Bach 333: Instrumental & supplement (first half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1▶CD: Brandenburg Concertos 1-6 (Goebel)
2▶CD: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)
3▶CD: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)
4▶CD: Orchestral Suites 1-3 (Goebel)
5▶CD: Orchestral Suites 2-4 (Goebel / Hogwood)
6▶CD: Orchestral Suites 1-4 (Pinnock)
7▶CD: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054
8▶CD: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R
9▶CD: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R
10▶CD: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)
11▶CD: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064
12▶CD: Brandenburg Concertos (Landmark Performances 1935-1964)
13▶CD: Brandenburg Concertos (Landmark Performances 1967-2013)
14▶CD: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)
15▶CD: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)
16▶CD: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)
17▶CD: Concertos (Alternative Instrumentations)
18▶CD: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)
19▶CD: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)
20▶CD: Suites for "Lute"
21▶CD: Cello Suites 1, 3, 5 (Watkin)
22▶CD: Cello Suites 2, 4, 6 (Watkin)
23▶CD: Violin Sonatas BWV 1014-1018
24▶CD: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029
25▶CD: 5 Flute Sonatas / Partita for Solo Flute
26▶CD: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas
27▼CD: Musical Offering / Canons (Goebel)
#TitleRatingLength
1Canon a 4 perpetuus BWV 1073
recorded in:
Hamburg, Germany (in 1984-06)
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
cello:
Phoebe Carrai (American cellist) (in 1984-06)
viola:
Hajo Bäß (viola player) (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Mary Utiger (violinist) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Canon a 4 perpetuus, BWV 1073 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1073)
1:42
2Canon a 4 BWV 1074
recorded in:
Hamburg, Germany (in 1984-06)
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
cello:
Phoebe Carrai (American cellist) (in 1984-06)
viola:
Hajo Bäß (viola player) (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Mary Utiger (violinist) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Canon a 4, BWV 1074 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1074)
part of:
Der getreue Music-Meister (Collection of various compositions by Telemann and other composers, published by Telemann in 25 "Lectionen" between 1728-1729.)
1:53
3Canon a 2 BWV 1075
recorded in:
Hamburg, Germany (in 1984-06)
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Canon a 2 perpetuus, BWV 1075 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1075)
0:37
4Canon super fa mi a 7 BWV 1078
recorded in:
Hamburg, Germany (in 1984-06)
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
viola:
Hajo Bäß (viola player) (in 1984-06)
violin:
Hajo Bäß (viola player) (in 1984-06), Reinhard Goebel (violinist and conductor) (in 1984-06), Jan Reichow (in 1984-06) and Mary Utiger (violinist) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Canon super Fa Mi, a 7, post Tempus Musicum, BWV 1078 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1078)
1:39
5Canon a 2 “Concordia discors” BWV 1086
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Canon Concordia discors a 2, BWV 1086 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 1086)
1:23
6Canon a 8 “Trias Harmonica” BWV 1072
recorded in:
Hamburg, Germany (in 1984-06)
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
violin:
Hajo Bäß (viola player) (in 1984-06), Reinhard Goebel (violinist and conductor) (in 1984-06), Jan Reichow (in 1984-06) and Mary Utiger (violinist) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Canon Trias Harmonica a 8, BWV 1072 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1072)
0:46
7Canon triplex a 6 BWV 1076
recorded in:
Hamburg, Germany (in 1984-06)
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
cello:
Phoebe Carrai (American cellist) (in 1984-06)
harpsichord:
Andreas Staier (in 1984-06)
viola [viola I]:
Hajo Bäß (viola player) (in 1984-06)
viola [viola II]:
Karlheinz Steeb (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Mary Utiger (violinist) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Canon triplex a 6, BWV 1076 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1076)
0:33
8Canon for 4 Voices and Bass "Canone doppio sopr’il Soggetto", BWV 1077
recorded in:
Hamburg, Germany (in 1984-06)
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
viola [viola I]:
Hajo Bäß (viola player) (in 1984-06)
viola [viola II]:
Karlheinz Steeb (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Mary Utiger (violinist) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Canone doppio sopr' il soggetto, BWV 1077 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1077)
0:56
914 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 1. Canon simplex
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: I. Canon simplex (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
0:22
1014 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 2. All’ roverscio
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: II. All' rovescio (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
0:21
1114 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 3. Beede vorigen Canones zugleich, motu recto e contrario
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
violin:
Hajo Bäß (viola player) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: III. Beede vorigen Canones zugleich, motu recto e contrario (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
0:16
1214 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 4. In motu contrario e recto
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
violin:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: IV. Motu contrario e recto (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
0:19
1314 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 5. Canon duplex a 4
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Hajo Bäß (viola player) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: V. Canon duplex à 4 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
0:24
1414 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 6. Canon simplex über besagtes Fundament a 3
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
viola:
Hajo Bäß (viola player) (in 1984-06)
violin:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: VI. Canon simplex über besagtes Fundament à 3 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
0:39
1514 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 7. Idem a 3
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
viola:
Hajo Bäß (viola player) (in 1984-06)
violin:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: VII. Canon simplex über besagtes Fundament à 3 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
0:20
1614 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 8. Canon simplex a 3, il soggetto in Alto
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
violin:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: VIII. Canon simplex à 3, il soggetto in Alto (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
0:23
1714 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 9. Canon in unisono post semifusam a 3
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Hajo Bäß (viola player) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: IX. Canon in unisono post semifusamà 3 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
0:20
1814 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 10. Alio modo, per syncptiones et per ligaturas, a 2 – Evolutio
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: X. Alio modo, per syncopationes et per ligaturas à 2 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
0:23
1914 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 11. Canon duplex übers Fundament a 5 (version of BWV 1077)
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
viola [viola I]:
Hajo Bäß (viola player) (in 1984-06)
viola [viola II]:
Karlheinz Steeb (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Mary Utiger (violinist) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: XI. Canon duplex übers Fundament à 5 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
0:53
2014 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 12. Canon duplex über besagte Fundamental-Noten a 5
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
viola [viola I]:
Hajo Bäß (viola player) (in 1984-06)
viola [viola II]:
Karlheinz Steeb (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Mary Utiger (violinist) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: XII. Canon duplex über besagte Fundamental-Noten à 5 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
0:34
2114 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 13. Canon triplex a 6 (version of BWV 1076)
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
viola [viola I]:
Hajo Bäß (viola player) (in 1984-06)
viola [viola II]:
Karlheinz Steeb (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Mary Utiger (violinist) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: XIII. Canon triplex à 6 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
0:36
2214 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 14. Canon a 4 per Augmentationem et Diminutionem
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
viola:
Hajo Bäß (viola player) (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Mary Utiger (violinist) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: XIV. Canon à 4 per Augmentationem et Diminutionem (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
0:40
23Canonic Variations on the Christmas Song: "Vom Himmel hoch, da komm ich her", BWV 769: Variatio 1 nel canone all’ ottava
producer:
Dr Gerd Ploebsch
organ:
Helmut Walcha (German organist) (in 1971-05)
performer:
Helmut Walcha (German organist) (in 1971-05)
balance engineer:
Hansjoachim Reiser (engineer/producer)
recorded at:
Église protestante Saint-Pierre-le-Jeune in Strasbourg, Bas-Rhin, Grand Est (Great East), France (in 1971-05)
recording of:
Einige canonische Veränderungen über das Weihnachtslied Vom Himmel hoch, da komm ich her, BWV 769: I. Canon all' Ottava. Pedal. Canto fermo (Variatio 1) (in 1971-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Canonische Veränderungen: Vom Himmel hoch, da komm ich her, BWV 769
1:29
24Canonic Variations on the Christmas Song: "Vom Himmel hoch, da komm ich her", BWV 769: Variatio 2 alio modo / nel canone alla quinta
producer:
Dr Gerd Ploebsch
organ:
Helmut Walcha (German organist) (in 1971-05)
performer:
Helmut Walcha (German organist) (in 1971-05)
balance engineer:
Hansjoachim Reiser (engineer/producer)
recorded at:
Église protestante Saint-Pierre-le-Jeune in Strasbourg, Bas-Rhin, Grand Est (Great East), France (in 1971-05)
recording of:
Einige canonische Veränderungen über das Weihnachtslied Vom Himmel hoch, da komm ich her, BWV 769: II. Canon alla Quinta. Canto fermo in Pedel (Variatio 2) (in 1971-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Canonische Veränderungen: Vom Himmel hoch, da komm ich her, BWV 769
1:26
25Canonic Variations on the Christmas Song: "Vom Himmel hoch, da komm ich her", BWV 769: Variatio 3. Canone alla settima. Cantabile
producer:
Dr Gerd Ploebsch
organ:
Helmut Walcha (German organist) (in 1971-05)
performer:
Helmut Walcha (German organist) (in 1971-05)
balance engineer:
Hansjoachim Reiser (engineer/producer)
recorded at:
Église protestante Saint-Pierre-le-Jeune in Strasbourg, Bas-Rhin, Grand Est (Great East), France (in 1971-05)
recording of:
Einige canonische Veränderungen über das Weihnachtslied Vom Himmel hoch, da komm ich her, BWV 769: III. Canone alla settima (Variatio 3) (in 1971-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Canonische Veränderungen: Vom Himmel hoch, da komm ich her, BWV 769
2:20
26Canonic Variations on the Christmas Song: "Vom Himmel hoch, da komm ich her", BWV 769: Variatio 4 per augmentationem / nel canone all’ ottava
producer:
Dr Gerd Ploebsch
organ:
Helmut Walcha (German organist) (in 1971-05)
performer:
Helmut Walcha (German organist) (in 1971-05)
balance engineer:
Hansjoachim Reiser (engineer/producer)
recorded at:
Église protestante Saint-Pierre-le-Jeune in Strasbourg, Bas-Rhin, Grand Est (Great East), France (in 1971-05)
recording of:
Einige canonische Veränderungen über das Weihnachtslied Vom Himmel hoch, da komm ich her, BWV 769: IV. In canone all'Ottava per augmentationem (Variatio 4) (in 1971-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Canonische Veränderungen: Vom Himmel hoch, da komm ich her, BWV 769
2:51
27Canonic Variations on the Christmas Song: "Vom Himmel hoch, da komm ich her", BWV 769: Variatio 5. L’altra sorte del canone al rovescio: 1. alla sesta – 2. alla terza – 3. alla seconda e – 4. alla nona
producer:
Dr Gerd Ploebsch
organ:
Helmut Walcha (German organist) (in 1971-05)
performer:
Helmut Walcha (German organist) (in 1971-05)
balance engineer:
Hansjoachim Reiser (engineer/producer)
recorded at:
Église protestante Saint-Pierre-le-Jeune in Strasbourg, Bas-Rhin, Grand Est (Great East), France (in 1971-05)
recording of:
Einige canonische Veränderungen über das Weihnachtslied Vom Himmel hoch, da komm ich her, BWV 769: V. L'altra sorte del canone al rovescio: alle sesta, alla terza, alla seconda e, alla nona (Variatio 5) (in 1971-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Canonische Veränderungen: Vom Himmel hoch, da komm ich her, BWV 769
3:06
28Musical Offering, BWV 1079: 1. Ricercar a 3
producer and balance engineer:
Adam Skeaping (audio engineer, string instrument player)
fortepiano:
Christopher Hogwood (conductor, harpsichordist) (in 1977-07)
recorded at:
St.John's Downshire Hill (Anglican church) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1977-07)
recording of:
Musikalisches Opfer, BWV 1079: I. Ricercare a 3
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
6:39
29Musical Offering, BWV 1079: 1. Ricercar a 3
producer:
Dr Gerd Ploebsch
harpsichord:
Henk Bouman (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: I. Ricercare a 3 (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
5:45
30Musical Offering, BWV 1079: 4a. Canon 1 a 2 cancrizans
producer:
Dr Gerd Ploebsch
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1979-02)
violin [violin II]:
Hajo Bäß (viola player) (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: IIIa. 5 Canones diversi super thema regium, Canon a 2 (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
0:52
31Musical Offering, BWV 1079: 4b. Canon 2 a 2 Violini in unisono
producer:
Dr Gerd Ploebsch
harpsichord:
Henk Bouman (in 1979-02)
viola da gamba:
Charles Medlam (cellist, viol player and conductor) (in 1979-02)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1979-02)
violin [violin II]:
Hajo Bäß (viola player) (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: IIIb. 5 Canones diversi super thema regium, Canon a 2 Violini in unisono (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
0:48
32Musical Offering, BWV 1079: 4c. Canon 3 a 2 per Motum contrarium
producer:
Dr Gerd Ploebsch
flute and solo transverse flute:
Wilbert Hazelzet (flautist) (in 1979-02)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1979-02)
violin [violin II]:
Hajo Bäß (viola player) (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: IIIc. 5 Canones diversi super thema regium, Canon a 2 Per motum contrarium (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
0:34
33Musical Offering, BWV 1079: 4d. Canon 4 a 2 per Augmentationem, contrario Motu
producer:
Dr Gerd Ploebsch
viola da gamba:
Charles Medlam (cellist, viol player and conductor) (in 1979-02)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1979-02)
violin [violin II]:
Hajo Bäß (viola player) (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: IIId. 5 Canones diversi super thema regium, Canon a 2 Per augmentationem, contrario motu (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
2:45
34Musical Offering, BWV 1079: 4e. Canon 5 a 2 per Tonos
producer:
Dr Gerd Ploebsch
harpsichord:
Henk Bouman (in 1979-02)
violin:
Reinhard Goebel (violinist and conductor) (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: IIIe. 5 Canones diversi super thema regium, Canon a 2 Per tonos (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
2:39
35Musical Offering, BWV 1079: 4f. Fuga canonica in Epidiapente
producer:
Dr Gerd Ploebsch
flute and solo transverse flute:
Wilbert Hazelzet (flautist) (in 1979-02)
harpsichord:
Henk Bouman (in 1979-02)
violin:
Reinhard Goebel (violinist and conductor) (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: IV. Fuga Canonica in Epidiapente (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
2:09
36Musical Offering, BWV 1079: 4g. Canon perpetuus super Thema Regium
producer:
Dr Gerd Ploebsch
flute and solo transverse flute:
Wilbert Hazelzet (flautist) (in 1979-02)
viola da gamba:
Charles Medlam (cellist, viol player and conductor) (in 1979-02)
violin:
Reinhard Goebel (violinist and conductor) (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: II. Canon perpetuus super thema regium (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
1:02
37Musical Offering, BWV 1079: 4h. Canon perpetuus
producer:
Dr Gerd Ploebsch
flute and solo transverse flute:
Wilbert Hazelzet (flautist) (in 1979-02)
harpsichord:
Henk Bouman (in 1979-02)
viola da gamba:
Charles Medlam (cellist, viol player and conductor) (in 1979-02)
violin:
Reinhard Goebel (violinist and conductor) (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: IX. Canon perpetuus (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
2:19
38Musical Offering, BWV 1079: 4i. Canon a 2
producer:
Dr Gerd Ploebsch
harpsichord [Henk Bouman]:
Hendrik Bouman (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: VI. Canon a 2 (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
1:41
39Musical Offering, BWV 1079: 4k. Canon a 4
producer:
Dr Gerd Ploebsch
harpsichord [Henk Bouman]:
Hendrik Bouman (in 1979-02)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1979-02)
violin [violin II]:
Hajo Bäß (viola player) (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: VII. Canon a 4 (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
1:57
40Musical Offering, BWV 1079: 3. Sonata Sopr’. Il Soggetto Reale a Traversa, Violino e Basso continuo: 1. Largo
producer:
Dr Gerd Ploebsch
flute and solo transverse flute:
Wilbert Hazelzet (flautist) (in 1979-02)
viola da gamba:
Charles Medlam (cellist, viol player and conductor) (in 1979-02)
violin:
Reinhard Goebel (violinist and conductor) (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: VIII. Trio: a. Largo (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
6:00
41Musical Offering, BWV 1079: 3. Sonata Sopr’. Il Soggetto Reale a Traversa, Violino e Basso continuo: 2. Allegro
producer:
Dr Gerd Ploebsch
flute and solo transverse flute:
Wilbert Hazelzet (flautist) (in 1979-02)
viola da gamba:
Charles Medlam (cellist, viol player and conductor) (in 1979-02)
violin:
Reinhard Goebel (violinist and conductor) (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: VIII. Trio: b. Allegro (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
6:03
42Musical Offering, BWV 1079: 3. Sonata Sopr’. Il Soggetto Reale a Traversa, Violino e Basso continuo: 3. Andante
producer:
Dr Gerd Ploebsch
flute and solo transverse flute:
Wilbert Hazelzet (flautist) (in 1979-02)
viola da gamba:
Charles Medlam (cellist, viol player and conductor) (in 1979-02)
violin:
Reinhard Goebel (violinist and conductor) (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: VIII. Trio: c. Andante (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
2:48
43Musical Offering, BWV 1079: 3. Sonata Sopr’. Il Soggetto Reale a Traversa, Violino e Basso continuo: 4. Allegro
producer:
Dr Gerd Ploebsch
flute and solo transverse flute:
Wilbert Hazelzet (flautist) (in 1979-02)
viola da gamba:
Charles Medlam (cellist, viol player and conductor) (in 1979-02)
violin:
Reinhard Goebel (violinist and conductor) (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: VIII. Trio: d. Allegro (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
3:16
44Musical Offering, BWV 1079: 2. Ricercar a 6
producer:
Dr Gerd Ploebsch
harpsichord [Henk Bouman]:
Hendrik Bouman (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: V. Ricercare a 6 (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
7:36
28▶CD: The Art of Fugue (Accademia Bizantina, Dantone)
29▶CD: The Art of Fugue (Aimard)
30▶CD: The Art of Fugue (1742) (Gilbert)
31▶CD: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]