Pop for Tots

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1What Does the Fox Say
producer:
StarGate (Norwegian production/songwriting team)
instruments:
Mikkel Storleer Eriksen and Tor Erik Hermansen
vocals:
Bård Ylvisåker and Vegard Ylvisåker
phonographic copyright (℗) by:
45th & 3rd Music LLC (in 2013) and Urheim Records (in 2013)
part of:
Billboard Year-End Hot 100 singles of 2013 (number: 73)
recording of:
The Fox (What Does the Fox Say?)
lyricist:
C. Løchstøer, Bård Ylvisåker and Vegard Ylvisåker
composer:
Mikkel Storleer Eriksen, Tor Erik Hermansen, Bård Ylvisåker and Vegard Ylvisåker
Ylvis3.43:32
2Everything Is Awesome
The Cool Kids2:42
3Happy
assistant recording engineer:
Matthew Desrameaux
recording engineer:
Mike Larson (recording engineer)
producer:
Pharrell Williams
mixer:
Leslie Brathwaite
editor:
Andrew Coleman (recording/mix engineer, Neptunes-associated) and Mike Larson (recording engineer)
background vocals:
Rhea Dummett, Trevon Henderson, Shamika Hightower, Ashley L. Lee, Jasmine Murray and Terrence Rolle
arranger:
Andrew Coleman (recording/mix engineer, Neptunes-associated) and Mike Larson (recording engineer)
recorded at:
Circle House Studios in North Miami, Florida, United States
mixed at:
Music Box Studios (Atlanta) in Atlanta, Georgia, United States
music videos:
Happy by Pharrell Williams and Happy (from Despicable Me 2) (ballroom version) by Pharrell Williams
part of:
Billboard Year-End Hot 100 singles of 2014 (number: 1), Billboard Decade End Chart: Streaming Songs (2010s) (number: 20) and Billboard: Greatest of All Time Hot 100 Songs (number: 88)
recording of:
Happy
lyricist and composer:
Pharrell Williams
publisher:
EMI April Music Inc., More Water From Nazareth Publishing, Inc. and Universal Pictures Music
part of:
The 86th Academy Award for Best Original Song (number: 2)
Pharrell Williams4.33:53
4Ooh La La
miscellaneous support:
Katie Mitzell (task: production coordination) and Irene Richter (task: production coordination)
programming:
Ammo (American musician, songwriter and producer Joshua Coleman), Cirkut and Dr. Luke
assistant engineer:
Ben Rice (American producer), AJ Clark (engineer), Rachael Findlen (engineer) and Ghazi Hourani
engineer:
Clint Gibbs, John Hanes (audio engineer, mixer) (task: engineered for mix) and Emily Wright
producer:
Ammo (American musician, songwriter and producer Joshua Coleman), Cirkut, Dr. Luke and Emily Wright (other vocals [vocal])
mixer:
Serban Ghenea
other instruments [all]:
Ammo (American musician, songwriter and producer Joshua Coleman), Cirkut and Dr. Luke
performer:
Britney Spears
phonographic copyright (℗) by:
2013 RCA Records (RCA Records, not for release label use! for the imprint, please use “RCA” instead)
produced for:
Prescription Songs
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
engineered at:
Luke’s in the Boo in Malibu, California, United States and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Ooh La La
writer:
Lola Blanc, Łukasz Gottwald, Fransisca Hall, Henry Walter, Joshua Coleman (American musician, songwriter and producer Joshua Coleman), Jacob Kasher (American songwriter, producer) and Bonnie McKee
publisher:
Bonnie McKee Music, Columbia Avenue Music, Inc. (ASCAP), Columbia Boulevard Music, Inc. (BMI), Each Note Counts, EMI April Music Inc., Hipgnosis SFH I Limited, J. Kasher Music, Kasz Money Publishing (ASCAP affiliated), Kevinthecity Publishing, KMR Music Royalties II SCSP, Melonknockers Music (BMI), Oneirology Publishing, Prescription Songs, Songs of Pulse Recording (BMI), Sony/ATV Tunes LLC (ASCAP), Whataboutfran and Where da Kasz At
Britney Spears4:17
5I Like to Move It
recording of:
I Like to Move It
writer:
Erick Morillo and Mark Quashie
publisher:
global (imprint of Global Media & Entertainment Group) and Warner/Chappell Music Australia Pty. Ltd.
Reel 2 Real3:43
6Axel F
Crazy Frog2:52
7Ghostbusters
producer:
Ray Parker Jr.
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1984) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (from 2016 to present)
part of:
Billboard Hot 100: 2025-11-15 (number: 22)
recording of:
Ghostbusters
lyricist and composer:
Ray Parker Jr.
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Golden Torch Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), IQ Music Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Golden Torch Music Corp. (in 1984) and Raydiola Music (in 1984)
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
is based on:
I Want a New Drug
Ray Parker Jr.3.93:59
8Barbie Girl
producer and mixer:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen and Søren Rasted
arranger:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen and Søren Rasted
phonographic copyright (℗) by:
Universal Music A/S (not for release label use! Danish subsidiary of Universal Music Group) (in 1997)
music videos:
Barbie Girl by Aqua (Danish Euro‐dance group)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 48), Cachitos Nochevieja 2022 (number: 157) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 220)
recording of:
Barbie Girl
writer:
Lene Grawford Nystrøm, Claus Norreen, Søren Rasted and René Dif
publisher:
MCA Music Scandinavia AB and Warner/Chappell Music Denmark, A/S (KODA)
Aqua3.753:17
9I Am a Gummy Bear (The Gummy Bear Song)
part of:
The Village Voice – The 50 Worst Songs of the ’00s (number: 24)
recording of:
I Am a Gummy Bear (The Gummy Bear Song)
Gummibär3:12
10Who Let the Dogs Out
drum machine [drums] programming and keyboard programming:
The Magician (worked with Baha Men)
programming and mixer:
Michael Mangini (Not to be confused with the drummer who has the same name. He's a producer, songwriter and engineer)
assistant engineer:
Juan Rosario (engineer)
engineer:
Luis Diaz (part of the producer duo "The Diaz Brothers")
producer:
Steve Greenberg (Record producer) and Michael Mangini (Not to be confused with the drummer who has the same name. He's a producer, songwriter and engineer)
bass guitar [bass]:
Isaiah Taylor
cowbell:
Pat Carey, Colyn Grant, Herschel Small and Isaiah Taylor
drums (drum set) [set drums]:
Colyn Grant
guitar:
Pat Carey
membranophone [goat skin drum]:
Anthony Flowers, Colyn Grant and Isaiah Taylor
percussion:
Anthony (Monks) Flowers
background vocals:
Chea, Steve Greenberg (Record producer), Herschel, Marvin, Moe, Monks, Pat and Monty Taylor
lead vocals:
Rick Carey
other vocals [rap]:
Marvin Prosper
phonographic copyright (℗) by:
Edel Records (multinational, ERE suffix) (in 2000) and S‐Curve Records (in 2000)
recorded at:
Circle House Studios in North Miami, Florida, United States and Mojo Music in New York, New York, United States
music videos:
Who Let The Dogs Out (original music video) by Baha Men
part of:
Grammy Award: Best Dance/Electronic Recording nominees (number: 2001 winner)
cover recording of:
Who Let the Dogs Out?
writer:
Anslem Douglas, Osbert Gurley and Marvin Prosper
publisher:
BMG Platinum Songs US, Desmoné Music, Full Wingspan Music, Hyckryck Publishing Inc, Wyz Girl Entertainment Consulting LLC, フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Baha Men2.253:18
11We Like to Party! (The Vengabus)
producer:
Danski and DJ Delmundo
phonographic copyright (℗) by:
Breakin' Records (Dutch eurodance/trance label) (in 1998), Violent Music BV (in 1998) and Violent Music UK BV. (in 1998)
recording of:
We Like to Party! (The Vengabus)
composer:
Danski and DJ Delmundo
publisher:
Violent Publishing
Vengaboys3.13:43
12Mamma Mia
programming:
Thomas Gustavson (pop producer/songwriter), Hugo Lira, Ole Evenrud and Joakim Styrén
additional producer:
Per Adebratt (task: Vocals), Tommy Ekman (task: Vocals) and Christer Sandelin (task: Vocals)
producer:
Ole Evenrud
mixer:
Joakim Styrén
background vocals:
Katarina Sjölin and Annika Sjöling
vocals:
A★Teens, Amit Paul (Amit Sebastian Paul), Dhani Lennevald, Sara Lumholdt and Marie Serneholt
performer:
Per Adebratt, Tommy Ekman and Christer Sandelin
recorded at:
Janglers Inn in Stockholm, Stockholms län (Stockholm county), Sweden and RNT Studios in Sweden
music videos:
Mamma Mia (Music Video) by A★Teens
cover recording of:
Mamma Mia
written in:
Lidingö municipality, Stockholms län (Stockholm county), Sweden
writer:
Stig Anderson (Stikkan), Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
Polar Music AB (ended), Union Songs AB (publisher) (ended), EMI Grove Park Music, Inc., Universal–Songs of PolyGram International, Inc. and Universal/Union Songs Musikförlag AB
part of:
Mamma Mia! (1999 musical)
A★Teens2.753:45
13U Can’t Touch This
co-producer:
James Earley and Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
producer:
MC Hammer
mixer:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) and MC Hammer
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
samples:
Super Freak by Rick James (US vocalist, multi‐instrumentalist, composer & producer)
recording of:
U Can’t Touch This
writer:
Rick James (US vocalist, multi‐instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) and Stanley Kirk Burrell
publisher:
Bust‐It Publishing, EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music Co., Inc., Mushroom Music (Mushroom label’s publishing company), Stone City Music and Stone Diamond Music Corporation
is based on:
Super Freak
MC Hammer4.14:16
14Reach
additional programming:
Andy Wright (UK songwriter, producer and Simply Red keyboardist)
additional producer:
Cathy Dennis, Stephen Lipson, Thomas Russo Jr. and Andy Wright (UK songwriter, producer and Simply Red keyboardist)
producer:
Cathy Dennis and Toddy (UK electronic producer/keyboardist, member of Republica)
mixer:
Heff Moraes
additional drums (drum set):
Andy Duncan (UK drummer and producer) and Geoff Holroyde
brass:
The Kick Horns
drums (drum set):
Gary O’Toole
guitar:
Gus Isidore and Toddy (UK electronic producer/keyboardist, member of Republica)
keyboard:
Dave Arch (pianist, conductor, arranger and composer) and Cathy Dennis
organ and piano:
Dave Arch (pianist, conductor, arranger and composer)
performer:
S Club (formerly “S Club 7”)
arranger:
Dave Arch (pianist, conductor, arranger and composer)
phonographic copyright (℗) by:
S Club Ltd. (in 2000)
music videos:
Reach by S Club 7 (formerly “S Club 7”)
recording of:
Reach
writer:
Cathy Dennis and Andy Todd (UK electronic producer/keyboardist, member of Republica)
publisher:
BMG Music Publishing Ltd., Colgems-EMI Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) and Universal Music–MGB Songs
S Club 73.44:04
15Eat It
engineer:
Tony Papa
producer:
Rick Derringer
accordion:
“Weird Al” Yankovic
banjo, bass guitar and talking drum:
Steve Jay (US bassist, “Weird Al” collaborator)
body percussion [musical hands]:
“Musical Mike” Kieffer
bongos:
Joel Miller
clarinet:
Joel Peskin
guitar family:
Rick Derringer and Jim West (supporting musician for “Weird Al” Yankovic)
mandolin:
Rick Derringer
membranophone and percussion:
Jon “Bermuda” Schwartz (drummer)
piano and synthesizer:
Pat Regan (American recording engineer) and “Weird Al” Yankovic
saxophone:
Jimmy Zavala (harmonica & sax player James Zavala)
trumpet:
Warren Leuning
tuba:
Jim Self (tubist)
background vocals:
Pattie Brooks (American singer), Lisa Popeil (Celebrity voice coach), Petsye Powell and Andrea Robinson
bass vocals:
Bob Tebow
vocals:
“Weird Al” Yankovic
arranger:
“Weird Al” Yankovic
phonographic copyright (℗) by:
RCA/Jive Label Group (holding company, not a release label) (in 1984), Volcano Entertainment III, L.L.C. (in 1984) and Scotti Bros. Records (in 1990)
music videos:
Eat It by “Weird Al” Yankovic
recording of:
Eat It
lyricist:
A. Yankovic
composer:
M. Jackson (Michael Jackson, “King of Pop”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Mijac Music
parody version of:
Beat It
“Weird Al” Yankovic3.853:22
165, 6, 7, 8
assistant engineer:
Bradlee Spreadborough and Al Unsworth
engineer:
Chris McDonnell (engineer)
producer:
Mark Topham, Karl Twigg and Pete Waterman
mixer:
Les Sharma
banjo:
Sean Lyons
drums (drum set) [drums]:
Chris McDonnell (engineer)
guitar [guitars]:
Mark Topham and Barry Upton (songwriter, arranger, musician, record producer)
keyboard [keyboards]:
Karl Twigg
violin:
Chris Haigh (violinist)
phonographic copyright (℗) by:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1997)
recorded at and mixed at:
PWL Studios (Manchester) in Manchester, Greater Manchester, England, United Kingdom and PWL Studios (London) in London (Greater London), England, United Kingdom
recording of:
5, 6, 7, 8
writer:
Steve Crosby (record producer, songwriter, music manager) and Barry Upton (songwriter, arranger, musician, record producer)
publisher:
All Boys Music Ltd. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Steps3.353:23
17Cotton Eye Joe
recording engineer and mixer:
Lee Monteverde
engineer and producer:
Pat Reiniz
banjo:
Ken Tacky
vocals:
Billy Ray (stage name of Jonas Nilsson, violinist of Swedish novelty act Rednex), Mary Joe, Bobby Sue and Ken Tacky
additional performer:
Goran Danielsson (Rednex singer Ken Tacky), Annika Ljungberg and Bosse Nilsson
phonographic copyright (℗) by:
Zomba Records (in 1994) and Zomba Records Ltd (not strictly a label - avoid adding releases here) (in 1994)
recorded at and mixed at:
Future Crew Studios, Idaho in Stockholms län (Stockholm county), Sweden
music videos:
Cotton‐Eye Joe by Rednex (Swedish Euro-House group)
part of:
A.Side: 10 Songs That Have Their Own Dance Moves (number: 7)
recording of:
Cotton-Eye Joe (Rednex version)
writer:
Jan Ericsson (Swedish producer), Örjan Öberg (Örjan “Öban” Öberg, Swedish producer) and Pat Reiniz
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
version of:
Cotton‐Eyed Joe (traditional song)
Rednex4.13:13
18Macarena (River re-mix)
remixer:
Big Toxic and Fangoria (Spanish electropop band)
recording of:
Macarena (Bayside Boys remix)
miscellaneous support:
Jammin Johnny Caride
lyricist:
Carlos Alberto DeYarza
composer:
Antonio Romero Monge and Rafael Ruiz
publisher:
Editorial Discorama
version of:
Macarena
Los del Río35:05
19The Loco-Motion
engineer:
Karen Hewitt, Mark McGuire (UK producer/engineer) and Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
producer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
mixer:
Mixmaster Pete Hammond (UK producer aka “Mixmaster”)
phonographic copyright (℗) by:
Mushroom Records (from 1988 to present), PWL International Ltd. (in 1988) and KDB Pty Limited (in 1997)
cover recording of:
The Loco‐Motion (aka Locomotion)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (until 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (from 1962 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Kylie Minogue3.53:15
20Break My Stride
cover recording of:
Break My Stride (in 1996)
writer:
Greg Prestopino and Matthew Wilder
publisher:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (in 1983), No Ears Music (in 1983) and Streetwise Music (US publisher) (in 1983)
Unique II3:14