| # | Title | Rating | Length |
|---|
| 1 | Mass in B minor, BWV 232: Qui Sedes Ad Dexteram Patris | | 5:09 |
| 2 | Mass in B minor, BWV 232: Quoniam Tu Solus Sanctus | | 5:03 |
| 3 | Mass in B minor, BWV 232: Cum Sancto Spiritu | | 4:17 |
| 4 | Mass in B minor, BWV 232: Credo in Unum Deum | | 2:16 |
| 5 | Mass in B minor, BWV 232: Patrem Omnipotentem- producer:
- Christfried Bickenbach, Reinhard Harnacher and John Willan
- choir vocals:
- Chor des Bayerischen Rundfunks (from 1980-03-29 until 1980-04-03)
- orchestra:
- Symphonieorchester des Bayerischen Rundfunks (from 1980-03-29 until 1980-04-03)
- conductor:
- Eugen Jochum (from 1980-03-29 until 1980-04-03)
- balance engineer:
- Martin Wöhr
- phonographic copyright (℗) by:
- Warner Music UK Ltd. (in 1982)
- recorded at:
- Herkulessaal in München , Bayern , Germany (from 1980-03-29 until 1980-04-03)
- live recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (from 1980-03-29 until 1980-04-03)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
- part of:
- h-Moll-Messe, BWV 232
| | 2:05 |
| 6 | Mass in B minor, BWV 232: Et in Unum Dominum | | 5:11 |
| 7 | Mass in B minor, BWV 232: Et Incarnatus Est | | 4:29 |
| 8 | Mass in B minor, BWV 232: Cructfixus- choir vocals:
- Chor des Bayerischen Rundfunks (in 1957-12)
- orchestra:
- Symphonieorchester des Bayerischen Rundfunks (in 1957-12)
- conductor:
- Eugen Jochum (in 1957-12)
- live recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (in 1957-12)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: II. Coro “Weinen, Klagen, Sorgen, Zagen”
- part of:
- h-Moll-Messe, BWV 232
| | 4:46 |
| 9 | Mass in B minor, BWV 232: Et Resurrexit- producer:
- Christfried Bickenbach, Reinhard Harnacher and John Willan
- choir vocals:
- Chor des Bayerischen Rundfunks (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
- orchestra:
- Symphonieorchester des Bayerischen Rundfunks (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
- conductor:
- Eugen Jochum (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
- balance engineer:
- Martin Wöhr
- phonographic copyright (℗) by:
- Warner Music UK Ltd. (in 1982)
- recorded at:
- Herkulessaal in München , Bayern , Germany (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
- live recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (from 1980-03-29 until 1980-04-03)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (from 1980-03 until 1980-04)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| | 4:31 |
| 10 | Mass in B minor, BWV 232: Et in Spiritum Sanctum- producer:
- Christfried Bickenbach, Reinhard Harnacher and John Willan
- bass vocals:
- Hans Braun (from 1980-03-29 until 1980-04-03)
- orchestra:
- Symphonieorchester des Bayerischen Rundfunks (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
- conductor:
- Eugen Jochum (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
- balance engineer:
- Martin Wöhr
- phonographic copyright (℗) by:
- Warner Music UK Ltd. (in 1982)
- recorded at:
- Herkulessaal in München , Bayern , Germany (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
- live recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (from 1980-03-29 until 1980-04-03)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (from 1980-03 until 1980-04)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| | 6:21 |
| 11 | Mass in B minor, BWV 232: Confiteor | | 4:31 |
| 12 | Mass in B minor, BWV 232: Et Expecto Resurrectionem | | 2:18 |
| 13 | Mass in B minor, BWV 232: Sanctus | | 5:51 |
| 14 | Mass in B minor, BWV 232: Osanna in Excelsis- choir vocals:
- Chor des Bayerischen Rundfunks (in 1957-12)
- orchestra:
- Symphonieorchester des Bayerischen Rundfunks (in 1957-12)
- conductor:
- Eugen Jochum (in 1957-12)
- live recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (in 1957-12)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| | 3:08 |
| 15 | Mass in B minor, BWV 232: Benedictus | | 4:50 |
| 16 | Mass in B minor, BWV 232: Osanna in Excelsis- choir vocals:
- Chor des Bayerischen Rundfunks (in 1957-12)
- orchestra:
- Symphonieorchester des Bayerischen Rundfunks (in 1957-12)
- conductor:
- Eugen Jochum (in 1957-12)
- live recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (in 1957-12)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| | 3:11 |
| 17 | Mass in B minor, BWV 232: Agnus Dei | | 5:55 |
| 18 | Mass in B minor, BWV 232: Dona Nobis Pacem | | 3:13 |
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