Late Night Moods

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

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#TitoloArtistaValutazioneDurata
1Sunrise
tecnico di registrazione e tecnico di missaggio:
Jay Newland (producer, engineer and mixer)
supporto artisti & repertorio (A&R):
Chris Cofoni e Eli Wolf
assistente tecnico:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (sound engineer based in Austin, Texas, previously NYC) e Aya Takemura
produttore:
Norah Jones e Arif Mardin
direzione creativa:
Gordon H Jee
chitarra acustica e banjolino :
Kevin Breit (dal 2003 al 2004)
contrabbasso [bass] :
Lee Alexander (US bassist, songwriter & producer) (dal 2003 al 2004)
pianoforte e voce principale [vocal]:
Norah Jones (dal 2003 al 2004)
tamburo a fessura :
Andrew Borger (dal 2003 al 2004)
voce di accompagnamento [backup vocal]:
Adam Levy (jazz guitarist) (dal 2003 al 2004) e Daru Oda (dal 2003 al 2004)
diritti fonografici (℗) detenuti da:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (nel 2004)
registrata presso:
Allaire Studios, Shokan NY in Bearsville, New York, Stati Uniti, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti, Sear Sound in New York, New York, Stati Uniti e Sorcerer Sound in New York, New York, Stati Uniti
mixata presso:
Sear Sound in New York, New York, Stati Uniti
registrazione di:
Sunrise (dal 2003 al 2004)
autore:
Lee Alexander (US bassist, songwriter & producer) e Norah Jones
dedicata a:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen e George Wyle
editore:
EMI Blackwood Music Inc., Fumblethumbs Music e Muthajones Music
Norah Jones3.853:22
2Ain’t No Sunshine
tecnico di registrazione:
Bill Halverson (nel 1971) e Bill Lazarus (nel 1971)
produttore:
Booker T. Jones
tecnico di missaggio:
John Golden (mastering engineer)
basso elettrico :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (nel 1971)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (nel 1971)
chitarra acustica :
Stephen Stills (nel 1971)
voce principale:
Bill Withers (nel 1971)
arrangiatore archi :
Booker T. Jones
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1971) e Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1972)
parte di:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 280) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 309)
registrazione di:
Ain’t No Sunshine (nel 1971)
paroliere e compositore:
Bill Withers
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) e EMI Songs Ltd.
Bill Withers4.552:05
3Nature Boy
produttore:
Lee Gillette
voce:
Nat King Cole (il 1961-03-27)
orchestra:
The Ralph Carmichael Orchestra and Chorus (il 1961-03-27)
direttore d'orchestra:
Ralph Carmichael (il 1961-03-27)
registrazione di:
Nature Boy (il 1961-03-27)
paroliere e compositore:
eden ahbez (nel 1947)
editore:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Nat King Cole2:55
4I Loves You Porgy
registrazione cover di:
I Loves You, Porgy (use this for non-operatic performances)
paroliere:
Ira Gershwin e DuBose Heyward
compositore:
George Gershwin (composer)
editore:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America e Gershwin Publishing Corp (nel 1935)
versione di:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
Nina Simone54:04
5Roxanne
registrazione cover di:
Roxanne
paroliere e compositore:
Sting (singer, songwriter & member of The Police)
editore:
Mushroom Music (Mushroom label’s publishing company) e Virgin Music (publisher and label, only for releases with Virgin MUSIC logo)
registrazione di:
Roxanne
paroliere e compositore:
Sting (singer, songwriter & member of The Police)
editore:
Mushroom Music (Mushroom label’s publishing company) e Virgin Music (publisher and label, only for releases with Virgin MUSIC logo)
George Michael24:10
6The Closest Thing to Crazy
tecnico:
Steve Sale
produttore:
Mike Batt
voce principale:
Katie Melua
arrangiatore:
Mike Batt
diritti fonografici (℗) detenuti da:
Dramatico Entertainment Ltd. (not release label) (nel 2003) e BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (nel 2023)
registrazione di:
The Closest Thing to Crazy
paroliere e compositore:
Mike Batt
editore:
Dramatico, Dramatico Music Publishing, Sony Music Publishing (1995–2020) e Sony/ATV Music Publishing (UK) Ltd.
Katie Melua3.54:14
7Don’t Let the Sun Catch You Crying
produttore:
Rick Jarrard
arrangiatore archi e arrangiatore legni :
George Tipton (American composer, musical arranger and conductor, born 1932)
registrazione cover di:
Don’t Let the Sun Catch You Crying (il 1968-01-05)
paroliere:
Freddie Marsden
compositore:
Les Chadwick (bassist and occasional songwriter), Les Maguire (tenor sax player, pianist, keyboardist, vocalist) e Gerry Marsden
editore:
Dick James Music Co. Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) e Dick James Music, Inc. (USA, affiliated with BMI) (nel 1964)
José Feliciano2:55
8California Dreamin’
registrazione cover di:
California Dreamin’
autore:
John Phillips (The Mamas & The Papas) e Michelle Phillips
editore:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) e Universal/MCA Music Publishing GmbH
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby Womack3.653:22
9After the Love Has Gone
produttore:
Maurice White (Earth, Wind & Fire)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1979)
campionamenti da:
I Am di Earth, Wind & Fire (nel 1979)
registrazione di:
After the Love Has Gone
autore:
Bill Champlin, David Foster (Canadian music producer, arranger and composer) e Jay Graydon
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Songs Ltd., Foster Frees Music, Fozbeats Music, Garden Rake Music, Inc., Irving Music (BMI), Irving Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Ninth Music e Noted for the Record
sub-editore:
Rondor Music (London) Ltd., Sony/ATV Music Publishing Ltd. e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Earth, Wind & Fire3.154:27
10Some Kind of Wonderful
diritti fonografici (℗) detenuti da:
EMI Music North America (not for release label use!) (nel 2003)
registrazione cover di:
Some Kind of Wonderful
paroliere e compositore:
Willie John Ellison (American/Canadian musician)
editore:
Crash Music, Dandelion Music Company e Fermata do Brasil
Joss Stone33:58
11For the Love of You
tecnico:
Malcolm Cecil e Robert Margouleff
produttore:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley e Chris Jasper
produttore associato:
Malcolm Cecil e Robert Margouleff
esecutore:
The Isley Brothers
arrangiatore:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley e Chris Jasper
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1975)
registrata presso:
Kendun Recorders in Burbank, California, Stati Uniti
mixata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti
registrazione di:
For the Love of You
autore:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley e Chris Jasper
editore:
Bovina Music Inc. e EMI April Music Inc.
The Isley Brothers5:36
12Be Thankful for What You’ve Got
produttore:
John Davis (70s US funk producer/songwriter aka The Monster) (nel 1974) e Frank Fioravanti (nel 1974)
arrangiatore:
John Davis (70s US funk producer/songwriter aka The Monster) (nel 1974)
diritti fonografici (℗) detenuti da:
Roxbury (70s US soul, subsiduary of Chelsea Records) (nel 1974)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 374)
registrazione di:
Be Thankful for What You Got
paroliere e compositore:
William DeVaughn
editore:
Delicious Apple Music Corp., EMI Jemaxal Music Inc., H&R Lastrada Music, Melomega Music, Music Sales Corporation (American copyright holder in both popular and classical music) e Sony/ATV Tunes, LLC (ASCAP)
William DeVaughn4.53:32
13How Can You Mend a Broken Heart?
produttore:
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
basso elettrico :
Leroy Hodges
batteria :
Howard Grimes e Al Jackson, Jr. (Booker T & The MGs drummer)
famiglia delle chitarre :
Mabon Hodges (“Teenie”, soul guitarist)
organo e pianoforte :
Charles Hodges (soul organist)
sassofono :
James Mitchell (US saxophonist/arranger)
sassofono tenore :
Ed Logan
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
trombone :
Jack Hale (trombone)
voce di accompagnamento:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes e Sandra Rhodes
registrata presso:
Royal Studios in Memphis, Tennessee, Stati Uniti
registrazione cover di:
How Can You Mend a Broken Heart
scritta a:
Kensington, Kensington and Chelsea, London (Greater London), England, Regno Unito
autore:
Barry Gibb e Robin Gibb
editore:
Abigail Music (London) Ltd. (publisher), BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Robin Gibb Publishing Ltd., Songs of Universal, Inc. (BMI), Universal Music Careers e Universal Music Publishing International MGB Ltd.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Al Green3.76:20
14Miss Riddle
esecutore:
Roy Hargrove
Boz Scaggs6:27
15As Time Goes By
assistente tecnico:
Steve Pelluet
tecnico:
Mark Tucker (engineer)
tecnico aggiunto:
Chris Dibble (engineer) e Sven Taits
produttore:
Rhett Davis (English record producer and engineer.) e Bryan Ferry
arpa :
Hugh Webb (harpist)
basso :
Richard Jeffries (Bassist)
batteria :
John Sutton (drums)
chitarra :
Nils Solberg
onde Martenot :
Cynthia Millar (English Ondes Martenot player)
pianoforte :
Colin Good
viola :
Philip Dukes (classical viola soloist)
violino :
Dave Woodcock (violinist) e Gavyn Wright (UK violinist, conductor)
violoncello :
Anthony Pleeth (cellist)
voce:
Bryan Ferry
arrangiatore:
Bryan Ferry e Colin Good
diritti fonografici (℗) detenuti da:
Virgin Schallplatten GmbH & Co. KG (not for release label use!) (nel 1999)
registrata presso e mixata presso:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, Regno Unito
registrazione cover di:
As Time Goes By (the song from “Casablanca”)
paroliere e compositore:
Herman Hupfeld
editore:
WB Music Corp. (1929–2019) (conclusa), Chappell (library/production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) e Warner Bros., Inc. (not for release label use!) (nel 1931)
sub-editore:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
parte di:
Casablanca (original soundtrack of the 1942 American film)
Bryan Ferry32:36
16One for My Baby
registrazione cover di:
One for My Baby (and One More for the Road)
paroliere:
Johnny Mercer (nel 1943)
compositore:
Harold Arlen (nel 1943)
editore:
Chappell/Morris Ltd. e Harwin Music
parte di:
The Sky’s the Limit (1943 film)
Robbie Williams4:10
17In My Room
tecnico:
Chuck Britz
produttore:
Brian Wilson (Beach Boys co‐founder)
voce principale:
Brian Wilson (Beach Boys co‐founder) (il 1963-07-16)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 209)
registrazione di:
In My Room (il 1963-07-16)
paroliere e compositore:
Gary Usher e Brian Wilson (Beach Boys co‐founder)
The Beach Boys32:13
18Cherry Blossom Girl
tecnico di registrazione aggiunto:
Nigel Godrich (English record producer)
produttore:
Air (French band)
assistente tecnico di missaggio:
Darrell Thorpe (record producer, mixer and engineer)
tecnico di missaggio:
Nigel Godrich (English record producer)
flauto :
Malik Mezzadri
voce aggiuntiva:
Jessica Banks
esecutore:
Air (French band)
registrata presso:
Ocean Way Recording in Hollywood, Los Angeles, California, Stati Uniti e Revolvair Studio in Paris, Île-de-France, Francia
mixata presso:
Ocean Way Recording in Hollywood, Los Angeles, California, Stati Uniti
prodotta presso:
Revolvair Studio in Paris, Île-de-France, Francia
registrazione di:
Cherry Blossom Girl
paroliere e compositore:
Jean-Benoît Dunckel e Nicolas Godin
Air3.73:42
19Soleil Soleil
Ilya4:23
20Everybody’s Talkin’
registrazione di:
Everybody’s Talkin’
paroliere e compositore:
Fred Neil
editore:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music e Third Story Music, Inc.
Fred Neil32:43
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