’Round Midnight

~ Veröffentlichung von Linda Ronstadt with Nelson Riddle and His Orchestra (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

'Round Midnight is a box set that compiles all three of the traditional pop albums Linda Ronstadt recorded with Nelson Riddle (What's New, Lush Life, and For Sentimental Reasons).

Possible 1987 release: here

Anmerkung zuletzt geändert am 2013-02-03 07:27 UTC.

Titelliste

1▶CD
2▼CD
Nr.TitelBewertungLänge
1You Took Advantage of Me
recording engineer und Mix:
George Massenburg (in 1984)
Produzent(in):
Peter Asher
Bass:
Bob Magnusson (jazz, pop and classical bassist) (in 1984)
Gitarre:
Bob Mann (US session guitarist) (in 1984)
Klavier:
Don Grolnick (in 1984)
Schlagzeug:
Louie Bellson (in 1984)
Solo-Tenorsaxophon:
Plas Johnson (in 1984)
conductor:
Nelson Riddle (in 1984)
arranger:
Nelson Riddle (in 1984)
cover recording of:
You Took Advantage of Me (in 1984)
Texter:
Lorenz Hart (in 1928)
Komponist(in):
Richard Rodgers (composer) (in 1928)
publisher:
Chappell’s • Sydney
2:25
2Sophisticated Lady
recording engineer und Mix:
George Massenburg (in 1984)
Produzent(in):
Peter Asher
Bass:
Bob Magnusson (jazz, pop and classical bassist) (in 1984)
Gitarre:
Bob Mann (US session guitarist) (in 1984)
Klavier:
Don Grolnick (in 1984)
Schlagzeug:
John Guerin (in 1984)
Solo-Tenorsaxophon:
Plas Johnson (in 1984)
conductor:
Nelson Riddle (in 1984)
arranger:
Nelson Riddle (in 1984)
cover recording of:
Sophisticated Lady (in 1984)
Texter:
Mitchell Parish und Irving Mills (in 1932)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (beendet), Mills Music, Inc. (beendet), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (bis 2007-05) und Sony/ATV Harmony (vom 2007-05 bis heute)
Teil von:
Sophisticated Ladies (1981 musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:44
3Can’t We Be Friends
recording engineer und Mix:
George Massenburg (in 1984)
Produzent(in):
Peter Asher
Bass:
Bob Magnusson (jazz, pop and classical bassist) (in 1984)
Gitarre:
Bob Mann (US session guitarist) (in 1984)
Klavier:
Don Grolnick (in 1984)
Schlagzeug:
Louie Bellson (in 1984)
Solo-Trompete:
Oscar Brashear (in 1984)
conductor:
Nelson Riddle (in 1984)
arranger:
Nelson Riddle (in 1984)
cover recording of:
Can’t We Be Friends? (in 1984)
Texter:
Paul James (Lyricist, aka James Warburg)
Komponist(in):
Kay Swift
publisher:
Warner Bros. Music Corp.
2:32
4My Old Flame
recording engineer und Mix:
George Massenburg (in 1984)
Produzent(in):
Peter Asher
Bass:
Bob Magnusson (jazz, pop and classical bassist) (in 1984)
Gitarre:
Bob Mann (US session guitarist) (in 1984)
Klavier:
Don Grolnick (in 1984)
Schlagzeug:
John Guerin (in 1984)
Solo-Posaune:
Chauncey Welsch (in 1984)
conductor:
Nelson Riddle (in 1984)
arranger:
Nelson Riddle (in 1984)
cover recording of:
My Old Flame (in 1984)
Texter:
Sam Coslow
Komponist(in):
Arthur Johnston (American composer and songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:28
5Falling in Love Again
recording engineer und Mix:
George Massenburg (in 1984)
Produzent(in):
Peter Asher
Bass:
Bob Magnusson (jazz, pop and classical bassist) (in 1984)
Klavier:
Don Grolnick (in 1984)
Schlagzeug:
John Guerin (in 1984)
conductor:
Nelson Riddle (in 1984)
arranger:
Nelson Riddle (in 1984)
cover recording of:
Falling in Love Again (Can’t Help It) (in 1984)
Texter und Komponist(in):
Friedrich Hollaender
Übersetzer:
Reginald Connelly und Sammy Lerner
publisher:
Campbell Connelly, BMG Songs, Inc. (in 1930) und Samuel M. Lerner Publications (in 1930)
übersetzte Version von:
Ich bin von Kopf bis Fuß auf Liebe eingestellt
2:39
6Lush Life
recording engineer und Mix:
George Massenburg (in 1984)
Produzent(in):
Peter Asher
Bass:
Bob Magnusson (jazz, pop and classical bassist) (in 1984)
Gitarre:
Bob Mann (US session guitarist) (in 1984)
Klavier:
Don Grolnick (in 1984)
Schlagzeug:
John Guerin (in 1984)
conductor:
Nelson Riddle (in 1984)
arranger:
Nelson Riddle (in 1984)
cover recording of:
Lush Life (in 1984)
Texter und Komponist(in):
Billy Strayhorn (von 1933 bis 1938)
publisher:
Billy Strayhorn Songs, Inc., Campbell Connelly & Co. Ltd., Chrysalis One Music, Reservoir Media Music, ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) und Tempo Music, Inc. (Duke Ellington’s music publishing company) (vom 1949 bis heute)
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:57
7When You Wish Upon a Star
recording engineer und Mix:
George Massenburg
Produzent(in):
Peter Asher
Bass:
Bob Magnusson (jazz, pop and classical bassist)
Gitarre:
Bob Mann (US session guitarist)
Klavier:
Don Grolnick
Schlagzeug:
John Guerin
vocals:
Linda Ronstadt
conductor:
Nelson Riddle
arranger:
Nelson Riddle
cover recording of:
When You Wish Upon a Star (Pinocchio, 1940 film)
Texter:
Ned Washington
Komponist(in):
Leigh Harline
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Chappell Music Ltd.
Teil von:
The 13th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1940 winner)
Medley von:
Little Wooden Head (Pinocchio, 1940 film, music cue)
Medley von:
When You Wish Upon a Star (Pinocchio, 1940 film, music cue)
Medley von:
When You Wish Upon a Star (Pinocchio, 1940 film, music cue)
Teil von:
Celebrate the Future Hand in Hand
Teil von:
Pinocchio (1940 Disney film soundtrack)
4.53:49
8Bewitched, Bothered & Bewildered
recording engineer und Mix:
George Massenburg
Produzent(in):
Peter Asher
Bass:
Bob Magnusson (jazz, pop and classical bassist)
Gitarre:
Bob Mann (US session guitarist)
Klavier:
Don Grolnick
Posaune:
Chauncey Welsch
Schlagzeug:
John Guerin
vocals:
Linda Ronstadt
conductor:
Nelson Riddle
arranger:
Nelson Riddle
cover recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (beendet), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und Williamson Music Company
Teil von:
Pal Joey
44:25
9You Go to My Head
recording engineer und Mix:
George Massenburg
Produzent(in):
Peter Asher
Bass:
Bob Magnusson (jazz, pop and classical bassist)
Gitarre:
Bob Mann (US session guitarist)
Klavier:
Don Grolnick
Posaune:
Chauncey Welsch
Schlagzeug:
John Guerin
vocals:
Linda Ronstadt
conductor:
Nelson Riddle
arranger:
Nelson Riddle
cover recording of:
You Go to My Head
Texter:
Haven Gillespie (in 1938)
Komponist(in):
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) und Warner Bros. Music Corp.
43:39
10But Not for Me
recording engineer und Mix:
George Massenburg
Produzent(in):
Peter Asher
Bass:
Bob Magnusson (jazz, pop and classical bassist)
Gitarre:
Bob Mann (US session guitarist)
Klavier:
Don Grolnick
Schlagzeug:
John Guerin
Tenorsaxophon:
Plas Johnson
vocals:
Linda Ronstadt
conductor:
Nelson Riddle
arranger:
Nelson Riddle
cover recording of:
But Not for Me
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (bis 2019-05-28), New World Music Co. (in 1930) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
35:28
11My Funny Valentine
recording engineer und Mix:
George Massenburg
Produzent(in):
Peter Asher
Bass:
Bob Magnusson (jazz, pop and classical bassist)
Geigenfamilie:
Sequoia String Quartet
Gitarre:
Bob Mann (US session guitarist)
Klavier:
Don Grolnick
Schlagzeug:
John Guerin
vocals:
Linda Ronstadt
conductor:
Nelson Riddle
arranger:
Nelson Riddle
cover recording of:
My Funny Valentine (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
53:02
12I Get Along Without You Very Well
recording engineer und Mix:
George Massenburg
Produzent(in):
Peter Asher
Bass:
Bob Magnusson (jazz, pop and classical bassist)
Gitarre:
Bob Mann (US session guitarist)
Klavier:
Don Grolnick
Schlagzeug:
John Guerin
Tenorsaxophon:
Plas Johnson
vocals:
Linda Ronstadt
conductor:
Nelson Riddle
arranger:
Nelson Riddle
cover recording of:
I Get Along Without You Very Well
Texter:
Jane Brown Thompson
Komponist(in):
Hoagy Carmichael (in 1939)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Songs of Peer, Ltd. (ASCAP) und Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
44:18
13Am I Blue
recording engineer und Mix:
George Massenburg
Produzent(in):
Peter Asher
Bass:
Ray Brown (jazz bassist)
Gitarre:
Dennis Budimir
Klavier:
Don Grolnick
Schlagzeug:
Louie Bellson
Trompete:
Warren Luening
vocals:
Linda Ronstadt
conductor:
Terry Woodson
arranger:
Nelson Riddle
cover recording of:
Am I Blue?
Texter:
Grant Clarke
Komponist(in):
Harry Akst
publisher:
EMI Music Publishing (do not use as a release label!), Warner Bros. Music Corp., Warner Bros., Inc. (Warner Bros. Music Division) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
42:59
14I Love You for Sentimental Reasons
recording engineer und Mix:
George Massenburg
Produzent(in):
Peter Asher
alto saxophone:
Bud Shank
Bass:
Bob Magnusson (jazz, pop and classical bassist)
Gitarre:
Bob Mann (US session guitarist)
Klavier:
Don Grolnick
Schlagzeug:
John Guerin
Hintergrundgesang:
Mic Bell, Drake Frye, Clifford Holland und Carl Jones
vocals:
Linda Ronstadt
conductor:
Terry Woodson
arranger:
Nelson Riddle
cover recording of:
(I Love You) for Sentimental Reasons
Texter:
Ivory “Deek” Watson (Singer, guitarist, and songwriter)
Komponist(in):
William “Pat” Best
publisher:
MCA Duchess Music Corporation und Peter Maurice Music Co. Ltd.
53:44
15Straighten Up and Fly Right
recording engineer und Mix:
George Massenburg
Produzent(in):
Peter Asher
Bass:
Ray Brown (jazz bassist)
Gitarre:
Dennis Budimir und Bob Mann (US session guitarist)
Klavier:
Don Grolnick
Schlagzeug:
Louie Bellson
Trompete:
Warren Luening
Hintergrundgesang:
James Taylor (singer-songwriter and guitarist)
vocals:
Linda Ronstadt
conductor:
Terry Woodson
arranger:
Nelson Riddle
cover recording of:
Straighten Up and Fly Right
Verfasser(in):
Nat King Cole und Irving Mills
publisher:
American Academy of Music, Inc., EMI Mills Music (ASCAP-affiliated) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
sub-publisher:
Mills Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30)
32:16
16Little Girl Blue
recording engineer und Mix:
George Massenburg
Produzent(in):
Peter Asher
Bass:
Bob Magnusson (jazz, pop and classical bassist)
Gitarre:
Bob Mann (US session guitarist)
Klavier:
Don Grolnick
Schlagzeug:
John Guerin
Tenorsaxophon:
Plas Johnson
vocals:
Linda Ronstadt
conductor:
Nelson Riddle
arranger:
Nelson Riddle
cover recording of:
Little Girl Blue
Texter:
Lorenz Hart (in 1935)
Komponist(in):
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jumbo
44:37
17’Round Midnight
recording engineer und Mix:
George Massenburg
Produzent(in):
Peter Asher
Bass:
Bob Magnusson (jazz, pop and classical bassist)
Gitarre:
Bob Mann (US session guitarist)
Klavier:
Don Grolnick
Posaune:
Chauncey Welsch
Schlagzeug:
John Guerin
vocals:
Linda Ronstadt
conductor:
Nelson Riddle
arranger:
Nelson Riddle
cover recording of:
’Round Midnight
Texter:
Bernie Hanighen
Komponist(in):
Thelonious Monk und Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
basiert auf:
I Need You So
44:20

Nennungen

Veröffentlichung

mastering:Doug Sax
ASIN:US: B000002H3S [Info]