Total No. 1s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Baby, Now That I’ve Found You
registrazione di:
Baby Now That I’ve Found You (nel 1967)
paroliere e compositore:
Tony Macaulay e John MacLeod (producer & songwriter, partner of Tony Macaulay)
editore:
ATV Music Ltd., Belmont (publisher), BMG Music Pub. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Sony/ATV Music Pub. Ltd.
The Foundations42:37
2(If Paradise Is) Half as Nice
Amen Corner2:46
3Diane
The Bachelors2:32
4Michelle
diritti fonografici (℗) detenuti da:
Northern Songs Ltd. (nel 1965)
registrazione cover di:
Michelle (nel 1965-12)
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
Northern Songs Ltd. e Sony/ATV Music Publishing LLC (1995–2020)
The Overlanders2:22
5Silence Is Golden
The Tremeloes3:08
6Unchained Melody
tecnico:
Larry Levine
produttore:
Phil Spector
voce principale solista:
Bobby Hatfield (nel 1965-03)
arrangiatore:
Jack Nitzsche (American musician and score composer)
diritti fonografici (℗) detenuti da:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965, nel 1968) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1966)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (nel 1965-03)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 269) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 366)
registrazione cover di:
Unchained Melody (nel 1965-03)
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
The Righteous Brothers33:38
7Make It Easy on Yourself
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965)
registrazione cover di:
Make It Easy on Yourself
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) e MCA Music Ltd.
The Walker Brothers53:13
8This Is My Song
registrazione di:
This Is My Song
paroliere e compositore:
Charlie Chaplin (filmmaker) (nel 1966)
editore:
Leeds Music e MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
parte di:
A Countess From Hong Kong
Petula Clark53:17
9Let the Heartaches Begin
Long John Baldry3:13
10Juliet
registrazione di:
Juliet (1964 song by the Four Pennies)
autore:
Fritz Fryer, Lionel Morton (member of the Four Pennies) e Mike Wilsh
editore:
Flamingo Music
The Four Pennies2:22
11The Legend of Xanadu
registrazione di:
The Legend of Xanadu
autore:
Alan Blaikley e Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
Dave Dee, Dozy, Beaky, Mick & Tich3:34
12Down Down
Status Quo5:22
13Maggie May
edit di:
Maggie May (without “Henry” prelude) di Rod Stewart
registrazione di:
Maggie May (nel 1971)
editore:
Rod Stewart
autore:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) e Rod Stewart
editore:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Rod Stewart33:43
14Matchstalk Men…
registrazione di:
Matchstalk Men and Matchstalk Cats and Dogs
autore:
Brian Burke e Michael Coleman (Chicago blues guitarist)
Brian and Michael4:25
15I’d Like to Teach the World to Sing (in Perfect Harmony)
produttore:
David Mackay (Australian producer, arranger, musical director)
voce:
Eve Graham
arrangiatore:
David Mackay (Australian producer, arranger, musical director)
registrazione di:
I’d Like to Teach the World to Sing
autore:
Bill Backer, Roger Cook (US‐based British singer, songwriter and producer), Roquel Davis e Roger Greenaway
editore:
PolyGram Music Publishing
versione di:
I’d Like to Buy the World a Coke (original commercial jingle off which “I’d Like to Teach the World to Sing” was based)
The New Seekers3.652:21
16King of the Road
registrata a:
Tennessee, Stati Uniti (il 1964-11-03)
produttore:
Jerry Kennedy (il 1964-11-03)
voce:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (il 1964-11-03)
diritti fonografici (℗) detenuti da:
Smash (nel 1965)
registrazione di:
King of the Road (il 1964-11-03)
paroliere:
Roger Miller (US singer/songwriter/actor, “King of the Road”)
compositore:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (nel 1964)
editore:
Burlington Music Co., Ltd.
Roger Miller4.52:27
17It Doesn’t Matter Anymore
registrazione di:
It Doesn’t Matter Anymore
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) e Robert Mellin Ltd.
Buddy Holly2:06
18That’ll Be the Day
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer)
batteria :
Jerry Allison (il 1957-02-25)
chitarra :
Niki Sullivan
chitarra [lead guitar] e voce principale:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-02-25)
chitarra [rhythm guitar] :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-02-25) e Niki Sullivan (il 1957-02-25)
contrabbasso :
Larry Welborn (il 1957-02-25)
voce di accompagnamento:
June Clark (background vocals for The Crickets) (il 1957-02-25), Gary Tollett (il 1957-02-25), Niki Sullivan (il 1957-02-25) e Ramona Tollett (il 1957-02-25)
voce parlata [dialogue]:
Wolfman Jack (US disc jockey)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-02-25)
registrazione di:
That’ll Be the Day (il 1957-02-25)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. e MPL Communications (not for release label use! Paul McCartney-related, London-based company) (nel 1976)
The Crickets4.62:16
19One Day at a Time
Lena Martell3:14
20Release Me (and Let Me Love Again)
Engelbert Humperdinck3:20

Accreditamenti

Pubblicazione

ASIN:UK: B002WHQAJO [info]