Cosi Fan Tutte / Don Giovanni / The Magic Flute / Le Nozze Di Figaro

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 1 available)

Tracklist

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1Don Giovanni, K. 527: Act II. "Di molte faci il lume" (Leporello)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
soprano vocals [Donna Elvira]:
Lisa della Casa (soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Josef Krips (conductor/violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. Recitativo “Di molte faci il lume” (Leporello, Donna Elvira) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
0:31
2Don Giovanni, K. 527: Act II. "Sola, sola, in buio loco" (Donna Elvira)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
bass vocals [Masetto]:
Walter Berry (bass‐baritone) (in 1955-06)
soprano vocals [Donna Anna]:
Suzanne Danco (soprano / mezzo-soprano) (in 1955-06)
soprano vocals [Donna Elvira]:
Lisa della Casa (soprano) (in 1955-06)
soprano vocals [Zerlina]:
Hilde Gueden (soprano) (in 1955-06)
tenor vocals [Don Ottavio]:
Anton Dermota (tenor) (in 1955-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Josef Krips (conductor/violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. No. 19 Sestetto “Sola sola in buio loco” (Donna Elvira, Leporello, Don Ottavio, Donna Anna) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
8:13
3Don Giovanni, K. 527: Act II. "Ah, pietà signori miei" (Leporello)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
bass vocals [Masetto]:
Walter Berry (bass‐baritone) (in 1955-06)
soprano vocals [Donna Elvira]:
Lisa della Casa (soprano) (in 1955-06)
soprano vocals [Zerlina]:
Hilde Gueden (soprano) (in 1955-06)
tenor vocals [Don Ottavio]:
Anton Dermota (tenor) (in 1955-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Josef Krips (conductor/violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. No. 20 Aria “Ah pietà, signori miei” (Leporello) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
2:39
4Don Giovanni, K. 527: Act II. "Il mio tesoro intanto" (Don Ottavio)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
tenor vocals [Don Ottavio]:
Anton Dermota (tenor) (in 1955-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Josef Krips (conductor/violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
4:14
5Don Giovanni, K. 527: Act II. "In quali eccessi, o Numi" (Donna Elvira)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
soprano vocals [Donna Elvira]:
Lisa della Casa (soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Josef Krips (conductor/violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Recitativo accompagnato “In quali eccessi, o Numi” (Donna Elvira) [540c/1] (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
6:05
6Don Giovanni, K. 527: Act II. "Ah, ah, ah, ah, questa è buona" (Don Giovanni)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Il Commendatore]:
Kurt Böhme (operatic bass) (in 1955-06)
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Josef Krips (conductor/violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. Recitativo “Ah, ah, ah, ah, questa è buona” (Don Giovanni, Leporello) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
3:42
7Don Giovanni, K. 527: Act II. "O statua gentilissima" (Leporello)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Il Commendatore]:
Kurt Böhme (operatic bass) (in 1955-06)
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Josef Krips (conductor/violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. No. 22 Duetto “O statua gentilissima” (Leporello, Don Giovanni) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
3:21
8Don Giovanni, K. 527: Act II. "Calmatevi, idol mio" (Don Ottavio)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
soprano vocals [Donna Anna]:
Suzanne Danco (soprano / mezzo-soprano) (in 1955-06)
tenor vocals [Don Ottavio]:
Anton Dermota (tenor) (in 1955-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Josef Krips (conductor/violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. Recitativo “Calmatevi, idol mio” (Don Ottavio, Donna Anna) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
2:34
9Don Giovanni, K. 527: Act II. "Non mi dir" (Donna Anna)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
soprano vocals [Donna Anna]:
Suzanne Danco (soprano / mezzo-soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Josef Krips (conductor/violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
4:41
10Don Giovanni, K. 527: Act II. "Già la mensa è preparata" (Don Giovanni)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
soprano vocals [Donna Elvira]:
Lisa della Casa (soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Josef Krips (conductor/violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. No. 24 Finale “Già la mensa e preparata” (Don Giovanni, Leporello, Donna Elvira) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
8:36
11Don Giovanni, K. 527: Act II. "Don Giovanni, a cenar teco" (Il Commendatore)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Il Commendatore]:
Kurt Böhme (operatic bass) (in 1955-06)
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
bass vocals [Masetto]:
Walter Berry (bass‐baritone) (in 1955-06)
choir vocals:
Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1955-06)
soprano vocals [Donna Anna]:
Suzanne Danco (soprano / mezzo-soprano) (in 1955-06)
soprano vocals [Donna Elvira]:
Lisa della Casa (soprano) (in 1955-06)
soprano vocals [Zerlina]:
Hilde Gueden (soprano) (in 1955-06)
tenor vocals [Don Ottavio]:
Anton Dermota (tenor) (in 1955-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Josef Krips (conductor/violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo da Ponte
part of:
Don Giovanni: Atto II
7:13
12Don Giovanni, K. 527: Act II. "Ah, dov'è il perfido" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
bass vocals [Masetto]:
Walter Berry (bass‐baritone) (in 1955-06)
soprano vocals [Donna Anna]:
Suzanne Danco (soprano / mezzo-soprano) (in 1955-06)
soprano vocals [Donna Elvira]:
Lisa della Casa (soprano) (in 1955-06)
soprano vocals [Zerlina]:
Hilde Gueden (soprano) (in 1955-06)
tenor vocals [Don Ottavio]:
Anton Dermota (tenor) (in 1955-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Josef Krips (conductor/violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. “Ah! dove è il perfido” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
6:23
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