Tracklist

1CD
2CD
3CD
4CD
5CD
6CD
#TitleArtistRatingLength
1Weihnachtsoratorium, BWV 248: Vierter Teil: Am Feste der Erscheinung Christi: Fallt mit Danken, fallt mit Loben (chor)
choir vocals:
Thomanerchor Leipzig (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVI. Coro „Fallt mit Danken, fallt mit Loben“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:34
2Weihnachtsoratorium, BWV 248: Vierter Teil: Am Feste der Erscheinung Christi: Und da acht Tage um waren (rezitativ)
tenor vocals:
Christoph Prégardien (tenor) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVII. Recitativo „Und da acht Tage um waren“ (Evangelista) (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:34
3Weihnachtsoratorium, BWV 248: Vierter Teil: Am Feste der Erscheinung Christi: Immanuel, o süßes Wort! (rezitativ) - Jesu, du mein liebstes Leben (arioso)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1998-12)
soprano vocals:
Barbara Schlick (soprano) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale (Soprano) „Immanuel, o süßes Wort“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:31
4Weihnachtsoratorium, BWV 248: Vierter Teil: Am Feste der Erscheinung Christi: Flößt, mein Heiland, flößt dein Namen (arie)
soprano vocals:
Barbara Schlick (soprano) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:52
5Weihnachtsoratorium, BWV 248: Vierter Teil: Am Feste der Erscheinung Christi: Wohlan, dein Name soll allein (rezitativ) - Jesu, meine Freud und Wonne (arioso)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1998-12)
soprano vocals:
Barbara Schlick (soprano) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale (Soprano) „Wohlan, dein Name soll allein“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:32
6Weihnachtsoratorium, BWV 248: Vierter Teil: Am Feste der Erscheinung Christi: Ich will nur dir zu Ehren leben (arie)
tenor vocals:
Christoph Prégardien (tenor) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) „Ich will nur dir zu Ehren leben“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:01
7Weihnachtsoratorium, BWV 248: Vierter Teil: Am Feste der Erscheinung Christi: Jesus richte mein Beginnen (choral)
choir vocals:
Thomanerchor Leipzig (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLII. Choral „Jesus richte mein Beginnen“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:02
8Weihnachtsoratorium, BWV 248: Fünfter Teil: Am Sonntage nach Neujahr: Ehre sei dir, Gott, gesungen (chor)
choir vocals:
Thomanerchor Leipzig (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro „Ehre sei dir, Gott, gesungen“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:04
9Weihnachtsoratorium, BWV 248: Fünfter Teil: Am Sonntage nach Neujahr: Da Jesus geboren war zu Bethlehem (rezitativ)
tenor vocals:
Christoph Prégardien (tenor) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo „Da Jesus geboren war zu Bethlehem“ (Evangelista) (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:24
10Weihnachtsoratorium, BWV 248: Fünfter Teil: Am Sonntage nach Neujahr: Wo ist der neugeborne König der Juden? (chor) - Sucht ihn in meiner Brust (rezitativ)
choir vocals:
Thomanerchor Leipzig (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLV. Coro e Recitativo (Alto) „Wo ist der neugeborne König“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:55
11Weihnachtsoratorium, BWV 248: Fünfter Teil: Am Sonntage nach Neujahr: Dein Glanz all Finsternis verzehrt (choral)
choir vocals:
Thomanerchor Leipzig (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral „Dein Glanz all Finsternis verzehrt“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Georg Weissel (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 214)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:49
12Weihnachtsoratorium, BWV 248: Fünfter Teil: Am Sonntage nach Neujahr: Erleucht auch meine finstre Sinnen (arie)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:09
13Weihnachtsoratorium, BWV 248: Fünfter Teil: Am Sonntage nach Neujahr: Da das der König Herodes hörte (rezitativ)
tenor vocals:
Christoph Prégardien (tenor) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Recitativo „Da das der König Herodes hörte“ (Evangelista) (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:12
14Weihnachtsoratorium, BWV 248: Fünfter Teil: Am Sonntage nach Neujahr: Warum wollt ihr erschrecken? (rezitativ)
alto vocals:
Yvonne Naef (mezzo-soprano) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIX. Recitativo (Alto) „Warum wollt ihr erschrecken“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:32
15Weihnachtsoratorium, BWV 248: Fünfter Teil: Am Sonntage nach Neujahr: Und ließ versammeln alle Hohenpriester (rezitativ)
tenor vocals:
Christoph Prégardien (tenor) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, L. Recitativo „Und ließ versammeln alle Hohepriester“ (Evangelista) (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:31
16Weihnachtsoratorium, BWV 248: Fünfter Teil: Am Sonntage nach Neujahr: Ach, wenn wird die Zeit erscheinen? (terzett)
alto vocals:
Yvonne Naef (mezzo-soprano) (in 1998-12)
soprano vocals:
Barbara Schlick (soprano) (in 1998-12)
tenor vocals:
Christoph Prégardien (tenor) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:33
17Weihnachtsoratorium, BWV 248: Fünfter Teil: Am Sonntage nach Neujahr: Mein Liebster herrschet schon (rezitativ)
alto vocals:
Yvonne Naef (mezzo-soprano) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) „Mein Liebster herrschet schon“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:31
18Weihnachtsoratorium, BWV 248: Fünfter Teil: Am Sonntage nach Neujahr: Zwar ist solche Herzensstube (choral)
choir vocals:
Thomanerchor Leipzig (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LIII. Choral „Zwar ist solche Herzensstube“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 114)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:52
19Weihnachtsoratorium, BWV 248: Sechster Teil: Am Feste der Erscheinung Christi: Herr, wenn die stolzen Feinde schnauben (chor)
choir vocals:
Thomanerchor Leipzig (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro „Herr, wenn die stolzen Feinde schnauben“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:13
20Weihnachtsoratorium, BWV 248: Sechster Teil: Am Feste der Erscheinung Christi: Da berief Herodes die Weisen heimlich - Ziehet hin und forschet fleißig (rezitativ)
tenor vocals:
Christoph Prégardien (tenor) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo „Da berief Herodes die Weisen heimlich“ (Evangelista) (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:51
21Weihnachtsoratorium, BWV 248: Sechster Teil: Am Feste der Erscheinung Christi: Du Falscher, suche nur den Herrn zu fällen (rezitativ)
soprano vocals:
Barbara Schlick (soprano) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) „Du Falscher, suche nur den Herrn zu fällen“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:03
22Weihnachtsoratorium, BWV 248: Sechster Teil: Am Feste der Erscheinung Christi: Nur ein Wink von seinen Händen (arie)
soprano vocals:
Barbara Schlick (soprano) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) „Nur ein Wink von seinen Händen“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:30
23Weihnachtsoratorium, BWV 248: Sechster Teil: Am Feste der Erscheinung Christi: Als sie nun den König gehöret hatten (rezitativ)
tenor vocals:
Christoph Prégardien (tenor) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo „Als sie nun den König gehöret hatten“ (Evangelista) (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:15
24Weihnachtsoratorium, BWV 248: Sechster Teil: Am Feste der Erscheinung Christi: Ich steh an deiner Krippen hier (choral)
choir vocals:
Thomanerchor Leipzig (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 263)
is based on:
Nun freut euch, lieben Christen g’mein (more 'sostenuto' version)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:11
25Weihnachtsoratorium, BWV 248: Sechster Teil: Am Feste der Erscheinung Christi: Und Gott befahl ihnen im Traum (rezitativ)
tenor vocals:
Christoph Prégardien (tenor) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LX. Recitativo „Und Gott befahl ihnen im Traum“ (Evangelista) (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:26
26Weihnachtsoratorium, BWV 248: Sechster Teil: Am Feste der Erscheinung Christi: So geht! Genug, mein Schatz geht nicht von hier (rezitativ)
tenor vocals:
Christoph Prégardien (tenor) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) „So geht! Genug, mein Schatz geht nicht von hier“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:47
27Weihnachtsoratorium, BWV 248: Sechster Teil: Am Feste der Erscheinung Christi: Nun mögt ihr stolzen Feinde schrecken (arie)
tenor vocals:
Christoph Prégardien (tenor) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) „Nun mögt ihr stolzen Feinde schrecken“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:23
28Weihnachtsoratorium, BWV 248: Sechster Teil: Am Feste der Erscheinung Christi: Was will der Hölle Schrecken nun? (rezitativ)
alto vocals:
Yvonne Naef (mezzo-soprano) (in 1998-12)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1998-12)
soprano vocals:
Barbara Schlick (soprano) (in 1998-12)
tenor vocals:
Christoph Prégardien (tenor) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) „Was will der Höllen Schrecken nun“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:35
29Weihnachtsoratorium, BWV 248: Sechster Teil: Am Feste der Erscheinung Christi: Nun seid ihr wohl gerochen (choral)
choir vocals:
Thomanerchor Leipzig (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral „Nun seid ihr wohl gerochen“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 165)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:55

Credits

Release

part of:Eloquence (Deutsche Grammophon/Decca/Philips Classics, et al.; classical series established in 1999) (order: 337)