Weihnachtsoratorium

~ Release by Johann Sebastian Bach; Ludwig Güttler, Christiane Oelze, Annette Markert, Hans Peter Blochwitz, Oliver Widmer, Concentus Vocalis Vienna, Virtuosi Saxoniae (see all versions of this release, 2 available)

Tracklist

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1Weihnachts-Oratorium, BWV 248: 1. Teil - Jauchzet, frohlocket, auf, preiset die Tage
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:25
2Weihnachts-Oratorium, BWV 248: 1. Teil - Es begab sich aber zu der Zeit
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo „Es begab sich aber zu der Zeit“ (Evangelista) (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:24
3Weihnachts-Oratorium, BWV 248: 1. Teil - Nun wird mein liebster Bräutigam
alto vocals:
Annette Markert (mezzo-soprano)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) „Nun wird mein liebster Bräutigam“ (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:55
4Weihnachts-Oratorium, BWV 248: 1. Teil - Bereite dich, Zion, mit zärtlichen Trieben
alto vocals:
Annette Markert (mezzo-soprano)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:41
5Weihnachts-Oratorium, BWV 248: 1. Teil - Wie soll ich dich empfangen
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Wie soll ich dich empfangen
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:32
6Weihnachts-Oratorium, BWV 248: 1. Teil - Und sie gebar ihren ersten Sohn
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VI. Recitativo „Und sie gebar ihren ersten Sohn“ (Evangelista) (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:24
7Weihnachts-Oratorium, BWV 248: 1. Teil - Er ist auf Erden kommen arm Wer will die Liebe recht erhöhn
bass vocals:
Oliver Widmer (bass-baritone)
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral (Soprano) con Recitativo (Basso) „Er ist auf Erden kommen arm“ (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:11
8Weihnachts-Oratorium, BWV 248: 1. Teil - Großer Herr, o starker König
bass vocals:
Oliver Widmer (bass-baritone)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:13
9Weihnachts-Oratorium, BWV 248: 1. Teil - Ach mein herzliches Jesulein
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“ (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:32
10Weihnachts-Oratorium, BWV 248: 2. Teil - Sinfonia
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:56
11Weihnachts-Oratorium, BWV 248: 2. Teil - Und es waren Hirten in derselben Gegend
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo „Und es waren Hirten in derselben Gegend“ (Evangelista) (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:48
12Weihnachts-Oratorium, BWV 248: 2. Teil - Brich an, o schönes Morgenlicht
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“ (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1641)
part of:
Breitkopf 389 Choralgesänge (number: 80)
is based on:
Geistliches Lied, BWV 454: „Ermuntre dich, mein schwacher Geist“
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:10
13Weihnachts-Oratorium, BWV 248: 2. Teil - Und der Engel sprach zu ihnen Fürchtet euch nicht
soprano vocals:
Annette Markert (mezzo-soprano)
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo „Und der Engel sprach zu ihnen“ (Evangelista, Angelus) (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:44
14Weihnachts-Oratorium, BWV 248: 2. Teil - Was Gott dem Abraham verheißen
bass vocals:
Oliver Widmer (bass-baritone)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“ (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:57
15Weihnachts-Oratorium, BWV 248: 2. Teil - Frohe Hirsten, eilet, ach eilet
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:49
16Weihnachts-Oratorium, BWV 248: 2. Teil - Und das habt zum Zeichen
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo „Und das habt zum Zeichen“ (Evangelista) (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:26
17Weihnachts-Oratorium, BWV 248: 2. Teil - Schaut hin, dort liegt im finstern Stall
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“ (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 323)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:51
18Weihnachts-Oratorium, BWV 248: 2. Teil - So geht nun hin
bass vocals:
Oliver Widmer (bass-baritone)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“ (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:05
19Weihnachts-Oratorium, BWV 248: 2. Teil - Schlafe, mein Liebster, genieße der Ruh
alto vocals:
Annette Markert (mezzo-soprano)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“ (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach9:50
20Weihnachts-Oratorium, BWV 248: 2. Teil - Und alsbald waren da bei dem Engel
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XX. Recitativo „Und alsobald war da bei dem Engel“ (Evangelista) (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:14
21Weihnachts-Oratorium, BWV 248: 2. Teil - Ehre sei Gott in der Höhe
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro „Ehre sei Gott in der Höhe“ (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:36
22Weihnachts-Oratorium, BWV 248: 2. Teil - So recht, ihr Engel, jauchzt und singet
bass vocals:
Oliver Widmer (bass-baritone)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) „So recht, ihr Engel“ (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:24
23Weihnachts-Oratorium, BWV 248: 2. Teil - Wir singen dir in deinem Heer
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral „Wir singen dir in deinem Heer“ (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:19
2▼CD
#TitleArtistRatingLength
1Weihnachts-Oratorium, BWV 248: 3.Teil - Herrscher des Himmels
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:56
2Weihnachts-Oratorium, BWV 248: 3.Teil - Und da die Engel von ihnen gen Himmel fuhren
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXV. Recitativo „Und da die Engel“ (Evangelista) (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:08
3Weihnachts-Oratorium, BWV 248: 3.Teil - Lasset und nun gehen gen Bethlehem
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVI. Coro „Lasset uns nun gehen“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:44
4Weihnachts-Oratorium, BWV 248: 3.Teil - Er hat sein Volk getröst
bass vocals:
Oliver Widmer (bass-baritone)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVII. Recitativo (Basso) „Er hat sein Volk getröst“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:48
5Weihnachts-Oratorium, BWV 248: 3.Teil - Dies hat er alles uns getan
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVIII. Choral „Dies hat er alles uns getan“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 110)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:50
6Weihnachts-Oratorium, BWV 248: 3.Teil - Herr, Dein Mitleid, Dein Erbarmen
bass vocals:
Oliver Widmer (bass-baritone)
soprano vocals:
Christiane Oelze (German soprano)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) „Herr, dein Mitleid“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach8:07
7Weihnachts-Oratorium, BWV 248: 3.Teil - Und sie kamen eilend
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXX. Recitativo „Und sie kamen eilend“ (Evangelista) (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:25
8Weihnachts-Oratorium, BWV 248: 3.Teil - Schließe, mein Herze, dies selige Wunder
alto vocals:
Annette Markert (mezzo-soprano)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) „Schließe, mein Herze“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:02
9Weihnachts-Oratorium, BWV 248: 3.Teil - Ja, ja, mein Herz soll es bewahren
alto vocals:
Annette Markert (mezzo-soprano)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) „Ja, ja, mein Herz soll es bewahren“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:27
10Weihnachts-Oratorium, BWV 248: 3.Teil - Ich will dich mit Fleiß bewahren
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIII. Choral „Ich will dich mit Fleiß bewahren“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 335)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:02
11Weihnachts-Oratorium, BWV 248: 3.Teil - Und die Hirsten kehrten wieder um
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIV. Recitativo „Und die Hirten kehrten wieder um“ (Evangelista) (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:28
12Weihnachts-Oratorium, BWV 248: 3.Teil - Seid froh dieweil
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXV. Choral "Seid froh dieweil" (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 381)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:49
13Weihnachts-Oratorium, BWV 248: 3.Teil - Herrscher des Himmels
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:34
14Weihnachts-Oratorium, BWV 248: 4.Teil - Fallt mit Danken, fallt mit Loben
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVI. Coro „Fallt mit Danken, fallt mit Loben“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:05
15Weihnachts-Oratorium, BWV 248: 4.Teil - Und da acht Tage um waren
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVII. Recitativo „Und da acht Tage um waren“ (Evangelista) (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:36
16Weihnachts-Oratorium, BWV 248: 4.Teil - Immanuel, o süßes Wort Jesus, du mein liebstes Leben
bass vocals:
Oliver Widmer (bass-baritone)
soprano vocals:
Christiane Oelze (German soprano)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale (Soprano) „Immanuel, o süßes Wort“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:53
17Weihnachts-Oratorium, BWV 248: 4.Teil - Flößt mein Heiland, flößt dein Namen
soprano vocals:
Christiane Oelze (German soprano)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:48
18Weihnachts-Oratorium, BWV 248: 4.Teil - Wohlan, dein Name soll allein Jesu, meine Freud und Wonne
bass vocals:
Oliver Widmer (bass-baritone)
soprano vocals:
Christiane Oelze (German soprano)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale (Soprano) „Wohlan, dein Name soll allein“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:45
19Weihnachts-Oratorium, BWV 248: 4.Teil - Ich will nur dir zu Ehren leben
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) „Ich will nur dir zu Ehren leben“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:19
20Weihnachts-Oratorium, BWV 248: 4.Teil - Jesus, richte mein Beginnen
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLII. Choral „Jesus richte mein Beginnen“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:54
3▼CD
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1Weihnachts-Oratorium, BWV 248: 5. Teil - Ehre sei dir, Gott, gesungen
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro „Ehre sei dir, Gott, gesungen“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:36
2Weihnachts-Oratorium, BWV 248: 5. Teil - Da Jesus geboren war zu Bethlehem
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo „Da Jesus geboren war zu Bethlehem“ (Evangelista) (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:25
3Weihnachts-Oratorium, BWV 248: 5. Teil - Wo ist der neugeborne König der Jüden
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLV. Coro e Recitativo (Alto) „Wo ist der neugeborne König“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:13
4Weihnachts-Oratorium, BWV 248: 5. Teil - Dein Glanz all Finsternis verzehrt
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral „Dein Glanz all Finsternis verzehrt“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Georg Weissel (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 214)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:54
5Weihnachts-Oratorium, BWV 248: 5. Teil - Erleucht auch meine finstre Sinnen
bass vocals:
Oliver Widmer (bass-baritone)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:52
6Weihnachts-Oratorium, BWV 248: 5. Teil - Da das der König Herodes hörte
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Recitativo „Da das der König Herodes hörte“ (Evangelista) (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:13
7Weihnachts-Oratorium, BWV 248: 5. Teil - Warum wollt ihr erschrecken
alto vocals:
Annette Markert (mezzo-soprano)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIX. Recitativo (Alto) „Warum wollt ihr erschrecken“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:34
8Weihnachts-Oratorium, BWV 248: 5. Teil - Und ließ versammeln alle Hohepriester
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, L. Recitativo „Und ließ versammeln alle Hohepriester“ (Evangelista) (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:24
9Weihnachts-Oratorium, BWV 248: 5. Teil - Ach, wann wird die Zeit erscheinen
soprano vocals:
Christiane Oelze (German soprano)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:26
10Weihnachts-Oratorium, BWV 248: 5. Teil - Mein Liebster herrschet schon
alto vocals:
Annette Markert (mezzo-soprano)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) „Mein Liebster herrschet schon“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:31
11Weihnachts-Oratorium, BWV 248: 5. Teil - Zwar ist solche Herzensstube
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LIII. Choral „Zwar ist solche Herzensstube“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 114)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:04
12Weihnachts-Oratorium, BWV 248: 6. Teil - Herr, wenn die stolzen Feinde schnauben
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro „Herr, wenn die stolzen Feinde schnauben“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:55
13Weihnachts-Oratorium, BWV 248: 6. Teil - Da berief Herodes die Weisen heimlich
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo „Da berief Herodes die Weisen heimlich“ (Evangelista) (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:50
14Weihnachts-Oratorium, BWV 248: 6. Teil - Du Falscher, suche nur den Herrn zu fällen
soprano vocals:
Christiane Oelze (German soprano)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) „Du Falscher, suche nur den Herrn zu fällen“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:49
15Weihnachts-Oratorium, BWV 248: 6. Teil - Nur ein Wink von seinen Händen
soprano vocals:
Christiane Oelze (German soprano)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) „Nur ein Wink von seinen Händen“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:53
16Weihnachts-Oratorium, BWV 248: 6. Teil - Als sie nun den König gehöret hatten
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo „Als sie nun den König gehöret hatten“ (Evangelista) (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:22
17Weihnachts-Oratorium, BWV 248: 6. Teil - Ich steh an deiner Krippen hier
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 263)
is based on:
Nun freut euch, lieben Christen g’mein (more 'sostenuto' version)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:10
18Weihnachts-Oratorium, BWV 248: 6. Teil - Und Gott befahl ihnen im Traum
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LX. Recitativo „Und Gott befahl ihnen im Traum“ (Evangelista) (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:25
19Weihnachts-Oratorium, BWV 248: 6. Teil - So geht! Genug, mein Schatz geht nicht von hier
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) „So geht! Genug, mein Schatz geht nicht von hier“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:46
20Weihnachts-Oratorium, BWV 248: 6. Teil - Nun mögt ihr stolzen Feinde schrecken
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) „Nun mögt ihr stolzen Feinde schrecken“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:21
21Weihnachts-Oratorium, BWV 248: 6. Teil - Was will der Hölle Schrecken nun
soprano vocals:
Christiane Oelze (German soprano)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) „Was will der Höllen Schrecken nun“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:45
22Weihnachts-Oratorium, BWV 248: 6. Teil - Nun seid ihr wohl gerochen
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral „Nun seid ihr wohl gerochen“ (in 1995-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 165)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:09
23Kantate, BWV 191 "Gloria in excelsis Deo": Gloria in excelsis Deo
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": I. Coro "Gloria in excelsis Deo" (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo")
is based on:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
Johann Sebastian Bach7:09
24Kantate, BWV 191 "Gloria in excelsis Deo": Gloria Patri et Filio
soprano vocals:
Christiane Oelze (German soprano)
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": II. Duetto (Sopran, Tenor) "Gloria Patri et Filio et Spiritui sancto" (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
Johann Sebastian Bach5:17
25Kantate, BWV 191 "Gloria in excelsis Deo": Sicut erat in principio
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": III. Coro "Sicut erat in principio" (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
Johann Sebastian Bach4:26