| # | Titolo | Valutazione | Durata |
|---|
| 1 | Canon a 4 perpetuus BWV 1073 | | 1:42 |
| 2 | Canon a 4 BWV 1074 | | 1:53 |
| 3 | Canon a 2 BWV 1075 | | 0:37 |
| 4 | Canon super fa mi a 7 BWV 1078 | | 1:39 |
| 5 | Canon a 2 “Concordia discors” BWV 1086 | | 1:23 |
| 6 | Canon a 8 “Trias Harmonica” BWV 1072 | | 0:46 |
| 7 | Canon triplex a 6 BWV 1076 | | 0:33 |
| 8 | Canon for 4 Voices and Bass "Canone doppio sopr’il Soggetto", BWV 1077 | | 0:56 |
| 9 | 14 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 1. Canon simplex | | 0:22 |
| 10 | 14 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 2. All’ roverscio | | 0:21 |
| 11 | 14 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 3. Beede vorigen Canones zugleich, motu recto e contrario | | 0:16 |
| 12 | 14 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 4. In motu contrario e recto | | 0:19 |
| 13 | 14 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 5. Canon duplex a 4 | | 0:24 |
| 14 | 14 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 6. Canon simplex über besagtes Fundament a 3 | | 0:39 |
| 15 | 14 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 7. Idem a 3 | | 0:20 |
| 16 | 14 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 8. Canon simplex a 3, il soggetto in Alto | | 0:23 |
| 17 | 14 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 9. Canon in unisono post semifusam a 3 | | 0:20 |
| 18 | 14 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 10. Alio modo, per syncptiones et per ligaturas, a 2 – Evolutio | | 0:23 |
| 19 | 14 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 11. Canon duplex übers Fundament a 5 (version of BWV 1077) | | 0:53 |
| 20 | 14 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 12. Canon duplex über besagte Fundamental-Noten a 5 | | 0:34 |
| 21 | 14 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 13. Canon triplex a 6 (version of BWV 1076) | | 0:36 |
| 22 | 14 Canons on the First 8 Bass Notes of the Aria from the Goldberg Variations, BWV 1087: 14. Canon a 4 per Augmentationem et Diminutionem | | 0:40 |
| 23 | Canonic Variations on the Christmas Song: "Vom Himmel hoch, da komm ich her", BWV 769: Variatio 1 nel canone all’ ottava | | 1:29 |
| 24 | Canonic Variations on the Christmas Song: "Vom Himmel hoch, da komm ich her", BWV 769: Variatio 2 alio modo / nel canone alla quinta | | 1:26 |
| 25 | Canonic Variations on the Christmas Song: "Vom Himmel hoch, da komm ich her", BWV 769: Variatio 3. Canone alla settima. Cantabile | | 2:20 |
| 26 | Canonic Variations on the Christmas Song: "Vom Himmel hoch, da komm ich her", BWV 769: Variatio 4 per augmentationem / nel canone all’ ottava | | 2:51 |
| 27 | Canonic Variations on the Christmas Song: "Vom Himmel hoch, da komm ich her", BWV 769: Variatio 5. L’altra sorte del canone al rovescio: 1. alla sesta – 2. alla terza – 3. alla seconda e – 4. alla nona- produttore:
- Dr Gerd Ploebsch
- organo :
- Helmut Walcha (nel 1971-05)
- esecutore:
- Helmut Walcha (nel 1971-05)
- tecnico di bilanciamento:
- Hansjoachim Reiser
- registrata presso:
- Église protestante Saint-Pierre-le-Jeune in Strasbourg, Bas-Rhin , Grand Est , Francia (nel 1971-05)
- registrazione di:
- Einige canonische Veränderungen über das Weihnachtslied Vom Himmel hoch, da komm ich her, BWV 769: V. L'altra sorte del canone al rovescio: alle sesta, alla terza, alla seconda e, alla nona (Variatio 5) (nel 1971-05)
- compositore:
- Johann Sebastian Bach
- parte di:
- Canonische Veränderungen: Vom Himmel hoch, da komm ich her, BWV 769
| | 3:06 |
| 28 | Musical Offering, BWV 1079: 1. Ricercar a 3 | | 6:39 |
| 29 | Musical Offering, BWV 1079: 1. Ricercar a 3 | | 5:45 |
| 30 | Musical Offering, BWV 1079: 4a. Canon 1 a 2 cancrizans | | 0:52 |
| 31 | Musical Offering, BWV 1079: 4b. Canon 2 a 2 Violini in unisono | | 0:48 |
| 32 | Musical Offering, BWV 1079: 4c. Canon 3 a 2 per Motum contrarium | | 0:34 |
| 33 | Musical Offering, BWV 1079: 4d. Canon 4 a 2 per Augmentationem, contrario Motu | | 2:45 |
| 34 | Musical Offering, BWV 1079: 4e. Canon 5 a 2 per Tonos | | 2:39 |
| 35 | Musical Offering, BWV 1079: 4f. Fuga canonica in Epidiapente | | 2:09 |
| 36 | Musical Offering, BWV 1079: 4g. Canon perpetuus super Thema Regium | | 1:02 |
| 37 | Musical Offering, BWV 1079: 4h. Canon perpetuus | | 2:19 |
| 38 | Musical Offering, BWV 1079: 4i. Canon a 2 | | 1:41 |
| 39 | Musical Offering, BWV 1079: 4k. Canon a 4 | | 1:57 |
| 40 | Musical Offering, BWV 1079: 3. Sonata Sopr’. Il Soggetto Reale a Traversa, Violino e Basso continuo: 1. Largo | | 6:00 |
| 41 | Musical Offering, BWV 1079: 3. Sonata Sopr’. Il Soggetto Reale a Traversa, Violino e Basso continuo: 2. Allegro | | 6:03 |
| 42 | Musical Offering, BWV 1079: 3. Sonata Sopr’. Il Soggetto Reale a Traversa, Violino e Basso continuo: 3. Andante | | 2:48 |
| 43 | Musical Offering, BWV 1079: 3. Sonata Sopr’. Il Soggetto Reale a Traversa, Violino e Basso continuo: 4. Allegro | | 3:16 |
| 44 | Musical Offering, BWV 1079: 2. Ricercar a 6 | | 7:36 |
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