Positive Vibes Only

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Happier
A&R-Management:
Jeremy Vuernick
Produzent(in):
Steve Mac (British pop producer/songwriter Steve McCutcheon) und Marshmello
assistierende(r) Mix:
Scott Desmarais und Robin Florent
Mix:
Chris Galland und Manny Marroquin
vocals:
Bastille (British indie pop band)
Interpret(in):
Bastille (British indie pop band), Steve Mac (British pop producer/songwriter Steve McCutcheon) und Marshmello
phonographisches Urheberrecht (℗) von:
Joytime Collective (in 2018)
Teil von:
Billboard Year-End Hot 100 singles of 2019 (Nummer: 6) und Billboard Year-End Hot 100 singles of 2018 (Nummer: 80)
recording of:
Happier
Verfasser(in):
Steve Mac (British pop producer/songwriter Steve McCutcheon), Marshmello und Dan Smith (member of UK band Bastille)
Marshmello & Bastille3.253:35
2BELONG 2 U
Produzent(in):
Devon (Devon Cassells)
recording of:
BELONG 2 U (n/a)
Verfasser(in):
Devon Cassells (Devon Cassells)
Devon2:49
3The Sweet Escape
Produzent(in):
Aliaune "Akon" Thiam (US singer and producer)
Gast vocals:
Akon (US singer and producer)
Interpret(in):
Akon (US singer and producer)
Teil von:
Amazon – Best Songs of 2007: Editor Picks (Nummer: 82)
recording of:
The Sweet Escape
Verfasser(in):
Aliaune Thiam (US singer and producer), Gwen Stefani und Giorgio Tuinfort
Gwen Stefani & Akon3.354:06
4Make You Mine
Produzent(in):
Matthew Alvarado, Ben Lapps, Eric Tuffendsam und John Vaughn (PUBLIC)
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2019)
recording of:
Make You Mine
Verfasser(in):
Benjamin Andrew Lapps, John Vaughn Handelsman (PUBLIC) und Matthew Carter Alvarado
PUBLIC3:53
5Sugar
Programmierung:
Ammo (American musician, songwriter and producer Joshua Coleman), Cirkut, Dr. Luke und Maroon 5 (American pop rock band)
assistierende(r) Techniker(in):
John Armstrong (engineer, producer), Eric Eylands, Rachael Findlen (engineer) und Cameron Montgomery
Techniker(in):
Clint Gibbs, John Hanes (audio engineer, mixer) (Aufgabe: engineered for mix), Jonathan Sher, Doug McKean und Noah Passovoy
Produzent(in):
Ammo (American musician, songwriter and producer Joshua Coleman) und Cirkut
Mix:
Serban Ghenea
Bass-Synthesizer [synth bass]:
Dr. Luke
Bassgitarre [bass]:
Mickey Madden
Gitarre:
Dr. Luke und James Valentine (Maroon 5)
Keyboard [keyboards]:
Ammo (American musician, songwriter and producer Joshua Coleman), Jesse Carmichael, Cirkut, Dr. Luke und PJ Morton
Perkussion und Schlagzeug:
Ammo (American musician, songwriter and producer Joshua Coleman), Cirkut, Dr. Luke und Matt Flynn (Maroon 5 drummer)
Perkussion [core percussion]:
Cirkut
vocals:
Adam Levine (Maroon 5’s lead vocalist)
zusätzlich vocals:
Mike Posner
Instrumente-Techniker:
Artie Smith
produced for:
Prescription Songs
aufgenommen bei:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Luke’s in the Boo in Malibu, California (Kalifornien), Vereinigte Staaten und The Mothership in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2015 (Nummer: 5), Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2016) und Billboard Decade End Chart: Adult Contemporary Songs (2010s) (Nummer: 31)
recording of:
Sugar
Verfasser(in):
Łukasz Gottwald, Henry Walter, Jacob Kasher Hindlen (American songwriter, producer), Joshua Coleman (American musician, songwriter and producer Joshua Coleman), Adam Levine (Maroon 5’s lead vocalist) und Mike Posner
publisher:
Each Note Counts, J. Kasher Music, Kasz Money Publishing (ASCAP affiliated), Kevinthecity Publishing, North Greenway Productions, Oneirology Publishing, Prescription Songs, Sony/ATV Tunes LLC (ASCAP) und Sudgee 2 Music
Maroon 54.23:57
6Soulman (new English version)
recording of:
Soulman
Texter:
Benjamin Duterde und Freddy Chellaoui
Komponist(in):
Benjamin Duterde und Gabin Lesieur
Ben l’Oncle Soul3:42
7Closer
Teil von:
Billboard Year-End Hot 100 singles of 2008 (Nummer: 20)
recording of:
Closer (Ne‐Yo)
Texter:
Magnus Beite, Bernt Stray und Shaffer Chimere Smith
Komponist(in):
Magnus Beite, Bernt Stray, Mikkel Sindberg Eriksen, Tor Erik Hermansen und Shaffer Chimere Smith
Ne‐Yo3.23:54
8Dancing Machine (single version)
Produzent(in):
Hal Davis
arranger:
Arthur Wright (guitar)
recording of:
Dancing Machine (in 1974)
Verfasser(in):
Hal Davis, Donald E. Fletcher und Dean Parks (American session guitarist)
Teil von:
MJ: The Musical
The Jackson 53.252:37
9September Song
recording of:
September Song
Verfasser(in):
Benjamin Hudson McIldowie, JP Cooper und Jon Cobbe Hume (Australian-born New Zealand singer-songwriter, guitarist and, record producer)
JP Cooper33:40
10Mr. Brightside
recording engineer:
Jeff Saltzman (music attorney and record producer)
Produzent(in):
Jeff Saltzman (music attorney and record producer) und The Killers (American rock band)
Mix:
Mark Needham
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2004) und Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2017)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 4), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 33), Offizielle deutsche Charts – Single-Jahrescharts 2025 (Nummer: 51), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 90) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 378)
recording of:
Mr. Brightside
Verfasser(in):
Brandon Flowers und Dave Keuning
publisher:
The Killers Publishing und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Killers4.33:43
11Green Light
assistierende(r) Techniker(in):
Greg Eliason und Barry McCready
Techniker(in):
Laura Sisk
leitende(r) Produzent(in):
Jack Antonoff und Lorde (New Zealand singer‐songwriter)
Produzent(in):
Jack Antonoff, Frank Dukes (Canadian record producer, songwriter, musician), Kuk Harrell (Aufgabe: first verse vocal) und Lorde (New Zealand singer‐songwriter)
Mix:
Serban Ghenea
zusätzliche(r) Mix:
John Hanes (audio engineer, mixer)
vocals:
Lorde (New Zealand singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Universal Music New Zealand Limited (Universal’s subsidiary in New Zealand; DO NOT USE as an imprint) (in 2017)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten, Rough Customer Studio in Brooklyn Heights, New York, New York, Vereinigte Staaten und Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Teil von:
Stereogum Readers’ 10 Favorite Songs of 2017 (Nummer: 5), Stereogum: The 200 Best Songs of the 2010s (Nummer: 10) und Rolling Stone: The 100 Best Songs of the 2010s (Nummer: 82)
recording of:
Green Light
Texter:
Jack Antonoff und Ella Yelich-O'Connor (Lorde, New Zealand singer‐songwriter)
Komponist(in):
Ella Yelich-O'Connor (Lorde, New Zealand singer‐songwriter) und Joel Little
publisher:
Ducky Donath Music, EMI Blackwood Music Inc., Songs Music Publishing und Sony/ATV Songs LLC
Teil von:
APRA Silver Scroll Awards Winners (Nummer: 2017)
Lorde4.23:55
12Sexual
recording of:
Sexual
Verfasser(in):
Elina Stridh (Swedish singer-songwriter), Dayo Olatunji und Victor Rådström
NEIKED & Dyo3.353:09
13Sweet Home Alabama
sonstige Unterstützung:
Ronnie Van Zant
Techniker(in) und Produzent(in):
Al Kooper
E-Bass:
Leon Wilkeson (in 1973-07)
E-Gitarre:
Allen Collins (in 1973-07), Ed King (US guitarist, bassist & songwriter) (in 1973-07) und Gary Rossington (in 1973-07)
Keyboard:
Billy Powell (in 1973-07)
Schlagzeug:
Bob Burns (Lynyrd Skynyrd drummer and songwriter) (in 1973-07)
Hintergrundgesang:
Merry Clayton (in 1973-07) und Clydie King (in 1973-07)
Sologesang:
Ronnie Van Zant (in 1973-07)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974), Universal Music (plain logo: “Universal Music”) (in 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
produced for:
Sounds of the South Productions
aufgenommen bei:
Studio One (Doraville, GA) in Doraville, Georgia, Vereinigte Staaten (in 1973-07)
Teil von:
Billboard Hot 100: 2026-07-18 (Nummer: 31), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 398)
recording of:
Sweet Home Alabama (in 1973-07)
sonstige Unterstützung:
Ronnie Van Zant
Verfasser(in):
Ed King (US guitarist, bassist & songwriter), Gary Rossington und Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH und Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.14:42
14You Can’t Hurry Love
recording engineer:
Russ Terrana
Techniker(in):
Lamont Dozier
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
Bass:
James Jamerson (am 1966-06-11)
Blechblasinstrumente [horns]:
Detroit Symphony Orchestra (am 1966-06-11)
Gitarre [Gibson L-5]:
Robert White (US funk/soul guitarist) (am 1966-06-11)
Instrumente:
The Funk Brothers (am 1966-06-11)
Klavier:
Earl Van Dyke (am 1966-06-11)
Schlagzeug:
Benny Benjamin (US drummer) (am 1966-06-11)
Tamburin:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1966-06-11)
Hintergrundgesang:
Florence Ballard (am 1966-07-05) und Mary Wilson (am 1966-07-05)
Sologesang:
Diana Ross (am 1966-07-05)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1966) und Motown Records (not for label use; use “Motown” instead) (in 2015, in 2017)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1966-06-11 bis 1966-07-05)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 280)
recording of:
You Can’t Hurry Love (von 1966-06-11 bis 1966-07-05)
Verfasser(in):
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30), Jobete Music (UK) Ltd. (in 1965) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Supremes4.752:45
15Best Day of My Life (single version)
assistierende(r) Techniker(in):
Jay Fallon und JC Santalis
Techniker(in):
Joe Costable
Produzent(in) und Mix:
Aaron Accetta und Shep Goodman
assistierende(r) Mix:
Will Brierre
Banjo und Mandoline:
James Adam Shelley
Bassgitarre:
Dave Rublin
Gitarre:
Zac Barnett (lead singer in the band American Authors) und James Adam Shelley
Perkussion und Schlagzeug:
Matt Sanchez (of American Authors)
Hintergrundgesang:
Aaron Accetta, Zac Barnett (lead singer in the band American Authors), Shep Goodman, Matt Sanchez (of American Authors), Dave Rublin und James Adam Shelley
Sologesang:
Zac Barnett (lead singer in the band American Authors)
produced for:
Dirty Canvas Productions
aufgenommen bei:
Dirty Canvas Studios, Mt. Kisco, NY in Mount Kisco, New York, Vereinigte Staaten und Raw Recording, Brewster, NY in Mahopac, Carmel, New York, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2014 (Nummer: 31), BILLIONS CLUB und Billboard Decade End Chart: Adult Contemporary Songs (2010s) (Nummer: 43)
recording of:
Best Day of My Life
Verfasser(in):
Aaron Accetta, Dave Rublin, Matt Sanchez (of American Authors), James Adam Shelley, Shep Goodman und Zac Barnett (lead singer in the band American Authors)
publisher:
David Rublin Publishing, Drawoc, EMI April Music Inc., James Adam Shelley Publishing, Needledown Publishing, Owl and Fox Publishing, Round Hill Copyrights, Round Hill Works, Sony/ATV Allegro und Zac Barnett Publishing
American Authors3.753:16
16Isn’t This a Lovely Day?
Gitarre:
Herb Ellis (jazz guitarist) (am 1956-08-16)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1956-08-16)
Kontrabass:
Ray Brown (jazz bassist) (am 1956-08-16)
Schlagzeug:
Buddy Rich (am 1956-08-16)
Trompete:
Louis Armstrong (am 1956-08-16)
vocals:
Louis Armstrong (am 1956-08-16) und Ella Fitzgerald (American jazz singer) (am 1956-08-16)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-16)
cover recording of:
Isn’t This a Lovely Day? (from “Top Hat”) (am 1956-08-16)
Texter und Komponist(in):
Irving Berlin (in 1935)
Teil von:
Top Hat (1935 film)
Ella Fitzgerald & Louis Armstrong3.656:15
17Mystic Bounce
Produzent(in):
Madlib
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
aufgenommen bei und mixed at:
Bomb Shelter (The Crystal Method) in Glendale, California (Kalifornien), Vereinigte Staaten
Samples:
Mystic Brew von Ronnie Foster
Madlib3.53:59
18I Just Want to Make Love to You (single version)
Produzent(in):
Leonard Chess, Leonard & Phil Chess (legendary US production duo) und Phil Chess
Sologesang:
Etta James
Orchester:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
cover recording of:
I Just Wanna Make Love to You (in 1960-05)
Texter und Komponist(in):
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Hoochie Coochie Music
Etta James33:06
19That’s Life (remastered 2008)
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1966-10-18)
Produzent(in):
Jimmy Bowen (producer, rockabilly musician and songwriter)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1966-10-18)
conductor:
Ernie Freeman (am 1966-10-18)
arranger:
Ernie Freeman
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1966)
cover recording of:
That’s Life (am 1966-10-18)
Texter:
Kelly Gordon und Dean Kay
Komponist(in):
Dean Kay
publisher:
Four Star Television Music Co., Lichelle Music Company, PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Frank Sinatra4.353:06
20Signed, Sealed, Delivered (I’m Yours)
Produzent(in):
Stevie Wonder
Sologesang:
Stevie Wonder (in 1970)
arranger:
Paul Riser
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1970)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 31)
recording of:
Signed, Sealed, Delivered I’m Yours (in 1970)
Verfasser(in):
Lee Garrett, Lula Mae Hardaway (songwriter), Syreeta (US singer‐songwriter active 1970s–80s) und Stevie Wonder
publisher:
Black Bull Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music und 大洋音楽 (Taiyō Music)
Stevie Wonder4.32:39
21Like Sugar
Techniker(in):
Sanford Livingston
Produzent(in):
Sarah Ruba Taylor und David Taylor (House producer)
Mix:
Switch (UK house DJ/producer/remixer Dave Taylor)
Bassgitarre:
Samuel Aaron Wilkes (bass)
Timbales:
Chaka Khan
Hintergrundgesang:
Sarah Ruba Taylor und Tiffany Smith
vocals:
Chaka Khan
phonographisches Urheberrecht (℗) von:
Diary Records Inc. (in 2019)
recording of:
Like Sugar
Verfasser(in):
John Flippin, Chaka Khan, Sarah Ruba Taylor, David Taylor (House producer) und William Curtis (The Fatback Band)
publisher:
BMG (publisher) (vom 2019 bis heute), Diary Publishing (vom 2019 bis heute), iKhan Sounds (vom 2019 bis heute), Secret Road Publishing (vom 2019 bis heute) und Warner Chappell (Warner/Chappell Music, Inc.) (vom 2019 bis heute)
Chaka Khan4.54:00
22My Girl
Produzent(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
Bass:
James Jamerson (von 1964-09-25 bis 1964-11-17)
Gitarre:
Robert White (US funk/soul guitarist) (von 1964-09-25 bis 1964-11-17)
Instrumente:
The Funk Brothers (von 1964-09-25 bis 1964-11-17)
Saiteninstrumente:
Detroit Symphony Orchestra (von 1964-09-25 bis 1964-11-17)
Schlagzeug:
Benny Benjamin (US drummer) (von 1964-09-25 bis 1964-11-17)
Hintergrundgesang:
Eddie Kendricks (von 1964-09-25 bis 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (von 1964-09-25 bis 1964-11-17) und Paul Williams (member of The Temptations) (von 1964-09-25 bis 1964-11-17)
Sologesang:
David Ruffin (soul singer, member of The Temptations) (von 1964-09-25 bis 1964-11-17)
Interpret(in):
The Temptations (Motown soul vocal group) (von 1964-09-25 bis 1964-11-17)
Saiteninstrumente arranger:
Paul Riser
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1964-09-25 bis 1964-11-17)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 3), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 43) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 88)
recording of:
My Girl (von 1964-09-25 bis 1964-11-17)
Texter:
Smokey Robinson
Komponist(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Temptations4.452:43
23Give Up the Funk (Tear the Roof Off the Sucker)
Produzent(in):
George Clinton (US funk musician)
recording of:
Give Up the Funk (Tear the Roof Off the Sucker)
Komponist(in):
Jerome Brailey, George Clinton (US funk musician) und Bootsy Collins (US funk musician & songwriter)
Parliament4.055:47
24All Night Long (All Night) (single version)
Produzent(in):
James Anthony Carmichael und Lionel Richie
Blechblasinstrumente [horn] arranger und Saiteninstrumente [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael und Lionel Richie
vocals arranger:
Lionel Richie
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983) und Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
All Night Long (All Night)
Texter und Komponist(in):
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Music und Rondor Music (Australia) Pty Ltd
Lionel Richie3.44:11
25One Love / People Get Ready (medley)
assistierende(r) Techniker(in):
Terry Barham und Guy Bidmead
Techniker(in):
Karl Pitterson
Produzent(in):
Bob Marley & The Wailers
Mix:
Aston Barrett, Chris Blackwell (Island Records) und Karl Pitterson
Akustikgitarre:
Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04)
Bass:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04)
Gitarre:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04) und Junior Marvin (von 1977-01 bis 1977-04)
Keyboard:
Tyrone Downie (von 1977-01 bis 1977-04)
Perkussion:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04), Carlton Barrett (von 1977-01 bis 1977-04), Tyrone Downie (von 1977-01 bis 1977-04), Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04) und Alvin “Seeco” Patterson (von 1977-01 bis 1977-04)
Schlagzeug:
Carlton Barrett (von 1977-01 bis 1977-04)
Hintergrundgesang:
Tyrone Downie (von 1977-01 bis 1977-04), Marcia Griffiths (reggae singer from Jamaica) (von 1977-01 bis 1977-04), Rita Marley (von 1977-01 bis 1977-04) und Judy Mowatt (von 1977-01 bis 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1977), Island Records, Inc. (US, Island holding) (in 1977) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (von 1977-03 bis 1977-04)
recording of:
One Love / People Get Ready (von 1977-01 bis 1977-04)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist) und Curtis Mayfield
publisher:
Blackwell Fuller Music Publishing LLC, Bob Marley Music, Cayman Music, Cayman Music Inc, EMI April Music Inc., Leosong Copyright Service Ltd., Mijac Music, Rondor Music (London) Ltd., Shakat Music Publishing, TRO Essex Music Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Blue Mountain Music (in 1968), Fifty Six Hope Road Music Limited (in 1968), Odnil Music Ltd. (in 1968), EMI Tunes PLC (publisher) (vom 1991 bis heute) und Warner Chappell Music Ltd. (no slash; used 1988–1996) (vom 1991 bis heute)
basiert auf:
People Get Ready
Bob Marley & The Wailers4.22:53
26Lovin’ Each Day
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2001)
Musikvideo für:
Lovin Each Day von Ronan Keating
recording of:
Lovin’ Each Day
Verfasser(in):
Gregg Alexander und Rick Nowels
publisher:
Keepin’ It Real, How ’Bout You? und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Ronan Keating2.653:32
27Good Vibrations (remastered)
recording engineer:
Bruce Botnick (von 1966-02 bis 1966-06), Chuck Britz (von 1966-02 bis 1966-06) und Larry Levine (von 1966-02 bis 1966-06)
Techniker(in):
Chuck Britz und Jim Lockert (Enginear)
Produzent(in):
The Beach Boys (American rock band) und Brian Wilson (Beach Boys co‐founder)
Mix:
Derry FitzGerald
Sologesang:
Mike Love (Beach Boys) (von 1966-02 bis 1966-06) und Carl Wilson (Beach Boys) (von 1966-02 bis 1966-06)
vocals:
Mike Love (Beach Boys) (von 1966-02 bis 1966-06)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1966)
aufgenommen bei:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06), Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06) und Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 53)
recording of:
Good Vibrations (Love/Wilson lyrics, common version) (von 1966-02 bis 1966-06)
Texter:
Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) und Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Version von:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.33:37
28Cake by the Ocean
phonographisches Urheberrecht (℗) von:
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) (in 2015)
Teil von:
Billboard Year-End Hot 100 singles of 2016 (Nummer: 18)
recording of:
Cake by the Ocean
Verfasser(in):
Robin Fredriksson (of Mattman & Robin), Joe Jonas (of the Jonas Brothers), Mattias Larsson (of Mattman & Robin) und Justin Tranter (singer and songwriter)
publisher:
Justin’s School for Girls, Ma-Jay Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Scandinavia AB und Wolf Cousins
DNCE4.53:40
29Put Your Records On
recording engineer, Programmierung und Produzent(in):
Steve Chrisanthou
zusätzliche(r) Produzent(in):
Jimmy Hogarth (producer and songwriter)
Mix:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
Akustikgitarre und Perkussion und Hintergrundgesang und Sologesang:
Corinne Bailey Rae
alto saxophone:
Jason Rae
Bassgitarre [bass]:
Samuel Dixon
Hammond-Orgel:
Joe Tatton
Keyboard:
John Beck (Writer, producer & musician)
klassiche Gitarre [spanish guitar], E-Gitarre und Perkussion:
Steve Chrisanthou
Tenorsaxophon:
Jim Corry
Trompete:
Malcolm Strachan
zusätzlich Hintergrundgesang:
Cara Robinson
enthält Samples von:
Steve Chrisanthou (Horn)
mixed at:
TwentyOne Studios in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Put Your Records On von Corinne Bailey Rae
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 236)
recording of:
Put Your Records On
Verfasser(in):
Corinne Bailey Rae, John Beck (Writer, producer & musician) und Steve Chrisanthou
Corinne Bailey Rae3.73:35
30She Moves in Her Own Way
assistierende(r) Techniker(in):
Iain Dowling und Ben Mason (Independent filmmaker/musician)
Techniker(in):
Todd Burke und Tony Hoffer
Produzent(in):
Tony Hoffer
assistierende(r) Mix:
Keith Gary und Will Hensley (engineer)
Mix:
Michael Brauer (engineer)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 2006)
Musikvideos:
She Moves in Her Own Way von The Kooks (UK band)
recording of:
She Moves in Her Own Way
Texter:
Luke Pritchard und Max Rafferty
Komponist(in):
Paul Garred, Hugh Harris (of The Kooks), Luke Pritchard und Max Rafferty
publisher:
Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13)
The Kooks3.92:49
31It Don’t Mean a Thing (If It Ain’t Got That Swing)
conductor:
Marion Evans
Blechblasinstrumente arranger:
Marion Evans
cover recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
Texter:
Irving Mills (in 1931)
Komponist(in):
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music und EMI Mills Music (ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Tony Bennett & Lady Gaga2:22
32California Soul
Produzent(in):
Richard Evans (US jazz/soul bassist, composer, arranger and producer) und Charles Stepney (musician, producer, arranger and songwriter)
arranger:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) und Charles Stepney (musician, producer, arranger and songwriter)
cover recording of:
California Soul
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Jobete Music Co., Inc. (am 1969-01-17)
Marlena Shaw52:51
33A Kiss to Build a Dream On (single version)
Trompete und Sologesang:
Louis Armstrong (am 1951-07-24)
Interpret(in):
Sy Oliver and His Orchestra (am 1951-07-24)
recording of:
A Kiss to Build a Dream On (am 1951-07-24)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1935) und Bert Kalmar (in 1935)
Komponist(in):
Harry Ruby (in 1935)
publisher:
EMI Miller Catalog, Inc.
Teil von:
The 24th Academy Award for Best Original Song (Nummer: 2)
Teil von:
Fallout 2: A Post Nuclear Role Playing Game
Teil von:
The Strip (1951 film)
Louis Armstrong43:03
34Don’t Worry Be Happy
Techniker(in):
Chris Tergesen
Produzent(in):
Linda Goldstein
Körper-Perkussion:
Bobby McFerrin
vocals:
Bobby McFerrin
phonographisches Urheberrecht (℗) von:
EMI Manhattan (Manhattan Records after Jul 1987 acquisition of EMI America) (in 1988), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1988) und EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1988)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten
recording of:
Don’t Worry, Be Happy
Texter und Komponist(in):
Bobby McFerrin
Verfasser(in):
Steve Sidwell (English composer & wind instrumentalist)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Probnoblem Music
Bobby McFerrin4.354:50
35Sunny Side of the Street
recorded in:
New York, New York, Vereinigte Staaten (am 1956-04-24)
alto saxophone:
Cannonball Adderley (am 1956-04-24)
Klavier:
Junior Mance (am 1956-04-24)
vocals:
Dinah Washington (am 1956-04-24)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
conductor:
Hal Mooney (am 1956-04-24)
arranger:
Hal Mooney
cover recording of:
On the Sunny Side of the Street (am 1956-04-24)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. und Vydia Music Publishing
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. und シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Teil von:
American Splendor
Dinah Washington12:30

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2020)
kostenlos streamen:https://open.spotify.com/album/6yGdoqxFIjFBwBmca6x82T [Info]
https://www.deezer.com/album/145930482 [Info]