Mass in B Minor / Mass in F

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Annotation

This appears to be the release: http://www.allmusic.com/album/release/bach-mass-in-b-minor-mass-in-f-mr0002122566 - times match etc.

Annotation last modified on 2016-11-07 06:52 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Mass in F, BWV 233: Kyrie
recorded in:
Switzerland (in 1965-10)
choir vocals:
Chœur Pro Arte de Lausanne (in 1965-10)
orchestra:
Kammerorchester Pro Arte München (in 1965-10)
conductor:
Kurt Redel (German flautist and conductor) (in 1965-10)
recording of:
Messe F-Dur, BWV 233: I. Coro "Kyrie eleison" (in 1965-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kyrie eleison F-Dur, BWV 233a "Christe, du Lamm Gottes"
part of:
Messe F-Dur, BWV 233
4:12
2Mass in F, BWV 233: Gloria in Excelsis
recorded in:
Switzerland (in 1965-10)
choir vocals:
Chœur Pro Arte de Lausanne (in 1965-10)
orchestra:
Kammerorchester Pro Arte München (in 1965-10)
conductor:
Kurt Redel (German flautist and conductor) (in 1965-10)
recording of:
Messe F-Dur, BWV 233: II. Coro "Gloria in excelsis Deo" (in 1965-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe F-Dur, BWV 233
6:37
3Mass in F, BWV 233: Domine Deus
recorded in:
Switzerland (in 1965-10)
bass vocals:
Hermann Prey (baritone) (in 1965-10)
orchestra:
Kammerorchester Pro Arte München (in 1965-10)
conductor:
Kurt Redel (German flautist and conductor) (in 1965-10)
recording of:
Messe F-Dur, BWV 233: III. Aria (Bass) "Domine Deus" (in 1965-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe F-Dur, BWV 233
3:53
4Mass in F, BWV 233: Qui Tollis Peccata Mundi
recorded in:
Switzerland (in 1965-10)
soprano vocals:
Agnes Giebel (soprano) (in 1965-10)
orchestra:
Kammerorchester Pro Arte München (in 1965-10)
conductor:
Kurt Redel (German flautist and conductor) (in 1965-10)
recording of:
Messe F-Dur, BWV 233: IV. Aria (Soprano) "Qui tollis peccata mundi" (in 1965-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
part of:
Messe F-Dur, BWV 233
5:16
5Mass in F, BWV 233: Quoniam Tu Solus Sanctus
recorded in:
Switzerland (in 1965-10)
violin:
Eduard Melkus (violinist) (in 1965-10)
alto vocals:
Gisela Litz (German contralto) (in 1965-10)
orchestra:
Kammerorchester Pro Arte München (in 1965-10)
conductor:
Kurt Redel (German flautist and conductor) (in 1965-10)
recording of:
Messe F-Dur, BWV 233: V. Aria (Alto) "Quoniam tu solus sanctus" (in 1965-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
part of:
Messe F-Dur, BWV 233
4:40
6Mass in F, BWV 233: Cum Sancto Spiritus
recorded in:
Switzerland (in 1965-10)
choir vocals:
Chœur Pro Arte de Lausanne (in 1965-10)
orchestra:
Kammerorchester Pro Arte München (in 1965-10)
conductor:
Kurt Redel (German flautist and conductor) (in 1965-10)
recording of:
Messe F-Dur, BWV 233: VI. Coro "Cum sancto spiritu" (in 1965-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": I. Coro "Darzu ist erschienen der Sohn Gottes"
part of:
Messe F-Dur, BWV 233
2:57
7Mass in B minor, BWV 232: Kyrie Eleison
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
12:48
8Mass in B minor, BWV 232: Christe Eleison
alto vocals:
Hertha Töpper (mezzo soprano) (in 1957-12)
soprano vocals:
Lois Marshall (soprano) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (Mass in B minor, BWV 232: Ib. Kyrie: Duet "Christe eleison") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:57
9Mass in B minor, BWV 232: Kyrie Eleison
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (Mass in B minor, BWV 232: Ic. Kyrie: Chorus "Kyrie eleison") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:59
10Mass in B minor, BWV 232: Gloria in Excelsis Deo
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
2:10
11Mass in B minor, BWV 232: Et in Terra Pax
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
4:44
12Mass in B minor, BWV 232: Laudamus Te
soprano vocals:
Lois Marshall (soprano) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:14
13Mass in B minor, BWV 232: Gratias Agimus Tibi
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (Mass in B minor, BWV 232: IId. Gloria: Chorus "Gratias agimus tibi") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:04
14Mass in B minor, BWV 232: Domine Deus
soprano vocals:
Lois Marshall (soprano) (in 1957-12)
tenor vocals:
Peter Pears (tenor) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:55
15Mass in B minor, BWV 232: Qui Tollis Peccata Mundi
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1957-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1957-12)
conductor:
Eugen Jochum (conductor) (in 1957-12)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (Mass in B minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi") (in 1957-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
4:17
2▶CD