Late Night Moods

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Sunrise
recording engineer und Mix:
Jay Newland (producer, engineer and mixer)
A&R-Management:
Chris Cofoni und Eli Wolf
assistierende(r) Techniker(in):
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (sound engineer based in Austin, Texas, previously NYC) und Aya Takemura
Produzent(in):
Norah Jones und Arif Mardin
künstlerische Leitung:
Gordon H Jee
Akustikgitarre und Mandolinenbanjo:
Kevin Breit (von 2003 bis 2004)
Klavier und Sologesang [vocal]:
Norah Jones (von 2003 bis 2004)
Kontrabass [bass]:
Lee Alexander (US bassist, songwriter & producer) (von 2003 bis 2004)
Schlitztrommel:
Andrew Borger (von 2003 bis 2004)
Hintergrundgesang [backup vocal]:
Adam Levy (jazz guitarist) (von 2003 bis 2004) und Daru Oda (von 2003 bis 2004)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
aufgenommen bei:
Allaire Studios, Shokan NY in Bearsville, New York, Vereinigte Staaten, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten, Sear Sound in New York, New York, Vereinigte Staaten und Sorcerer Sound in New York, New York, Vereinigte Staaten
mixed at:
Sear Sound in New York, New York, Vereinigte Staaten
recording of:
Sunrise (von 2003 bis 2004)
Verfasser(in):
Lee Alexander (US bassist, songwriter & producer) und Norah Jones
gewidmet:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen und George Wyle
publisher:
EMI Blackwood Music Inc., Fumblethumbs Music und Muthajones Music
Norah Jones3.853:22
2Ain’t No Sunshine
recording engineer:
Bill Halverson (in 1971) und Bill Lazarus (in 1971)
Produzent(in):
Booker T. Jones
Mix:
John Golden (mastering engineer)
Akustikgitarre:
Stephen Stills (in 1971)
E-Bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1971)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1971)
Sologesang:
Bill Withers (in 1971)
Saiteninstrumente arranger:
Booker T. Jones
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1971) und Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
Teil von:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 280) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 309)
recording of:
Ain’t No Sunshine (in 1971)
Texter und Komponist(in):
Bill Withers
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) und EMI Songs Ltd.
Bill Withers4.552:05
3Nature Boy
Produzent(in):
Lee Gillette
vocals:
Nat King Cole (am 1961-03-27)
Orchester:
The Ralph Carmichael Orchestra and Chorus (am 1961-03-27)
conductor:
Ralph Carmichael (am 1961-03-27)
recording of:
Nature Boy (am 1961-03-27)
Texter und Komponist(in):
eden ahbez (in 1947)
publisher:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Nat King Cole2:55
4I Loves You Porgy
cover recording of:
I Loves You, Porgy (use this for non-operatic performances)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America und Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
Nina Simone54:04
5Roxanne
cover recording of:
Roxanne
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
publisher:
Mushroom Music (Mushroom label’s publishing company) und Virgin Music (publisher and label, only for releases with Virgin MUSIC logo)
recording of:
Roxanne
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
publisher:
Mushroom Music (Mushroom label’s publishing company) und Virgin Music (publisher and label, only for releases with Virgin MUSIC logo)
George Michael24:10
6The Closest Thing to Crazy
Techniker(in):
Steve Sale
Produzent(in):
Mike Batt
Sologesang:
Katie Melua
arranger:
Mike Batt
phonographisches Urheberrecht (℗) von:
Dramatico Entertainment Ltd. (not release label) (in 2003) und BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 2023)
recording of:
The Closest Thing to Crazy
Texter und Komponist(in):
Mike Batt
publisher:
Dramatico, Dramatico Music Publishing, Sony Music Publishing (1995–2020) und Sony/ATV Music Publishing (UK) Ltd.
Katie Melua3.54:14
7Don’t Let the Sun Catch You Crying
Produzent(in):
Rick Jarrard
Holzblasinstrumente arranger und Saiteninstrumente arranger:
George Tipton (American composer, musical arranger and conductor, born 1932)
cover recording of:
Don’t Let the Sun Catch You Crying (am 1968-01-05)
Texter:
Freddie Marsden
Komponist(in):
Les Chadwick (bassist and occasional songwriter), Les Maguire (tenor sax player, pianist, keyboardist, vocalist) und Gerry Marsden
publisher:
Dick James Music Co. Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) und Dick James Music, Inc. (USA, affiliated with BMI) (in 1964)
José Feliciano2:55
8California Dreamin’
cover recording of:
California Dreamin’
Verfasser(in):
John Phillips (The Mamas & The Papas) und Michelle Phillips
publisher:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) und Universal/MCA Music Publishing GmbH
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby Womack3.653:22
9After the Love Has Gone
Produzent(in):
Maurice White (Earth, Wind & Fire)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1979)
Samples von:
I Am von Earth, Wind & Fire (in 1979)
recording of:
After the Love Has Gone
Verfasser(in):
Bill Champlin, David Foster (Canadian music producer, arranger and composer) und Jay Graydon
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Songs Ltd., Foster Frees Music, Fozbeats Music, Garden Rake Music, Inc., Irving Music (BMI), Irving Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Ninth Music und Noted for the Record
sub-publisher:
Rondor Music (London) Ltd., Sony/ATV Music Publishing Ltd. und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Earth, Wind & Fire3.154:27
10Some Kind of Wonderful
phonographisches Urheberrecht (℗) von:
EMI Music North America (not for release label use!) (in 2003)
cover recording of:
Some Kind of Wonderful
Texter und Komponist(in):
Willie John Ellison (American/Canadian musician)
publisher:
Crash Music, Dandelion Music Company und Fermata do Brasil
Joss Stone33:58
11For the Love of You
Techniker(in):
Malcolm Cecil und Robert Margouleff
Partner-Produzent(in):
Malcolm Cecil und Robert Margouleff
Produzent(in):
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley und Chris Jasper
Interpret(in):
The Isley Brothers
arranger:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley und Chris Jasper
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
aufgenommen bei:
Kendun Recorders in Burbank, California (Kalifornien), Vereinigte Staaten
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
For the Love of You
Verfasser(in):
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley und Chris Jasper
publisher:
Bovina Music Inc. und EMI April Music Inc.
The Isley Brothers5:36
12Be Thankful for What You’ve Got
Produzent(in):
John Davis (70s US funk producer/songwriter aka The Monster) (in 1974) und Frank Fioravanti (in 1974)
arranger:
John Davis (70s US funk producer/songwriter aka The Monster) (in 1974)
phonographisches Urheberrecht (℗) von:
Roxbury (70s US soul, subsiduary of Chelsea Records) (in 1974)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 374)
recording of:
Be Thankful for What You Got
Texter und Komponist(in):
William DeVaughn
publisher:
Delicious Apple Music Corp., EMI Jemaxal Music Inc., H&R Lastrada Music, Melomega Music, Music Sales Corporation (American copyright holder in both popular and classical music) und Sony/ATV Tunes, LLC (ASCAP)
William DeVaughn4.53:32
13How Can You Mend a Broken Heart?
Produzent(in):
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
E-Bass:
Leroy Hodges
guitar family:
Mabon Hodges (“Teenie”, soul guitarist)
Orgel und Klavier:
Charles Hodges (soul organist)
Posaune:
Jack Hale (trombone)
Saxophon:
James Mitchell (US saxophonist/arranger)
Schlagzeug:
Howard Grimes und Al Jackson, Jr. (Booker T & The MGs drummer)
Tenorsaxophon:
Ed Logan
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
Hintergrundgesang:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes und Sandra Rhodes
aufgenommen bei:
Royal Studios in Memphis, Tennessee, Vereinigte Staaten
cover recording of:
How Can You Mend a Broken Heart
geschrieben in:
Kensington, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
Verfasser(in):
Barry Gibb und Robin Gibb
publisher:
Abigail Music (London) Ltd. (publisher), BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Robin Gibb Publishing Ltd., Songs of Universal, Inc. (BMI), Universal Music Careers und Universal Music Publishing International MGB Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Al Green3.76:20
14Miss Riddle
Interpret(in):
Roy Hargrove
Boz Scaggs6:27
15As Time Goes By
assistierende(r) Techniker(in):
Steve Pelluet
Techniker(in):
Mark Tucker (engineer)
zusätzliche(r) Techniker(in):
Chris Dibble (engineer) und Sven Taits
Produzent(in):
Rhett Davis (English record producer and engineer.) und Bryan Ferry
Bass:
Richard Jeffries (Bassist)
Bratsche / Viola:
Philip Dukes (classical viola soloist)
Cello:
Anthony Pleeth (cellist)
Geige / Violine:
Dave Woodcock (violinist) und Gavyn Wright (UK violinist, conductor)
Gitarre:
Nils Solberg
Harfe:
Hugh Webb (harpist)
Klavier:
Colin Good
Ondes Martenot:
Cynthia Millar (English Ondes Martenot player)
Schlagzeug:
John Sutton (drums)
vocals:
Bryan Ferry
arranger:
Bryan Ferry und Colin Good
phonographisches Urheberrecht (℗) von:
Virgin Schallplatten GmbH & Co. KG (not for release label use!) (in 1999)
aufgenommen bei und mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, Vereinigtes Königreich
cover recording of:
As Time Goes By (the song from “Casablanca”)
Texter und Komponist(in):
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (beendet), Chappell (library/production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) und Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Teil von:
Casablanca (original soundtrack of the 1942 American film)
Bryan Ferry32:36
16One for My Baby
cover recording of:
One for My Baby (and One More for the Road)
Texter:
Johnny Mercer (in 1943)
Komponist(in):
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. und Harwin Music
Teil von:
The Sky’s the Limit (1943 film)
Robbie Williams4:10
17In My Room
Techniker(in):
Chuck Britz
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
Sologesang:
Brian Wilson (Beach Boys co‐founder) (am 1963-07-16)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 209)
recording of:
In My Room (am 1963-07-16)
Texter und Komponist(in):
Gary Usher und Brian Wilson (Beach Boys co‐founder)
The Beach Boys32:13
18Cherry Blossom Girl
zusätzlich recording engineer:
Nigel Godrich (English record producer)
Produzent(in):
Air (French band)
assistierende(r) Mix:
Darrell Thorpe (record producer, mixer and engineer)
Mix:
Nigel Godrich (English record producer)
flute:
Malik Mezzadri
zusätzlich vocals:
Jessica Banks
Interpret(in):
Air (French band)
aufgenommen bei:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Revolvair Studio in Paris, Île-de-France, Frankreich
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
produced at:
Revolvair Studio in Paris, Île-de-France, Frankreich
recording of:
Cherry Blossom Girl
Texter und Komponist(in):
Jean-Benoît Dunckel und Nicolas Godin
Air3.73:42
19Soleil Soleil
Ilya4:23
20Everybody’s Talkin’
recording of:
Everybody’s Talkin’
Texter und Komponist(in):
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music und Third Story Music, Inc.
Fred Neil32:43
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