The Complete Riverside Recordings

~ Pubblicazione di Bill Evans (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Remastered at Fantasy Studios (Berkeley); Summer 1984.

#1-1 to #3-9: recorded at Reeves Sound Studios
#3-10 to #5-2: recorded at Bell Sound Studios
#5-3 to #7-5: recorded in performance at The Village Vanguard (New York City)
#7-6 to #7-9: recorded at Plaza Sound Studios
#7-10 to to #8-13, #10-5 to #11-7: recorded at Sound Makers
#9-1 to #10-4: recorded at Nola Penthouse Sound Studios
#11-8 to #12-13: recorded in performance at Shelly's Manne-Hole (Hollywood)

Covers 20 recording sessions from 1956-63. 151 performances in chronological order, including the existing output of the 1961 Village Vanguard session as well as 17 selections from a previously unissued solo studio session and seven other unreleased items. Ranging from solo to quintet, this collection also features such artists as Cannonball Adderley, Freddie Hubbard, Philly Joe Jones, Jim Hall, Percy Heath, Paul Chambers, Ron Carter, Zoot Sims, and Scott LaFaro.

The box set is LP cover size with 3 jewel cases of 4 CDs each.

Contains a 32-page illustrated booklet that includes rare photographs, full discographical details, an appreciation of Evans by noted critic Martin Williams, and personnal commentary on each session by producer Orrin Keepnews.

Annotazione modificata l'ultima volta il 2023-11-05 19:39 UTC.

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#TitoloValutazioneDurata
1'Round Midnight
tecnico di registrazione:
Wally Heider (il 1963-05-30)
basso :
Chuck Israels (il 1963-05-30)
batteria :
Larry Bunker (il 1963-05-30)
pianoforte :
Bill Evans (pianist) (il 1963-05-30)
registrata presso:
Shelly’s Manne Hole in Hollywood, Los Angeles, California, Stati Uniti (il 1963-05-30)
registrazione dal vivo strumentale cover di:
’Round Midnight (il 1963-05-30)
paroliere:
Bernie Hanighen
compositore:
Thelonious Monk e Cootie Williams
editore:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
si basa su:
I Need You So
9:02
2Who Cares?
tecnico di registrazione:
Wally Heider (il 1963-05-30)
basso :
Chuck Israels (il 1963-05-30)
batteria :
Larry Bunker (il 1963-05-30)
pianoforte :
Bill Evans (pianist) (il 1963-05-30)
registrata presso:
Shelly’s Manne Hole in Hollywood, Los Angeles, California, Stati Uniti (il 1963-05-30)
registrazione dal vivo strumentale cover di:
Who Cares? (Of Thee I Sing) (il 1963-05-30)
paroliere:
Ira Gershwin (nel 1931)
compositore:
George Gershwin (composer) (nel 1931)
editore:
New World Music (new age music) e WB Music Corp. (1929–2019)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Of Thee I Sing: Act II
5:26
3The Boy Next Door
tecnico di registrazione:
Wally Heider (il 1963-05-30)
basso :
Chuck Israels (il 1963-05-30)
batteria :
Larry Bunker (il 1963-05-30)
pianoforte :
Bill Evans (pianist) (il 1963-05-30)
registrata presso:
Shelly’s Manne Hole in Hollywood, Los Angeles, California, Stati Uniti (il 1963-05-30)
registrazione dal vivo strumentale di:
The Boy Next Door (from “Meet Me in St. Louis”) (il 1963-05-30)
autore:
Ralph Blane e Hugh Martin
editore:
Bill-Bob Publ. Company, EMI Feist Catalog Inc., Harms, Inc., Leo Feist, Inc. e Warner Bros. Music (publisher; do NOT use as release label)
parte di:
Meet Me in St. Louis (1944 musical film soundtrack)
5:29
4Isn't It Romantic?
tecnico di registrazione:
Wally Heider (il 1963-05-30)
basso :
Chuck Israels (il 1963-05-30)
batteria :
Larry Bunker (il 1963-05-30)
pianoforte :
Bill Evans (pianist) (il 1963-05-30)
registrata presso:
Shelly’s Manne Hole in Hollywood, Los Angeles, California, Stati Uniti (il 1963-05-30)
registrazione dal vivo strumentale cover di:
Isn’t It Romantic? (from 1932 film “Love Me Tonight”) (il 1963-05-30)
paroliere:
Lorenz Hart (nel 1932)
compositore:
Richard Rodgers (composer) (nel 1932)
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) e Sony/ATV Harmony
4:44
5What Is This Thing Called Love?
tecnico di registrazione:
Wally Heider (il 1963-05-30)
basso :
Chuck Israels (il 1963-05-30)
batteria :
Larry Bunker (il 1963-05-30)
pianoforte :
Bill Evans (pianist) (il 1963-05-30)
registrata presso:
Shelly’s Manne Hole in Hollywood, Los Angeles, California, Stati Uniti (il 1963-05-30)
registrazione dal vivo strumentale cover di:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (il 1963-05-30)
paroliere e compositore:
Cole Porter (composer) (nel 1929)
editore:
Harms, Inc., Warner Bros., Inc. (not for release label use!) e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Wake Up and Dream (1929 revue)
5:51
6How About You?
tecnico di registrazione:
Wally Heider (il 1963-05-30)
basso :
Chuck Israels (il 1963-05-30)
batteria :
Larry Bunker (il 1963-05-30)
pianoforte :
Bill Evans (pianist) (il 1963-05-30)
registrata presso:
Shelly’s Manne Hole in Hollywood, Los Angeles, California, Stati Uniti (il 1963-05-30)
registrazione dal vivo strumentale cover di:
How About You? (il 1963-05-30)
paroliere:
Ralph Freed
compositore:
Burton Lane
editore:
CBS Feist Catalog, Inc., EMI Feist Catalog Inc., EMI United Partnership Ltd., Leo Feist, Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
parte di:
The 15th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1942 nominee)
4:08
7Blues In F/Five
tecnico di registrazione:
Wally Heider (il 1963-05-30)
basso :
Chuck Israels (il 1963-05-30)
batteria :
Larry Bunker (il 1963-05-30)
pianoforte :
Bill Evans (pianist) (il 1963-05-30)
registrata presso:
Shelly’s Manne Hole in Hollywood, Los Angeles, California, Stati Uniti (il 1963-05-30)
registrazione dal vivo di:
Blues in F/Five (il 1963-05-30)
compositore:
Bill Evans (pianist) e Chuck Israels
5:45
8Everything Happens To Me
tecnico di registrazione:
Wally Heider (il 1963-05-31)
basso :
Chuck Israels (il 1963-05-31)
batteria :
Larry Bunker (il 1963-05-31)
pianoforte :
Bill Evans (pianist) (il 1963-05-31)
registrata presso:
Shelly’s Manne Hole in Hollywood, Los Angeles, California, Stati Uniti (il 1963-05-31)
registrazione dal vivo strumentale cover di:
Everything Happens to Me (il 1963-05-31)
paroliere:
Tom Adair
compositore:
Matt Dennis (American singer, pianist, band leader)
editore:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation e Music Sales Corporation (American copyright holder in both popular and classical music)
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
4:49
9In a Sentimental Mood
tecnico di registrazione:
Wally Heider (il 1963-05-31)
basso :
Chuck Israels (il 1963-05-31)
batteria :
Larry Bunker (il 1963-05-31)
pianoforte :
Bill Evans (pianist) (il 1963-05-31)
registrata presso:
Shelly’s Manne Hole in Hollywood, Los Angeles, California, Stati Uniti (il 1963-05-31)
registrazione dal vivo strumentale cover di:
In a Sentimental Mood (il 1963-05-31)
paroliere:
Manny Kurtz e Irving Mills
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1935)
editore:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music e Sony/ATV Harmony
4:28
10My Heart Stood Still
tecnico di registrazione:
Wally Heider (il 1963-05-31)
basso :
Chuck Israels (il 1963-05-31)
batteria :
Larry Bunker (il 1963-05-31)
pianoforte :
Bill Evans (pianist) (il 1963-05-31)
registrata presso:
Shelly’s Manne Hole in Hollywood, Los Angeles, California, Stati Uniti (il 1963-05-31)
registrazione dal vivo strumentale cover di:
My Heart Stood Still (il 1963-05-31)
paroliere:
Lorenz Hart (nel 1927)
compositore:
Richard Rodgers (composer) (nel 1927)
editore:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
One Dam Thing After Another
4:36
11Time Remembered
tecnico di registrazione:
Wally Heider (il 1963-05-31)
basso :
Chuck Israels (il 1963-05-31)
batteria :
Larry Bunker (il 1963-05-31)
pianoforte :
Bill Evans (pianist) (il 1963-05-31)
registrata presso:
Shelly’s Manne Hole in Hollywood, Los Angeles, California, Stati Uniti (il 1963-05-31)
registrazione dal vivo di:
Time Remembered (il 1963-05-31)
compositore:
Bill Evans (pianist)
editore:
Acorn Music Corp.
5:40
12Wonder Why
tecnico di registrazione:
Wally Heider (il 1963-05-31)
basso :
Chuck Israels (il 1963-05-31)
batteria :
Larry Bunker (il 1963-05-31)
pianoforte :
Bill Evans (pianist) (il 1963-05-31)
registrata presso:
Shelly’s Manne Hole in Hollywood, Los Angeles, California, Stati Uniti (il 1963-05-31)
registrazione dal vivo strumentale cover di:
Wonder Why (Rich, Young and Pretty) (il 1963-05-31)
paroliere:
Sammy Cahn
compositore:
Nicholas Brodzsky
editore:
Primary Wave Songs e Robbins Music Corp.
parte di:
The 24th Academy Award for Best Original Song (numero: 2)
5:21
13Swedish Pastry
tecnico di registrazione:
Wally Heider (il 1963-05-31)
basso :
Chuck Israels (il 1963-05-31)
batteria :
Larry Bunker (il 1963-05-31)
pianoforte :
Bill Evans (pianist) (il 1963-05-31)
registrata presso:
Shelly’s Manne Hole in Hollywood, Los Angeles, California, Stati Uniti (il 1963-05-31)
registrazione dal vivo di:
Swedish Pastry (il 1963-05-31)
compositore:
Barney Kessel
editore:
Jewel Music Publishing Co., Inc. (publisher; do NOT use as release label)
5:49