Mega Filmhits, Vol. 1

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1A Kind of Magic
recording of:
A Kind of Magic
lyricist and composer:
Roger Taylor (Queen drummer)
publisher:
EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) (in 1986) and Queen Music Ltd. (in 1986)
included in:
We Will Rock You (Queen musical)
included in:
We Will Rock You (German version of the Queen musical)
Queen4:26
2Goldeneye
recorded in:
London (Greater London), England, United Kingdom
recording engineer:
Mark “Spike” Stent (producer, engineer)
programming:
Marius de Vries
assistant engineer:
Paul ‘P Dub’ Walton
executive producer:
Bono (singer of U2) and The Edge (U2 guitarist David Evans)
producer:
Nellee Hooper
mixer:
Nellee Hooper and Mark “Spike” Stent (producer, engineer)
vocals:
Tina Turner
strings [orchestra] arranger:
Craig Armstrong (Scottish score composer)
recording of:
GoldenEye
writer:
Bono (singer of U2) and The Edge (U2 guitarist David Evans)
publisher:
Blue Mountain Music and Songs of PolyGram International, Inc.
part of:
James Bond themes
Tina Turner3.353:31
3In All the Right Places
recording of:
In All the Right Places
lyricist:
Ian Devaney, Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield) and Lisa Stansfield
composer:
John Barry (English score composer)
Lisa Stansfield6:04
4The Time of Your Life
recording of:
The Time of Your Life
lyricist and composer:
Little Steven
Little Steven5:58
5San Francisco
producer:
Lou Adler and John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
publisher:
John Phillips (The Mamas & The Papas)
lyricist and composer:
John Phillips (The Mamas & The Papas)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) and Wingate Music Corp.
Scott McKenzie3.753:01
6Loco in Acapulco
executive producer:
Clive Davis (record producer, A&R executive and music industry chief executive)
producer:
Phil Collins (of Genesis) and Lamont Dozier
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1988)
recording of:
Loco in Acapulco
writer:
Phil Collins (of Genesis) and Lamont Dozier
publisher:
Hit & Run Music (Publ) Ltd, Philip Collins Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Four Tops3:31
7La Bamba
recording engineer:
Larry Levine and Stan Ross (recording engineer, mixer & producer)
producer:
Bob Keane
phonographic copyright (℗) by:
Del-Fi Records Inc. (in 1958)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 142) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 346)
recording of:
La bamba (additional lyrics by Ritchie Valens) (on 1958-11-17)
additional lyricist:
Ritchie Valens
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music and M.P.A. (M.P.A.)
version of:
La bamba
Ritchie Valens4.752:04
8Blue Moon
engineer:
Greg Droman (American producer, mixing and audio engineer)
producer:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
acoustic guitar:
Billy Joe Walker, Jr.
bass:
Robert Reynolds (US bassist, member of The Mavericks)
electric guitar:
Nick Kane (US guitarist and producer)
membranophone:
Paul Deakin (drummer for The Mavericks)
organ:
Jerry Dale McFadden
vocals:
Raul Malo (The Mavericks lead singer, country music)
recorded at and mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
cover recording of:
Blue Moon
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
The Mavericks4:05
9It Must Have Been Love
programming:
Clarence Öfwerman (from 1987 until 1990)
engineer:
Anders Herrlin and Alar Suurna
producer:
Clarence Öfwerman
mixer:
Humberto Gatica
drums (drum set):
Pelle Alsing (from 1987 until 1990)
electric guitar [electric guitars]:
Jonas Isacsson (from 1987 until 1990)
keyboard [keyboards] and synclavier:
Clarence Öfwerman (from 1987 until 1990)
vocals:
Marie Fredriksson (from 1987 until 1990) and Per Gessle (Swedish singer and guitarist) (from 1987 until 1990)
phonographic copyright (℗) by:
EMI Svenska AB (not for release label use!) (in 1990) and Parlophone Music Sweden AB (not for release label use, for copyrights use only) (in 1990)
recorded at:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Sweden (from 1987 until 1990) and EMI Studios in Stockholm, Stockholms län (Stockholm county), Sweden (from 1987 until 1990)
mixed at:
Ground Control Studios in Santa Monica, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 466)
recording of:
It Must Have Been Love (from 1987 until 1990)
lyricist and composer:
Per Håkan Gessle (Swedish singer and guitarist)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Jimmy Fun Music
Roxette3.154:19
10Let the River Run
engineer:
Tim Leitner
producer:
Rob Mounsey and Carly Simon
mixer:
Frank Filipetti
drums (drum set) [drums]:
Mickey Curry
guitar:
Jimmy Ryan (American guitarist and singer/songwriter)
keyboard [keyboards]:
Rob Mounsey
background vocals [background singers]:
Vivian Cherry, Frank Floyd (US soul disco funk singer), Gordon Grody, Lani Groves, Kasey Cisyk, Frank Simms, Vaneese Thomas and Kurt Yaghjian
lead vocals:
Carly Simon
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 1988)
recorded at and mixed at:
Hit Factory, NYC (The Hit Factory) in Manhattan, New York, New York, United States
recording of:
Let the River Run
lyricist and composer:
Carly Simon
publisher:
C’est Music and TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
part of:
The 61st Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1988 winner)
Carly Simon3:42
11All the Way
Jeffrey Osborne3:33
12Right Here
producer:
Brian Morgan
remixer:
Teddy Riley (US R&B singer & producer)
recording of:
Right Here
writer:
John Bettis, Brian Alexander Morgan and Steve Porcaro
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
SWV3.53:46
13The Power of Love
recording engineer:
Jim Gaines and Robert Missbach
additional engineer:
Michael Christopher (engineer), Phil Kaffel and Malcolm Pollack
assistant engineer:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) and Jim “Watts” Vereecke
producer:
Bob Clearmountain, Jellybean (US producer John Benitez) and Huey Lewis and the News (American pop rock band)
mixer:
Robert Missbach
bass guitar:
Mario Cipollina
drums (drum set) and percussion:
Bill Gibson (US drummer for Huey Lews & the News)
guitar:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
harmonica:
Huey Lewis
keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
saxophone:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) and Huey Lewis
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1984, in 1985, in 1986) and Chrysalis (in 1985)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios (1981–2008) in Sausalito, California, United States
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
music videos:
The Power of Love (full length) by Huey Lewis and the News (American pop rock band)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 108)
recording of:
The Power of Love (Back to the Future)
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) and WB Music Corp. (1929–2019)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
The 58th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1985 nominee)
part of:
Back to the Future: the Musical
Huey Lewis and the News43:55
14The John Dunbar Theme
recording of:
John Dunbar Theme (Dances With Wolves)
composer:
John Barry (English score composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!) and EMI Virgin Music Publishing
part of:
Dances With Wolves
John Barry2:19
15Unchained Melody
engineer:
Larry Levine
producer:
Phil Spector
solo lead vocals:
Bobby Hatfield (in 1965-03)
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965, in 1968) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (in 1965-03)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The 28th Academy Award for Best Original Song (number: 2)
The Righteous Brothers33:38
16Groovin'
recording of:
Groovin’
writer:
Eddie Brigati and Felix Cavaliere (American singer, songwriter, record producer, and musician)
publisher:
Slacsar
The Rascals2:30
17Stand by Your Man
producer:
Billy Sherrill (US songwriter/producer/arranger)
lead vocals:
Tammy Wynette (in 1968)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 8) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 473)
recording of:
Stand by Your Man (in 1968)
writer:
Billy Sherrill (US songwriter/producer/arranger) and Tammy Wynette
publisher:
Al Gallico Music Corp., EMI Al Gallico Music Corp., EMI Blackwood Music Inc. and EMI Music Publishing Ltd. (PRS‐affiliated)
Tammy Wynette3.82:40
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