’Round Midnight

~ Release by Linda Ronstadt with Nelson Riddle and His Orchestra (see all versions of this release, 2 available)

Annotation

'Round Midnight is a box set that compiles all three of the traditional pop albums Linda Ronstadt recorded with Nelson Riddle (What's New, Lush Life, and For Sentimental Reasons).

Possible 1987 release: here

Annotation last modified on 2013-02-03 07:27 UTC.

Tracklist

1CD
2CD
#TitleRatingLength
1You Took Advantage of Me
recording engineer and mixer:
George Massenburg (in 1984)
producer:
Peter Asher
bass:
Bob Magnusson (jazz, pop and classical bassist) (in 1984)
drums (drum set):
Louie Bellson (in 1984)
guitar:
Bob Mann (US session guitarist) (in 1984)
piano:
Don Grolnick (in 1984)
solo tenor saxophone:
Plas Johnson (in 1984)
conductor:
Nelson Riddle (in 1984)
arranger:
Nelson Riddle (in 1984)
cover recording of:
You Took Advantage of Me (in 1984)
lyricist:
Lorenz Hart (in 1928)
composer:
Richard Rodgers (composer) (in 1928)
publisher:
Chappell’s • Sydney
2:25
2Sophisticated Lady
recording engineer and mixer:
George Massenburg (in 1984)
producer:
Peter Asher
bass:
Bob Magnusson (jazz, pop and classical bassist) (in 1984)
drums (drum set):
John Guerin (in 1984)
guitar:
Bob Mann (US session guitarist) (in 1984)
piano:
Don Grolnick (in 1984)
solo tenor saxophone:
Plas Johnson (in 1984)
conductor:
Nelson Riddle (in 1984)
arranger:
Nelson Riddle (in 1984)
cover recording of:
Sophisticated Lady (in 1984)
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, volume I)
3:44
3Can’t We Be Friends
recording engineer and mixer:
George Massenburg (in 1984)
producer:
Peter Asher
bass:
Bob Magnusson (jazz, pop and classical bassist) (in 1984)
drums (drum set):
Louie Bellson (in 1984)
guitar:
Bob Mann (US session guitarist) (in 1984)
piano:
Don Grolnick (in 1984)
solo trumpet:
Oscar Brashear (in 1984)
conductor:
Nelson Riddle (in 1984)
arranger:
Nelson Riddle (in 1984)
cover recording of:
Can’t We Be Friends? (in 1984)
lyricist:
Paul James (Lyricist, aka James Warburg)
composer:
Kay Swift
publisher:
Warner Bros. Music Corp.
2:32
4My Old Flame
recording engineer and mixer:
George Massenburg (in 1984)
producer:
Peter Asher
bass:
Bob Magnusson (jazz, pop and classical bassist) (in 1984)
drums (drum set):
John Guerin (in 1984)
guitar:
Bob Mann (US session guitarist) (in 1984)
piano:
Don Grolnick (in 1984)
solo trombone:
Chauncey Welsch (in 1984)
conductor:
Nelson Riddle (in 1984)
arranger:
Nelson Riddle (in 1984)
cover recording of:
My Old Flame (in 1984)
lyricist:
Sam Coslow
composer:
Arthur Johnston (American composer and songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:28
5Falling in Love Again
recording engineer and mixer:
George Massenburg (in 1984)
producer:
Peter Asher
bass:
Bob Magnusson (jazz, pop and classical bassist) (in 1984)
drums (drum set):
John Guerin (in 1984)
piano:
Don Grolnick (in 1984)
conductor:
Nelson Riddle (in 1984)
arranger:
Nelson Riddle (in 1984)
cover recording of:
Falling in Love Again (Can’t Help It) (in 1984)
lyricist and composer:
Friedrich Hollaender
translator:
Reginald Connelly and Sammy Lerner
publisher:
Campbell Connelly, BMG Songs, Inc. (in 1930) and Samuel M. Lerner Publications (in 1930)
translated version of:
Ich bin von Kopf bis Fuß auf Liebe eingestellt
2:39
6Lush Life
recording engineer and mixer:
George Massenburg (in 1984)
producer:
Peter Asher
bass:
Bob Magnusson (jazz, pop and classical bassist) (in 1984)
drums (drum set):
John Guerin (in 1984)
guitar:
Bob Mann (US session guitarist) (in 1984)
piano:
Don Grolnick (in 1984)
conductor:
Nelson Riddle (in 1984)
arranger:
Nelson Riddle (in 1984)
cover recording of:
Lush Life (in 1984)
lyricist and composer:
Billy Strayhorn (from 1933 until 1938)
publisher:
Billy Strayhorn Songs, Inc., Campbell Connelly & Co. Ltd., Chrysalis One Music, Reservoir Media Music, ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) and Tempo Music, Inc. (Duke Ellington’s music publishing company) (from 1949 to present)
part of:
The Real Book (compilation of jazz standards, volume I)
3:57
7When You Wish Upon a Star
recording engineer and mixer:
George Massenburg
producer:
Peter Asher
bass:
Bob Magnusson (jazz, pop and classical bassist)
drums (drum set):
John Guerin
guitar:
Bob Mann (US session guitarist)
piano:
Don Grolnick
vocals:
Linda Ronstadt
conductor:
Nelson Riddle
arranger:
Nelson Riddle
cover recording of:
When You Wish Upon a Star (Pinocchio, 1940 film)
lyricist:
Ned Washington
composer:
Leigh Harline
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Chappell Music Ltd.
part of:
The 13th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1940 winner)
medley of:
Little Wooden Head (Pinocchio, 1940 film, music cue)
medley of:
When You Wish Upon a Star (Pinocchio, 1940 film, music cue)
medley of:
When You Wish Upon a Star (Pinocchio, 1940 film, music cue)
part of:
Celebrate the Future Hand in Hand
part of:
Pinocchio (1940 Disney film soundtrack)
4.53:49
8Bewitched, Bothered & Bewildered
recording engineer and mixer:
George Massenburg
producer:
Peter Asher
bass:
Bob Magnusson (jazz, pop and classical bassist)
drums (drum set):
John Guerin
guitar:
Bob Mann (US session guitarist)
piano:
Don Grolnick
trombone:
Chauncey Welsch
vocals:
Linda Ronstadt
conductor:
Nelson Riddle
arranger:
Nelson Riddle
cover recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
44:25
9You Go to My Head
recording engineer and mixer:
George Massenburg
producer:
Peter Asher
bass:
Bob Magnusson (jazz, pop and classical bassist)
drums (drum set):
John Guerin
guitar:
Bob Mann (US session guitarist)
piano:
Don Grolnick
trombone:
Chauncey Welsch
vocals:
Linda Ronstadt
conductor:
Nelson Riddle
arranger:
Nelson Riddle
cover recording of:
You Go to My Head
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
43:39
10But Not for Me
recording engineer and mixer:
George Massenburg
producer:
Peter Asher
bass:
Bob Magnusson (jazz, pop and classical bassist)
drums (drum set):
John Guerin
guitar:
Bob Mann (US session guitarist)
piano:
Don Grolnick
tenor saxophone:
Plas Johnson
vocals:
Linda Ronstadt
conductor:
Nelson Riddle
arranger:
Nelson Riddle
cover recording of:
But Not for Me
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
35:28
11My Funny Valentine
recording engineer and mixer:
George Massenburg
producer:
Peter Asher
bass:
Bob Magnusson (jazz, pop and classical bassist)
drums (drum set):
John Guerin
guitar:
Bob Mann (US session guitarist)
piano:
Don Grolnick
violin family:
Sequoia String Quartet
vocals:
Linda Ronstadt
conductor:
Nelson Riddle
arranger:
Nelson Riddle
cover recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
53:02
12I Get Along Without You Very Well
recording engineer and mixer:
George Massenburg
producer:
Peter Asher
bass:
Bob Magnusson (jazz, pop and classical bassist)
drums (drum set):
John Guerin
guitar:
Bob Mann (US session guitarist)
piano:
Don Grolnick
tenor saxophone:
Plas Johnson
vocals:
Linda Ronstadt
conductor:
Nelson Riddle
arranger:
Nelson Riddle
cover recording of:
I Get Along Without You Very Well
lyricist:
Jane Brown Thompson
composer:
Hoagy Carmichael (in 1939)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Songs of Peer, Ltd. (ASCAP) and Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
44:18
13Am I Blue
recording engineer and mixer:
George Massenburg
producer:
Peter Asher
bass:
Ray Brown (jazz bassist)
drums (drum set):
Louie Bellson
guitar:
Dennis Budimir
piano:
Don Grolnick
trumpet:
Warren Luening
vocals:
Linda Ronstadt
conductor:
Terry Woodson
arranger:
Nelson Riddle
cover recording of:
Am I Blue?
lyricist:
Grant Clarke
composer:
Harry Akst
publisher:
EMI Music Publishing (do not use as a release label!), Warner Bros. Music Corp., Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
42:59
14I Love You for Sentimental Reasons
recording engineer and mixer:
George Massenburg
producer:
Peter Asher
alto saxophone:
Bud Shank
bass:
Bob Magnusson (jazz, pop and classical bassist)
drums (drum set):
John Guerin
guitar:
Bob Mann (US session guitarist)
piano:
Don Grolnick
background vocals:
Mic Bell, Drake Frye, Clifford Holland and Carl Jones
vocals:
Linda Ronstadt
conductor:
Terry Woodson
arranger:
Nelson Riddle
cover recording of:
(I Love You) for Sentimental Reasons
lyricist:
Ivory “Deek” Watson (Singer, guitarist, and songwriter)
composer:
William “Pat” Best
publisher:
MCA Duchess Music Corporation and Peter Maurice Music Co. Ltd.
53:44
15Straighten Up and Fly Right
recording engineer and mixer:
George Massenburg
producer:
Peter Asher
bass:
Ray Brown (jazz bassist)
drums (drum set):
Louie Bellson
guitar:
Dennis Budimir and Bob Mann (US session guitarist)
piano:
Don Grolnick
trumpet:
Warren Luening
background vocals:
James Taylor (singer-songwriter and guitarist)
vocals:
Linda Ronstadt
conductor:
Terry Woodson
arranger:
Nelson Riddle
cover recording of:
Straighten Up and Fly Right
writer:
Nat King Cole and Irving Mills
publisher:
American Academy of Music, Inc., EMI Mills Music (ASCAP-affiliated) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
sub-publisher:
Mills Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30)
32:16
16Little Girl Blue
recording engineer and mixer:
George Massenburg
producer:
Peter Asher
bass:
Bob Magnusson (jazz, pop and classical bassist)
drums (drum set):
John Guerin
guitar:
Bob Mann (US session guitarist)
piano:
Don Grolnick
tenor saxophone:
Plas Johnson
vocals:
Linda Ronstadt
conductor:
Nelson Riddle
arranger:
Nelson Riddle
cover recording of:
Little Girl Blue
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jumbo
44:37
17’Round Midnight
recording engineer and mixer:
George Massenburg
producer:
Peter Asher
bass:
Bob Magnusson (jazz, pop and classical bassist)
drums (drum set):
John Guerin
guitar:
Bob Mann (US session guitarist)
piano:
Don Grolnick
trombone:
Chauncey Welsch
vocals:
Linda Ronstadt
conductor:
Nelson Riddle
arranger:
Nelson Riddle
cover recording of:
’Round Midnight
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
44:20