Live at the Village Gate & The Half Note

~ Release by Carmen McRae (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Sometimes I’m Happy
recording engineer:
Reice Hamel
producer:
Harry Ringler
bass:
Paul Breslin (from 1965-11-03 until 1965-11-21)
bongos:
José Mangual
drums (drum set):
Frank Severino (from 1965-11-03 until 1965-11-21)
flute:
Ray Beckenstein (saxophonist and flute player)
guitar:
Joe Puma
piano:
Norman Simmons (from 1965-11-03 until 1965-11-21)
vocals:
Carmen McRae (from 1965-11-03 until 1965-11-21)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (from 1965-11-03 until 1965-11-21)
live recording of:
Sometimes I’m Happy (from 1965-11-03 until 1965-11-21)
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1927 musical)
part of:
Hit the Deck (1955 movie)
3:28
2Don’t Explain
recording engineer:
Reice Hamel
producer:
Harry Ringler
bass:
Paul Breslin (from 1965-11-03 until 1965-11-21)
bongos:
José Mangual
drums (drum set):
Frank Severino (from 1965-11-03 until 1965-11-21)
flute:
Ray Beckenstein (saxophonist and flute player)
guitar:
Joe Puma
piano:
Norman Simmons (from 1965-11-03 until 1965-11-21)
vocals:
Carmen McRae (from 1965-11-03 until 1965-11-21)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (from 1965-11-03 until 1965-11-21)
live recording of:
Don’t Explain (from 1965-11-03 until 1965-11-21)
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) and Universal Music Publishing (use ONLY if no country‐specific information is available)
4:15
3Woman Talk
recording engineer:
Reice Hamel
producer:
Harry Ringler
bass:
Paul Breslin (from 1965-11-03 until 1965-11-21)
bongos:
José Mangual
drums (drum set):
Frank Severino (from 1965-11-03 until 1965-11-21)
flute:
Ray Beckenstein (saxophonist and flute player)
guitar:
Joe Puma
piano:
Norman Simmons (from 1965-11-03 until 1965-11-21)
vocals:
Carmen McRae (from 1965-11-03 until 1965-11-21)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (from 1965-11-03 until 1965-11-21)
live recording of:
Woman Talk (from 1965-11-03 until 1965-11-21)
lyricist:
Caryl Brahms
composer:
John Scott (film composer)
3:50
4Kick Off Your Shoes
recording engineer:
Reice Hamel
producer:
Harry Ringler
bass:
Paul Breslin (from 1965-11-03 until 1965-11-21)
bongos:
José Mangual
drums (drum set):
Frank Severino (from 1965-11-03 until 1965-11-21)
flute:
Ray Beckenstein (saxophonist and flute player)
guitar:
Joe Puma
piano:
Norman Simmons (from 1965-11-03 until 1965-11-21)
vocals:
Carmen McRae (from 1965-11-03 until 1965-11-21)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (from 1965-11-03 until 1965-11-21)
live recording of:
Kick Off Your Shoes (from 1965-11-03 until 1965-11-21)
writer:
Cy Coleman and Murray Grand
2:16
5The Shadow of Your Smile
recording engineer:
Reice Hamel
producer:
Harry Ringler
bass:
Paul Breslin (from 1965-11-03 until 1965-11-21)
bongos:
José Mangual
drums (drum set):
Frank Severino (from 1965-11-03 until 1965-11-21)
flute:
Ray Beckenstein (saxophonist and flute player)
guitar:
Joe Puma
piano:
Norman Simmons (from 1965-11-03 until 1965-11-21)
vocals:
Carmen McRae (from 1965-11-03 until 1965-11-21)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (from 1965-11-03 until 1965-11-21)
live recording of:
The Shadow of Your Smile (Love Theme from “The Sandpiper”) (from 1965-11-03 until 1965-11-21)
lyricist:
Paul Francis Webster
composer:
Johnny Mandel (American composer and arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 38th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1965 winner)
3:54
6Where Would You Be Without Me?
recording engineer:
Reice Hamel
producer:
Harry Ringler
bass:
Paul Breslin (from 1965-11-03 until 1965-11-21)
bongos:
José Mangual
drums (drum set):
Frank Severino (from 1965-11-03 until 1965-11-21)
flute:
Ray Beckenstein (saxophonist and flute player)
guitar:
Joe Puma
piano:
Norman Simmons (from 1965-11-03 until 1965-11-21)
vocals:
Carmen McRae (from 1965-11-03 until 1965-11-21)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (from 1965-11-03 until 1965-11-21)
live recording of:
Where Would You Be Without Me? (from 1965-11-03 until 1965-11-21)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
part of:
The Roar of the Greasepaint – The Smell of the Crowd
2:35
7Feelin’ Good
recording engineer:
Reice Hamel
producer:
Harry Ringler
bass:
Paul Breslin (from 1965-11-03 until 1965-11-21)
bongos:
José Mangual
drums (drum set):
Frank Severino (from 1965-11-03 until 1965-11-21)
flute:
Ray Beckenstein (saxophonist and flute player)
guitar:
Joe Puma
piano:
Norman Simmons (from 1965-11-03 until 1965-11-21)
vocals:
Carmen McRae (from 1965-11-03 until 1965-11-21)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (from 1965-11-03 until 1965-11-21)
live recording of:
Feeling Good (from 1965-11-03 until 1965-11-21)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd and Musical Comedy Prods.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
4:35
8Run, Run, Run
recording engineer:
Reice Hamel
producer:
Harry Ringler
bass:
Paul Breslin (from 1965-11-03 until 1965-11-21)
bongos:
José Mangual
drums (drum set):
Frank Severino (from 1965-11-03 until 1965-11-21)
flute:
Ray Beckenstein (saxophonist and flute player)
guitar:
Joe Puma
piano:
Norman Simmons (from 1965-11-03 until 1965-11-21)
vocals:
Carmen McRae (from 1965-11-03 until 1965-11-21)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (from 1965-11-03 until 1965-11-21)
2:32
9No More
recording engineer:
Reice Hamel
producer:
Harry Ringler
bass:
Paul Breslin (from 1965-11-03 until 1965-11-21)
bongos:
José Mangual
drums (drum set):
Frank Severino (from 1965-11-03 until 1965-11-21)
flute:
Ray Beckenstein (saxophonist and flute player)
guitar:
Joe Puma
piano:
Norman Simmons (from 1965-11-03 until 1965-11-21)
vocals:
Carmen McRae (from 1965-11-03 until 1965-11-21)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (from 1965-11-03 until 1965-11-21)
live recording of:
No More (in 1965-11)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Tutti Camarata
3:22
10Look at That Face
recording engineer:
Reice Hamel
producer:
Harry Ringler
bass:
Paul Breslin (from 1965-11-03 until 1965-11-21)
bongos:
José Mangual
drums (drum set):
Frank Severino (from 1965-11-03 until 1965-11-21)
flute:
Ray Beckenstein (saxophonist and flute player)
guitar:
Joe Puma
piano:
Norman Simmons (from 1965-11-03 until 1965-11-21)
vocals:
Carmen McRae (from 1965-11-03 until 1965-11-21)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (from 1965-11-03 until 1965-11-21)
live recording of:
Look at That Face (from 1965-11-03 until 1965-11-21)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd, Downtown DMP Songs and Musical Comedy Prods.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
5:06
11I Wish I Were in Love Again
recording engineer:
Reice Hamel
producer:
Harry Ringler
bass:
Paul Breslin (from 1965-11-03 until 1965-11-21)
bongos:
José Mangual
drums (drum set):
Frank Severino (from 1965-11-03 until 1965-11-21)
flute:
Ray Beckenstein (saxophonist and flute player)
guitar:
Joe Puma
piano:
Norman Simmons (from 1965-11-03 until 1965-11-21)
vocals:
Carmen McRae (from 1965-11-03 until 1965-11-21)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (from 1965-11-03 until 1965-11-21)
live recording of:
I Wish I Were in Love Again (from 1965-11-03 until 1965-11-21)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell Music (UK)
part of:
Babes in Arms (full musical)
1:34
12The Sweetest Sounds
recording engineer:
Reice Hamel
producer:
Harry Ringler
bass:
Paul Breslin (from 1965-11-03 until 1965-11-21)
bongos:
José Mangual
drums (drum set):
Frank Severino (from 1965-11-03 until 1965-11-21)
flute:
Ray Beckenstein (saxophonist and flute player)
guitar:
Joe Puma
piano:
Norman Simmons (from 1965-11-03 until 1965-11-21)
vocals:
Carmen McRae (from 1965-11-03 until 1965-11-21)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (from 1965-11-03 until 1965-11-21)
live recording of:
The Sweetest Sounds (from the 1962 Broadway musical “No Strings”) (from 1965-11-03 until 1965-11-21)
lyricist and composer:
Richard Rodgers (composer) (in 1962)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Williamson Music Company
2:09
13Perdido
double bass:
Victor Sproles (in 1966-06)
drums (drum set):
Stu Martin (US jazz drummer) (in 1966-06)
piano:
Norman Simmons (in 1966-06)
vocals:
Carmen McRae (in 1966-06)
recorded at:
The Half Note in SoHo, New York, New York, United States (in 1966-06)
live recording of:
Perdido (with lyrics) (in 1966-06)
lyricist:
Ervin Drake (songwriter) (in 1944) and Hans J. Lengsfelder (in 1944)
composer:
Juan Tizol (in 1941)
arranger:
Les Harris (Sr., arranger)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
version of:
Perdido (original instrumental version)
2:55
14Love Is Here to Stay
double bass:
Victor Sproles (in 1966-06)
drums (drum set):
Stu Martin (US jazz drummer) (in 1966-06)
piano:
Norman Simmons (in 1966-06)
vocals:
Carmen McRae (in 1966-06)
recorded at:
The Half Note in SoHo, New York, New York, United States (in 1966-06)
live recording of:
Love Is Here to Stay (in 1966-06)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
3:21
15Love for Sale
double bass:
Victor Sproles (in 1966-06)
drums (drum set):
Stu Martin (US jazz drummer) (in 1966-06)
piano:
Norman Simmons (in 1966-06)
vocals:
Carmen McRae (in 1966-06)
recorded at:
The Half Note in SoHo, New York, New York, United States (in 1966-06)
live recording of:
Love for Sale (in 1966-06)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
7:24
16Miss Brown to You
double bass:
Victor Sproles (in 1966-06)
drums (drum set):
Stu Martin (US jazz drummer) (in 1966-06)
piano:
Norman Simmons (in 1966-06)
vocals:
Carmen McRae (in 1966-06)
recorded at:
The Half Note in SoHo, New York, New York, United States (in 1966-06)
live recording of:
Miss Brown to You (in 1966-06)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger and Richard A. Whiting (composer)
2:58
17Too Close for Confort
double bass:
Victor Sproles (in 1966-06)
drums (drum set):
Stu Martin (US jazz drummer) (in 1966-06)
piano:
Norman Simmons (in 1966-06)
vocals:
Carmen McRae (in 1966-06)
recorded at:
The Half Note in SoHo, New York, New York, United States (in 1966-06)
live recording of:
Too Close for Comfort (Mr. Wonderful) (in 1966-06)
writer:
Jerry Bock, Lawrence Holofcener and George David Weiss
publisher:
Carlin Music Corporation and Memory Lane Music Ltd.
2:58
18You Better Go Now
double bass:
Victor Sproles (in 1966-06)
drums (drum set):
Stu Martin (US jazz drummer) (in 1966-06)
piano:
Norman Simmons (in 1966-06)
vocals:
Carmen McRae (in 1966-06)
recorded at:
The Half Note in SoHo, New York, New York, United States (in 1966-06)
live recording of:
You Better Go Now (in 1966-06)
writer:
Irvin Graham and Bickley Reichner
publisher:
Chappell Music, Inc. (publisher)
2:48
19Trav’lin’ Light
double bass:
Victor Sproles (in 1966-06)
drums (drum set):
Stu Martin (US jazz drummer) (in 1966-06)
piano:
Norman Simmons (in 1966-06)
vocals:
Carmen McRae (in 1966-06)
recorded at:
The Half Note in SoHo, New York, New York, United States (in 1966-06)
live recording of:
Trav’lin’ Light (in 1966-06)
lyricist:
Johnny Mercer (in 1942)
composer:
Jimmy Mundy (in 1942) and Trummy Young (in 1942)
publisher:
Bregman, Vocco & Conn, Inc., Commander Publishing, Music Sales Corporation (American copyright holder in both popular and classical music), Rytvoc, Inc. (ASCAP) and WB Music Corp. (1929–2019)
2:48
20Midnight Sun
double bass:
Victor Sproles (in 1966-06)
drums (drum set):
Stu Martin (US jazz drummer) (in 1966-06)
piano:
Norman Simmons (in 1966-06)
vocals:
Carmen McRae (in 1966-06)
recorded at:
The Half Note in SoHo, New York, New York, United States (in 1966-06)
live recording of:
Midnight Sun (in 1966-06)
lyricist:
Johnny Mercer (in 1954)
composer:
Johnny Mercer, Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1947) and Lionel Hampton (in 1947)
4:21
21If I Could Be With You (One Hour Tonight)
double bass:
Victor Sproles (in 1966-06)
drums (drum set):
Stu Martin (US jazz drummer) (in 1966-06)
piano:
Norman Simmons (in 1966-06)
vocals:
Carmen McRae (in 1966-06)
recorded at:
The Half Note in SoHo, New York, New York, United States (in 1966-06)
live recording of:
If I Could Be With You (One Hour Tonight) (in 1966-06)
lyricist:
Henry Creamer (Lyricist) (in 1926)
composer:
James P. Johnson (in 1926)
4:29