Mega Filmhits, Vol. 1

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1CD
#TitoloArtistaValutazioneDurata
1A Kind of Magic
registrazione di:
A Kind of Magic
paroliere e compositore:
Roger Taylor (Queen drummer)
editore:
EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) (nel 1986) e Queen Music Ltd. (nel 1986)
compresa in:
We Will Rock You (Queen musical)
compresa in:
We Will Rock You (German version of the Queen musical)
Queen4:26
2Goldeneye
registrata a:
London (Greater London), England, Regno Unito
tecnico di registrazione:
Mark “Spike” Stent (producer, engineer)
programmazione:
Marius de Vries
assistente tecnico:
Paul ‘P Dub’ Walton
produttore:
Nellee Hooper
produttore esecutivo:
Bono (singer of U2) e The Edge (U2 guitarist David Evans)
tecnico di missaggio:
Nellee Hooper e Mark “Spike” Stent (producer, engineer)
voce:
Tina Turner
arrangiatore archi [orchestra] :
Craig Armstrong (Scottish score composer)
registrazione di:
GoldenEye
autore:
Bono (singer of U2) e The Edge (U2 guitarist David Evans)
editore:
Blue Mountain Music e Songs of PolyGram International, Inc.
parte di:
James Bond themes
Tina Turner3.353:31
3In All the Right Places
registrazione di:
In All the Right Places
paroliere:
Ian Devaney, Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield) e Lisa Stansfield
compositore:
John Barry (English score composer)
Lisa Stansfield6:04
4The Time of Your Life
registrazione di:
The Time of Your Life
paroliere e compositore:
Little Steven
Little Steven5:58
5San Francisco
produttore:
Lou Adler e John Phillips (The Mamas & The Papas)
voce:
Scott McKenzie (nel 1967-05)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1967) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967)
registrazione di:
San Francisco (Be Sure to Wear Flowers in Your Hair) (nel 1967-05)
editore:
John Phillips (The Mamas & The Papas)
paroliere e compositore:
John Phillips (The Mamas & The Papas)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) e Wingate Music Corp.
Scott McKenzie3.753:01
6Loco in Acapulco
produttore:
Phil Collins (of Genesis) e Lamont Dozier
produttore esecutivo:
Clive Davis (record producer, A&R executive and music industry chief executive)
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1988)
registrazione di:
Loco in Acapulco
autore:
Phil Collins (of Genesis) e Lamont Dozier
editore:
Hit & Run Music (Publ) Ltd, Philip Collins Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Four Tops3:31
7La Bamba
tecnico di registrazione:
Larry Levine e Stan Ross (recording engineer, mixer & producer)
produttore:
Bob Keane
diritti fonografici (℗) detenuti da:
Del-Fi Records Inc. (nel 1958)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 142) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 346)
registrazione di:
La bamba (additional lyrics by Ritchie Valens) (il 1958-11-17)
paroliere e compositore:
[traditional] (special purpose artist)
paroliere aggiunto:
Ritchie Valens
arrangiatore:
Ritchie Valens
editore:
Carlin Music Corporation, EMI Longitude Music e M.P.A. (M.P.A.)
versione di:
La bamba
Ritchie Valens4.752:04
8Blue Moon
tecnico:
Greg Droman (American producer, mixing and audio engineer)
produttore:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
basso :
Robert Reynolds (US bassist, member of The Mavericks)
chitarra acustica :
Billy Joe Walker, Jr.
chitarra elettrica :
Nick Kane (US guitarist and producer)
membranofono :
Paul Deakin (drummer for The Mavericks)
organo :
Jerry Dale McFadden
voce:
Raul Malo (The Mavericks lead singer, country music)
registrata presso e mixata presso:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, Stati Uniti
registrazione cover di:
Blue Moon
paroliere:
Lorenz Hart (nel 1934)
compositore:
Richard Rodgers (composer) (nel 1934)
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-editore:
EMI Music Publishing Belgium NV e Francis Day Editions (SABAM)
parte di:
New York, New York (1977 musical film soundtrack)
The Mavericks4:05
9It Must Have Been Love
programmazione:
Clarence Öfwerman (dal 1987 al 1990)
tecnico:
Anders Herrlin e Alar Suurna
produttore:
Clarence Öfwerman
tecnico di missaggio:
Humberto Gatica
batteria :
Pelle Alsing (dal 1987 al 1990)
chitarra elettrica [electric guitars] :
Jonas Isacsson (dal 1987 al 1990)
synclavier e tastiera [keyboards] :
Clarence Öfwerman (dal 1987 al 1990)
voce:
Marie Fredriksson (dal 1987 al 1990) e Per Gessle (Swedish singer and guitarist) (dal 1987 al 1990)
diritti fonografici (℗) detenuti da:
EMI Svenska AB (not for release label use!) (nel 1990) e Parlophone Music Sweden AB (not for release label use, for copyrights use only) (nel 1990)
registrata presso:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Svezia (dal 1987 al 1990) e EMI Studios in Stockholm, Stockholms län (Stockholm county), Svezia (dal 1987 al 1990)
mixata presso:
Ground Control Studios in Santa Monica, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 466)
registrazione di:
It Must Have Been Love (dal 1987 al 1990)
paroliere e compositore:
Per Håkan Gessle (Swedish singer and guitarist)
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Jimmy Fun Music
Roxette3.154:19
10Let the River Run
tecnico:
Tim Leitner
produttore:
Rob Mounsey e Carly Simon
tecnico di missaggio:
Frank Filipetti
batteria [drums] :
Mickey Curry
chitarra :
Jimmy Ryan (American guitarist and singer/songwriter)
tastiera [keyboards] :
Rob Mounsey
voce di accompagnamento [background singers]:
Vivian Cherry, Frank Floyd (US soul disco funk singer), Gordon Grody, Lani Groves, Kasey Cisyk, Frank Simms, Vaneese Thomas e Kurt Yaghjian
voce principale:
Carly Simon
diritti fonografici (℗) detenuti da:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (nel 1988)
registrata presso e mixata presso:
Hit Factory, NYC (The Hit Factory) in Manhattan, New York, New York, Stati Uniti
registrazione di:
Let the River Run
paroliere e compositore:
Carly Simon
editore:
C’est Music e TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
parte di:
The 61st Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1988 winner)
Carly Simon3:42
11All the Way
Jeffrey Osborne3:33
12Right Here
produttore:
Brian Morgan
remixer:
Teddy Riley (US R&B singer & producer)
registrazione di:
Right Here
autore:
John Bettis, Brian Alexander Morgan e Steve Porcaro
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
SWV3.53:46
13The Power of Love
tecnico di registrazione:
Jim Gaines e Robert Missbach
assistente tecnico:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) e Jim “Watts” Vereecke
tecnico aggiunto:
Michael Christopher (engineer), Phil Kaffel e Malcolm Pollack
produttore:
Bob Clearmountain, Jellybean (US producer John Benitez) e Huey Lewis and the News (American pop rock band)
tecnico di missaggio:
Robert Missbach
armonica (a bocca) :
Huey Lewis
batteria e percussione :
Bill Gibson (US drummer for Huey Lews & the News)
chitarra :
Johnny Colla (US sax & guitarist for Huey Lewis & the News) e Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
chitarra basso :
Mario Cipollina
sassofono :
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
tastiera :
Sean Hopper (US Keyboardist for Huey Lewis & the News)
voce:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) e Huey Lewis
diritti fonografici (℗) detenuti da:
Chrysalis Records, Inc. (not for release label use!) (nel 1984, nel 1985, nel 1986) e Chrysalis (nel 1985)
registrata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti, Studio D Recording in Sausalito, California, Stati Uniti e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti
mixata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
video musicali:
The Power of Love (full length) di Huey Lewis and the News (American pop rock band)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 108)
registrazione di:
The Power of Love (Back to the Future)
autore:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) e Huey Lewis
editore:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) e WB Music Corp. (1929–2019)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
parte di:
The 58th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1985 nominee)
parte di:
Back to the Future: the Musical
Huey Lewis and the News43:55
14The John Dunbar Theme
registrazione di:
John Dunbar Theme (Dances With Wolves)
compositore:
John Barry (English score composer)
editore:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!) e EMI Virgin Music Publishing
parte di:
Dances With Wolves
John Barry2:19
15Unchained Melody
tecnico:
Larry Levine
produttore:
Phil Spector
voce principale solista:
Bobby Hatfield (nel 1965-03)
arrangiatore:
Jack Nitzsche (American musician and score composer)
diritti fonografici (℗) detenuti da:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965, nel 1968) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1966)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (nel 1965-03)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 269) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 366)
registrazione cover di:
Unchained Melody (nel 1965-03)
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
The Righteous Brothers33:38
16Groovin'
registrazione di:
Groovin’
autore:
Eddie Brigati e Felix Cavaliere (American singer, songwriter, record producer, and musician)
editore:
Slacsar
The Rascals2:30
17Stand by Your Man
produttore:
Billy Sherrill (US songwriter/producer/arranger)
voce principale:
Tammy Wynette (nel 1968)
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 8) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 473)
registrazione di:
Stand by Your Man (nel 1968)
autore:
Billy Sherrill (US songwriter/producer/arranger) e Tammy Wynette
editore:
Al Gallico Music Corp., EMI Al Gallico Music Corp., EMI Blackwood Music Inc. e EMI Music Publishing Ltd. (PRS‐affiliated)
Tammy Wynette3.82:40
2CD

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