Weihnachtsoratorium

~ Release by Johann Sebastian Bach; Ludwig Güttler, Christiane Oelze, Annette Markert, Hans Peter Blochwitz, Oliver Widmer, Concentus Vocalis Vienna, Virtuosi Saxoniae (see all versions of this release, 2 available)

Tracklist

1▶CD
2▶CD
3▼CD
#TitleArtistRatingLength
1Weihnachts-Oratorium, BWV 248: 5. Teil - Ehre sei dir, Gott, gesungen
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro „Ehre sei dir, Gott, gesungen“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:36
2Weihnachts-Oratorium, BWV 248: 5. Teil - Da Jesus geboren war zu Bethlehem
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo „Da Jesus geboren war zu Bethlehem“ (Evangelista) (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:25
3Weihnachts-Oratorium, BWV 248: 5. Teil - Wo ist der neugeborne König der Jüden
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLV. Coro e Recitativo (Alto) „Wo ist der neugeborne König“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:13
4Weihnachts-Oratorium, BWV 248: 5. Teil - Dein Glanz all Finsternis verzehrt
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral „Dein Glanz all Finsternis verzehrt“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Georg Weissel (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 214)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:54
5Weihnachts-Oratorium, BWV 248: 5. Teil - Erleucht auch meine finstre Sinnen
bass vocals:
Oliver Widmer (bass-baritone)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:52
6Weihnachts-Oratorium, BWV 248: 5. Teil - Da das der König Herodes hörte
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Recitativo „Da das der König Herodes hörte“ (Evangelista) (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:13
7Weihnachts-Oratorium, BWV 248: 5. Teil - Warum wollt ihr erschrecken
alto vocals:
Annette Markert (mezzo-soprano)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIX. Recitativo (Alto) „Warum wollt ihr erschrecken“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:34
8Weihnachts-Oratorium, BWV 248: 5. Teil - Und ließ versammeln alle Hohepriester
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, L. Recitativo „Und ließ versammeln alle Hohepriester“ (Evangelista) (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:24
9Weihnachts-Oratorium, BWV 248: 5. Teil - Ach, wann wird die Zeit erscheinen
soprano vocals:
Christiane Oelze (German soprano)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:26
10Weihnachts-Oratorium, BWV 248: 5. Teil - Mein Liebster herrschet schon
alto vocals:
Annette Markert (mezzo-soprano)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) „Mein Liebster herrschet schon“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:31
11Weihnachts-Oratorium, BWV 248: 5. Teil - Zwar ist solche Herzensstube
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LIII. Choral „Zwar ist solche Herzensstube“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 114)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:04
12Weihnachts-Oratorium, BWV 248: 6. Teil - Herr, wenn die stolzen Feinde schnauben
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro „Herr, wenn die stolzen Feinde schnauben“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:55
13Weihnachts-Oratorium, BWV 248: 6. Teil - Da berief Herodes die Weisen heimlich
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo „Da berief Herodes die Weisen heimlich“ (Evangelista) (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:50
14Weihnachts-Oratorium, BWV 248: 6. Teil - Du Falscher, suche nur den Herrn zu fällen
soprano vocals:
Christiane Oelze (German soprano)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) „Du Falscher, suche nur den Herrn zu fällen“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:49
15Weihnachts-Oratorium, BWV 248: 6. Teil - Nur ein Wink von seinen Händen
soprano vocals:
Christiane Oelze (German soprano)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) „Nur ein Wink von seinen Händen“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:53
16Weihnachts-Oratorium, BWV 248: 6. Teil - Als sie nun den König gehöret hatten
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo „Als sie nun den König gehöret hatten“ (Evangelista) (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:22
17Weihnachts-Oratorium, BWV 248: 6. Teil - Ich steh an deiner Krippen hier
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 263)
is based on:
Nun freut euch, lieben Christen g’mein (more 'sostenuto' version)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:10
18Weihnachts-Oratorium, BWV 248: 6. Teil - Und Gott befahl ihnen im Traum
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LX. Recitativo „Und Gott befahl ihnen im Traum“ (Evangelista) (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:25
19Weihnachts-Oratorium, BWV 248: 6. Teil - So geht! Genug, mein Schatz geht nicht von hier
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) „So geht! Genug, mein Schatz geht nicht von hier“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:46
20Weihnachts-Oratorium, BWV 248: 6. Teil - Nun mögt ihr stolzen Feinde schrecken
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) „Nun mögt ihr stolzen Feinde schrecken“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:21
21Weihnachts-Oratorium, BWV 248: 6. Teil - Was will der Hölle Schrecken nun
soprano vocals:
Christiane Oelze (German soprano)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) „Was will der Höllen Schrecken nun“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:45
22Weihnachts-Oratorium, BWV 248: 6. Teil - Nun seid ihr wohl gerochen
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral „Nun seid ihr wohl gerochen“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 165)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:09
23Kantate, BWV 191 "Gloria in excelsis Deo": Gloria in excelsis Deo
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": I. Coro "Gloria in excelsis Deo" (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo")
is based on:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
Johann Sebastian Bach7:09
24Kantate, BWV 191 "Gloria in excelsis Deo": Gloria Patri et Filio
soprano vocals:
Christiane Oelze (German soprano)
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": II. Duetto (Sopran, Tenor) "Gloria Patri et Filio et Spiritui sancto" (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
Johann Sebastian Bach5:17
25Kantate, BWV 191 "Gloria in excelsis Deo": Sicut erat in principio
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": III. Coro "Sicut erat in principio" (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
Johann Sebastian Bach4:26