Mass in B Minor / Mass in F

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Annotation

This appears to be the release: http://www.allmusic.com/album/release/bach-mass-in-b-minor-mass-in-f-mr0002122566 - times match etc.

Annotation last modified on 2016-11-07 06:52 UTC.

Tracklist

| |
1▼CD
#TitleRatingLength
1Mass in F, BWV 233: Kyrie
recorded in:
Switzerland (in 1965-10)
choir vocals:
Chœur Pro Arte de Lausanne (in 1965-10)
orchestra:
Kammerorchester Pro Arte München (in 1965-10)
conductor:
Kurt Redel (German flautist and conductor) (in 1965-10)
recording of:
Messe F-Dur, BWV 233: I. Coro "Kyrie eleison" (in 1965-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kyrie eleison F-Dur, BWV 233a "Christe, du Lamm Gottes"
part of:
Messe F-Dur, BWV 233
4:12
2Mass in F, BWV 233: Gloria in Excelsis
recorded in:
Switzerland (in 1965-10)
choir vocals:
Chœur Pro Arte de Lausanne (in 1965-10)
orchestra:
Kammerorchester Pro Arte München (in 1965-10)
conductor:
Kurt Redel (German flautist and conductor) (in 1965-10)
recording of:
Messe F-Dur, BWV 233: II. Coro "Gloria in excelsis Deo" (in 1965-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe F-Dur, BWV 233
6:37
3Mass in F, BWV 233: Domine Deus
recorded in:
Switzerland (in 1965-10)
bass vocals:
Hermann Prey (baritone) (in 1965-10)
orchestra:
Kammerorchester Pro Arte München (in 1965-10)
conductor:
Kurt Redel (German flautist and conductor) (in 1965-10)
recording of:
Messe F-Dur, BWV 233: III. Aria (Bass) "Domine Deus" (in 1965-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe F-Dur, BWV 233
3:53
4Mass in F, BWV 233: Qui Tollis Peccata Mundi
recorded in:
Switzerland (in 1965-10)
soprano vocals:
Agnes Giebel (soprano) (in 1965-10)
orchestra:
Kammerorchester Pro Arte München (in 1965-10)
conductor:
Kurt Redel (German flautist and conductor) (in 1965-10)
recording of:
Messe F-Dur, BWV 233: IV. Aria (Soprano) "Qui tollis peccata mundi" (in 1965-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
part of:
Messe F-Dur, BWV 233
5:16
5Mass in F, BWV 233: Quoniam Tu Solus Sanctus
recorded in:
Switzerland (in 1965-10)
violin:
Eduard Melkus (violinist) (in 1965-10)
alto vocals:
Gisela Litz (German contralto) (in 1965-10)
orchestra:
Kammerorchester Pro Arte München (in 1965-10)
conductor:
Kurt Redel (German flautist and conductor) (in 1965-10)
recording of:
Messe F-Dur, BWV 233: V. Aria (Alto) "Quoniam tu solus sanctus" (in 1965-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
part of:
Messe F-Dur, BWV 233
4:40
6Mass in F, BWV 233: Cum Sancto Spiritus
recorded in:
Switzerland (in 1965-10)
choir vocals:
Chœur Pro Arte de Lausanne (in 1965-10)
orchestra:
Kammerorchester Pro Arte München (in 1965-10)
conductor:
Kurt Redel (German flautist and conductor) (in 1965-10)
recording of:
Messe F-Dur, BWV 233: VI. Coro "Cum sancto spiritu" (in 1965-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": I. Coro "Darzu ist erschienen der Sohn Gottes"
part of:
Messe F-Dur, BWV 233
2:57
7Mass in B minor, BWV 232: Kyrie Eleison
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
12:48
8Mass in B minor, BWV 232: Christe Eleison
alto vocals:
Hertha Töpper (mezzo soprano) (in 1957-12)
soprano vocals:
Lois Marshall (soprano) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (Mass in B minor, BWV 232: Ib. Kyrie: Duet "Christe eleison") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:57
9Mass in B minor, BWV 232: Kyrie Eleison
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (Mass in B minor, BWV 232: Ic. Kyrie: Chorus "Kyrie eleison") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:59
10Mass in B minor, BWV 232: Gloria in Excelsis Deo
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
2:10
11Mass in B minor, BWV 232: Et in Terra Pax
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
4:44
12Mass in B minor, BWV 232: Laudamus Te
soprano vocals:
Lois Marshall (soprano) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:14
13Mass in B minor, BWV 232: Gratias Agimus Tibi
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (Mass in B minor, BWV 232: IId. Gloria: Chorus "Gratias agimus tibi") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:04
14Mass in B minor, BWV 232: Domine Deus
soprano vocals:
Lois Marshall (soprano) (in 1957-12)
tenor vocals:
Peter Pears (tenor) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:55
15Mass in B minor, BWV 232: Qui Tollis Peccata Mundi
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (Mass in B minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
4:17
2▼CD
#TitleRatingLength
1Mass in B minor, BWV 232: Qui Sedes Ad Dexteram Patris
alto vocals:
Hertha Töpper (mezzo soprano) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:09
2Mass in B minor, BWV 232: Quoniam Tu Solus Sanctus
bass vocals:
Kim Borg (operatic bass) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (Mass in B minor, BWV 232: IIh. Gloria: Aria "Quoniam tu solus Sanctus") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:03
3Mass in B minor, BWV 232: Cum Sancto Spiritu
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
4:17
4Mass in B minor, BWV 232: Credo in Unum Deum
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
2:16
5Mass in B minor, BWV 232: Patrem Omnipotentem
producer:
Christfried Bickenbach, Reinhard Harnacher and John Willan (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1980-03-29 until 1980-04-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1980-03-29 until 1980-04-03)
conductor:
Eugen Jochum (conductor) (from 1980-03-29 until 1980-04-03)
balance engineer:
Martin Wöhr
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1980-03-29 until 1980-04-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (from 1980-03-29 until 1980-04-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
2:05
6Mass in B minor, BWV 232: Et in Unum Dominum
alto vocals:
Hertha Töpper (mezzo soprano) (in 1957-12)
soprano vocals:
Lois Marshall (soprano) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:11
7Mass in B minor, BWV 232: Et Incarnatus Est
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
4:29
8Mass in B minor, BWV 232: Cructfixus
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: II. Coro “Weinen, Klagen, Sorgen, Zagen”
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
4:46
9Mass in B minor, BWV 232: Et Resurrexit
producer:
Christfried Bickenbach, Reinhard Harnacher and John Willan (producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
conductor:
Eugen Jochum (conductor) (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
balance engineer:
Martin Wöhr
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (from 1980-03-29 until 1980-04-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (from 1980-03 until 1980-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
4:31
10Mass in B minor, BWV 232: Et in Spiritum Sanctum
producer:
Christfried Bickenbach, Reinhard Harnacher and John Willan (producer)
bass vocals:
Hans Braun (baritone) (from 1980-03-29 until 1980-04-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
conductor:
Eugen Jochum (conductor) (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
balance engineer:
Martin Wöhr
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1980-03 until 1980-04, from 1980-03-29 until 1980-04-03)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (from 1980-03-29 until 1980-04-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (from 1980-03 until 1980-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
6:21
11Mass in B minor, BWV 232: Confiteor
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
4:31
12Mass in B minor, BWV 232: Et Expecto Resurrectionem
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
2:18
13Mass in B minor, BWV 232: Sanctus
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:51
14Mass in B minor, BWV 232: Osanna in Excelsis
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:08
15Mass in B minor, BWV 232: Benedictus
tenor vocals:
Peter Pears (tenor) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
4:50
16Mass in B minor, BWV 232: Osanna in Excelsis
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:11
17Mass in B minor, BWV 232: Agnus Dei
alto vocals:
Hertha Töpper (mezzo soprano) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:55
18Mass in B minor, BWV 232: Dona Nobis Pacem
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:13