Baroque Gold

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Te Deum - Preludio
recording engineer:
Jürgen Bulgrin (sound engineer)
engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Peter Czornyj
producer:
Arend Prohmann (producer / editor)
editor:
Stephan Flock
orchestra:
Les Musiciens du Louvre (from 1997-03 to present, in 1997-03)
conductor:
Marc Minkowski (bassoonist and conductor) (from 1997-03 to present, in 1997-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1997)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1997-03 to present)
recording of:
Te Deum, H. 146: Prélude (in 1997-03)
composer:
Marc‐Antoine Charpentier (composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
Te Deum, H. 146
Marc‐Antoine Charpentier1:20
2Preludio in do magg. BWV 846 dal Clavicembalo ben temperato, Libro I
piano:
András Schiff (pianist) (in 1984-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1984-09)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (in 1984-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
Johann Sebastian Bach1:58
3''L'arrivo della Regina di Saba'' da Salomone
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
orchestra:
The English Concert (in 1984-03)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1984-03, in 1985)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1984-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1984-03)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (in 1984-03)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain)
part of:
Solomon, HWV 67: Act III
Georg Friedrich Händel3:09
4Sonata n. 5 in do magg. - Andante
recorded in:
Roma (Rome), Roma, Lazio, Italy (in 1965)
piano:
Arturo Benedetti Michelangeli (pianist) (in 1965)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
recording of:
Sonata V in C major: I. Andante (in 1965)
composer:
Baldassare Galuppi (Italian composer)
part of:
Sonata V in C major
Baldassare Galuppi7:53
5''Stabat Mater dolorosa'' dallo Stabat Mater
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (in 1983-12)
alto vocals:
Lucia Valentini Terrani (mezzo soprano) (in 1983-12)
soprano vocals:
Margaret Marshall (Scots soprano active in late 20th century) (in 1983-12)
orchestra:
London Symphony Orchestra (in 1983-12)
conductor:
Claudio Abbado (conductor) (in 1983-12)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1983-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1983-12)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa (in 1983-12)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi4:41
6Concerto italiano in fa magg. BWV 971 - Allegro
piano:
Alexis Weissenberg (in 1987-08)
recording of:
Italienisches Konzert F-Dur, BWV 971: I. [Allegro] (Italian Concerto in F major, BWV 971: I. [Allegro]) (in 1987-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
Johann Sebastian Bach3:13
7''L'autunno'' - Allegro (La caccia)
recorded in:
Cremona, Cremona (Province of Cremona), Lombardia, Italy (in 1987-09)
engineer:
Roger de Schot
producer:
Erik Smith (British producer, pianist and harpsichordist)
editor:
Fiona Gale and Albert Kos (engineer/editor)
violin:
Salvatore Accardo (violinist and conductor) (in 1987-09)
orchestra:
I solisti di Napoli (in 1987-09)
balance engineer:
Hans Lauterslager
phonographic copyright (℗) by:
Philips Digital Classics (this may likely be a series than an actual label) (in 1988)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro (in 1987-09)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi3:34
8La Piémontaise dalla Suite per clavicembalo in la min.
harpsichord:
Alan Curtis (harpsichordist, musicologist, and conductor)
recording of:
La Piémontoise (Gustafson 102)
composer:
Louis Couperin (composer)
part of:
Louis Couperin's Harpsichord Works (Alan Curtis numbering) (number: 6) and Louis Couperin's Harpsichord Works (Gustafson numbering) (number: 102)
part of:
Suite in a-Moll
Louis Couperin1:49
9Magnificat BWV 243 - Coro
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Cord Garben (pianist and conductor), Michel Glotz and Hans Hirsch (producer at Deutsche Grammophon)
editor:
Jürgen Bulgrin (sound engineer)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (from 1975-02-21 until 1979-02-21)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-02-21 until 1979-02-21)
conductor:
Herbert von Karajan (conductor) (from 1975-02-21 until 1979-02-21)
chorus master:
Walter Hagen-Groll (chorus master) (from 1975-02-20 until 1975-02-21)
balance engineer:
Cord Garben (pianist and conductor), Michel Glotz and Günter Hermanns (producer/engineer) (from 1975-02-21 until 1979-02-21)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-02-21 until 1979-02-21)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (from 1975-02-21 until 1979-02-21)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:15
10Il lamento di Didone ''When I am laid in earth'' da Didone ed Enea
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
mezzo-soprano vocals [Dido, Queen of Carthage]:
Anne Sofie von Otter (mezzo-soprano) (in 1988-07)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Simon Standage (English violinist and conductor) (in 1988-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989) and Polydor International GmbH (not for release label use!) (in 1989)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido) (in 1988-07)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (in 1988-07)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:35
11Air pour les Sauvages da Les Indes Galantes
engineer:
Henk Jansen (in 1992-10)
producer:
Anthony Freud (British arts administrator) and Sieuwert Verster
orchestra:
Orchestra of the 18th Century (Orchestra of the Eighteenth Century) (in 1992-10)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1992-10)
balance engineer:
Dick van Schuppen (in 1992-10)
recorded at:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1992-10)
recording of:
Les Indes Galantes, Suites d’orchestre: Entrée les Sauvages: I. Danse du grand calumet de Paix executée par les Sauvages
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Indes Galantes, Suites d’orchestre: Entrée les Sauvages
Jean‐Philippe Rameau1:42
12Preludio dalla Suite n. 1 per violoncello in sol magg. BWV 1007
cello:
Mischa Maisky (cellist) (in 1984-10)
recorded at:
Zentralsaal in Bamberg, Bayern (Bavaria), Germany (in 1984-10)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (in 1984-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach2:41
13''Il gardellino'' Concerto op. 10 n. 3 per flauto - Cantabile
recorded in:
Vevey, Vaud (Canton of Vaud), Switzerland (in 1968-06)
flute:
Severino Gazzelloni (flutist) (in 1968-06)
orchestra:
I Musici (in 1968-06)
recording of:
Concerto in D major, op. 10 no. 3, RV 428 “Il gardellino”: II. Cantabile (in 1968-06)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in D major, op. 10 no. 3, RV 428 “Il gardellino”
Antonio Vivaldi2:51
14''Il trillo del diavolo'' Sonata op. 1 n. 4 in sol min. Allegro
producer:
Us Van Der Meulen
piano:
Riccardo Castagnone (pianist, harpsichordist and composer) (from 1956-07-16 until 1956-07-19)
violin:
Arthur Grumiaux (Belgian violinist) (from 1956-07-16 until 1956-07-19)
recorded at:
Bachzaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1956-07-16 until 1956-07-19)
recording of:
Sonata for Violin and Continuo in G minor, B g5 "Il trillo del diavolo": II. Allegro (from 1956-07-16 until 1956-07-19)
composer:
Giuseppe Tartini (Italian composer)
part of:
Sonata for Violin and Continuo in G minor, B g5 "Il trillo del diavolo" (four-movement version)
Giuseppe Tartini2:56
15Le Rappel des Oiseaux
Jean‐Philippe Rameau2:47
16Concerto per violino in la min. BWV 1041 - Allegro moderato
producer:
Wolfgang Lohse
harpsichord:
Georg Fischer (keyboardist and conductor) (in 1962-06)
violin:
David Oistrakh (violinist) (in 1962-06)
orchestra:
Vienna Symphony Orchestra (in 1962-06)
conductor:
David Oistrakh (violinist) (in 1962-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1962-06)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (in 1962-06) and Mozarteum: Großer Saal in Salzburg, Salzburg, Austria (in 1962-06)
recording of:
Violin Concerto in A minor, BWV 1041: I. Allegro (in 1962-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in A minor, BWV 1041
Johann Sebastian Bach54:04
17Passacaglia (Trascr. Tiny Béon)
Georg Friedrich Händel4:39
18''L'estate'' - Presto (Tempo impetuoso d'estate)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (in 1980-02)
solo cello [violoncello]:
Douglas Cummings (cellist) (in 1980-02)
violin:
Gidon Kremer (violinist) (in 1980-02)
orchestra:
London Symphony Orchestra (in 1980-02)
conductor:
Claudio Abbado (conductor) (in 1980-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Michael Davis (UK classical violinist 1944-2025, former LSO leader) (in 1980-02)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1980-02)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto (in 1980-02)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:48
19Corale ''Wachet auf, ruft uns die Stimme'' BWV 140
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
cor anglais:
Edgar Shann (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe II]:
Martin Spanner (oboist) (in 1977-10, in 1978-03, in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-03, in 1978-05)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1977-10, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-03, in 1978-05)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” (in 1978-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach6:00
20Concerto grosso in re magg. Op.6, n. 4 - Adagio, Allegro
recording engineer:
Volker Martin (engineer) and Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
editor:
Bruno Nellesen
cello [violoncello]:
Jaap ter Linden (cellist/violist/conductor) (in 1988-01)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1988-01)
violin:
Micaela Comberti (English violinist) (in 1988-01) and Simon Standage (English violinist and conductor) (in 1988-01)
orchestra:
The English Concert (in 1988-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-01)
recording of:
Concerto Grosso in D major, op. 6 no. 4: I. Adagio - Allegro (in 1988-01)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in D major, op. 6 no. 4
Arcangelo Corelli3:20
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