Editor’s Choice November 1998 / Anne-Sophie Mutter’s Journey With Beethoven

~ Veröffentlichung von Beethoven, Bach, Handel, Mozart; Anne‐Sophie Mutter, Renée Fleming, Pieter Wispelwey, David Daniels, The Lindsays (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Wuthering Heights: I Have Dreamt
leitende(r) Produzent(in):
Evans Mirageas
Produzent(in):
Michael Woolcock (producer)
Soprangesang:
Renée Fleming (soprano)
Orchester:
Metropolitan Opera Orchestra
conductor:
James Levine (US conductor and pianist)
Tonmeister(in):
James Lock (James Locke, engineer) und Philip Siney (sound engineer)
teilweise recording of:
Wuthering Heights: Act II
Komponist(in):
Bernard Herrmann (composer) (von 1943 bis 1951)
Librettist:
Lucille Fletcher (writer)
Teil von:
Wuthering Heights
Bernard Herrmann2:57
2Clarinet Quintet in A, K 581: II. Larghetto
Bratsche / Viola:
Robin Ireland
Cello:
Bernard Gregor-Smith
Geige / Violine:
Ronald Birks und Peter Cropper
Klarinette:
Janet Hilton (clarinetist)
recording of:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": II. Larghetto
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1789)
Teil von:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet"
Wolfgang Amadeus Mozart6:40
3La Perichole: Act III, First Tableau. “You Don’t Have Looks, You Don’t Have Cash”
Mezzosoprangesang:
Diana Montague (mezzo soprano)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
David Parry (conductor)
Jacques Offenbach2:58
4Falstaff: Atto I. Parte 2: Torno all’assalto
Baritongesang:
Roberto Servile (baritone) (in 1996)
Bass-Gesang:
Franco de Grandis (operatic bass) (in 1996)
Soprangesang und Soprangesang [Nannetta]:
Dilbèr (soprano) (in 1996)
Tenor-Gesang:
Maurizio Comencini (tenor) (in 1996) und Alessandro Cosentino (tenor) (in 1996)
Tenor-Gesang [Fenton]:
Maurizio Comencini (tenor) (in 1996)
Orchester:
Hungarian State Opera Orchestra (Orchester der Ungarischen Staatsoper, Hungarian State Opera Orchestra) (in 1996)
conductor:
Will Humburg (conductor) (in 1996)
recording of:
Falstaff: Atto I, scena 2. “Torno all'assalto” - “Torna alla gara” (Fenton, Nannetta) (in 1996)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Arrigo Boito (librettist, composer)
Teil von:
Falstaff: Atto I
Giuseppe Verdi3:12
5Solo Cello Suite no. 2 in D minor, BWV 1008: I. Prelude
recording engineer:
C. Jared Sacks (classical producer/engineer) (in 1998-01)
Produzent(in):
C. Jared Sacks (classical producer/engineer)
Cello:
Pieter Wispelwey (cellist) (in 1998-01)
aufgenommen bei:
Kerk van Valkkoog in Valkkoog, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (in 1998-01)
recording of:
Suite für Violoncello solo no. 2 d-Moll, BWV 1008: I. Prélude (Cello Suite No. 2 in D minor, BWV 1008: I. Prélude) (in 1998-01)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Suite für Violoncello solo no. 2 d-Moll, BWV 1008 (Cello Suite No. 2 in D minor, BWV 1008)
Johann Sebastian Bach3:29
6Giulio Cesare in Egitto, HWV 17: Atto I, Scena IX. “Va tacito e nascosto”
Countertenorgesang:
David Daniels (American countertenor)
Orchester:
Orchestra of the Age of Enlightenment
conductor:
Sir Roger Norrington (conductor)
phonographisches Urheberrecht (℗) von:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1998)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto I, Scena IX, 14. Aria “Va tacito e nascosto” (Cesare)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1724)
Librettist:
Nicola Francesco Haym
Teil von:
Giulio Cesare in Egitto, HWV 17: Atto I
Teil von:
Giulio Cesare: Atto I
George Frideric Handel6:08
7María de Buenos Aires: Yo soy María
assistierende(r) Techniker(in):
Joachim Goßmann
Techniker(in):
Tobias Lehmann
leitende(r) Produzent(in):
Wolfgang Mohr
Produzent(in):
Helmut Mühle
Editing:
Gudrun Maurer
Geige / Violine:
Gidon Kremer (violinist)
vocals:
Julia Zenko
Orchester:
Kremerata Musica
recording of:
María de Buenos Aires: Yo soy María
Texter:
Horacio Ferrer
Komponist(in):
Astor Piazzolla (composer and bandoneón player)
Teil von:
María de Buenos Aires
Astor Piazzolla3:26
8Il primo omicidio, Parte seconda: “Ti risponde il ruscelletto”
Soprangesang:
Graciela Oddone (soprano)
Orchester:
Academy for Ancient Music, Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
Alessandro Scarlatti4:04
9La traviata: Atto I. “Libiamo, ne’ lieti calici”
Techniker(in):
Simon Rhodes (senior recording engineer at Abbey Road Studios)
Produzent(in):
David Groves (classical music producer at EMI)
Editing:
Jørn Pedersen
Chorgesang:
London Voices (in 1998-02)
Soprangesang [Violetta]:
Angela Gheorghiu (Romanian soprano) (in 1998-02)
Tenor-Gesang [Alfredo]:
Roberto Alagna (tenor) (in 1998-02)
Orchester:
Berliner Philharmoniker (in 1998-02)
conductor:
Claudio Abbado (conductor) (in 1998-02)
chorus master:
Terry Edwards (British choir director) (in 1998-02)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1998-02)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (in 1998-02)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi2:59
10Griselda, RV 718: Atto II. “Agitata da due venti”
Techniker(in):
Jonathan Stokes (engineer) (in 1998-06)
assistierende(r) Produzent(in):
Christopher Pope (producer)
Produzent(in):
Christopher Raeburn (producer)
Instrumente:
Sonatori de la Gioiosa Marca (in 1998-06)
Mezzosoprangesang:
Cecilia Bartoli (mezzo‐soprano) (in 1998-06)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1998)
aufgenommen bei:
Teatro Olimpico in Vicenza, Vicenza, Veneto, Italien (in 1998-06)
edited at:
Classic Sound Ltd in London (Greater London), England, Vereinigtes Königreich
live recording of:
Griselda, RV 718: Atto II. “Agitata da due venti” (Costanza) (in 1998-06)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Librettist:
Carlo Goldoni und Apostolo Zeno
Teil von:
Griselda, RV 718: Atto II
Antonio Vivaldi25:32
11Sonata no. 3 in E flat, op. 12 no. 3: III. Rondo. Allegro molto
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1998-08)
leitende(r) Produzent(in):
Michael Fine (producer)
Editing:
Mark Buecker (engineer of classical recordings) und Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
Geige / Violine:
Anne‐Sophie Mutter (violinist) (in 1998-08)
Klavier:
Lambert Orkis (pianist) (in 1998-08)
Tonmeister(in):
Ulrich Vette (engineer) (in 1998-08)
aufgenommen bei:
Kurhaus Wiesbaden in Wiesbaden, Hessen, Deutschland (in 1998-08)
live recording of:
Sonata for Violin and Piano no. 3 in E-flat major, op. 12 no. 3: III. Rondo. Allegro molto (in 1998-08)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1798)
Teil von:
Sonata for Violin and Piano no. 3 in E-flat major, op. 12 no. 3
Ludwig van Beethoven4:26
12Klavierkonzert Nr. 24 c-Moll, KV 491: I. Allegro (excerpt)
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1937-03)
Klavier:
Edward Fischer (in 1937-03)
Orchester:
The London Philharmonic Orchestra (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra) (in 1937-03)
conductor:
Lawrance Collingwood (in 1937-03)
teilweise recording of:
Concerto for Piano no. 24 in C minor, K. 491: I. Allegro (Klavierkonzert Nr. 24 in c-Moll, KV 491: I. Allegro) (in 1937-03)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1785 bis 1786-03-24)
Teil von:
Concerto for Piano no. 24 in C minor, K. 491
Wolfgang Amadeus Mozart1:41
13Concerto for Piano no. 24 in C minor, K. 491: I. Allegro (excerpt)
Techniker(in):
David Frost (pianist and Grammy-winning producer of classical recordings) (in 1988-12) und John Pellowe (audio engineer) (in 1988-12)
Produzent(in):
Christopher Raeburn (producer)
Editing:
Nigel Gayler
Klavier:
András Schiff (pianist) (in 1988-12)
Orchester:
Camerata Academica Des Mozarteums Salzburg (Austrian chamber orchestra) (in 1988-12)
conductor:
Sándor Végh (violinist/conductor/teacher) (in 1988-12)
aufgenommen bei:
Mozarteum in Salzburg, Salzburg, Österreich (in 1988-12)
teilweise recording of:
Concerto for Piano no. 24 in C minor, K. 491: I. Allegro (Klavierkonzert Nr. 24 in c-Moll, KV 491: I. Allegro) (in 1988-12)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1785 bis 1786-03-24)
Teil von:
Concerto for Piano no. 24 in C minor, K. 491
Wolfgang Amadeus Mozart1:58
14Concerto for Orchestra, Sz. 116, BB 123: IV. Intermezzo interrotto. Allegretto
recording engineer:
Lewis Layton (engineer) (am 1955-10-22)
Produzent(in):
Richard Mohr (producer) (am 1955-10-22)
Orchester:
Pittsburgh Symphony Orchestra (in 1946) und Chicago Symphony Orchestra (am 1955-10-22)
conductor:
Fritz Reiner (conductor) (in 1946, am 1955-10-22)
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (am 1955-10-22)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: IV. Intermezzo interrotto. Allegretto (am 1955-10-22)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1943)
Teil von:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók4:24
15Competition: Mélange of Three Works Combined
medley including a recording of:
24 Caprices for Solo Violin, op. 1, MS 25: No. 1 in E major: Andante “l’Arpeggio”
Komponist(in):
Niccolò Paganini (Italian composer and violinist)
Teil von:
24 Caprices for Solo Violin, op. 1, MS 25
medley including a recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile (Klaviersonate Nr. 8 c-Moll, op. 13 "Sonate pathétique": II. Adagio cantabile)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1798)
Teil von:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
medley including a recording of:
Suite für Violoncello solo no. 5 c-Moll, BWV 1011: I. Prélude (Cello Suite No. 5 in C minor, BWV 1011: I. Prélude)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Suite für Violoncello solo no. 5 c-Moll, BWV 1011 (Cello Suite No. 5 in C minor, BWV 1011)
[unknown]0:53
16A Palace of Pearls
Techniker(in):
Tom Mark (sound engineer)
Produzent(in):
Tony Levin (US rock bassist/Chapman stick player)
Mix:
Bill Bruford, Tony Levin (US rock bassist/Chapman stick player) und Tom Mark (sound engineer)
Chapman Stick:
Tony Levin (US rock bassist/Chapman stick player)
Gitarre:
David Torn (guitarist/composer aka SPLaTTeRCeLL)
Schlagzeug:
Bill Bruford
Trompete:
Chris Botti
phonographisches Urheberrecht (℗) von:
Voiceprint Records
aufgenommen bei und mixed at:
Make Believe Ballroom (West Shokan) in New York, Vereinigte Staaten
recording of:
A Palace of Pearls
Komponist(in):
Bill Bruford
Bill Bruford6:06

Nennungen

Veröffentlichung

Zusammensteller:James Jolly
Harriet Smith (liner notes author)
hergestellt von:CD Systems
urheberrechtlich geschützt (©) von:Gramophone Publications Limited (in 1998)