The Radio Essential Series

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Situation
Produzent(in):
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…), Daniel Miller (British music producer and founder of Mute Records) und Eric Radcliffe (UK producer / engineer / musician)
Keyboard und Synthesizer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
vocals:
Alison Moyet
remixer:
François Kevorkian
phonographisches Urheberrecht (℗) von:
Sire Records (in 1982)
recording of:
Situation
Verfasser(in):
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…) und Alison Moyet
Yaz3.355:44
2Oh Well
Oh Well3:49
3The Politics of Dancing
recording of:
The Politics of Dancing
Texter und Komponist(in):
Paul Fishman (UK musician, songwriter and producer. One half of Goldfish Productions.)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jambo Music Limited und Metric Music Ltd.
Re‐Flex3:56
4Come Go With Me
Hintergrundgesang:
Carmen Bruno (IT | Carmen Gioia Bruno, Exposé member), Ann Curless und Jeanette Jurado
Sologesang:
Jeanette Jurado
recording of:
Come Go With Me
Texter und Komponist(in):
Lewis A. Martineé
Exposé4:11
5Pump Up the Volume
Techniker(in):
John Fryer (British producer and engineer)
Produzent(in):
Martyn Young
Gitarre:
A.R. Kane (British dreampop duo)
Sampler:
John Fryer (British producer and engineer)
turntable:
Dave Dorrell und C.J. Mackintosh
recording of:
Pump Up the Volume
Komponist(in):
Martyn Young und Steven Young (UK musician, member of Colourbox & MARRS)
Teil von:
American Psycho
M|A|R|R|S3.84:05
6Rockin’ at Midnight
The Honeydrippers5:55
7Home for a Rest
Spirit of the West4:33
8You’re the One That I Want
Techniker(in) und Mix:
David J. Holman
Produzent(in):
John Farrar
E-Bass:
David Hungate
arranger:
John Farrar, Michael Gibson (trombone) und Louis St. Louis (American songwriter, music arranger and singer)
phonographisches Urheberrecht (℗) von:
Robert Stigwood Organisation Ltd. (in 1978) und RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978)
Karaokeversion von:
You’re the One That I Want (sing‐a‐long version) von John Farrar
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 13) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 250)
recording of:
You’re the One That I Want (Grease, 1978 film)
Texter und Komponist(in):
John Farrar
publisher:
Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13), Sony/ATV Melody, Unichappell Music, Inc., Ensign Music, Inc. (publisher) (in 1978), John Farrar Music (in 1978), Stigwood Music, Inc. (in 1978) und Unichappell Music (in 1978)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
Grease (1978 film)
Olivia Newton-John & John Travolta42:47
9Come On Eileen
Produzent(in):
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) und Alan Winstanley (English record producer)
künstlerische Leitung:
Clive Langer und Alan Winstanley (English record producer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982) und Phonogram Ltd. (not for release label use!) (in 1982)
recording of:
Come On Eileen
Verfasser(in):
Kevin Adams, James Mitchell Paterson und Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:03
10Oh Sheila
recording of:
Oh Sheila
Verfasser(in):
Melvin Riley Jr., Gordon Strozier und Gerald Valentine
Ready for the World43:59
11Rasputin
Produzent(in):
Frank Farian
Hintergrundgesang und Sologesang:
Marcia Barrett, Frank Farian und Liz Mitchell
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1978)
recording of:
Rasputin
Texter und Komponist(in):
Frank Farian, Fred Jay und George Reyam
publisher:
BMG Music und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Boney M.44:25
12Shake It Up
assistierende(r) Techniker(in):
Thom Moore (Syncro Sound engineer, Gang Green producer) und Walter Turbitt (UK engineer, producer, songwriter, and guitarist.)
Techniker(in):
Ian Taylor (rock producer/engineer)
Produzent(in):
Roy Thomas Baker (producer)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1981) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
aufgenommen bei:
Syncro Sound in Boston, Massachusetts, Vereinigte Staaten
recording of:
Shake It Up
publisher:
Ric Ocasek (in 1981)
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc.
The Cars4.33:32
13I Want Your Sex
George Michael4:41
14Bizarre Love Triangle
Techniker(in):
Michael Johnson (UK recording engineer and producer) und Steve Peck (producer and engineer)
Produzent(in):
New Order (UK synth pop band)
Editing:
Latin Rascals und Shep Pettibone
remixer:
Shep Pettibone
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1986, in 1987) und Warner Music UK Ltd. (not for release label use!) (in 1986)
remixed for:
Mastermix Productions
aufgenommen bei:
Amazon Studios (defunct studios in Liverpool, became Parr Street Studios) in Simonswood, Lancashire, England, Vereinigtes Königreich, Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, Vereinigtes Königreich und Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Irland
Remix von:
Bizarre Love Triangle von New Order (UK synth pop band)
recording of:
Bizarre Love Triangle
Verfasser(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner/Chappell Music Ltd. (1996–2019)
New Order1.56:40
15Just Can’t Get Enough
Techniker(in):
John Fryer (British producer and engineer) und Eric Radcliffe (UK producer / engineer / musician)
Produzent(in):
Depeche Mode und Daniel Miller (British music producer and founder of Mute Records)
Sologesang:
Dave Gahan (in 1981-07)
phonographisches Urheberrecht (℗) von:
Mute Records (not for release label use! early 80s copyright for Mute) (in 1981) und Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1981)
aufgenommen bei:
Blackwing Studios (London, UK) in London (Greater London), England, Vereinigtes Königreich (in 1981-07)
produced at:
Blackwing Studios (London, UK) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 66) und Indie 88: Top 500 Indie Rock Songs (Nummer: 460)
recording of:
Just Can’t Get Enough
Texter und Komponist(in):
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (beendet), Musical Moments LTD UK, Sony/ATV Music Publishing (Germany) GmbH (2002–today), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing B.V., Sony/ATV Music Publishing LLC (1995–2020) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Depeche Mode4.253:35
16Just Like Heaven
recording of:
Just Like Heaven
Texter:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Komponist(in):
Simon Gallup, Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson, Lol Tolhurst und Boris Williams
publisher:
APB Music Co.
The Cure3:30
17Private Eyes
recording engineer und Mix:
Neil Kernon
assistierende(r) Techniker(in):
Bruce Buckhhalter (Engineer)
Koproduzent(in):
Neil Kernon
Produzent(in):
Daryl Hall und John Oates
Schlagzeug [drums]:
Mickey Curry
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1981) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1981)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
recording of:
Private Eyes
Verfasser(in):
Janna Allen (songwriter), Sara Allen, Daryl Hall und Warren Pash
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), BMG Rights Management Canada, Geomantic Music, Gnarly Dude Music, Hot Cha Music Co., Primary Wave Brian, Unichappell Music Six Continents Special Account, Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
live recording of:
Private Eyes
Verfasser(in):
Janna Allen (songwriter), Sara Allen, Daryl Hall und Warren Pash
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), BMG Rights Management Canada, Geomantic Music, Gnarly Dude Music, Hot Cha Music Co., Primary Wave Brian, Unichappell Music Six Continents Special Account, Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Daryl Hall & John Oates4.553:24
18I’m Too Sexy
Programmierung und Produzent(in):
Tommy D.
Techniker(in):
Graham Bonnett (Sound Engineer)
Bassgitarre:
Phil Spalding
Gitarre:
Robert Manzoli
Sologesang:
Richard Fairbrass
arranger:
Tommy D.
aufgenommen bei:
Red Bus Studios in London (Greater London), England, Vereinigtes Königreich
mixed at:
Joe's Garage (Bristol) in Bristol, England, Vereinigtes Königreich und Red Bus Studios in London (Greater London), England, Vereinigtes Königreich
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 475)
recording of:
I’m Too Sexy
Verfasser(in):
Fred Fairbrass, Richard Fairbrass und Robert Manzoli
publisher:
Hit & Run Music (Publishing) Ltd
Right Said Fred4.052:50
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