Weihnachtsoratorium

~ Release by Johann Sebastian Bach; Ludwig Güttler, Christiane Oelze, Annette Markert, Hans Peter Blochwitz, Oliver Widmer, Concentus Vocalis Vienna, Virtuosi Saxoniae (see all versions of this release, 2 available)

Tracklist

1▼CD
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1Weihnachts-Oratorium, BWV 248: 1. Teil - Jauchzet, frohlocket, auf, preiset die Tage
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:25
2Weihnachts-Oratorium, BWV 248: 1. Teil - Es begab sich aber zu der Zeit
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo „Es begab sich aber zu der Zeit“ (Evangelista) (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:24
3Weihnachts-Oratorium, BWV 248: 1. Teil - Nun wird mein liebster Bräutigam
alto vocals:
Annette Markert (mezzo-soprano)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) „Nun wird mein liebster Bräutigam“ (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:55
4Weihnachts-Oratorium, BWV 248: 1. Teil - Bereite dich, Zion, mit zärtlichen Trieben
alto vocals:
Annette Markert (mezzo-soprano)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:41
5Weihnachts-Oratorium, BWV 248: 1. Teil - Wie soll ich dich empfangen
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Wie soll ich dich empfangen
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:32
6Weihnachts-Oratorium, BWV 248: 1. Teil - Und sie gebar ihren ersten Sohn
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VI. Recitativo „Und sie gebar ihren ersten Sohn“ (Evangelista) (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:24
7Weihnachts-Oratorium, BWV 248: 1. Teil - Er ist auf Erden kommen arm Wer will die Liebe recht erhöhn
bass vocals:
Oliver Widmer (bass-baritone)
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral (Soprano) con Recitativo (Basso) „Er ist auf Erden kommen arm“ (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:11
8Weihnachts-Oratorium, BWV 248: 1. Teil - Großer Herr, o starker König
bass vocals:
Oliver Widmer (bass-baritone)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:13
9Weihnachts-Oratorium, BWV 248: 1. Teil - Ach mein herzliches Jesulein
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“ (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:32
10Weihnachts-Oratorium, BWV 248: 2. Teil - Sinfonia
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:56
11Weihnachts-Oratorium, BWV 248: 2. Teil - Und es waren Hirten in derselben Gegend
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo „Und es waren Hirten in derselben Gegend“ (Evangelista) (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:48
12Weihnachts-Oratorium, BWV 248: 2. Teil - Brich an, o schönes Morgenlicht
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“ (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1641)
part of:
Breitkopf 389 Choralgesänge (number: 80)
is based on:
Geistliches Lied, BWV 454: „Ermuntre dich, mein schwacher Geist“
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:10
13Weihnachts-Oratorium, BWV 248: 2. Teil - Und der Engel sprach zu ihnen Fürchtet euch nicht
soprano vocals:
Annette Markert (mezzo-soprano)
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo „Und der Engel sprach zu ihnen“ (Evangelista, Angelus) (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:44
14Weihnachts-Oratorium, BWV 248: 2. Teil - Was Gott dem Abraham verheißen
bass vocals:
Oliver Widmer (bass-baritone)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“ (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:57
15Weihnachts-Oratorium, BWV 248: 2. Teil - Frohe Hirsten, eilet, ach eilet
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:49
16Weihnachts-Oratorium, BWV 248: 2. Teil - Und das habt zum Zeichen
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo „Und das habt zum Zeichen“ (Evangelista) (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:26
17Weihnachts-Oratorium, BWV 248: 2. Teil - Schaut hin, dort liegt im finstern Stall
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“ (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 323)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:51
18Weihnachts-Oratorium, BWV 248: 2. Teil - So geht nun hin
bass vocals:
Oliver Widmer (bass-baritone)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“ (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:05
19Weihnachts-Oratorium, BWV 248: 2. Teil - Schlafe, mein Liebster, genieße der Ruh
alto vocals:
Annette Markert (mezzo-soprano)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“ (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach9:50
20Weihnachts-Oratorium, BWV 248: 2. Teil - Und alsbald waren da bei dem Engel
tenor vocals:
Hans Peter Blochwitz (tenor)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XX. Recitativo „Und alsobald war da bei dem Engel“ (Evangelista) (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:14
21Weihnachts-Oratorium, BWV 248: 2. Teil - Ehre sei Gott in der Höhe
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro „Ehre sei Gott in der Höhe“ (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:36
22Weihnachts-Oratorium, BWV 248: 2. Teil - So recht, ihr Engel, jauchzt und singet
bass vocals:
Oliver Widmer (bass-baritone)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) „So recht, ihr Engel“ (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:24
23Weihnachts-Oratorium, BWV 248: 2. Teil - Wir singen dir in deinem Heer
choir vocals:
Concentus Vocalis (Vienna)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral „Wir singen dir in deinem Heer“ (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:19
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