Luciano Pavarotti - The Complete Opera Recordings

~ Release by Luciano Pavarotti (see all versions of this release, 1 available)

Annotation

Collection of 101 discs (95 CDs, 6 Blu-Ray Audio) of Pavarotti's complete opera recordings for Decca Classics.

Annotation last modified on 2020-03-18 00:46 UTC.

Tracklist

1▶CD: Bellini: Beatrice di Tenda (I)
2▶CD: Bellini: Beatrice di Tenda (II)
3▶CD: Donizetti: La fille du régiment (I)
4▶CD: Donizetti: La fille du régiment (II)
5▶CD: Verdi: Messa da Requiem
6▶CD: Mascagni: L'amico Fritz (I)
7▶CD: Mascagni: L'amico Fritz (II)
8▶CD: R. Strauss: Der Rosenkavalier (I)
9▶CD: R. Strauss: Der Rosenkavalier (II)
10▶CD: R. Strauss: Der Rosenkavalier (III)
11▶CD: Donizetti: L'elisir d'amore (I)
12▶CD: Donizetti: L'elisir d'amore (II)
13▶CD: Verdi: Un ballo in maschera (I)
14▶CD: Verdi: Un ballo in maschera (II)
15▶CD: Verdi: Macbeth (I)
16▶CD: Verdi: Macbeth (II)
17▶CD: Rossini: Stabat Mater
18▶CD: Verdi: Rigoletto (I)
19▶CD: Verdi: Rigoletto (II)
20▶CD: Donizetti: Lucia di Lammermoor (I)
21▶CD: Donizetti: Lucia di Lammermoor (II)
22▶CD: Puccini: Turandot (I)
23▶CD: Puccini: Turandot (II)
24▶CD: Puccini: La bohème (I)
25▶CD: Puccini: La bohème (II)
26▶CD: Bellini: I puritani (I)
27▶CD: Bellini: I puritani (II)
28▶CD: Bellini: I puritani (III)
29▶CD: Puccini: Madama Butterfly (I)
30▶CD: Puccini: Madama Butterfly (II)
31▶CD: Donizetti: La favorita (I)
32▶CD: Donizetti: La favorita (II)
33▶CD: Donizetti: Maria Stuarda (I)
34▶CD: Donizetti: Maria Stuarda (II)
35▶CD: Verdi: Luisa Miller (I)
36▶CD: Verdi: Luisa Miller (II)
37▶CD: Mascagni: Cavalleria rusticana
38▶CD: Leoncavalla: Pagliacci
39▶CD: Verdi: Il trovatore (I)
40▶CD: Verdi: Il trovatore (II)
41▶CD: Puccini: Tosca (I)
42▶CD: Puccini: Tosca (II)
43▶CD: Rossini: Petite messe solennelle
44▶CD: Rossini: Petite messe solennelle (cont.) / Donizetti: Requiem
45▶CD: Rossini: Guglielmo Tell (I)
46▶CD: Rossini: Guglielmo Tell (II)
47▶CD: Rossini: Guglielmo Tell (III)
48▶CD: Rossini: Guglielmo Tell (IV)
49▶CD: Verdi: La traviata (I)
50▶CD: Verdi: La traviata (II)
51▶CD: Bellini: La sonnambula (I)
52▶CD: Bellini: La sonnambula (II)
53▶CD: Ponchielli: La Gioconda (I)
54▶CD: Ponchielli: La Gioconda (II)
55▶CD: Ponchielli: La Gioconda (III)
56▶CD: Boito: Mefistofele (I)
57▶CD: Boito: Mefistofele (II)
58▶CD: Verdi: Un ballo in maschera (I)
59▶CD: Verdi: Un ballo in maschera (II)
60▶CD: Giordano: Andrea Chénier (I)
61▶CD: Giordano: Andrea Chénier (II)
62▶CD: Mozart: Idomeneo (I)
63▶CD: Mozart: Idomeneo (II)
64▶CD: Mozart: Idomeneo (III)
65▶CD: Bellini: Norma (I)
66▶CD: Bellini: Norma (II)
67▶CD: Bellini: Norma (III)
68▶CD: Verdi: Aida (I)
69▶CD: Verdi: Aida (II)
70▶CD: Verdi: Aida (III)
71▶CD: Verdi: Ernani (I)
72▶CD: Verdi: Ernani (II)
73▶CD: Berlioz: Requiem
74▶CD: Verdi: Rigoletto (I)
75▶CD: Verdi: Rigoletto (II)
76▶CD: Donizetti: L'elisir d'amore (I)
77▶CD: Donizetti: L'elisir d'amore (II)
78▶CD: Verdi: Il trovatore (I)
79▶CD: Verdi: Il trovatore (II)
80▶CD: Verdi: Otello (I)
81▶CD: Verdi: Otello (II)
82▶CD: Verdi: La traviata (I)
83▶CD: Verdi: La traviata (II)
84▶CD: Leoncavallo: Pagliacci
85▶CD: Puccini: Manon Lescaut (I)
86▶CD: Puccini: Manon Lescaut (II)
87▼CD: Verdi: Don Carlo (I)
#TitleArtistRatingLength
1Don Carlo: Atto I, scena 1. “Carlo il sommo” (Coro, frate)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass vocals [Un frate]:
Andrea Silvestrelli (operatic bass) (in 1992-12)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto I, scena 1. N°1 “Carlo il sommo imperatore” … “Ei voleva regnare sul mondo” (Frati, un frate) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi5:49
2Don Carlo: Atto I, scena 1. “Io l'ho perduta” (Carlo)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1992-12)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
partial recording of:
Don Carlo: Atto I, scena 1. N°2 “Io l’ho perduta!” … “Io la vidi e il suo sorriso” (Carlo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:36
3Don Carlo: Atto I, scena 1. “Io la vidi” (Carlo)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
partial recording of:
Don Carlo: Atto I, scena 1. N°2 “Io l’ho perduta!” … “Io la vidi e il suo sorriso” (Carlo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:41
4Don Carlo: Atto I, scena 1. “Io duolo della terra” (Frate, Carlo)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass vocals [Un frate]:
Andrea Silvestrelli (operatic bass) (in 1992-12)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto I, scena 1. N°2 “Il duolo della terra” (Al chiostro di San Giusto) (Un frate, Carlo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi0:54
5Don Carlo: Atto I, scena 1. “È lui!... desso!” (Rodrigo, Carlo)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass-baritone vocals [Rodrigo, Marchese di Posa]:
Paolo Coni (Baritone) (in 1992-12)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
partial recording of:
Don Carlo: Atto I, scena 1. N°3 “È lui! desso! l’infante!” … “Questo arcano dal Re non fu sorpreso ancora?” (Rodrigo, Carlo, Coro, un frate) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:42
6Don Carlo: Atto I, scena 1. “Questo arcano dal Re” (Rodrigo, Carlo)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass-baritone vocals [Rodrigo, Marchese di Posa]:
Paolo Coni (Baritone) (in 1992-12)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
partial recording of:
Don Carlo: Atto I, scena 1. N°3 “È lui! desso! l’infante!” … “Questo arcano dal Re non fu sorpreso ancora?” (Rodrigo, Carlo, Coro, un frate) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:11
7Don Carlo: Atto I, scena 1. “Dio che nell'alma” (Carlo, Rodrigo, Coro, Frate)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass-baritone vocals [Rodrigo, Marchese di Posa]:
Paolo Coni (Baritone) (in 1992-12)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1992-12)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto I, scena 1. N°4 “Dio, che nell’alma infondere amor …” (Carlo, Rodrigo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:13
8Don Carlo: Atto I, scena 2. “Sotto ai folti” (Coro, Tebaldo, Eboli)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1992-12)
mezzo-soprano vocals [La Principessa d'Eboli]:
Luciana d'Intino (mezzo-soprano) (in 1992-12)
soprano vocals [Tebaldo]:
Marilena Laurenza (soprano) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto I, scena 2. N°5 “Sotto ai folti, immensi abeti” (Le dame, Eboli, Tebaldo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:25
9Don Carlo: Atto I, scena 2. “Tra queste mura pie” (Coro, Tebaldo, Eboli)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1992-12)
mezzo-soprano vocals [La Principessa d'Eboli]:
Luciana d'Intino (mezzo-soprano) (in 1992-12)
soprano vocals [Tebaldo]:
Marilena Laurenza (soprano) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto I, scena 2. N°5 “Tra queste mura pie la Regina di Spagna" (Eboli, Coro di donne) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi0:47
10Don Carlo: Atto I, scena 2. “Nei giardin del bello” (Coro, Tebaldo, Eboli)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1992-12)
mezzo-soprano vocals [La Principessa d'Eboli]:
Luciana d'Intino (mezzo-soprano) (in 1992-12)
soprano vocals [Tebaldo]:
Marilena Laurenza (soprano) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto I, scena 2. N°6 “Nei giardin del bello saracin ostello” (Canzone del velo) (Eboli, Tebaldo, Coro di donne) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:40
11Don Carlo: Atto I, scena 2. “La Regina!” (Coro, Eboli, Elisabetta, Tebaldo, Rodrigo)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1992-12)
mezzo-soprano vocals [La Principessa d'Eboli]:
Luciana d'Intino (mezzo-soprano) (in 1992-12)
soprano vocals [Elisabetta di Valois]:
Daniela Dessì (soprano) (in 1992-12)
soprano vocals [Tebaldo]:
Marilena Laurenza (soprano) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto I, scena 2. N°7 “La Regina! – Un arcana mestizia” (Le dame, Eboli, Elisabetta, Tebaldo, Rodrigo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:52
12Don Carlo: Atto I, scena 2. “Che mai si fa nel francese” (Eboli, Rodrigo, Elisabetta)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass-baritone vocals [Rodrigo, Marchese di Posa]:
Paolo Coni (Baritone) (in 1992-12)
mezzo-soprano vocals [La Principessa d'Eboli]:
Luciana d'Intino (mezzo-soprano) (in 1992-12)
soprano vocals [Elisabetta di Valois]:
Daniela Dessì (soprano) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto I, scena 2. N°8 “Che mai si fa nel suol francese” (Eboli, Rodrigo, Elisabetta) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:55
13Don Carlo: Atto I, scena 2. “Carlo ch'è sol il nostro amore” (Eboli, Rodrigo, Elisabetta)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass-baritone vocals [Rodrigo, Marchese di Posa]:
Paolo Coni (Baritone) (in 1992-12)
mezzo-soprano vocals [La Principessa d'Eboli]:
Luciana d'Intino (mezzo-soprano) (in 1992-12)
soprano vocals [Elisabetta di Valois]:
Daniela Dessì (soprano) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto I, scena 2. N°8 Romanza di Rodrigo “Carlo ch’è sol il nostro amore” (Rodrigo, Eboli, Elisabetta) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:53
14Don Carlo: Atto I, scena 2. “Io vengo a domandar” (Carlo, Elisabetta)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
soprano vocals [Elisabetta di Valois]:
Daniela Dessì (soprano) (in 1992-12)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto I, scena 2. N°9 “Io vengo a domandar” (Carlo, Elisabetta) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
translator:
Achille de Lauzières
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi3:59
15Don Carlo: Atto I, scena 2. “Perduto ben, mio sol tresor” (Carlo, Elisabetta)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
soprano vocals [Elisabetta di Valois]:
Daniela Dessì (soprano) (in 1992-12)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto I, scena 2. N°9 “Perduto ben, mio sol tesor” … “Sotto il mio piè dischiudasi la terra” (Carlo, Elisabetta) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:29
16Don Carlo: Atto I, scena 2. “Oh! Carlo!” (Carlo, Elisabetta)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
soprano vocals [Elisabetta di Valois]:
Daniela Dessì (soprano) (in 1992-12)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto I, scena 2. N°9 “Oh, Carlo oh Carlo” (Elisabetta, Carlo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:08
17Don Carlo: Atto I, scena 2. “Il Re!...Perché sola è la Regina?” (Tebaldo, Filippo, Coro)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass vocals [Filippo II]:
Samuel Ramey (bass-baritone) (in 1992-12)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1992-12)
soprano vocals [Tebaldo]:
Marilena Laurenza (soprano) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto I, scena 2. N°10 “Il Re!… Perché sola è la Regina?” (Tebaldo, Filippo, Coro) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:23
18Don Carlo: Atto I, scena 2. “Non pianger, mia compagna” (Elisabetta, Rodrigo, Filippo, Coro)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass vocals [Filippo II]:
Samuel Ramey (bass-baritone) (in 1992-12)
bass-baritone vocals [Rodrigo, Marchese di Posa]:
Paolo Coni (Baritone) (in 1992-12)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1992-12)
soprano vocals [Elisabetta di Valois]:
Daniela Dessì (soprano) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto I, scena 2. N°11 “Non pianger, mia compagna” (Elisabetta, Rodrigo, Coro, Filippo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:33
19Don Carlo: Atto I, scena 2. “Restate!...Presso alla mia personna” (Filippo, Rodrigo)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass vocals [Filippo II]:
Samuel Ramey (bass-baritone) (in 1992-12)
bass-baritone vocals [Rodrigo, Marchese di Posa]:
Paolo Coni (Baritone) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto I, scena 2. N°12. “Restate! Presso alla mia persona” (Filippo, Rodrigo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:16
20Don Carlo: Atto I, scena 2. “O signor, di Fiandra arrivo” (Filippo, Rodrigo)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass vocals [Filippo II]:
Samuel Ramey (bass-baritone) (in 1992-12)
bass-baritone vocals [Rodrigo, Marchese di Posa]:
Paolo Coni (Baritone) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto I, scena 2. N°13 “O signor, di Fiandra arrivo” (Filippo, Rodrigo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi3:18
21Don Carlo: Atto I, scena 2. “Quest'è la pace que voi date al mondo” (Filippo, Rodrigo)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass vocals [Filippo II]:
Samuel Ramey (bass-baritone) (in 1992-12)
bass-baritone vocals [Rodrigo, Marchese di Posa]:
Paolo Coni (Baritone) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto I, scena 2. N°13 “Quest’è la pace che voi date al mondo?” (Filippo, Rodrigo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi3:49
22Don Carlo: Atto I, scena 2. “Osò lo sguardo to penetrar il mio soglio” (Filippo, Rodrigo)
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass vocals [Filippo II]:
Samuel Ramey (bass-baritone) (in 1992-12)
bass-baritone vocals [Rodrigo, Marchese di Posa]:
Paolo Coni (Baritone) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto I, scena 2. N°13 “Osò lo sguardo tuo penetrar il mio soglio” (Filippo, Rodrigo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:10
88▶CD: Verdi: Don Carlo (II)
89▶CD: Verdi: Don Carlo (III)
90▶CD: Verdi: Rigoletto (I)
91▶CD: Verdi: Rigoletto (II)
92▶CD: Verdi: I Lombardi (I)
93▶CD: Verdi: I Lombardi (II)
94▶Blu-ray: Donizetti: L'elisir d'amore
95▶Blu-ray: Verdi: Rigoletto
96▶Blu-ray: Donizetti: Lucia di Lammermoor
97▶Blu-ray: Puccini: Turandot
98▶Blu-ray: Puccini: La bohème
99▶Blu-ray: Puccini: Madama Butterfly
100▶CD: Puccini: La bohème (I)
101▶CD: Puccini: La bohème (II)

Credits

Release group

includes:La sonnambula (1980 studio cast) by Vincenzo Bellini (Sicilian opera composer); Joan Sutherland (soprano), Luciano Pavarotti (tenor), Nicolaï Ghiaurov (operatic bass), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Richard Bonynge (conductor and pianist)
Un ballo in maschera (1982–83 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Luciano Pavarotti (tenor), Margaret Price (soprano), Renato Bruson (baritone), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Sir Georg Solti (conductor)
standalone website:https://www.deccaclassics.com/en/cat/4832417 [info]