Editor’s Choice November 1998 / Anne-Sophie Mutter’s Journey With Beethoven

~ Release by Beethoven, Bach, Handel, Mozart; Anne‐Sophie Mutter, Renée Fleming, Pieter Wispelwey, David Daniels, The Lindsays (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Wuthering Heights: I Have Dreamt
executive producer:
Evans Mirageas
producer:
Michael Woolcock (producer)
soprano vocals:
Renée Fleming (soprano)
orchestra:
Metropolitan Opera Orchestra
conductor:
James Levine (US conductor and pianist)
balance engineer:
James Lock (James Locke, engineer) and Philip Siney (sound engineer)
partial recording of:
Wuthering Heights: Act II
composer:
Bernard Herrmann (composer) (from 1943 until 1951)
librettist:
Lucille Fletcher (writer)
part of:
Wuthering Heights
Bernard Herrmann2:57
2Clarinet Quintet in A, K 581: II. Larghetto
cello:
Bernard Gregor-Smith
clarinet:
Janet Hilton (clarinetist)
viola:
Robin Ireland
violin:
Ronald Birks and Peter Cropper
recording of:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": II. Larghetto
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet"
Wolfgang Amadeus Mozart6:40
3La Perichole: Act III, First Tableau. “You Don’t Have Looks, You Don’t Have Cash”
mezzo-soprano vocals:
Diana Montague (mezzo soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
David Parry (conductor)
Jacques Offenbach2:58
4Falstaff: Atto I. Parte 2: Torno all’assalto
baritone vocals:
Roberto Servile (baritone) (in 1996)
bass vocals:
Franco de Grandis (operatic bass) (in 1996)
soprano vocals and soprano vocals [Nannetta]:
Dilbèr (soprano) (in 1996)
tenor vocals:
Maurizio Comencini (tenor) (in 1996) and Alessandro Cosentino (tenor) (in 1996)
tenor vocals [Fenton]:
Maurizio Comencini (tenor) (in 1996)
orchestra:
Hungarian State Opera Orchestra (Hungarian State Opera Orchestra) (in 1996)
conductor:
Will Humburg (conductor) (in 1996)
recording of:
Falstaff: Atto I, scena 2. “Torno all'assalto” - “Torna alla gara” (Fenton, Nannetta) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi3:12
5Solo Cello Suite no. 2 in D minor, BWV 1008: I. Prelude
recording engineer:
C. Jared Sacks (classical producer/engineer) (in 1998-01)
producer:
C. Jared Sacks (classical producer/engineer)
cello:
Pieter Wispelwey (cellist) (in 1998-01)
recorded at:
Kerk van Valkkoog in Valkkoog, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-01)
recording of:
Suite für Violoncello solo no. 2 d-Moll, BWV 1008: I. Prélude (Cello Suite No. 2 in D minor, BWV 1008: I. Prélude) (in 1998-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 2 d-Moll, BWV 1008 (Cello Suite No. 2 in D minor, BWV 1008)
Johann Sebastian Bach3:29
6Giulio Cesare in Egitto, HWV 17: Atto I, Scena IX. “Va tacito e nascosto”
countertenor vocals:
David Daniels (American countertenor)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Sir Roger Norrington (conductor)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1998)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto I, Scena IX, 14. Aria “Va tacito e nascosto” (Cesare)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto I
part of:
Giulio Cesare: Atto I
George Frideric Handel6:08
7María de Buenos Aires: Yo soy María
assistant engineer:
Joachim Goßmann
engineer:
Tobias Lehmann
executive producer:
Wolfgang Mohr
producer:
Helmut Mühle
editor:
Gudrun Maurer
violin:
Gidon Kremer (violinist)
vocals:
Julia Zenko
orchestra:
Kremerata Musica
recording of:
María de Buenos Aires: Yo soy María
lyricist:
Horacio Ferrer
composer:
Astor Piazzolla (composer and bandoneón player)
part of:
María de Buenos Aires
Astor Piazzolla3:26
8Il primo omicidio, Parte seconda: “Ti risponde il ruscelletto”
soprano vocals:
Graciela Oddone (soprano)
orchestra:
Academy for Ancient Music, Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
Alessandro Scarlatti4:04
9La traviata: Atto I. “Libiamo, ne’ lieti calici”
engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
editor:
Jørn Pedersen
choir vocals:
London Voices (in 1998-02)
soprano vocals [Violetta]:
Angela Gheorghiu (Romanian soprano) (in 1998-02)
tenor vocals [Alfredo]:
Roberto Alagna (tenor) (in 1998-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1998-02)
conductor:
Claudio Abbado (conductor) (in 1998-02)
chorus master:
Terry Edwards (British choir director) (in 1998-02)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1998-02)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (in 1998-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi2:59
10Griselda, RV 718: Atto II. “Agitata da due venti”
engineer:
Jonathan Stokes (engineer) (in 1998-06)
assistant producer:
Christopher Pope (producer)
producer:
Christopher Raeburn (producer)
instruments:
Sonatori de la Gioiosa Marca (in 1998-06)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo‐soprano) (in 1998-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1998)
recorded at:
Teatro Olimpico in Vicenza, Vicenza, Veneto, Italy (in 1998-06)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Griselda, RV 718: Atto II. “Agitata da due venti” (Costanza) (in 1998-06)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
librettist:
Carlo Goldoni and Apostolo Zeno
part of:
Griselda, RV 718: Atto II
Antonio Vivaldi25:32
11Sonata no. 3 in E flat, op. 12 no. 3: III. Rondo. Allegro molto
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1998-08)
executive producer:
Michael Fine (producer)
editor:
Mark Buecker (engineer of classical recordings) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
piano:
Lambert Orkis (pianist) (in 1998-08)
violin:
Anne‐Sophie Mutter (violinist) (in 1998-08)
balance engineer:
Ulrich Vette (engineer) (in 1998-08)
recorded at:
Kurhaus Wiesbaden in Wiesbaden, Hessen (Hesse), Germany (in 1998-08)
live recording of:
Sonata for Violin and Piano no. 3 in E-flat major, op. 12 no. 3: III. Rondo. Allegro molto (in 1998-08)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Violin and Piano no. 3 in E-flat major, op. 12 no. 3
Ludwig van Beethoven4:26
12Klavierkonzert Nr. 24 c-Moll, KV 491: I. Allegro (excerpt)
recorded in:
London (Greater London), England, United Kingdom (in 1937-03)
piano:
Edward Fischer (in 1937-03)
orchestra:
The London Philharmonic Orchestra (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra) (in 1937-03)
conductor:
Lawrance Collingwood (in 1937-03)
partial recording of:
Concerto for Piano no. 24 in C minor, K. 491: I. Allegro (in 1937-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1786-03-24)
part of:
Concerto for Piano no. 24 in C minor, K. 491
Wolfgang Amadeus Mozart1:41
13Concerto for Piano no. 24 in C minor, K. 491: I. Allegro (excerpt)
engineer:
David Frost (pianist and Grammy-winning producer of classical recordings) (in 1988-12) and John Pellowe (audio engineer) (in 1988-12)
producer:
Christopher Raeburn (producer)
editor:
Nigel Gayler
piano:
András Schiff (pianist) (in 1988-12)
orchestra:
Camerata Academica Des Mozarteums Salzburg (Austrian chamber orchestra) (in 1988-12)
conductor:
Sándor Végh (violinist/conductor/teacher) (in 1988-12)
recorded at:
Mozarteum in Salzburg, Salzburg, Austria (in 1988-12)
partial recording of:
Concerto for Piano no. 24 in C minor, K. 491: I. Allegro (in 1988-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1786-03-24)
part of:
Concerto for Piano no. 24 in C minor, K. 491
Wolfgang Amadeus Mozart1:58
14Concerto for Orchestra, Sz. 116, BB 123: IV. Intermezzo interrotto. Allegretto
recording engineer:
Lewis Layton (engineer) (on 1955-10-22)
producer:
Richard Mohr (producer) (on 1955-10-22)
orchestra:
Pittsburgh Symphony Orchestra (in 1946) and Chicago Symphony Orchestra (on 1955-10-22)
conductor:
Fritz Reiner (conductor) (in 1946, on 1955-10-22)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1955-10-22)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: IV. Intermezzo interrotto. Allegretto (on 1955-10-22)
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók4:24
15Competition: Mélange of Three Works Combined
medley including a recording of:
24 Caprices for Solo Violin, op. 1, MS 25: No. 1 in E major: Andante “l’Arpeggio”
composer:
Niccolò Paganini (Italian composer and violinist)
part of:
24 Caprices for Solo Violin, op. 1, MS 25
medley including a recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
medley including a recording of:
Suite für Violoncello solo no. 5 c-Moll, BWV 1011: I. Prélude (Cello Suite No. 5 in C minor, BWV 1011: I. Prélude)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 5 c-Moll, BWV 1011 (Cello Suite No. 5 in C minor, BWV 1011)
[unknown]0:53
16A Palace of Pearls
engineer:
Tom Mark (sound engineer)
producer:
Tony Levin (US rock bassist/Chapman stick player)
mixer:
Bill Bruford, Tony Levin (US rock bassist/Chapman stick player) and Tom Mark (sound engineer)
Chapman stick:
Tony Levin (US rock bassist/Chapman stick player)
drums (drum set):
Bill Bruford
guitar:
David Torn (guitarist/composer aka SPLaTTeRCeLL)
trumpet:
Chris Botti
phonographic copyright (℗) by:
Voiceprint Records
recorded at and mixed at:
Make Believe Ballroom (West Shokan) in New York, United States
recording of:
A Palace of Pearls
composer:
Bill Bruford
Bill Bruford6:06

Credits

Release

compiler:James Jolly
Harriet Smith (liner notes author)
manufactured by:CD Systems
copyrighted (©) by:Gramophone Publications Limited (in 1998)