Positive Vibes Only

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼Supporto digitale
#TitoloArtistaValutazioneDurata
1Happier
supporto artisti & repertorio (A&R):
Jeremy Vuernick
produttore:
Steve Mac (British pop producer/songwriter Steve McCutcheon) e Marshmello
assistente tecnico di missaggio:
Scott Desmarais e Robin Florent
tecnico di missaggio:
Chris Galland e Manny Marroquin
voce:
Bastille (British indie pop band)
esecutore:
Bastille (British indie pop band), Steve Mac (British pop producer/songwriter Steve McCutcheon) e Marshmello
diritti fonografici (℗) detenuti da:
Joytime Collective (nel 2018)
parte di:
Billboard Year-End Hot 100 singles of 2019 (numero: 6) e Billboard Year-End Hot 100 singles of 2018 (numero: 80)
registrazione di:
Happier
autore:
Steve Mac (British pop producer/songwriter Steve McCutcheon), Marshmello e Dan Smith (member of UK band Bastille)
Marshmello & Bastille3.253:35
2BELONG 2 U
produttore:
Devon (Devon Cassells)
registrazione di:
BELONG 2 U (n/a)
autore:
Devon Cassells (Devon Cassells)
Devon2:49
3The Sweet Escape
produttore:
Aliaune "Akon" Thiam (US singer and producer)
voce ospite:
Akon (US singer and producer)
esecutore:
Akon (US singer and producer)
parte di:
Amazon – Best Songs of 2007: Editor Picks (numero: 82)
registrazione di:
The Sweet Escape
autore:
Aliaune Thiam (US singer and producer), Gwen Stefani e Giorgio Tuinfort
Gwen Stefani & Akon3.354:06
4Make You Mine
produttore:
Matthew Alvarado, Ben Lapps, Eric Tuffendsam e John Vaughn (PUBLIC)
diritti fonografici (℗) detenuti da:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 2019)
registrazione di:
Make You Mine
autore:
Benjamin Andrew Lapps, John Vaughn Handelsman (PUBLIC) e Matthew Carter Alvarado
PUBLIC3:53
5Sugar
programmazione:
Ammo (American musician, songwriter and producer Joshua Coleman), Cirkut, Dr. Luke e Maroon 5 (American pop rock band)
assistente tecnico:
John Armstrong (engineer, producer), Eric Eylands, Rachael Findlen (engineer) e Cameron Montgomery
tecnico:
Clint Gibbs, John Hanes (audio engineer, mixer) (incarico: engineered for mix), Jonathan Sher, Doug McKean e Noah Passovoy
produttore:
Ammo (American musician, songwriter and producer Joshua Coleman) e Cirkut
tecnico di missaggio:
Serban Ghenea
batteria e percussione :
Ammo (American musician, songwriter and producer Joshua Coleman), Cirkut, Dr. Luke e Matt Flynn (Maroon 5 drummer)
chitarra :
Dr. Luke e James Valentine (Maroon 5)
chitarra basso [bass] :
Mickey Madden
percussione [core percussion] :
Cirkut
sintetizzatore basso [synth bass] :
Dr. Luke
tastiera [keyboards] :
Ammo (American musician, songwriter and producer Joshua Coleman), Jesse Carmichael, Cirkut, Dr. Luke e PJ Morton
voce:
Adam Levine (Maroon 5’s lead vocalist)
voce aggiuntiva:
Mike Posner
tecnico di strumenti:
Artie Smith
è stato produttore per:
Prescription Songs
registrata presso:
Conway Recording Studios in Hollywood, Los Angeles, California, Stati Uniti, Luke’s in the Boo in Malibu, California, Stati Uniti e The Mothership in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
MixStar Studios in Virginia Beach, Virginia, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 2015 (numero: 5), Grammy Award: Best Pop Duo/Group Performance nominees (numero: 2016) e Billboard Decade End Chart: Adult Contemporary Songs (2010s) (numero: 31)
registrazione di:
Sugar
autore:
Łukasz Gottwald, Henry Walter, Jacob Kasher Hindlen (American songwriter, producer), Joshua Coleman (American musician, songwriter and producer Joshua Coleman), Adam Levine (Maroon 5’s lead vocalist) e Mike Posner
editore:
Each Note Counts, J. Kasher Music, Kasz Money Publishing (ASCAP affiliated), Kevinthecity Publishing, North Greenway Productions, Oneirology Publishing, Prescription Songs, Sony/ATV Tunes LLC (ASCAP) e Sudgee 2 Music
Maroon 54.23:57
6Soulman (new English version)
registrazione di:
Soulman
paroliere:
Benjamin Duterde e Freddy Chellaoui
compositore:
Benjamin Duterde e Gabin Lesieur
Ben l’Oncle Soul3:42
7Closer
parte di:
Billboard Year-End Hot 100 singles of 2008 (numero: 20)
registrazione di:
Closer (Ne‐Yo)
paroliere:
Magnus Beite, Bernt Stray e Shaffer Chimere Smith
compositore:
Magnus Beite, Bernt Stray, Mikkel Sindberg Eriksen, Tor Erik Hermansen e Shaffer Chimere Smith
Ne‐Yo3.23:54
8Dancing Machine (single version)
produttore:
Hal Davis
arrangiatore:
Arthur Wright (guitar)
registrazione di:
Dancing Machine (nel 1974)
autore:
Hal Davis, Donald E. Fletcher e Dean Parks (American session guitarist)
parte di:
MJ: The Musical
The Jackson 53.252:37
9September Song
registrazione di:
September Song
autore:
Benjamin Hudson McIldowie, JP Cooper e Jon Cobbe Hume (Australian-born New Zealand singer-songwriter, guitarist and, record producer)
JP Cooper33:40
10Mr. Brightside
tecnico di registrazione:
Jeff Saltzman (music attorney and record producer)
produttore:
Jeff Saltzman (music attorney and record producer) e The Killers (American rock band)
tecnico di missaggio:
Mark Needham
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 2004) e Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 2017)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 4), NME: Greatest “Indie” Anthems Ever: 2007 (numero: 33), Offizielle deutsche Charts – Single-Jahrescharts 2025 (numero: 51), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 90) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 378)
registrazione di:
Mr. Brightside
autore:
Brandon Flowers e Dave Keuning
editore:
The Killers Publishing e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Killers4.33:43
11Green Light
assistente tecnico:
Greg Eliason e Barry McCready
tecnico:
Laura Sisk
produttore:
Jack Antonoff, Frank Dukes (Canadian record producer, songwriter, musician), Kuk Harrell (incarico: first verse vocal) e Lorde (New Zealand singer‐songwriter)
produttore esecutivo:
Jack Antonoff e Lorde (New Zealand singer‐songwriter)
tecnico di missaggio:
Serban Ghenea
tecnico di missaggio aggiunto:
John Hanes (audio engineer, mixer)
voce:
Lorde (New Zealand singer‐songwriter)
diritti fonografici (℗) detenuti da:
Universal Music New Zealand Limited (Universal’s subsidiary in New Zealand; DO NOT USE as an imprint) (nel 2017)
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti, Rough Customer Studio in Brooklyn Heights, New York, New York, Stati Uniti e Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, Stati Uniti
mixata presso:
MixStar Studios in Virginia Beach, Virginia, Stati Uniti
parte di:
Stereogum Readers’ 10 Favorite Songs of 2017 (numero: 5), Stereogum: The 200 Best Songs of the 2010s (numero: 10) e Rolling Stone: The 100 Best Songs of the 2010s (numero: 82)
registrazione di:
Green Light
paroliere:
Jack Antonoff e Ella Yelich-O'Connor (Lorde, New Zealand singer‐songwriter)
compositore:
Ella Yelich-O'Connor (Lorde, New Zealand singer‐songwriter) e Joel Little
editore:
Ducky Donath Music, EMI Blackwood Music Inc., Songs Music Publishing e Sony/ATV Songs LLC
parte di:
APRA Silver Scroll Awards Winners (numero: 2017)
Lorde4.23:55
12Sexual
registrazione di:
Sexual
autore:
Elina Stridh (Swedish singer-songwriter), Dayo Olatunji e Victor Rådström
NEIKED & Dyo3.353:09
13Sweet Home Alabama
supporto a vario titolo:
Ronnie Van Zant
tecnico e produttore:
Al Kooper
basso elettrico :
Leon Wilkeson (nel 1973-07)
batteria :
Bob Burns (Lynyrd Skynyrd drummer and songwriter) (nel 1973-07)
chitarra elettrica :
Allen Collins (nel 1973-07), Ed King (US guitarist, bassist & songwriter) (nel 1973-07) e Gary Rossington (nel 1973-07)
tastiera :
Billy Powell (nel 1973-07)
voce di accompagnamento:
Merry Clayton (nel 1973-07) e Clydie King (nel 1973-07)
voce principale:
Ronnie Van Zant (nel 1973-07)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (nel 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1974), Universal Music (plain logo: “Universal Music”) (nel 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
è stato produttore per:
Sounds of the South Productions
registrata presso:
Studio One (Doraville, GA) in Doraville, Georgia, Stati Uniti (nel 1973-07)
parte di:
Billboard Hot 100: 2026-07-18 (numero: 31), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 398)
registrazione di:
Sweet Home Alabama (nel 1973-07)
supporto a vario titolo:
Ronnie Van Zant
autore:
Ed King (US guitarist, bassist & songwriter), Gary Rossington e Ronnie Van Zant
editore:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH e Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.14:42
14You Can’t Hurry Love
tecnico di registrazione:
Russ Terrana
tecnico:
Lamont Dozier
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
basso :
James Jamerson (il 1966-06-11)
batteria :
Benny Benjamin (US drummer) (il 1966-06-11)
chitarra [Gibson L-5] :
Robert White (US funk/soul guitarist) (il 1966-06-11)
ottoni [horns] :
Detroit Symphony Orchestra (il 1966-06-11)
pianoforte :
Earl Van Dyke (il 1966-06-11)
strumenti:
The Funk Brothers (il 1966-06-11)
tamburello :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1966-06-11)
voce di accompagnamento:
Florence Ballard (il 1966-07-05) e Mary Wilson (il 1966-07-05)
voce principale:
Diana Ross (il 1966-07-05)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1966) e Motown Records (not for label use; use “Motown” instead) (nel 2015, nel 2017)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1966-06-11 al 1966-07-05)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 280)
registrazione di:
You Can’t Hurry Love (dal 1966-06-11 al 1966-07-05)
autore:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), Jobete Music (UK) Ltd. (nel 1965) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Supremes4.752:45
15Best Day of My Life (single version)
assistente tecnico:
Jay Fallon e JC Santalis
tecnico:
Joe Costable
produttore e tecnico di missaggio:
Aaron Accetta e Shep Goodman
assistente tecnico di missaggio:
Will Brierre
banjo e mandolino :
James Adam Shelley
batteria e percussione :
Matt Sanchez (of American Authors)
chitarra :
Zac Barnett (lead singer in the band American Authors) e James Adam Shelley
chitarra basso :
Dave Rublin
voce di accompagnamento:
Aaron Accetta, Zac Barnett (lead singer in the band American Authors), Shep Goodman, Matt Sanchez (of American Authors), Dave Rublin e James Adam Shelley
voce principale:
Zac Barnett (lead singer in the band American Authors)
è stato produttore per:
Dirty Canvas Productions
registrata presso:
Dirty Canvas Studios, Mt. Kisco, NY in Mount Kisco, New York, Stati Uniti e Raw Recording, Brewster, NY in Mahopac, Carmel, New York, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 2014 (numero: 31), BILLIONS CLUB e Billboard Decade End Chart: Adult Contemporary Songs (2010s) (numero: 43)
registrazione di:
Best Day of My Life
autore:
Aaron Accetta, Dave Rublin, Matt Sanchez (of American Authors), James Adam Shelley, Shep Goodman e Zac Barnett (lead singer in the band American Authors)
editore:
David Rublin Publishing, Drawoc, EMI April Music Inc., James Adam Shelley Publishing, Needledown Publishing, Owl and Fox Publishing, Round Hill Copyrights, Round Hill Works, Sony/ATV Allegro e Zac Barnett Publishing
American Authors3.753:16
16Isn’t This a Lovely Day?
batteria :
Buddy Rich (il 1956-08-16)
chitarra :
Herb Ellis (jazz guitarist) (il 1956-08-16)
contrabbasso :
Ray Brown (jazz bassist) (il 1956-08-16)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1956-08-16)
tromba :
Louis Armstrong (il 1956-08-16)
voce:
Louis Armstrong (il 1956-08-16) e Ella Fitzgerald (American jazz singer) (il 1956-08-16)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-08-16)
registrazione cover di:
Isn’t This a Lovely Day? (from “Top Hat”) (il 1956-08-16)
paroliere e compositore:
Irving Berlin (nel 1935)
parte di:
Top Hat (1935 film)
Ella Fitzgerald & Louis Armstrong3.656:15
17Mystic Bounce
produttore:
Madlib
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
registrata presso e mixata presso:
Bomb Shelter (The Crystal Method) in Glendale, California, Stati Uniti
campionamenti:
Mystic Brew di Ronnie Foster
Madlib3.53:59
18I Just Want to Make Love to You (single version)
produttore:
Leonard Chess, Leonard & Phil Chess (legendary US production duo) e Phil Chess
voce principale:
Etta James
orchestra:
Riley Hampton Orchestra
direttore d'orchestra:
Riley Hampton
arrangiatore:
Riley Hampton
registrazione cover di:
I Just Wanna Make Love to You (nel 1960-05)
paroliere e compositore:
Willie Dixon
editore:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Hoochie Coochie Music
Etta James33:06
19That’s Life (remastered 2008)
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1966-10-18)
produttore:
Jimmy Bowen (producer, rockabilly musician and songwriter)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1966-10-18)
direttore d'orchestra:
Ernie Freeman (il 1966-10-18)
arrangiatore:
Ernie Freeman
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1966)
registrazione cover di:
That’s Life (il 1966-10-18)
paroliere:
Kelly Gordon e Dean Kay
compositore:
Dean Kay
editore:
Four Star Television Music Co., Lichelle Music Company, PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Frank Sinatra4.353:06
20Signed, Sealed, Delivered (I’m Yours)
produttore:
Stevie Wonder
voce principale:
Stevie Wonder (nel 1970)
arrangiatore:
Paul Riser
diritti fonografici (℗) detenuti da:
Motown Records (not for label use; use “Motown” instead) (nel 1970)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 31)
registrazione di:
Signed, Sealed, Delivered I’m Yours (nel 1970)
autore:
Lee Garrett, Lula Mae Hardaway (songwriter), Syreeta (US singer‐songwriter active 1970s–80s) e Stevie Wonder
editore:
Black Bull Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music e 大洋音楽 (Taiyō Music)
Stevie Wonder4.32:39
21Like Sugar
tecnico:
Sanford Livingston
produttore:
Sarah Ruba Taylor e David Taylor (House producer)
tecnico di missaggio:
Switch (UK house DJ/producer/remixer Dave Taylor)
chitarra basso :
Samuel Aaron Wilkes (bass)
timbales :
Chaka Khan
voce:
Chaka Khan
voce di accompagnamento:
Sarah Ruba Taylor e Tiffany Smith
diritti fonografici (℗) detenuti da:
Diary Records Inc. (nel 2019)
registrazione di:
Like Sugar
autore:
John Flippin, Chaka Khan, Sarah Ruba Taylor, David Taylor (House producer) e William Curtis (The Fatback Band)
editore:
BMG (publisher) (dal 2019 a oggi), Diary Publishing (dal 2019 a oggi), iKhan Sounds (dal 2019 a oggi), Secret Road Publishing (dal 2019 a oggi) e Warner Chappell (Warner/Chappell Music, Inc.) (dal 2019 a oggi)
Chaka Khan4.54:00
22My Girl
produttore:
Smokey Robinson e Ronald White (soul singer, founding member of The Miracles)
archi :
Detroit Symphony Orchestra (dal 1964-09-25 al 1964-11-17)
basso :
James Jamerson (dal 1964-09-25 al 1964-11-17)
batteria :
Benny Benjamin (US drummer) (dal 1964-09-25 al 1964-11-17)
chitarra :
Robert White (US funk/soul guitarist) (dal 1964-09-25 al 1964-11-17)
strumenti:
The Funk Brothers (dal 1964-09-25 al 1964-11-17)
voce di accompagnamento:
Eddie Kendricks (dal 1964-09-25 al 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (dal 1964-09-25 al 1964-11-17) e Paul Williams (member of The Temptations) (dal 1964-09-25 al 1964-11-17)
voce principale:
David Ruffin (soul singer, member of The Temptations) (dal 1964-09-25 al 1964-11-17)
esecutore:
The Temptations (Motown soul vocal group) (dal 1964-09-25 al 1964-11-17)
arrangiatore archi :
Paul Riser
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1964)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1964-09-25 al 1964-11-17)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 3), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 43) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 88)
registrazione di:
My Girl (dal 1964-09-25 al 1964-11-17)
paroliere:
Smokey Robinson
compositore:
Smokey Robinson e Ronald White (soul singer, founding member of The Miracles)
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Temptations4.452:43
23Give Up the Funk (Tear the Roof Off the Sucker)
produttore:
George Clinton (US funk musician)
registrazione di:
Give Up the Funk (Tear the Roof Off the Sucker)
compositore:
Jerome Brailey, George Clinton (US funk musician) e Bootsy Collins (US funk musician & songwriter)
Parliament4.055:47
24All Night Long (All Night) (single version)
produttore:
James Anthony Carmichael e Lionel Richie
arrangiatore archi [string] e arrangiatore ottoni [horn] :
James Anthony Carmichael
arrangiatore:
James Anthony Carmichael e Lionel Richie
arrangiatore voci:
Lionel Richie
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1983) e Motown Records (not for label use; use “Motown” instead) (nel 1983)
registrazione di:
All Night Long (All Night)
paroliere e compositore:
Lionel Richie
editore:
Brenda Richie Publishing, Brockman Music e Rondor Music (Australia) Pty Ltd
Lionel Richie3.44:11
25One Love / People Get Ready (medley)
assistente tecnico:
Terry Barham e Guy Bidmead
tecnico:
Karl Pitterson
produttore:
Bob Marley & The Wailers
tecnico di missaggio:
Aston Barrett, Chris Blackwell (Island Records) e Karl Pitterson
basso :
Aston “Familyman” Barrett (dal 1977-01 al 1977-04)
batteria :
Carlton Barrett (dal 1977-01 al 1977-04)
chitarra :
Aston “Familyman” Barrett (dal 1977-01 al 1977-04) e Junior Marvin (dal 1977-01 al 1977-04)
chitarra acustica :
Bob Marley (Jamaican reggae artist) (dal 1977-01 al 1977-04)
percussione :
Aston “Familyman” Barrett (dal 1977-01 al 1977-04), Carlton Barrett (dal 1977-01 al 1977-04), Tyrone Downie (dal 1977-01 al 1977-04), Bob Marley (Jamaican reggae artist) (dal 1977-01 al 1977-04) e Alvin “Seeco” Patterson (dal 1977-01 al 1977-04)
tastiera :
Tyrone Downie (dal 1977-01 al 1977-04)
voce:
Bob Marley (Jamaican reggae artist) (dal 1977-01 al 1977-04)
voce di accompagnamento:
Tyrone Downie (dal 1977-01 al 1977-04), Marcia Griffiths (reggae singer from Jamaica) (dal 1977-01 al 1977-04), Rita Marley (dal 1977-01 al 1977-04) e Judy Mowatt (dal 1977-01 al 1977-04)
diritti fonografici (℗) detenuti da:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1977), Island Records, Inc. (US, Island holding) (nel 1977) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 2001)
mixata presso:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito (dal 1977-03 al 1977-04)
registrazione di:
One Love / People Get Ready (dal 1977-01 al 1977-04)
paroliere e compositore:
Bob Marley (Jamaican reggae artist) e Curtis Mayfield
editore:
Blackwell Fuller Music Publishing LLC, Bob Marley Music, Cayman Music, Cayman Music Inc, EMI April Music Inc., Leosong Copyright Service Ltd., Mijac Music, Rondor Music (London) Ltd., Shakat Music Publishing, TRO Essex Music Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Blue Mountain Music (nel 1968), Fifty Six Hope Road Music Limited (nel 1968), Odnil Music Ltd. (nel 1968), EMI Tunes PLC (publisher) (dal 1991 a oggi) e Warner Chappell Music Ltd. (no slash; used 1988–1996) (dal 1991 a oggi)
si basa su:
People Get Ready
Bob Marley & The Wailers4.22:53
26Lovin’ Each Day
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 2001)
video musicale per:
Lovin Each Day di Ronan Keating
registrazione di:
Lovin’ Each Day
autore:
Gregg Alexander e Rick Nowels
editore:
Keepin’ It Real, How ’Bout You? e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Ronan Keating2.653:32
27Good Vibrations (remastered)
tecnico di registrazione:
Bruce Botnick (dal 1966-02 al 1966-06), Chuck Britz (dal 1966-02 al 1966-06) e Larry Levine (dal 1966-02 al 1966-06)
tecnico:
Chuck Britz e Jim Lockert (Enginear)
produttore:
The Beach Boys (American rock band) e Brian Wilson (Beach Boys co‐founder)
tecnico di missaggio:
Derry FitzGerald
voce:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06)
voce principale:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06) e Carl Wilson (Beach Boys) (dal 1966-02 al 1966-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1966)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06), Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06) e Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 53)
registrazione di:
Good Vibrations (Love/Wilson lyrics, common version) (dal 1966-02 al 1966-06)
paroliere:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) e Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
versione di:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.33:37
28Cake by the Ocean
diritti fonografici (℗) detenuti da:
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) (nel 2015)
parte di:
Billboard Year-End Hot 100 singles of 2016 (numero: 18)
registrazione di:
Cake by the Ocean
autore:
Robin Fredriksson (of Mattman & Robin), Joe Jonas (of the Jonas Brothers), Mattias Larsson (of Mattman & Robin) e Justin Tranter (singer and songwriter)
editore:
Justin’s School for Girls, Ma-Jay Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Scandinavia AB e Wolf Cousins
DNCE4.53:40
29Put Your Records On
tecnico di registrazione, programmazione e produttore:
Steve Chrisanthou
produttore aggiunto:
Jimmy Hogarth (producer and songwriter)
tecnico di missaggio:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
chitarra acustica e percussione e voce di accompagnamento e voce principale:
Corinne Bailey Rae
chitarra basso [bass] :
Samuel Dixon
chitarra classica [spanish guitar], chitarra elettrica e percussione :
Steve Chrisanthou
organo Hammond :
Joe Tatton
sassofono contralto :
Jason Rae
sassofono tenore :
Jim Corry
tastiera :
John Beck (Writer, producer & musician)
tromba :
Malcolm Strachan
voce di accompagnamento aggiuntiva:
Cara Robinson
contiene campionamenti da parte di:
Steve Chrisanthou (corno)
mixata presso:
TwentyOne Studios in London (Greater London), England, Regno Unito
video musicali:
Put Your Records On di Corinne Bailey Rae
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 236)
registrazione di:
Put Your Records On
autore:
Corinne Bailey Rae, John Beck (Writer, producer & musician) e Steve Chrisanthou
Corinne Bailey Rae3.73:35
30She Moves in Her Own Way
assistente tecnico:
Iain Dowling e Ben Mason (Independent filmmaker/musician)
tecnico:
Todd Burke e Tony Hoffer
produttore:
Tony Hoffer
assistente tecnico di missaggio:
Keith Gary e Will Hensley (engineer)
tecnico di missaggio:
Michael Brauer (engineer)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 2006)
video musicali:
She Moves in Her Own Way di The Kooks (UK band)
registrazione di:
She Moves in Her Own Way
paroliere:
Luke Pritchard e Max Rafferty
compositore:
Paul Garred, Hugh Harris (of The Kooks), Luke Pritchard e Max Rafferty
editore:
Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13)
The Kooks3.92:49
31It Don’t Mean a Thing (If It Ain’t Got That Swing)
direttore d'orchestra:
Marion Evans
arrangiatore ottoni :
Marion Evans
registrazione cover di:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
paroliere:
Irving Mills (nel 1931)
compositore:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (nel 1931-08)
editore:
Duke Ellington Music e EMI Mills Music (ASCAP-affiliated)
parte di:
The Real Book (compilation of jazz standards, volume I)
Tony Bennett & Lady Gaga2:22
32California Soul
produttore:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) e Charles Stepney (musician, producer, arranger and songwriter)
arrangiatore:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) e Charles Stepney (musician, producer, arranger and songwriter)
registrazione cover di:
California Soul
autore:
Nickolas Ashford e Valerie Simpson
editore:
Jobete Music Co., Inc. (il 1969-01-17)
Marlena Shaw52:51
33A Kiss to Build a Dream On (single version)
tromba e voce principale:
Louis Armstrong (il 1951-07-24)
esecutore:
Sy Oliver and His Orchestra (il 1951-07-24)
registrazione di:
A Kiss to Build a Dream On (il 1951-07-24)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein) (nel 1935) e Bert Kalmar (nel 1935)
compositore:
Harry Ruby (nel 1935)
editore:
EMI Miller Catalog, Inc.
parte di:
The 24th Academy Award for Best Original Song (numero: 2)
parte di:
Fallout 2: A Post Nuclear Role Playing Game
parte di:
The Strip (1951 film)
Louis Armstrong43:03
34Don’t Worry Be Happy
tecnico:
Chris Tergesen
produttore:
Linda Goldstein
percussione corporea :
Bobby McFerrin
voce:
Bobby McFerrin
diritti fonografici (℗) detenuti da:
EMI Manhattan (Manhattan Records after Jul 1987 acquisition of EMI America) (nel 1988), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1988) e EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1988)
registrata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti
registrazione di:
Don’t Worry, Be Happy
paroliere e compositore:
Bobby McFerrin
autore:
Steve Sidwell (English composer & wind instrumentalist)
editore:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Probnoblem Music
Bobby McFerrin4.354:50
35Sunny Side of the Street
registrata a:
New York, New York, Stati Uniti (il 1956-04-24)
pianoforte :
Junior Mance (il 1956-04-24)
sassofono contralto :
Cannonball Adderley (il 1956-04-24)
voce:
Dinah Washington (il 1956-04-24)
orchestra:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.)
direttore d'orchestra:
Hal Mooney (il 1956-04-24)
arrangiatore:
Hal Mooney
registrazione cover di:
On the Sunny Side of the Street (il 1956-04-24)
paroliere:
Dorothy Fields (American librettist and lyricist)
compositore:
Jimmy McHugh (songwriter)
editore:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. e Vydia Music Publishing
sub-editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. e シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
parte di:
American Splendor
Dinah Washington12:30

Accreditamenti

Pubblicazione

copyright (©) detenuto da e diritti fonografici (℗) detenuti da:UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 2020)
streaming gratuito:https://open.spotify.com/album/6yGdoqxFIjFBwBmca6x82T [info]
https://www.deezer.com/album/145930482 [info]