Bach 2000: The Complete Bach Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 3 available)

Annotation

Individual barcode: 639842571128

Annotation last modified on 2025-06-01 12:00 UTC.

Tracklist

1▶CD: Sacred Cantatas: BWV 1-3
2▶CD: Sacred Cantatas: BWV 4-6
3▶CD: Sacred Cantatas: BWV 7-9
4▶CD: Sacred Cantatas: BWV 10-12
5▶CD: Sacred Cantatas: BWV 13, 14, 16
6▶CD: Sacred Cantatas: BWV 17-19
7▶CD: Sacred Cantatas: BWV 20-21
8▶CD: Sacred Cantatas: BWV 22-25
9▶CD: Sacred Cantatas: BWV 26-29
10▶CD: Sacred Cantatas: BWV 30-31
11▶CD: Sacred Cantatas: BWV 32-34
12▶CD: Sacred Cantatas: BWV 35-36
13▶CD: Sacred Cantatas: BWV 37-40
14▶CD: Sacred Cantatas: BWV 41-43
15▶CD: Sacred Cantatas: BWV 44-47
16▶CD: Sacred Cantatas: BWV 48-51
17▶CD: Sacred Cantatas: BWV 52, 54-56
18▶CD: Sacred Cantatas: BWV 57-60
19▶CD: Sacred Cantatas: BWV 61-63
20▶CD: Sacred Cantatas: BWV 64-66
21▶CD: Sacred Cantatas: BWV 67-69a
22▶CD: Sacred Cantatas: BWV 70-73
23▶CD: Sacred Cantatas: BWV 74-75
24▶CD: Sacred Cantatas: BWV 76-78
25▶CD: Sacred Cantatas: BWV 79-82
26▶CD: Sacred Cantatas: BWV 83-86
27▶CD: Sacred Cantats BWV 87-90
28▶CD: Sacred Cantatas BWV 91-93
29▶CD: Sacred Cantatas BWV 94-96
30▶CD: Sacred Cantatas BWV 97-99
31▶CD
32▶CD
33▶CD
34▶CD
35▶CD
36▼CD
#TitleRatingLength
1Cantata, BWV 115 "Mache dich, mein Geist, bereit," I. Coro. Mache dich, mein Geist, bereit
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (on 1972-12-13)
orchestra:
Concentus Musicus Wien (on 1972-12-13)
conductor:
Nikolaus Harnoncourt (conductor) (on 1972-12-13)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1972-12-13)
recording of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit": I. Choral "Mache dich, mein Geist, bereit" (on 1972-12-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit"
4:28
2Cantata, BWV 115 "Mache dich, mein Geist, bereit," II. Aria (alto). Ach, schläfrige Seele
alto vocals:
Paul Esswood (countertenor) (on 1972-12-13)
orchestra:
Concentus Musicus Wien (on 1972-12-13)
conductor:
Nikolaus Harnoncourt (conductor) (on 1972-12-13)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1972-12-13)
recording of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit": II. Aria (Alt) "Ach schläfrige Seele, wie? ruhest du noch?" (on 1972-12-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit"
8:54
3Cantata, BWV 115 "Mache dich, mein Geist, bereit," III. Recitativo (bass). Gott, so vor deine Seele wacht
bass vocals:
Philippe Huttenlocher (baritone) (on 1972-12-13)
orchestra:
Concentus Musicus Wien (on 1972-12-13)
conductor:
Nikolaus Harnoncourt (conductor) (on 1972-12-13)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1972-12-13)
recording of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit": III. Recitativo (Bass) "Gott, so vor deine Seele wacht" (on 1972-12-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit"
0:59
4Cantata, BWV 115 "Mache dich, mein Geist, bereit," IV. Aria (soprano). Bete aber auch dabei
treble vocals:
Markus Huber (German boy soprano and conductor) (on 1972-12-13)
orchestra:
Concentus Musicus Wien (on 1972-12-13)
conductor:
Nikolaus Harnoncourt (conductor) (on 1972-12-13)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1972-12-13)
recording of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit": IV. Aria (Sopran) "Bete aber auch dabei" (on 1972-12-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit"
5:45
5Cantata, BWV 115 "Mache dich, mein Geist, bereit," V. Recitativo (tenor). Er sehnet sich nach unserm Schreien
tenor vocals:
Kurt Equiluz (tenor) (on 1972-12-13)
orchestra:
Concentus Musicus Wien (on 1972-12-13)
conductor:
Nikolaus Harnoncourt (conductor) (on 1972-12-13)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1972-12-13)
recording of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit": V. Recitativo (Tenor) "Er sehnet sich nach unsrem Schreien" (on 1972-12-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit"
0:55
6Cantata, BWV 115 "Mache dich, mein Geist, bereit," VI. Choral (coro). Drum so laßt uns immerdar
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (on 1972-12-13)
orchestra:
Concentus Musicus Wien (on 1972-12-13)
conductor:
Nikolaus Harnoncourt (conductor) (on 1972-12-13)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1972-12-13)
recording of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit": VI. Choral "Drum so laßt uns immerdar" (on 1972-12-13)
composer:
Johann Burchard Freystein (German lawyer and hymn writer) and Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 312)
part of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit"
1:08
7Cantata, BWV 116 "Du Friedefürst, Herr Jesu Christ," I. Coro. Du Friedefürst, Herr Jesu Christ
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1979-12-14 until 1980-05-28)
orchestra:
Concentus Musicus Wien (from 1979-12-14 until 1980-05-28)
conductor:
Nikolaus Harnoncourt (conductor) (from 1979-12-14 until 1980-05-28)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1979-12-14 until 1980-05-28)
recording of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ": I. Coro "Du Friedefürst, Herr Jesu Christ" (from 1979-12-14 until 1980-05-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ"
4:12
8Cantata, BWV 116 "Du Friedefürst, Herr Jesu Christ," II. Aria (alto). Ach, unaussprechlich ist die Not
alto vocals:
Paul Esswood (countertenor) (from 1979-12-14 until 1980-05-28)
orchestra:
Concentus Musicus Wien (from 1979-12-14 until 1980-05-28)
conductor:
Nikolaus Harnoncourt (conductor) (from 1979-12-14 until 1980-05-28)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1979-12-14 until 1980-05-28)
recording of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ": II. Aria (Alt) "Ach, unaussprechlich ist die Not" (from 1979-12-14 until 1980-05-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ"
2:58
9Cantata, BWV 116 "Du Friedefürst, Herr Jesu Christ," III. Recitativo (tenor). Gedenke doch, o Jesu
tenor vocals:
Kurt Equiluz (tenor) (from 1979-12-14 until 1980-05-28)
orchestra:
Concentus Musicus Wien (from 1979-12-14 until 1980-05-28)
conductor:
Nikolaus Harnoncourt (conductor) (from 1979-12-14 until 1980-05-28)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1979-12-14 until 1980-05-28)
recording of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ": III. Recitativo (Tenor) "Gedenke doch, o Jesu" (from 1979-12-14 until 1980-05-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ"
0:44
10Cantata, BWV 116 "Du Friedefürst, Herr Jesu Christ," IV. Aria (Terzetto). (soprano, tenor, bass) Ach, wir bekennen unsre Schuld
bass vocals:
Philippe Huttenlocher (baritone) (from 1979-12-14 until 1980-05-28)
tenor vocals:
Kurt Equiluz (tenor) (from 1979-12-14 until 1980-05-28)
treble vocals:
Markus Huber (German boy soprano and conductor) (from 1979-12-14 until 1980-05-28)
orchestra:
Concentus Musicus Wien (from 1979-12-14 until 1980-05-28)
conductor:
Nikolaus Harnoncourt (conductor) (from 1979-12-14 until 1980-05-28)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1979-12-14 until 1980-05-28)
recording of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ": IV. Terzetto (Sopran, Tenor, Bass) "Ach, wir bekennen unsre Schuld" (from 1979-12-14 until 1980-05-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ"
4:36
11Cantata, BWV 116 "Du Friedefürst, Herr Jesu Christ," V. Recitativo (alto). Ach, laß uns durch die scharfen Ruten
alto vocals:
Paul Esswood (countertenor) (from 1979-12-14 until 1980-05-28)
orchestra:
Concentus Musicus Wien (from 1979-12-14 until 1980-05-28)
conductor:
Nikolaus Harnoncourt (conductor) (from 1979-12-14 until 1980-05-28)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1979-12-14 until 1980-05-28)
recording of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ": V. Recitativo (Alt) "Ach, laß uns durch die scharfen Ruten" (from 1979-12-14 until 1980-05-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ"
1:06
12Cantata, BWV 116 "Du Friedefürst, Herr Jesu Christ," VI. Choral (coro). Erleucht auch unser Sinn und Herz
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1979-12-14 until 1980-05-28)
orchestra:
Concentus Musicus Wien (from 1979-12-14 until 1980-05-28)
conductor:
Nikolaus Harnoncourt (conductor) (from 1979-12-14 until 1980-05-28)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1979-12-14 until 1980-05-28)
recording of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ": VI. Choral "Erleucht auch unser Sinn und Herz" (from 1979-12-14 until 1980-05-28)
lyricist:
Jakob Ebert (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 69)
part of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ"
1:08
13Cantata, BWV 117 "Sei Lob und Ehr dem höchsten Gut," I. Coro. Sei Lob und Ehr dem höchsten Gut
choir vocals:
Collegium Vocale Gent (from 1980-11-02 until 1980-11-05) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1980-11-02 until 1980-11-05)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1980-11-02 until 1980-11-05)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1980-11-02 until 1980-11-05)
chorus master:
Heinz Hennig (conductor) (from 1980-11-02 until 1980-11-05) and Philippe Herreweghe (Belgian conductor) (from 1980-11-02 until 1980-11-05)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1980-11-02 until 1980-11-05)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": I. Coro "Sei Lob und Ehr dem höchsten Gut" (from 1980-11-02 until 1980-11-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
4:12
14Cantata, BWV 117 "Sei Lob und Ehr dem höchsten Gut," II. Recitativo (bass). Es danken dir die Himmelsheer
bass vocals:
Max van Egmond (bass-baritone) (from 1980-11-02 until 1980-11-05)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1980-11-02 until 1980-11-05)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1980-11-02 until 1980-11-05)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1980-11-02 until 1980-11-05)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": II. Recitativo (Bass) "Es danken dir die Himmelsheer" (from 1980-11-02 until 1980-11-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
1:03
15Cantata, BWV 117 "Sei Lob und Ehr dem höchsten Gut," III. Aria (tenor). Was unser Gott geschaffen hat
tenor vocals:
Kurt Equiluz (tenor) (from 1980-11-02 until 1980-11-05)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1980-11-02 until 1980-11-05)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1980-11-02 until 1980-11-05)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1980-11-02 until 1980-11-05)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": III. Aria (Tenor) "Was unser Gott geschaffen hat" (from 1980-11-02 until 1980-11-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
3:05
16Cantata, BWV 117 "Sei Lob und Ehr dem höchsten Gut," IV. Choral (coro). Ich rief dem Herrn in meiner Not
choir vocals:
Collegium Vocale Gent (from 1980-11-02 until 1980-11-05) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1980-11-02 until 1980-11-05)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1980-11-02 until 1980-11-05)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1980-11-02 until 1980-11-05)
chorus master:
Heinz Hennig (conductor) (from 1980-11-02 until 1980-11-05) and Philippe Herreweghe (Belgian conductor) (from 1980-11-02 until 1980-11-05)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1980-11-02 until 1980-11-05)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": IV. Choral "Ich rief dem Herrn in meiner Not" (from 1980-11-02 until 1980-11-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Breitkopf 389 Choralgesänge (number: 90)
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
0:58
17Cantata, BWV 117 "Sei Lob und Ehr dem höchsten Gut," V. Recitativo (alto). Der Herr ist noch und nimmer nicht
alto vocals:
René Jacobs (conductor) (from 1980-11-02 until 1980-11-05)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1980-11-02 until 1980-11-05)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1980-11-02 until 1980-11-05)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1980-11-02 until 1980-11-05)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": V. Recitativo (Alt) "Der Herr ist noch und nimmer nicht" (from 1980-11-02 until 1980-11-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
1:33
18Cantata, BWV 117 "Sei Lob und Ehr dem höchsten Gut," VI. Aria (bass). Wenn Trost und Hülf ermangeln muß
bass vocals:
Max van Egmond (bass-baritone) (from 1980-11-02 until 1980-11-05)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1980-11-02 until 1980-11-05)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1980-11-02 until 1980-11-05)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1980-11-02 until 1980-11-05)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": VI. Aria (Bass) "Wenn Trost und Hülf ermangeln muss" (from 1980-11-02 until 1980-11-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
3:40
19Cantata, BWV 117 "Sei Lob und Ehr dem höchsten Gut," VII. Aria (alto). Ich will dich all mein Leben lang
alto vocals:
René Jacobs (conductor) (from 1980-11-02 until 1980-11-05)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1980-11-02 until 1980-11-05)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1980-11-02 until 1980-11-05)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1980-11-02 until 1980-11-05)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": VII. Aria (Alt) "Ich will dich all mein Leben lang" (from 1980-11-02 until 1980-11-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
3:20
20Cantata, BWV 117 "Sei Lob und Ehr dem höchsten Gut," VIII. Recitativo (tenor). Ihr, die ihr Christi Namen nennt
tenor vocals:
Kurt Equiluz (tenor) (from 1980-11-02 until 1980-11-05)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1980-11-02 until 1980-11-05)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1980-11-02 until 1980-11-05)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1980-11-02 until 1980-11-05)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": VIII. Recitativo (Tenor) "Ihr, die ihr Christi Namen nennt" (from 1980-11-02 until 1980-11-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
0:41
21Cantata, BWV 117 "Sei Lob und Ehr dem höchsten Gut," IX. Coro. So kommet vor sein Angesicht
choir vocals:
Collegium Vocale Gent (from 1980-11-02 until 1980-11-05) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1980-11-02 until 1980-11-05)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1980-11-02 until 1980-11-05)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1980-11-02 until 1980-11-05)
chorus master:
Heinz Hennig (conductor) (from 1980-11-02 until 1980-11-05) and Philippe Herreweghe (Belgian conductor) (from 1980-11-02 until 1980-11-05)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1980-11-02 until 1980-11-05)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": IX. Choral "So kommet vor sein Angesicht" (from 1980-11-02 until 1980-11-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
0:55
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Credits

Release

part of:Bach 2000 (multi-volume box set) (number: 1) (order: 1)
Bach 2000 (multi-volume box set) (number: 2) (order: 2)
Bach 2000 (multi-volume box set) (number: 3) (order: 3)
Bach 2000 (multi-volume box set) (number: 4) (order: 4)
Bach 2000 (multi-volume box set) (number: 5) (order: 5)
Bach 2000 (multi-volume box set) (number: 6) (order: 6)
Bach 2000 (multi-volume box set) (number: 7) (order: 7)
Bach 2000 (multi-volume box set) (number: 8) (order: 8)
Bach 2000 (multi-volume box set) (number: 9) (order: 9)
Bach 2000 (multi-volume box set) (number: 10) (order: 10)
Bach 2000 (multi-volume box set) (number: 11) (order: 11)
Bach 2000 (multi-volume box set) (number: 12) (order: 12)
Discogs:https://www.discogs.com/release/23209139 [info]
ASIN:US: B00001IV8B [info]
discography entry:http://www.bach-cantatas.com/Performers/H&L-Rec5.htm#D2 [info]