonographisches Urheberrecht (℗) von:
Universal Music A/S (not for release label use! Danish subsidiary of Universal Music Group) (in 1997)
Musikvideos:
Barbie Girl von Aqua (Danish Euro‐dance group)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 48), Cachitos Nochevieja 2022 (Nummer: 157) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 220)
recording of:
Barbie Girl
Verfasser(in):
Lene Grawford Nystrøm, Claus Norreen, Søren Rasted und René Dif
publisher:
MCA Music Scandinavia AB und Warner/Chappell Music Denmark, A/S (KODA)
Aqua3.753:17
9I Am a Gummy Bear (The Gummy Bear Song)
Teil von:
The Village Voice – The 50 Worst Songs of the ’00s (Nummer: 24)
recording of:
I Am a Gummy Bear (The Gummy Bear Song)
Gummibär3:12
10Who Let the Dogs Out
drum machine [drums]-Programmierung und Keyboard-Programmierung:
The Magician (worked with Baha Men)
Programmierung und Mix:
Michael Mangini (Not to be confused with the drummer who has the same name. He's a producer, songwriter and engineer)
assistierende(r) Techniker(in):
Juan Rosario (engineer)
Techniker(in):
Luis Diaz (part of the producer duo "The Diaz Brothers")
Produzent(in):
Steve Greenberg (Record producer) und Michael Mangini (Not to be confused with the drummer who has the same name. He's a producer, songwriter and engineer)
Bassgitarre [bass]:
Isaiah Taylor
cowbell:
Pat Carey, Colyn Grant, Herschel Small und Isaiah Taylor
Gitarre:
Pat Carey
membranophone [goat skin drum]:
Anthony Flowers, Colyn Grant und Isaiah Taylor
Perkussion:
Anthony (Monks) Flowers
Schlagzeug [set drums]:
Colyn Grant
Hintergrundgesang:
Chea, Steve Greenberg (Record producer), Herschel, Marvin, Moe, Monks, Pat und Monty Taylor
Sologesang:
Rick Carey
sonstiger Gesang [rap]:
Marvin Prosper
phonographisches Urheberrecht (℗) von:
Edel Records (multinational, ERE suffix) (in 2000) und S‐Curve Records (in 2000)
aufgenommen bei:
Circle House Studios in North Miami, Florida, Vereinigte Staaten und Mojo Music in New York, New York, Vereinigte Staaten
Musikvideos:
Who Let The Dogs Out (original music video) von Baha Men
Teil von:
Grammy Award: Best Dance/Electronic Recording nominees (Nummer: 2001 winner)
cover recording of:
Who Let the Dogs Out?
Verfasser(in):
Anslem Douglas, Osbert Gurley und Marvin Prosper
publisher:
BMG Platinum Songs US, Desmoné Music, Full Wingspan Music, Hyckryck Publishing Inc, Wyz Girl Entertainment Consulting LLC, フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Baha Men2.253:18
11We Like to Party! (The Vengabus)
Produzent(in):
Danski und DJ Delmundo
phonographisches Urheberrecht (℗) von:
Breakin' Records (Dutch eurodance/trance label) (in 1998), Violent Music BV (in 1998) und Violent Music UK BV. (in 1998)
recording of:
We Like to Party! (The Vengabus)
Komponist(in):
Danski und DJ Delmundo
publisher:
Violent Publishing
Vengaboys3.13:43
12Mamma Mia
Programmierung:
Thomas Gustavson (pop producer/songwriter), Hugo Lira, Ole Evenrud und Joakim Styrén
Produzent(in):
Ole Evenrud
zusätzliche(r) Produzent(in):
Per Adebratt (Aufgabe: Vocals), Tommy Ekman (Aufgabe: Vocals) und Christer Sandelin (Aufgabe: Vocals)
Mix:
Joakim Styrén
Hintergrundgesang:
Katarina Sjölin und Annika Sjöling
vocals:
A★Teens, Amit Paul (Amit Sebastian Paul), Dhani Lennevald, Sara Lumholdt und Marie Serneholt
Interpret(in):
Per Adebratt, Tommy Ekman und Christer Sandelin
aufgenommen bei:
Janglers Inn in Stockholm, Stockholms län (Stockholm county), Schweden und RNT Studios in Schweden
Musikvideos:
Mamma Mia (Music Video) von A★Teens
cover recording of:
Mamma Mia
geschrieben in:
Lidingö municipality (Lidingö), Stockholms län (Stockholm county), Schweden
Verfasser(in):
Stig Anderson (Stikkan), Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Polar Music AB (beendet), Union Songs AB (publisher) (beendet), EMI Grove Park Music, Inc., Universal–Songs of PolyGram International, Inc. und Universal/Union Songs Musikförlag AB
Teil von:
Mamma Mia! (1999 musical)
A★Teens2.753:45
13U Can’t Touch This
Koproduzent(in):
James Earley und Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
Produzent(in):
MC Hammer
Mix:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) und MC Hammer
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
Samples:
Super Freak von Rick James (US vocalist, multi‐instrumentalist, composer & producer)
recording of:
U Can’t Touch This
Verfasser(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) und Stanley Kirk Burrell
publisher:
Bust‐It Publishing, EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music Co., Inc., Mushroom Music (Mushroom label’s publishing company), Stone City Music und Stone Diamond Music Corporation
basiert auf:
Super Freak
MC Hammer4.14:16
14Reach
zusätzliche Programmierung:
Andy Wright (UK songwriter, producer and Simply Red keyboardist)
Produzent(in):
Cathy Dennis und Toddy (UK electronic producer/keyboardist, member of Republica)
zusätzliche(r) Produzent(in):
Cathy Dennis, Stephen Lipson, Thomas Russo Jr. und Andy Wright (UK songwriter, producer and Simply Red keyboardist)
Mix:
Heff Moraes
Blechblasinstrumente:
The Kick Horns
Gitarre:
Gus Isidore und Toddy (UK electronic producer/keyboardist, member of Republica)
Keyboard:
Dave Arch (pianist, conductor, arranger and composer) und Cathy Dennis
Klavier und Orgel:
Dave Arch (pianist, conductor, arranger and composer)
Schlagzeug:
Gary O’Toole
zusätzlich Schlagzeug:
Andy Duncan (UK drummer and producer) und Geoff Holroyde
Interpret(in):
S Club (formerly “S Club 7”)
arranger:
Dave Arch (pianist, conductor, arranger and composer)
phonographisches Urheberrecht (℗) von:
S Club Ltd. (in 2000)
Musikvideos:
Reach von S Club 7 (formerly “S Club 7”)
recording of:
Reach
Verfasser(in):
Cathy Dennis und Andy Todd (UK electronic producer/keyboardist, member of Republica)
publisher:
BMG Music Publishing Ltd., Colgems-EMI Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) und Universal Music–MGB Songs
S Club 73.44:04
15Eat It
Techniker(in):
Tony Papa
Produzent(in):
Rick Derringer
accordion:
“Weird Al” Yankovic
Banjo, Bassgitarre und Tama / Dundun / Talking Drum:
Steve Jay (US bassist, “Weird Al” collaborator)
Bongos:
Joel Miller
guitar family:
Rick Derringer und Jim West (supporting musician for “Weird Al” Yankovic)
Klarinette:
Joel Peskin
Klavier und Synthesizer:
Pat Regan (American recording engineer) und “Weird Al” Yankovic
Körper-Perkussion [musical hands]:
“Musical Mike” Kieffer
Mandoline:
Rick Derringer
membranophone und Perkussion:
Jon “Bermuda” Schwartz (drummer)
Saxophon:
Jimmy Zavala (harmonica & sax player James Zavala)
Trompete:
Warren Leuning
Tuba:
Jim Self (tubist)
Bass-Gesang:
Bob Tebow
Hintergrundgesang:
Pattie Brooks (American singer), Lisa Popeil (Celebrity voice coach), Petsye Powell und Andrea Robinson
vocals:
“Weird Al” Yankovic
arranger:
“Weird Al” Yankovic
phonographisches Urheberrecht (℗) von:
RCA/Jive Label Group (holding company, not a release label) (in 1984), Volcano Entertainment III, L.L.C. (in 1984) und Scotti Bros. Records (in 1990)
Musikvideos:
Eat It von “Weird Al” Yankovic
recording of:
Eat It
Texter:
A. Yankovic
Komponist(in):
M. Jackson (Michael Jackson, “King of Pop”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Mijac Music
Parodieversion von:
Beat It
“Weird Al” Yankovic3.853:22
165, 6, 7, 8
assistierende(r) Techniker(in):
Bradlee Spreadborough und Al Unsworth
Techniker(in):
Chris McDonnell (engineer)
Produzent(in):
Mark Topham, Karl Twigg und Pete Waterman
Mix:
Les Sharma
Banjo:
Sean Lyons
Geige / Violine:
Chris Haigh (violinist)
Gitarre [guitars]:
Mark Topham und Barry Upton (songwriter, arranger, musician, record producer)
Keyboard [keyboards]:
Karl Twigg
Schlagzeug [drums]:
Chris McDonnell (engineer)
phonographisches Urheberrecht (℗) von:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1997)
aufgenommen bei und mixed at:
PWL Studios (Manchester) in Manchester, Greater Manchester, England, Vereinigtes Königreich und PWL Studios (London) in London (Greater London), England, Vereinigtes Königreich
recording of:
5, 6, 7, 8
Verfasser(in):
Steve Crosby (record producer, songwriter, music manager) und Barry Upton (songwriter, arranger, musician, record producer)
publisher:
All Boys Music Ltd. und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Steps3.353:23
17Cotton Eye Joe
recording engineer und Mix:
Lee Monteverde
Techniker(in) und Produzent(in):
Pat Reiniz
Banjo:
Ken Tacky
vocals:
Billy Ray (stage name of Jonas Nilsson, violinist of Swedish novelty act Rednex), Mary Joe, Bobby Sue und Ken Tacky
zusätzliche(r) Interpret(in):
Goran Danielsson (Rednex singer Ken Tacky), Annika Ljungberg und Bosse Nilsson
phonographisches Urheberrecht (℗) von:
Zomba Records (in 1994) und Zomba Records Ltd (not strictly a label - avoid adding releases here) (in 1994)
aufgenommen bei und mixed at:
Future Crew Studios, Idaho in Stockholms län (Stockholm county), Schweden
Musikvideos:
Cotton‐Eye Joe von Rednex (Swedish Euro-House group)
Teil von:
A.Side: 10 Songs That Have Their Own Dance Moves (Nummer: 7)
recording of:
Cotton-Eye Joe (Rednex version)
Verfasser(in):
Jan Ericsson (Swedish producer), Örjan Öberg (Örjan “Öban” Öberg, Swedish producer) und Pat Reiniz
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Version von:
Cotton‐Eyed Joe (traditional song)
Rednex4.13:13
18Macarena (River re-mix)
remixer:
Big Toxic und Fangoria (Spanish electropop band)
recording of:
Macarena (Bayside Boys remix)
sonstige Unterstützung:
Jammin Johnny Caride
Texter:
Carlos Alberto DeYarza
Komponist(in):
Antonio Romero Monge und Rafael Ruiz
publisher:
Editorial Discorama
Version von:
Macarena
Los del Río35:05
19The Loco-Motion
Techniker(in):
Karen Hewitt, Mark McGuire (UK producer/engineer) und Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
Produzent(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
Mix:
Mixmaster Pete Hammond (UK producer aka “Mixmaster”)
phonographisches Urheberrecht (℗) von:
Mushroom Records (vom 1988 bis heute), PWL International Ltd. (in 1988) und KDB Pty Limited (in 1997)
cover recording of:
The Loco‐Motion (aka Locomotion)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (bis 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (vom 1962 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Kylie Minogue3.53:15
20Break My Stride
cover recording of:
Break My Stride (in 1996)
Verfasser(in):
Greg Prestopino und Matthew Wilder
publisher:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (in 1983), No Ears Music (in 1983) und Streetwise Music (US publisher) (in 1983)
Unique II3:14