| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Baby, Now That I’ve Found You | The Foundations | 4 | 2:37 |
| 2 | (If Paradise Is) Half as Nice | Amen Corner | | 2:46 |
| 3 | Diane | The Bachelors | | 2:32 |
| 4 | Michelle | The Overlanders | | 2:22 |
| 5 | Silence Is Golden | The Tremeloes | | 3:08 |
| 6 | Unchained Melody- Techniker(in):
- Larry Levine
- Produzent(in):
- Phil Spector
- Solo Sologesang:
- Bobby Hatfield (in 1965-03)
- arranger:
- Jack Nitzsche
- phonographisches Urheberrecht (℗) von:
- Spectrum Music , PolyGram Records, Inc. (in 1965, in 1968) und Universal Records (in 1966)
- aufgenommen bei:
- Radio Recorders Studios in West Hollywood, California , Vereinigte Staaten (in 1965-03)
- Teil von:
- The Co-Op: Top 10 British Funeral Songs (Nummer: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 269) und Rolling Stone: 500 Greatest Songs of All Time (Nummer: 366)
- cover recording of:
- Unchained Melody (in 1965-03)
- publisher:
- Hy Zaret
- Texter:
- Hy Zaret
- Komponist(in):
- Alex North
- publisher:
- Frank Music Corp. (beendet), HZUM Publishing, MPL Communication Ltd. , MPL Communications Australia, MPL Musik Verlags GmbH , North Melody Publishing und Unchained Melody Publishing, LLC
- sub-publisher:
- 日音 Synch事業部
- Teil von:
- The 28th Academy Award for Best Original Song (Nummer: 2)
| The Righteous Brothers | 3 | 3:38 |
| 7 | Make It Easy on Yourself | The Walker Brothers | 5 | 3:13 |
| 8 | This Is My Song | Petula Clark | 5 | 3:17 |
| 9 | Let the Heartaches Begin | Long John Baldry | | 3:13 |
| 10 | Juliet | The Four Pennies | | 2:22 |
| 11 | The Legend of Xanadu | Dave Dee, Dozy, Beaky, Mick & Tich | | 3:34 |
| 12 | Down Down | Status Quo | | 5:22 |
| 13 | Maggie May- Bearbeitung von:
- Maggie May von Rod Stewart
- recording of:
- Maggie May (in 1971)
- publisher:
- Rod Stewart
- Verfasser(in):
- Mike Peters, Martin Quittenton und Rod Stewart
- publisher:
- Chappell Music Ltd., Copyright Control , EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing , EMI Music Publishing Ltd. , H. G. Music Inc, Mushroom Music , Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell und Warner Chappell Music
| Rod Stewart | 3 | 3:43 |
| 14 | Matchstalk Men… | Brian and Michael | | 4:25 |
| 15 | I’d Like to Teach the World to Sing (in Perfect Harmony) | The New Seekers | 3.65 | 2:21 |
| 16 | King of the Road | Roger Miller | 4.5 | 2:27 |
| 17 | It Doesn’t Matter Anymore | Buddy Holly | | 2:06 |
| 18 | That’ll Be the Day- Produzent(in):
- Norman Petty
- Bass:
- Joe B. Mauldin
- Gitarre:
- Niki Sullivan
- Gitarre [lead guitar] und Sologesang:
- Buddy Holly (am 1957-02-25)
- Gitarre [rhythm guitar]:
- Buddy Holly (am 1957-02-25) und Niki Sullivan (am 1957-02-25)
- Kontrabass:
- Larry Welborn (am 1957-02-25)
- Schlagzeug:
- Jerry Allison (am 1957-02-25)
- Hintergrundgesang:
- June Clark (am 1957-02-25), Gary Tollett (am 1957-02-25), Niki Sullivan (am 1957-02-25) und Ramona Tollett (am 1957-02-25)
- Sprecher [dialogue]:
- Wolfman Jack
- phonographisches Urheberrecht (℗) von:
- Geffen Records (in 1957) und MCA Records, Inc. (in 1957)
- aufgenommen bei:
- Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-02-25)
- recording of:
- That’ll Be the Day (am 1957-02-25)
- Verfasser(in):
- Jerry Allison, Buddy Holly und Norman Petty
- publisher:
- MPL Communications Inc. , Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music , Wren Music Co. und MPL Communications (in 1976)
| The Crickets | 4.6 | 2:16 |
| 19 | One Day at a Time | Lena Martell | | 3:14 |
| 20 | Release Me (and Let Me Love Again) | Engelbert Humperdinck | | 3:20 |