Baroque Gold

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1"La Primavera" - Allegro
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (in 1980-02)
solo cello [violoncello]:
Douglas Cummings (cellist) (in 1980-02)
violin:
Gidon Kremer (violinist) (in 1980-02)
orchestra:
London Symphony Orchestra (in 1980-02)
conductor:
Claudio Abbado (conductor) (in 1980-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Michael Davis (UK classical violinist 1944-2025, former LSO leader) (in 1980-02)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1980-02)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (in 1980-02)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:06
2Adagio per archi e organo in sol minore
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
engineer:
Stanley Goodall (engineer) (in 1982-02)
producer:
Michael Haas (classical music producer)
organ:
Martin Haselböck (organist, conductor and composer)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
balance engineer:
Stanley Goodall (engineer) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Adagio for Strings and Organ in G minor (in 1984-02)
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni6:38
3Concerto brandeburghese n. 2 in fa magg. BWV 1047 - Allegro
producer:
Hans Weber (producer/engineer)
flute:
Matthias Rütters (flautist) (from 1964-08-17 until 1964-08-24) and Karlheinz Zöller (flutist) (from 1964-08-17 until 1964-08-24)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
oboe:
Lothar Koch (oboist) (from 1964-08-17 until 1964-08-24)
trumpet:
Adolf Scherbaum (trumpeter) (in 1964-08)
violin:
Michel Schwalbé (Polish violinist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach5:27
4''Ombra mai fu'' - Largo da Serse (versione strumentale)
engineer and balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
harpsichord:
Edward Brewer (harpsichordist) (in 1989-04) and Edward Brewer (harpsichordist) (in 1990)
oboe:
Randall Wolfgang (oboist) (in 1989-04, in 1990)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (from 1989-04 to present, in 1989-04)
recorded at:
Performing Arts Center: Recital Hall (Purchase College) in Purchase, Harrison, New York, United States (from 1989-04 to present) and State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1989-04)
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements) (in 1989-04)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
Georg Friedrich Händel2:57
5Minuetto dal Quintetto per achi in mi magg, op. 13 n. 5
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
engineer:
Stanley Goodall (engineer) (in 1982-02)
producer:
Michael Haas (classical music producer)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
balance engineer:
Stanley Goodall (engineer) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (catch-all for arrangements) (in 1984-02)
composer:
Luigi Boccherini (Italian composer)
arrangement of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
Luigi Boccherini3:47
6Adagio dal Concerto per oboe in re min.
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1986-07)
orchestra:
I Musici (in 1986-07)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (in 1986-07)
recording of:
Concerto per oboe, archi e continuo in re minore: II. Adagio (Concerto for oboe, strings and continuo in D minor: II. Adagio) (in 1986-07)
composer:
Alessandro Marcello
part of:
Concerto per oboe, archi e continuo in re minore, S D935 (Concerto for Oboe and Strings in D minor)
Alessandro Marcello4:25
7Toccata (arr. H. Renié)
recording of:
Sonata no. 6: II. Allegro (Toccata in A)
composer:
Pietro Domenico Paradisi
part of:
Sonata no. 6
Pietro Domenico Paradisi2:30
8Aria sulla IV corda dall'Overture n. 3 in re magg. BWV 1068
engineer:
Stanley Goodall (engineer) (in 1982-02)
producer:
Michael Haas (classical music producer)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1984-02, in 1985-01)
conductor:
Karl Münchinger (German conductor) (in 1984-02, in 1985-01)
balance engineer:
Stanley Goodall (engineer) (in 1984-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:52
9Concerto per flauto ''La tempesta di mare'' - Allegro
executive producer:
Alison Ames
producer:
Christian Gansch (conductor)
flute:
Patrick Gallois (flutist) (in 1992-12)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1992-12)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (in 1992-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1992-12)
recording of:
Concerto in F major, op. 10 no. 1, RV 433 "La tempesta di mare": I. Allegro (in 1992-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in F major, op. 10 no. 1, RV 433 "La tempesta di mare"
Antonio Vivaldi2:47
10Marche pour la cérémonie des Turcs da Le Bourgeois Gentilhomme
executive producer:
Marita Prohmann
producer:
Sid McLauchlan (engineer/producer)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-07)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-07)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-07)
recording of:
Le Bourgeois gentilhomme : Marche pour la cérémonie des Turcs (in 1999-07)
composer:
Jean‐Baptiste Lully (composer)
part of:
Le Bourgeois gentilhomme, LWV 43
Jean‐Baptiste Lully2:48
11Toccata e fuga in re minore BWV 565 - Toccata
producer:
Dr Gerd Ploebsch
organ:
Simon Preston (organist, conductor, composer) (in 1988-09)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1988-09)
recorded at:
Kreuzbergkirche in Bonn, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1988-09)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata (in 1988-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Classic 100: Piano (2025) (number: 30)
part of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
Johann Sebastian Bach2:34
12''Alla rustica'' Concerto in sol magg. RV 151 - Presto
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
orchestra:
The English Concert (in 1985-10)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1985-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1985-10)
recording of:
Concerto for Strings in G major, RV 151 “Concerto alla rustica”: I. Presto (in 1985-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Strings in G major, RV 151 “Concerto alla rustica”
Antonio Vivaldi11:08
13''Lascia ch'io pianga'' da Rinaldo
soprano vocals:
Kiri Te Kanawa (soprano)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a: Atto II
Georg Friedrich Händel4:16
14Oratorio di Natale BWV 248
recording engineer:
Hans‐Peter Schweigmann (engineer)
executive producer:
Dr Gerd Ploebsch and Prof. Dr. Hans Hickmann
producer:
Hans Weber (producer/engineer)
bassoon:
Karl Kolbinger (bassoonist) (from 1965-02 until 1965-06) and Detlev Kühl (bassoonist) (from 1965-02 until 1965-06)
cello:
Kurt Engert (cellist) (from 1965-02 until 1965-06) and Oswald Uhl (cellist) (from 1965-02 until 1965-06)
double bass:
Herbert Duft (double bass player) (from 1965-02 until 1965-06) and Ludwig Kiblböck (double bass player) (from 1965-02 until 1965-06)
horn [corno da caccia I]:
Kurt Richter (German horn player) (from 1965-02 until 1965-06)
horn [corno da caccia II]:
Willy Beck (classical horn player) (from 1965-02 until 1965-06)
oboe [oboe I], oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1965-02 until 1965-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Kurt Hausmann (oboist) (from 1965-02 until 1965-06)
oboe da caccia [oboe da caccia II]:
Gustav Meyer (oboist) (from 1965-02 until 1965-06)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1965-02 until 1965-06)
transverse flute:
Paul Meisen (flautist) (from 1965-02 until 1965-06)
trumpet [trumpet I]:
Maurice André (French trumpeter) (from 1965-02 until 1965-06)
trumpet [trumpet II]:
Bernhard Gediga (trumpeter) (from 1965-02 until 1965-06)
trumpet [trumpet III]:
Wilhelm Oppermann (trumpeter) (from 1965-02 until 1965-06)
violin:
Otto Büchner (violinist) (from 1965-02 until 1965-06)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1965-02 until 1965-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1965-02 until 1965-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1965-02 until 1965-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1965-02 until 1965-06)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1965-02 until 1965-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral „Nun seid ihr wohl gerochen“ (from 1965-02 until 1965-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 165)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:22
15Sonata in Do K 159
recorded in:
Roma (Rome), Roma, Lazio, Italy (on 1965-03-04)
piano:
Arturo Benedetti Michelangeli (pianist) (on 1965-03-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
recording of:
Sonata in C major, K 159, L 104 "La caccia": Allegro (on 1965-03-04)
composer:
Domenico Scarlatti (composer)
part of:
Alessandro Longo’s catalog of Domenico Scarlatti’s keyboard works (number: 104) and Ralph Kirkpatrick’s catalog of Domenico Scarlatti’s keyboard sonatas (number: 159)
Domenico Scarlatti2:24
16Musica per il funerale della Regina Maria - Processione
engineer:
Simon Eadon (classical music engineer)
producer:
Chris Hazell
editor:
Matthew Hutchinson (engineer / editor)
orchestra:
Baroque Brass of London (in 1992-06)
conductor:
David Hill (British organist and conductor) (in 1992-06)
recorded at:
Winchester Cathedral in Winchester, Hampshire, England, United Kingdom (in 1992-06)
recording of:
Funeral Music on the Death of Queen Mary: I. March, Z. 860 (in 1992-06)
composer:
Henry Purcell (Baroque composer)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell52:25
17Minuetto in sol magg. BWV App. 114 e 115
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Menuet in G minor, BWV Anh. 115
composer:
Christian Petzold
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 5), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 115 / Anh. III 183‑>) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 115)
recording of:
Minuet in G major, BWV Anh. 114 (for keyboard)
composer:
Christian Petzold
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 4) and Bach-Werke-Verzeichnis (number: BWV Anh. 114)
Johann Sebastian Bach1:51
18Concerto per la notte di Natale - Allegro, Pastorale (Largo)
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
cello:
Eric Bartlett (in 1989-04)
harpsichord:
Edward Brewer (harpsichordist) (in 1989-04)
violin:
Naoko Tanaka (violinist) (in 1989-04) and Eric Wyrick (in 1989-04)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1989-04)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1989-04)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: V. Allegro (in 1989-04)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: VI. Pastorale (Largo) (in 1989-04)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli6:05
19Concerto per flautino in do magg. RV 443 - Allegro
producer:
Dr Gerd Ploebsch and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
sopranino recorder:
Michael Copley (in 1984-09)
orchestra:
Camerata Bern (in 1984-09)
conductor and concertmaster:
Thomas Füri (violinist and conductor) (in 1984-09)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1984-09)
recorded at:
Studio Radio DRS in Bern, Bern (Canton of Bern), Switzerland (in 1984-09)
recording of:
Flautino Concerto in C major, RV 443: I. Allegro (in 1984-09)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Flautino Concerto in C major, RV 443
Antonio Vivaldi3:38
20Canone e giga per tre violini e basso continuo - Canone
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
engineer:
Stanley Goodall (engineer) (in 1982-02)
producer:
Michael Haas (classical music producer)
organ:
Martin Haselböck (organist, conductor and composer) (in 1982-02)
orchestra:
Stuttgarter Chamber Orchestra (Stuttgart Chamber Orchestra) (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
arranger:
Karl Münchinger (German conductor)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (catch-all for arrangements) (in 1984-02)
composer:
Johann Pachelbel (composer)
arrangement of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
Johann Pachelbel4:30
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