Sirens of Song: Classic Torch Singers

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Cry Me a River
Techniker(in):
John Kraus (1950s US engineer) (in 1955-08)
Produzent(in):
Bobby Troup
Gitarre:
Barney Kessel
Kontrabass [bass]:
Ray Leatherwood
vocals:
Julie London (in 1955-08)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 15)
recording of:
Cry Me a River (in 1955-08)
Texter und Komponist(in):
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) und Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.653:00
2Black Coffee
Sologesang:
Sarah Vaughan (am 1949-01-20)
Orchester:
Joe Lipman & His Orchestra (am 1949-01-20)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recording of:
Black Coffee (1948 song) (am 1949-01-20)
Texter:
Paul Francis Webster (in 1948)
Komponist(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. und Webster Music Co.
Sarah Vaughan4.53:19
3Stormy Blues
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-09-03)
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1954-09-03)
E-Gitarre:
Barney Kessel (am 1954-09-03)
Klavier:
Bobby Tucker (am 1954-09-03)
Kontrabass [bass]:
Red Callender (am 1954-09-03)
Schlagzeug:
Chico Hamilton (am 1954-09-03)
Trompete:
Harry “Sweets” Edison (am 1954-09-03)
vocals:
Billie Holiday (am 1954-09-03)
recording of:
Stormy Blues (am 1954-09-03)
Verfasser(in):
Billie Holiday
Billie Holiday43:29
4I’m Getting Sentimental Over You
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1960-04-14 bis 1960-04-19)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (von 1960-04-14 bis 1960-04-19)
Sologesang:
Ella Fitzgerald (American jazz singer) (von 1960-04-14 bis 1960-04-19)
cover recording of:
I’m Getting Sentimental Over You
Texter:
Ned Washington
Komponist(in):
George Bassman
publisher:
Catharine Hinen Music, EMI Mills Music Inc. (ASCAP-affiliated) und Mills Music, Inc.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Ella Fitzgerald2:38
5But Not for Me
recording of:
But Not for Me (am 1943-03-29)
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (bis 2019-05-28), New World Music Co. (in 1930) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
Judy Garland2:33
6Stormy Weather
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1941-12-15)
Orchester:
Lou Bring’s Orchestra
conductor:
Lou Bring (conductor and pianist)
cover recording of:
Stormy Weather (am 1941-12-15)
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. und The Songwriters Guild
Lena Horne3:23
7Come Rain or Come Shine
recording of:
Come Rain or Come Shine
Texter:
Johnny Mercer (in 1946)
Komponist(in):
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. und Warner/Chappell Music Scandinavia AB
Marlene Dietrich3:00
8Smoke Gets in Your Eyes
Orchester:
Henri René & His Orchestra (am 1953-10-12)
recording of:
Smoke Gets in Your Eyes (am 1953-10-12)
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
Eartha Kitt3:04
9La Vie en rose
recorded in:
Paris, Île-de-France, Frankreich (am 1946-10-09)
vocals:
Édith Piaf (am 1946-10-09)
conductor:
Guy Luypaerts (am 1946-10-09)
recording of:
La Vie en rose (French original) (am 1946-10-09)
Texter:
Édith Piaf
Komponist(in):
Louiguy (French composer Louis Guglielmi) und Édith Piaf
publisher:
Éditions Beuscher Arpège und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Édith Piaf3:28
10At Last
Produzent(in):
Leonard Chess, Phil Chess und Leonard and Phil Chess (legendary US production duo)
Sologesang:
Etta James
Orchester:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
phonographisches Urheberrecht (℗) von:
Windswept Pacific Music Ltd.
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 115) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 356)
cover recording of:
At Last (in 1960-10)
Verfasser(in):
Mack Gordon und Harry Warren (US composer and lyricist)
publisher:
Twentieth Century Fox Music Corp., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Etta James4.53:03
11Since I Fell for You
recording engineer:
Mickey Crofford (am 1967-01-05) und Ray Hall (engineer) (am 1967-01-05)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-01-05)
cover recording of:
Since I Fell for You (am 1967-01-05)
Texter und Komponist(in):
Buddy Johnson (in 1945)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) (beendet), Warner Bros., Inc. (not for release label use!) (beendet) und Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Nina Simone3.52:50
12What a Diff’rence a Day Makes
recorded in:
New York, New York, Vereinigte Staaten (am 1959-02-19)
Produzent(in):
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player) (am 1959-02-19)
flute:
Jerome Richardson (am 1959-02-19)
Gitarre:
Kenny Burrell (am 1959-02-19)
Klavier:
Joe Zawinul (jazz and fusion keyboard player) (am 1959-02-19)
Kontrabass:
Milt Hinton (am 1959-02-19)
Schlagzeug:
Panama Francis (US swing jazz drummer) (am 1959-02-19)
Sologesang:
Dinah Washington (am 1959-02-19)
vocals:
Dinah Washington (am 1959-02-19)
Orchester:
Belford Hendricks' Orchestra (am 1959-02-19)
conductor:
Belford Hendricks (composer, pianist, conductor, arranger and record producer) (am 1959-02-19)
arranger:
Belford Hendricks (composer, pianist, conductor, arranger and record producer)
cover recording of:
What a Diff’rence a Day Made (am 1959-02-19)
Texter:
Stanley Adams (US lyricist & songwriter)
Komponist(in):
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC und Zomba Golden Sands Enterprises, Inc.
basiert auf:
Cuando vuelva a tu lado
Dinah Washington2.82:31
13I Got It Bad and That Ain’t Good
recording engineer und Techniker(in):
Andy Richardson (engineer)
Produzent(in):
Nesuhi Ertegun
Bass:
Joe Comfort (am 1968-06-26)
Gitarre:
Francois Vaz (am 1968-06-26)
Klavier:
Norman Simmons (am 1968-06-26)
Perkussion:
Larry Bunker (am 1968-06-26)
Saiteninstrumente:
unidentified 16 strings ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1968-06-26)
Saxophon:
Gene Cipriano (am 1968-06-26)
Schlagzeug:
John Collins (drums) (am 1968-06-26)
Waldhorn:
Vincent DeRosa (am 1968-06-26)
vocals:
Carmen McRae (am 1968-06-26)
conductor:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1968-06-26)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975) und Shorty Rogers (trumpet)
concertmaster:
Lou Raderman (am 1968-06-26)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-06-26)
recording of:
I Got It Bad (and That Ain’t Good) (am 1968-06-26)
Texter:
Paul Francis Webster (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony und Webster Music Co.
Teil von:
The Real Book (compilation of jazz standards, volume I)
Carmen McRae3:29
14Soul on Fire
recorded in:
New York, New York, Vereinigte Staaten (am 1953-06-19)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
baritone saxophone:
Pinky Williams (am 1953-06-19)
Gitarre:
Jimmy Lewis (played guitar on "Soul on Fire" in 1953) (am 1953-06-19)
Klavier:
Hank Jones (piano) (am 1953-06-19)
Kontrabass [bass]:
Lloyd Trotman (US jazz bassist) (am 1953-06-19)
Schlagzeug:
Sylvester "Vess" Payne (am 1953-06-19)
Tenorsaxophon:
Freddie Mitchell (am 1953-06-19)
vocals:
LaVern Baker (US rhythm & blues singer) (am 1953-06-19)
conductor:
Gene Redd (senior; vibraphonist & trumpeter, bandleader and A&R man) (am 1953-06-19)
arranger:
Gene Redd (senior; vibraphonist & trumpeter, bandleader and A&R man)
recording of:
Soul on Fire (am 1953-06-19)
Verfasser(in):
LaVern Baker (US rhythm & blues singer), Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
publisher:
Unichappell Music, Inc.
LaVern Baker53:05
15I’ll Wait for You
Ruth Brown2:37

Nennungen

Veröffentlichung

ASIN:US: B0000033V0 [Info]