The First And The Best

~ Release by Frank Sinatra (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Sentimental Baby
producer:
Dave Cavanaugh and Bill Miller (US producer at Capitol Records)
cello:
Ossip Giskin (cellist), Armand Kaproff and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Irv Cottler
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, William Green (woodwind), Plas Johnson and Wilbur Schwartz
trombone:
George Arus, Gail Martin, Pullman “Tommy” Pederson and Tommy Shepard (trombonist)
trumpet:
Cappy Lewis, Vito N. Mangano, George Seaberg and Shorty Sherock
viola:
Alvin Dinkin and Stanley Harris (US big band viola player)
violin:
Victor Bay, Alex Beller, Kurt Dieterle, Jacques Gasselin, Louis Kaufman (violinist), Murray Kellner, Joseph Livoti (violinist), Mischa Russell (violinist), Gerald Vinci (American violinist and strings conductor) and William Weiss (violinist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-09-01)
orchestra:
The Nelson Riddle Orchestra (on 1960-09-01)
conductor:
Nelson Riddle (on 1960-09-01)
arranger:
Nelson Riddle
recording of:
Sentimental Baby (on 1960-09-01)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Lew Spence
2:39
2Besame Mucho
recorded in:
Hollywood, Los Angeles, California, United States (on 1944-02-12)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1944-02-12)
cover recording of:
Bésame mucho (English lyric version by Sunny Skylar) (on 1944-02-12)
composer:
Consuelo Velázquez
translator:
Sunny Skylar
publisher:
Latin American Music, Peer International Corporation (BMI) and Promotora Hispano Americana De Musica S.A.
translated version of:
Bésame mucho (Kiss Me Much, Bésame, bésame mucho como si fuera esta noche la última vez)
2:41
3Close To You
producer:
Voyle Gilmore
celesta and piano:
Bill Miller (pianist)
cello:
Eleanor Slatkin (US cellist, b. Aller) (on 1956-11-01)
clarinet:
Mahlon Clark
double bass:
Ed Gilbert
drums (drum set):
Frank Flynn
flute:
James Williamson (Saxophone player)
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
instruments:
The Hollywood String Quartet (on 1956-11-01)
viola:
Alvin Dinkin (on 1956-11-01)
violin:
Marvin Limonick, Paul Shure (on 1956-11-01) and Felix Slatkin (on 1956-11-01)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-11-01)
conductor:
Nelson Riddle (on 1956-11-01)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-01)
recording of:
Close to You (on 1956-11-01)
writer:
Al Hoffman, Carl Lampl and Jerry Livingston (songwriter)
publisher:
Barton Music Corp., Casa David and Feadbach Music (on 1970-10-29)
13:40
4I'll Never Be The Same
recording engineer:
John Palladino
producer:
Voyle Gilmore
cello:
James Arkatov (American cellist and photographer) (on 1955-03-04), Cy Bernard (on 1955-03-04), Eleanor Aller (US cellist, b. Aller) (on 1955-03-04), Armand Kaproff (on 1955-03-04), Ray Kramer (on 1955-03-04), Edgar Lustgarten (on 1955-03-04), Kurt Reher (cellist) (on 1955-03-04) and Joseph Saxon (on 1955-03-04)
double bass:
Phil Stephens (bass and tuba player) (on 1955-03-04)
flute:
Arthur Gleghorn (on 1955-03-04), Luella Howard (on 1955-03-04), Jules Kinsler (on 1955-03-04) and George Poole (on 1955-03-04)
French horn:
John Cave (french horn) (on 1955-03-04), Vincent DeRosa (on 1955-03-04), Joseph Eger (horn player) (on 1955-03-04) and Richard Perissi (on 1955-03-04)
guitar:
George van Eps (on 1955-03-04)
membranophone:
Louis Singer (percussionist) (on 1955-03-04)
piano:
Bill Miller (pianist) (on 1955-03-04)
trumpet:
Harry “Sweets” Edison
violin:
Victor Bay (on 1955-03-04), Alex Beller (on 1955-03-04), Harry Bluestone (on 1955-03-04), Nathan Ross (on 1955-03-04), Mischa Russell (violinist) (on 1955-03-04), Paul Shure (on 1955-03-04), Felix Slatkin (on 1955-03-04) and Marshall Sosson (on 1955-03-04)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-03-04)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1955-03-04)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-03-04)
cover recording of:
I’ll Never Be the Same (on 1955-03-04)
lyricist:
Gus Kahn
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI Robbins Catalog Inc. (ASCAP) and France Mélodie
13:06
5I've Had My Moments
producer:
Voyle Gilmore
cello:
Eleanor Slatkin (US cellist, b. Aller) (on 1956-04-04)
clarinet:
Mitchell Lurie (clarinetist)
double bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Irv Cottler
flute:
Harry Klee
French horn:
Vincent DeRosa
guitar:
Bob Bain (guitarist)
harp:
Kathryn Julye
instruments:
The Hollywood String Quartet (on 1956-04-04)
oboe:
Champ Webb
piano:
Bill Miller (pianist)
viola:
Alvin Dinkin (on 1956-04-04)
violin:
Paul Shure (on 1956-04-04) and Felix Slatkin (on 1956-04-04)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-04-04)
conductor:
Nelson Riddle (on 1956-04-04)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-04-04)
cover recording of:
I’ve Had My Moments (on 1956-04-04)
lyricist:
Gus Kahn
composer:
Walter Donaldson
3:50
6You'd Be So Nice To Come Home To
recorded in:
New York, New York, United States (on 1943-03-27)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1943-03-27)
orchestra:
Lucky Strike Orchestra (on 1943-03-27)
conductor:
Mark Warnow (on 1943-03-27)
cover recording of:
You’d Be So Nice to Come Home To (on 1943-03-27)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
2:06
7Oh, What A Beautiful Morning'
cover recording of:
Oh, What a Beautiful Mornin’ (Oklahoma!)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company, Williamson Music Ltd. and Williamson Music, Inc.
part of:
Oklahoma! (Rodgers & Hammerstein musical)
2:22
8People Will Say We're In Love
cover recording of:
People Will Say We’re in Love
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company and Williamson Music, Inc.
part of:
Oklahoma! (Rodgers & Hammerstein musical)
2:51
9I'll Get By
cover recording of:
I’ll Get by (as Long as I Have You)
lyricist:
Roy Turk
composer:
Fred Ahlert
2:12
10Milkman, Keep Those Bottles Quiet
engineered in:
Hollywood, Los Angeles, California, United States (on 1944-07-15)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1944-07-15)
cover recording of:
Milkman, Keep Those Bottles Quiet (Broadway Rhythm, 1944 film) (on 1944-07-15)
writer:
Gene de Paul and Don Raye
part of:
Broadway Rhythm (film)
2:21
11You'll Never Know
cover recording of:
You’ll Never Know
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (ended), EMI Blackwood Music Inc. and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
ワーナー・チャペル音楽出版 (Warner/Chappell Music Japan), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 16th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1943 winner)
2:53
12In The Wee Small Hours Of The Morning
recording engineer:
John Palladino
producer:
Voyle Gilmore
cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Morty Corb (bass, USA) and Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Louis Singer (percussionist)
guitar:
George van Eps
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Paul Robyn and Dave Sterkin
violin:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, David Frisina, Henry Hill (Violin player), Erno Neufeld, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-02-17)
orchestra:
The Nelson Riddle Orchestra (on 1955-02-17)
conductor:
Nelson Riddle (on 1955-02-17)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-02-17)
recording of:
In the Wee Small Hours of the Morning (on 1955-02-17)
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The Real Book (compilation of jazz standards, volume I)
33:02
13This Love Is Mine
recording of:
This Love of Mine
lyricist:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
composer:
Sol Parker (songwriter) and Henry Sanicola
publisher:
Embassy Music Corporation and Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:37
14Love Locked Out
producer:
Voyle Gilmore
cello:
Eleanor Slatkin (US cellist, b. Aller) (on 1956-03-08)
clarinet:
Mahlon Clark
double bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Irv Cottler
flute:
Harry Klee
French horn:
Vincent DeRosa
guitar:
George van Eps
harp:
Kathryn Julye
instruments:
The Hollywood String Quartet (on 1956-03-08)
piano:
Bill Miller (pianist)
viola:
Alvin Dinkin (on 1956-03-08)
violin:
Israel Baker (American violinist), Paul Shure (on 1956-03-08) and Felix Slatkin (on 1956-03-08)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-03-08)
conductor:
Nelson Riddle (on 1956-03-08)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-03-08)
cover recording of:
Love Locked Out (on 1956-03-08)
lyricist:
Max Kester
composer:
Ray Noble
2:45
15Deep In A Dream
recording engineer:
John Palladino
producer:
Voyle Gilmore
cello:
James Arkatov (American cellist and photographer) (on 1955-03-04), Cy Bernard (on 1955-03-04), Eleanor Aller (US cellist, b. Aller) (on 1955-03-04), Armand Kaproff (on 1955-03-04), Ray Kramer (on 1955-03-04), Edgar Lustgarten (on 1955-03-04), Kurt Reher (cellist) (on 1955-03-04) and Joseph Saxon (on 1955-03-04)
double bass:
Phil Stephens (bass and tuba player) (on 1955-03-04)
flute:
Arthur Gleghorn (on 1955-03-04), Luella Howard (on 1955-03-04), Jules Kinsler (on 1955-03-04) and George Poole (on 1955-03-04)
French horn:
John Cave (french horn) (on 1955-03-04), Vincent DeRosa (on 1955-03-04), Joseph Eger (horn player) (on 1955-03-04) and Richard Perissi (on 1955-03-04)
guitar:
George van Eps (on 1955-03-04)
harp:
Kathryn Julye (on 1955-03-04)
membranophone:
Louis Singer (percussionist) (on 1955-03-04)
piano:
Bill Miller (pianist) (on 1955-03-04)
violin:
Paul Shure, Victor Bay (on 1955-03-04), Alex Beller (on 1955-03-04), Harry Bluestone (on 1955-03-04), Nathan Ross (on 1955-03-04), Mischa Russell (violinist) (on 1955-03-04), Felix Slatkin (on 1955-03-04) and Marshall Sosson (on 1955-03-04)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-03-04)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1955-03-04)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-03-04)
cover recording of:
Deep in a Dream (on 1955-03-04)
lyricist:
Eddie DeLange
composer:
Jimmy Van Heusen
publisher:
Chappell Music Ltd., Scarsdale Music Corp. (ASCAP) and Warner Bros. Music (publisher; do NOT use as release label)
12:50
16It Never Entered My Mind
recording engineer:
John Palladino
producer:
Voyle Gilmore
cello:
James Arkatov (American cellist and photographer) (on 1955-03-04), Cy Bernard (on 1955-03-04), Eleanor Aller (US cellist, b. Aller) (on 1955-03-04), Armand Kaproff (on 1955-03-04), Ray Kramer (on 1955-03-04), Edgar Lustgarten (on 1955-03-04), Kurt Reher (cellist) (on 1955-03-04) and Joseph Saxon (on 1955-03-04)
double bass:
Phil Stephens (bass and tuba player) (on 1955-03-04)
flute:
Arthur Gleghorn (on 1955-03-04), Luella Howard (on 1955-03-04), Jules Kinsler (on 1955-03-04) and George Poole (on 1955-03-04)
French horn:
John Cave (french horn) (on 1955-03-04), Vincent DeRosa (on 1955-03-04), Joseph Eger (horn player) (on 1955-03-04) and Richard Perissi (on 1955-03-04)
guitar:
George van Eps (on 1955-03-04)
harp:
Kathryn Julye (on 1955-03-04)
membranophone:
Louis Singer (percussionist) (on 1955-03-04)
piano:
Bill Miller (pianist) (on 1955-03-04)
trumpet:
Harry “Sweets” Edison
violin:
Victor Bay (on 1955-03-04), Alex Beller (on 1955-03-04), Harry Bluestone (on 1955-03-04), Nathan Ross (on 1955-03-04), Mischa Russell (violinist) (on 1955-03-04), Paul Shure (on 1955-03-04), Felix Slatkin (on 1955-03-04) and Marshall Sosson (on 1955-03-04)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-03-04)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1955-03-04)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-03-04)
cover recording of:
It Never Entered My Mind (on 1955-03-04)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
12:43
17Mood Indigo
recording engineer:
John Palladino
producer:
Voyle Gilmore
celesta:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
double bass:
Phil Stephens (bass and tuba player)
drums (drum set):
Alvin Stoller
guitar:
George van Eps
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Mahlon Clark, Skeets Herfurt, Ted Nash (40s-80s US swing reedman, uncle of the other), Ted Nash (75- US saxophonist, the nephew), Irving “Babe” Russin and Champ Webb
trumpet:
Harry “Sweets” Edison
viola:
Alvin Dinkin and Eleanor Slatkin (US cellist, b. Aller)
violin:
Harry Bluestone, Mischa Russell (violinist), Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-02-16)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1955-02-16)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-02-16)
cover recording of:
Mood Indigo (1930 jazz composition and song) (on 1955-02-16)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, volume I)
2.53:32
18Glad To Be Unhappy
recording engineer:
John Palladino
producer:
Voyle Gilmore
celesta:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
double bass:
Phil Stephens (bass and tuba player)
drums (drum set):
Alvin Stoller
guitar:
George van Eps
piano:
Bill Miller (pianist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-02-08)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1955-02-08)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-02-08)
cover recording of:
Glad to Be Unhappy (on 1955-02-08)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
On Your Toes
22:38
19P.S. I Love You
producer:
Voyle Gilmore
cello:
Eleanor Slatkin (US cellist, b. Aller) (on 1956-03-08)
clarinet:
Mahlon Clark
double bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Irv Cottler
flute:
Harry Klee
French horn:
Vincent DeRosa
guitar:
George van Eps
harp:
Kathryn Julye
instruments:
The Hollywood String Quartet (on 1956-03-08)
piano:
Bill Miller (pianist)
viola:
Alvin Dinkin (on 1956-03-08)
violin:
Israel Baker (American violinist), Paul Shure (on 1956-03-08) and Felix Slatkin (on 1956-03-08)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-03-08)
conductor:
Nelson Riddle (on 1956-03-08)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-03-08)
cover recording of:
P.S. I Love You (on 1956-03-08)
lyricist:
Johnny Mercer
composer:
Gordon Jenkins
publisher:
La Salle Music Publishers, Inc., Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), The Jenkins Family Partnership, The Johnny Mercer Foundation and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
part of:
The Real Book (compilation of jazz standards, volume I)
14:25
20As Time Goes By
producer:
Dave Cavanaugh (on 1961-09-12)
bass trombone:
George Roberts (american bass trombone) (on 1961-09-12)
cello:
Joseph DiTullio (cellist) (on 1961-09-12), Edgar Lustgarten (on 1961-09-12), Kurt Reher (cellist) (on 1961-09-12) and Eleanor Slatkin (US cellist, b. Aller) (on 1961-09-12)
double bass:
Joe Comfort (on 1961-09-12)
drums (drum set):
Irv Cottler (on 1961-09-12)
French horn:
John Cave (french horn) (on 1961-09-12), Vincent DeRosa (on 1961-09-12) and Richard Perissi (on 1961-09-12)
guitar:
Al Viola (on 1961-09-12)
harp:
Veryle Brilhart (on 1961-09-12)
percussion:
Emil Richards (on 1961-09-12)
piano:
Bill Miller (pianist) (on 1961-09-12)
reeds:
Gene Cipriano (on 1961-09-12), Justin Gordon (on 1961-09-12), Harry Klee (on 1961-09-12), Ronnie Lang (on 1961-09-12), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1961-09-12), Irving “Babe” Russin (on 1961-09-12) and Wilbur Schwartz (on 1961-09-12)
trombone:
Milt Bernhart (on 1961-09-12), Dick Nash (on 1961-09-12) and Dick Noel (trombone) (on 1961-09-12)
trumpet:
Pete Candoli (on 1961-09-12), Vito N. Mangano (on 1961-09-12), Uan Rasey (on 1961-09-12) and Rubin "Zeke" Zarchy (on 1961-09-12)
viola:
Alvin Dinkin (on 1961-09-12), Virginia Majewski (violist) (on 1961-09-12), Alexander Neiman (violist) (on 1961-09-12) and Paul Robyn (on 1961-09-12)
violin:
Victor Arno (on 1961-09-12), Israel Baker (American violinist) (on 1961-09-12), Harry Bluestone (on 1961-09-12), Herman Clebanoff (on 1961-09-12), David Frisina (on 1961-09-12), Ben Gill (on 1961-09-12), Anatol Kaminsky (on 1961-09-12), Dan Lube (on 1961-09-12), Erno Neufeld (on 1961-09-12), Lou Raderman (on 1961-09-12), Nathan Ross (on 1961-09-12) and Felix Slatkin (on 1961-09-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-09-12)
orchestra:
Axel Stordahl and His Orchestra (on 1961-09-12)
conductor:
Axel Stordahl (on 1961-09-12)
arranger:
Axel Stordahl (on 1961-09-12)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1961-09-12)
cover recording of:
As Time Goes By (the song from “Casablanca”) (on 1961-09-12)
lyricist and composer:
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (ended), Chappell (library/production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) and Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
part of:
Casablanca (original soundtrack of the 1942 American film)
23:11
21Blame It On My Youth
producer:
Voyle Gilmore
cello:
Eleanor Slatkin (US cellist, b. Aller) (on 1956-04-04)
clarinet:
Mitchell Lurie (clarinetist)
double bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Irv Cottler
flute:
Harry Klee
French horn:
Vincent DeRosa
guitar:
Bob Bain (guitarist)
harp:
Kathryn Julye
instruments:
The Hollywood String Quartet (on 1956-04-04)
oboe:
Champ Webb
piano:
Bill Miller (pianist)
viola:
Alvin Dinkin (on 1956-04-04)
violin:
Paul Shure (on 1956-04-04) and Felix Slatkin (on 1956-04-04)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-04-04)
conductor:
Nelson Riddle (on 1956-04-04)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-04-04)
cover recording of:
Blame It on My Youth (on 1956-04-04)
lyricist:
Edward Heyman
composer:
Oscar Levant
publisher:
Oscar Levant Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:00
22There's A Flaw In My Flue
producer:
Voyle Gilmore
celesta and piano:
Bill Miller (pianist)
cello:
Gerald Vinci (American violinist and strings conductor)
double bass:
Sam Cheifetz (jazz bassist)
drums (drum set):
Alvin Stoller
French horn:
Vincent DeRosa
guitar:
Bob Bain (guitarist)
harp:
Kathryn Julye
instruments:
The Hollywood String Quartet (on 1956-04-05)
oboe:
Champ Webb
trumpet:
Harry “Sweets” Edison
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-04-05)
conductor:
Nelson Riddle (on 1956-04-05)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-04-05)
recording of:
There’s a Flaw in My Flue (on 1956-04-05)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
2:42
23Wait Till You See Her
producer:
Voyle Gilmore
clarinet:
Mitchell Lurie (clarinetist)
double bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Irv Cottler
flute:
Harry Klee
French horn:
Vincent DeRosa
guitar:
Bob Bain (guitarist)
harp:
Kathryn Julye
instruments:
The Hollywood String Quartet (from 1956-03 until 1956-10)
oboe:
Champ Webb
piano:
Bill Miller (pianist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (from 1956-03 until 1956-10)
conductor:
Nelson Riddle (from 1956-03 until 1956-10)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-04-04)
recording of:
Wait Till You See Her (from 1956-03 until 1956-10)
lyricist:
Lorenz Hart (in 1942)
writer:
Lorenz Hart and Richard Rodgers (composer)
composer:
Richard Rodgers (composer) (in 1942)
3:11
24I See Your Face Before Me
recording engineer:
John Palladino
producer:
Voyle Gilmore
celesta:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
double bass:
Phil Stephens (bass and tuba player)
drums (drum set):
Alvin Stoller
guitar:
George van Eps
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Mahlon Clark, Skeets Herfurt, Ted Nash (40s-80s US swing reedman, uncle of the other), Ted Nash (75- US saxophonist, the nephew), Irving “Babe” Russin and Champ Webb
trumpet:
Harry “Sweets” Edison
viola:
Alvin Dinkin and Eleanor Slatkin (US cellist, b. Aller)
violin:
Harry Bluestone, Mischa Russell (violinist), Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-02-16)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1955-02-16)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-02-16)
cover recording of:
I See Your Face Before Me (on 1955-02-16)
lyricist and composer:
Howard Dietz (librettist) and Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd. and Chappell & Co.
13:24
25The End Of A Love Affair
producer:
Voyle Gilmore
celesta and piano:
Bill Miller (pianist)
cello:
Gerald Vinci (American violinist and strings conductor) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-04-05)
double bass:
Sam Cheifetz (jazz bassist)
drums (drum set):
Alvin Stoller
French horn:
Vincent DeRosa
guitar:
Bob Bain (guitarist)
harp:
Kathryn Julye
instruments:
The Hollywood String Quartet (on 1956-04-05)
oboe:
Champ Webb
trumpet:
Harry “Sweets” Edison
viola:
Alvin Dinkin (on 1956-04-05)
violin:
Paul Shure (on 1956-04-05) and Felix Slatkin (on 1956-04-05)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-04-05)
conductor:
Nelson Riddle (on 1956-04-05)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-04-05)
cover recording of:
The End of a Love Affair (on 1956-04-05)
lyricist and composer:
Edward Redding
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
4:09